Antonio inquired whether she knew the name of this impetuous admirer? She replied that he had made his advances under a fictitious name; but that she had heard him once called by the name of Don Ambrosio de Loxa.
Antonio knew him, by report, for one of the most determined and dangerous libertines in all Granada. Artful, accomplished, and, if he chose to be so, insinuating; but daring and headlong in the pursuit of his pleasures; violent and implacable in his resentments. He rejoiced to find that Inez had been proof against his seductions, and had been inspired with aversion by his splendid profligacy; but he trembled to think of the dangers she had run, and he felt solicitude about the dangers that must yet environ her.
At present, however, it was probable the enemy had a temporary quietus. The traces of blood had been found for some distance from the ladder, until they were lost among thickets; and as nothing had been heard or seen of him since, it was concluded that he had been seriously wounded.
As the student recovered from his wounds, he was enabled to join Inez and her father in their domestic intercourse. The chamber in which they usually met had probably been a saloon of state in former times. The floor was of marble; the walls partially covered with remains of tapestry; the chairs, richly carved and gilt, were crazed with age, and covered with tarnished and tattered brocade. Against the wall hung a long rusty rapier, the only relic that the old man retained of the chivalry of his ancestors. There might have been something to provoke a smile, in the contrast between the mansion and its inhabitants; between present poverty and the graces of departed grandeur; but the fancy of the student had thrown so much romance about the edifice and its inmates, that every thing was clothed with charms. The philosopher, with his broken-down pride, and his strange pursuits, seemed to comport with the melancholy ruin he inhabited; and there was a native elegance of spirit about the daughter, that showed she would have graced the mansion in its happier days.
What delicious moments were these to the student! Inez was no longer coy and reserved. She was naturally artless and confiding; though the kind of persecution she had experienced from one admirer had rendered her, for a time, suspicious and circumspect toward the other. She now felt an entire confidence in the sincerity and worth of Antonio, mingled with an overflowing gratitude. When her eyes met his, they beamed with sympathy and kindness; and Antonio, no longer haunted by the idea of a favoured rival, once more aspired to success.
At these domestic meetings, however, he had little opportunity of paying his court, except by looks. The alchymist, supposing him, like himself, absorbed in the study of alchymy, endeavoured to cheer the tediousness of his recovery by long conversations on the art. He even brought several of his half-burnt volumes, which the student had once rescued from the flames, and rewarded him for their preservation, by reading copious passages. He would entertain him with the great and good acts of Flamel, which he effected through means of the philosopher’s stone, relieving widows and orphans, founding hospitals, building churches, and what not; or with the interrogatories of King Kalid, and the answers of Morienus, the Roman hermit of Jerusalem; or the profound questions which Elardus, a necromancer of the province of Catalonia, put to the devil, touching the secrets of alchymy, and the devil’s replies.
All these were couched, in occult language, almost unintelligible to the unpractised ear of the disciple. Indeed, the old man delighted in the mystic phrases and symbolical jargon in which the writers that have treated of alchymy have wrapped their communications; rendering them incomprehensible except to the initiated. With what rapture would he elevate his voice at a triumphant passage, announcing the grand discovery! “Thou shalt see,” would he exclaim, in the words of Henry Kuhnrade, “the stone of the philosophers (our king) go forth of the bedchamber of his glassy sepulchre into the theatre of this world; that is to say, regenerated and made perfect, a shining carbuncle, a most temperate splendour, whose most subtle and depurated parts are inseparable, united into one with a concordial mixture, exceeding equal, transparent as chrystal, shining red like a ruby, permanently colouring or ringing, fixt in all temptations or tryals; yea, in the examination of the burning sulphur itself, and the devouring waters, and in the most vehement persecution of the fire, always incombustible and permanent as a salamander!”
The student had a high veneration for the fathers of alchymy, and a profound respect for his instructor; but what was Henry Kuhnrade, Geber, Lully, or even Albertus Magnus himself, compared to the countenance of Inez, which presented such a page of beauty to his perusal? While, therefore, the good alchymist was doling out knowledge by the hour, his disciple would forget books, alchymy, every thing but the lovely object before him. Inez, too, unpractised in the science of the heart, was gradually becoming fascinated by the silent attentions of her lover. Day by day, she seemed more and more perplexed by the kindling and strangely pleasing emotions of her bosom. Her eye was often cast down in thought. Blushes stole to her cheek without any apparent cause, and light, half-suppressed sighs would follow these short fits of musing. Her little ballads, though the same that she had always sung, yet breathed a more tender spirit. Either the tones of her voice were more soft and touching, or some passages were delivered with a feeling she had never before given them. Antonio, beside his love for the abstruse sciences, had a pretty turn for music; and never did philosopher touch the guitar more tastefully. As, by degrees, he conquered the mutual embarrassment that kept them asunder, he ventured to accompany Inez in some of her songs. He had a voice full of fire and tenderness: as he sang, one would have thought, from the kindling blushes of his companion, that he had been pleading his own passion in her ear. Let those who would keep two youthful hearts asunder, beware of music. Oh! this leaning over chairs, and conning the same music-book, and entwining of voices, and melting away in harmonies!—the German waltz is nothing to it.
The worthy alchymist saw nothing of all this. His mind could admit of no idea that was not connected with the discovery of the grand arcanum, and he supposed his youthful coadjutor equally devoted. He was a mere child as to human nature; and, as to the passion of love, whatever he might once have felt of it, he had long since forgotten that there was such an idle passion in existence. But, while he dreamed, the silent amour went on. The very quiet and seclusion of the place were favourable to the growth of romantic passion. The opening bud of love was able to put forth leaf by leaf, without an adverse wind to check its growth. There was neither officious friendship to chill by its advice, nor insidious envy to wither by its sneers, nor an observing world to look on and stare it out of countenance. There was neither declaration, nor vow, nor any other form of Cupid’s canting school. Their hearts mingled together, and understood each other without the aid of language. They lapsed into the full current of affection, unconscious of its depth, and thoughtless of the rocks that might lurk beneath its surface. Happy lovers! who wanted nothing to make their felicity complete, but the discovery of the philosopher’s stone!
At length, Antonio’s health was sufficiently restored to enable him to return to his lodgings in Granada. He felt uneasy, however, at leaving the tower, while lurking danger might surround its almost defenceless inmates. He dreaded lest Don Ambrosio, recovered from his wounds, might plot some new attempt, by secret art, or open violence. From all that he had heard, he knew him to be too implacable to suffer his defeat to pass unavenged, and too rash and fearless, when his arts were unavailing, to stop at any daring deed in the accomplishