I decide to shave him and cut his hair. He won't notice. If he'd been more conscious I'd have asked him if he wanted a mustache or a little goatee but I'm glad he isn't. I have fun with different haircuts, different sideburns, smaller and smaller mustaches until there's none. Hair, too. I take off more than I meant to, except what does it matter, he's a dead man.
Not a very handsome man whatever way I fixed his hair and beard, though along the way there were some nicer stages—better than what I ended up with. I finish by shaving him. Also not a good job. I make nicks. Where I shaved his beard, his skin is pale. His forehead, where his hat was, is pale too. There's only a sun-browned strip across his face just below his eyes. I like the maleness of him no matter that he's ugly. I don't mind his broken tooth. We're all in the same boat as to teeth.
I fall asleep at the kitchen table, right in the middle of thinking up ways to kill him. Also thinking about how we've all changed—how, in the olden days, I'd not ever have been thinking things at all like that.
In the morning he seems some better—well enough for me to help him stagger, first to the outhouse, and then into my brother's room. He keeps feeling his face and hair. I stop at the hall mirror and let him take a look. He's shocked. He has a kind of wet cat/plucked chicken look.
I say, "Sorry." I am sorry . . .sorry for anybody who gets their hair cut by me. But he should be glad I haven't slit his throat.
He stares at himself, but then says, "Thank you." And so sincerely that I realize I've made him the best disguise there is. He said, "Hide me," and I did. Nobody will take him for one of those wild men now.
I prop him up on the pillows of my brother's bed and bring him milk and tea. He looks so much better I wonder . . . . If he's not going to die on his own, I'll have to think what to do with him.
"What's your name?"
He doesn't answer. He could say anything. I'd have believed him and I'd have had something to call him by.
"Tell me a name. I don't care what."
He thinks, then says, "Jal."
"Make it Joe."
I don't trust him. But if he has any sense at all he knows I'm the only one can keep him safe. Though nobody has much sense anymore.
"Everybody got tired of the war a long time ago." I bang my cup down so hard that my tea spills. "Haven't you noticed?"
"I swore to fight to the death."
"I'll bet you don't even know which side is which anymore. If you ever did."
"You're the ones heated up the planet. It wasn't us. It was you and your greed."
I haven't been so aggravated since my brother was around. "It heated up mostly by itself. It's done that before, you know. Besides, all that's over. Our part in it anyway. Killing crazies isn't going to help. You're crazy!" Not the best thing to say to a crazy, but I go on anyway. "All you hermits are crazy. You're nothing but trouble."
He's taking it all in . . . . Maybe he is. Maybe he just doesn't have the energy to argue.
"I'm going out to get us a rabbit. If you want to keep on making trouble, don't be here when I come back."
I leave. He'll be all alone with my butcher knife and pepper. And I suppose his crossbow isn't far off. I might as well give him a chance to show what he is.
I make the rounds of my traps. They're lower down. I've set them around the town. It's a ghost town. I'm the only one goes down there now and then . . .usually only on a cool day. Which hardly ever happens. Today it must be well over 110 degrees. Now our whole valley in winter is as if Death Valley in summer.
What I trap down there are rats. We cook those up and call them rabbit, though nobody cares anymore what we call them.
I find two big black ones, big as cats. We like those better than the small brown kind, lots more meat on them. (Seems as if the rats are getting bigger all the time.) My traps broke their necks. I don't have to worry about killing them. I tie their tails to my belt, then wander the town in hopes of finding something not already scavenged. I find a quarter. I take it though it's worthless. Maybe a Paiute might turn it into jewelry. On purpose I don't climb back up to my house until late afternoon and until I drink all the water I brought.
Before I go in I check around my shed and house for a crossbow and darts, and then beyond, under the bushes, but I don't find them.
He's still there. Asleep. And no weapons that I can see, but I check the kitchen knives. The largest one, big as a machete, is gone. And he might be pretending to be sicker than he is.
Enemy or not, I do like a man in the house. I watch him sleep. He has such long eyelashes. I like the hair on his knuckles. Just looking at his hands makes me think how there's so few men around. Actually only four. His forearms . . . . Ours don't ever look like that no matter how much we saw and hammer. Even my brother's never looked like that. I like that he already needs a shave again. I even like his bushy eyebrows.
But I have to go clean rats.
When I start rattling around the kitchen section of our main room, he gets up and staggers to the table. Stops at the hall mirror again on the way and studies himself for a long time. As if he forgot what he looked like under all that hair. He sits, then, and watches me make two-rat stew with wild onions and turnips. I thicken it with acorn flour I traded for with the Paiute.
It takes a while for the stew to finish up. I make squaw tea and sit across from him. Being so close and looking into his eyes upsets me. I have to get up and turn my back. I pretend the stew needs stirring. To hide my feelings I say, "Where's your crossbow? And where's my knife? I won't let you have my stew until you tell me." I sound more angry than I meant to.
"Under the bed in the big room. Both of them."
I go check and there they are, and several darts. I bring the bow back to the table. It's a beautiful piece of work. Old scraps of metal and an old screw, salvaged from something, now shiny and oiled. The wood of the bow, carved as if a work of art. All kept up with care. I'll bring it to the town meeting to show I've found the killer and dealt with him. But have I? And they may want a body.
"I'll not shoot anybody. Not now."
"Yeah. But you're still sworn."
"I can fight someplace else."
"Oh yeah."
After we eat I put what's left over into an old bear-proof can, take it to the irrigation ditch, and sink it in wet mud to keep it cool.
I don't know if I should go to bed without barricading my door some way. I wish I still had our dog but Mother and I ate him long ago. He'd be dead by now anyway. It would be nice to have him, though. I'd feel a lot safer. He was a good dog but getting old. We thought we'd better eat him ourselves before somebody else got to him. That was before we were eating rats.
Tired as I am, it takes a while for me to get to sleep. I keep telling myself, if he's going to sneak into my room, I might as well find out about it. But I put the chair against the door in a way that it'll fall. At least I'll hear if he comes in.
Mainly I can't sleep because, in spite of my better judgment, I'm thinking of keeping the man. Trying to. I like the idea of having him around even though it's scary. I make plans.
It's logical that somebody coming in to our new higher village would come to my house first. Perhaps an outsider with news from the North. And it's logical that I'd take him to a town meeting to tell the news.
What news, though? In the morning (the chair hasn't fallen), we make some up. Carson City is as empty and rat-infested as our town. (It's a good bet it really is.) I remember an airplane (I think it was called the gossamer condor) that flew by the propeller being pumped by a bicycle and doesn't need gas. It can't go far or we'd have seen it down here. Joe can say he's seen it.
He says, "How about an epidemic of a new disease passed on by fleas? It hasn't reached here yet." He says, "How about, way up in Reno, they found a cache of ammunition so they can clean up their old guns and use them again?"
I give him news about Clement to tell people. I'll say that's another reason Joe came to me first—to give me news of my brother. (I th
ink I made up that news because I know my brother's dead. Otherwise I'd not have mentioned anything about him. I'd keep on thinking he's out in our mountains as one of the crazies, but I don't think I ever really believed that. I just hoped.)
Once he takes my hand and squeezes it—says how grateful he is. I have to get up again, turn my back. I wash our few dishes, slowly. I'm so flustered I hardly know what his hand felt like. Strong and warm. I know that.
Lots of good things happen in those town meetings. We give each other our news. We have all kinds of helping committees. In some ways we take care of each other more than we did before the war. People used to bring in their deer and wild sheep and share the meat around, except there's less and less wild game and more and more mountain lions. They're eating all the game and we're not good at killing lions. I'll bet Joe would be, with his crossbow.
So I bring him to the meeting. Introduce him. They crowd around and ask questions about all their favorite spots, or places where they used to have relatives. He's good at making stuff up. Makes me wonder, was he once an officer? Or did he act?
I admire him more and more, and I can see all the women do, too. He could have any one of us. I'm worried he'll get away from me and I'm the only one knows who he really is. Whoever gets him in the end will have to be careful.
He's looking pretty good, too, horrible haircut and all. My brother's blue farmer shirt sets off his brown skin. It's too large for him, but that's the usual.
The women have been out at the bird nets and had made a big batch of little-bird soup. I was glad they'd made that instead of the other.
There's a Paiute woman who comes to our meetings and reports back to the reservation. She's beautiful—more than beautiful, strange and striking. I should have known. At his first view of her you can see . . .both of them stare and then, quickly, stop looking at each other.
Later he sits drinking tea with several women including the Paiute. They all crowd around but I saw him push in so that he was next to her. The tables are small but now nine chairs are wedged in close around the one where he sits. I can't see what's going on, but I do see her shoulder is touching his. And their faces are so close I don't see how they can see anything of each other.
I sneak away and run home. I wish I'd saved his smelly, falling-apart clothes. I wish I'd saved the dirty, tangled hair I cut off, but I burned that, too. I do find the old hat. That helps them to believe me. I bring the crossbow. It also helps that he tries to get away.
They hung Joe up in the depository. I told them not to tell me anything about it. I'd rather not know when we get around to using him.
Ginny Sweethips'
Flying Circus
by Neal Barrett, Jr.
Neal Barrett, Jr. is the author of more than fifty novels, including the post-apocalyptic novels Kelwin, Through Darkest America, Dawn's Uncertain Light, and Prince of Christler-Coke. He's published dozens of short stories, in venues such as F&SF, Galaxy, Amazing Stories, Omni, Asimov's, and a number of anthologies. His work has been collected in Slightly Off Center and Perpetuity Blues.
This story, which was a finalist for both the Hugo and Nebula Awards, introduces readers to Ginny Sweethips and her traveling roadshow that makes its living selling sex, tacos, and dangerous drugs. Her companions are her driver and carnival barker Del, and Possum Dark who lives for the moments when he can spray lead across the land.
So, without further adieu, here she is, gents: Ginny Sweethips. Isn't she all you ever dreamed of?
Del drove and Ginny sat.
"They're taking their sweet time," Ginny said, "damned if they're not."
"They're itchy," Del said. "Everyone's itchy. Everyone's looking to stay alive."
"Huh!" Ginny showed disgust. "I sure don't care for sittin' out here in the sun. My price is going up by the minute. You wait and see if it doesn't."
"Don't get greedy," Del said.
Ginny curled her toes on the dash. Her legs felt warm in the sun. The stockade was a hundred yards off. Barbed wire looped above the walls. The sign over the gate read:
First Church of the Unleaded God & Ace High Refinery
WELCOME
KEEP OUT
The refinery needed paint. It had likely been silver, but was now dull as pewter and black rust. Ginny leaned out the window and called to Possum Dark.
"What's happening, friend? Those mothers dead in there or what?"
"Thinking," Possum said. "Fixing to make a move. Considering what to do." Possum Dark sat atop the van in a steno chair bolted to the roof. Circling the chair was a swivel-ring mount sporting fine twin-fifties black as grease. Possum had a death-view clean around. Keeping out the sun was a red Cinzano umbrella faded pink. Possum studied the stockade and watched heat distort the flats. He didn't care for the effect. He was suspicious of things less than cut and dried. Apprehensive of illusions of every kind. He scratched his nose and curled his tail around his leg. The gate opened up and men started across the scrub. He teased them in his sights. He prayed they'd do something silly and grand.
Possum counted thirty-seven men. A few carried sidearms, openly or concealed. Possum spotted them all at once. He wasn't too concerned. This seemed like an easygoing bunch, more intent on fun than fracas. Still, there was always the hope that he was wrong.
The men milled about. They wore patched denim and faded shirts. Possum made them nervous. Del countered that; his appearance set them at ease. The men looked at Del, poked each other and grinned. Del was scrawny and bald except for tufts around the ears. The dusty black coat was too big. His neck thrust out of his shirt like a newborn buzzard looking for meat. The men forgot Possum and gathered around, waiting to see what Del would do. Waiting for Del to get around to showing them what they'd come to see. The van was painted turtle-green. Gold Barnum type named the owner, and the selected vices for sale:
Ginny Sweethips' Flying Circus
* * * SEX * TACOS * DANGEROUS DRUGS * * *
Del puttered about with this and that. He unhitched the wagon from the van and folded out a handy little stage. It didn't take three minutes to set up, but he dragged it out to ten, then ten on top of that. The men started to whistle and clap their hands. Del looked alarmed. They liked that. He stumbled and they laughed.
"Hey, mister, you got a girl in there or not?" a man called out.
"Better be something here besides you," another said.
"Gents," Del said, raising his hands for quiet, "Ginny Sweethips herself will soon appear on this stage, and you'll be more than glad you waited. Your every wish will be fulfilled, I promise you that. I'm bringing beauty to the wastelands, gents. Lust the way you like it, passion unrestrained. Sexual crimes you never dreamed!"
"Cut the talk, mister," a man with peach-pit eyes shouted to Del. "Show us what you got."
Others joined in, stomped their feet and whistled. Del knew he had them. Anger was what he wanted. Frustration and denial. Hatred waiting for sweet release. He waved them off, but they wouldn't stop. He placed one hand on the door of the van—and brought them to silence at once.
The double doors opened. A worn red curtain was revealed, stenciled with hearts and cherubs. Del extended his hand. He seemed to search behind the curtain, one eye closed in concentration. He looked alarmed, groping for something he couldn't find. Uncertain he remembered how to do this trick at all. And then, in a sudden burst of motion, Ginny did a double forward flip, and appeared like glory on the stage.
The men broke into shouts of wild abandon. Ginny led them in a cheer. She was dressed for the occasion. Short white skirt shiny bright, white boots with tassels. White sweater with a big red G sewn on the front.
"Ginny Sweethips, gents," Del announced with a flair, "giving you her own interpretation of Barbara Jean, the Cheerleader Next Door. Innocent as snow, yet a little bit wicked and willing to learn, if Biff the Quarterback will only teach her. Now, what do you say to that?"
They whistled and yelled and stomped. Ginny strutted and switched, doing long-le
gged kicks that left them gasping with delight. Thirty-seven pairs of eyes showed their needs. Men guessed at hidden parts. Dusted off scenarios of violence and love. Then, as quickly as she'd come, Ginny was gone. Men threatened to storm the stage. Del grinned without concern. The curtain parted and Ginny was back, blond hair replaced with saucy red, costume changed in the blink of an eye. Del introduced Nurse Nora, an angel of mercy weak as soup in the hands of Patient Pete. Moments later, hair black as a raven's throat, she was Schoolteacher Sally, cold as well water, until Steve the Bad Student loosed the fury chained within.
Ginny vanished again. Applause thundered over the flats. Del urged them on, then spread his hands for quiet.
"Did I lie to you gents? Is she all you ever dreamed? Is this the love you've wanted all your life? Could you ask for sweeter limbs, for softer flesh? For whiter teeth, for brighter eyes?"
"Yeah, but is she real?" a man shouted, a man with a broken face sewn up like a sock. "We're religious people here. We don't fuck with no machines."
Others echoed the question with bold shouts and shaking fists.
"Now, I don't blame you, sir, at all," Del said. "I've had a few dolly droids myself. A plastic embrace at best, I'll grant you that. Not for the likes of you, for I can tell you're a man who knows his women. No, sir, Ginny's real as rain, and she's yours in the role of your choice. Seven minutes of bliss. It'll seem like a lifetime, gents, I promise you that. Your goods gladly returned if I'm a liar. And all for only a U.S. gallon of gas!"
Howls and groans at that, as Del expected.
"That's a cheat is what it is! Ain't a woman worth it!"
Wastelands Page 38
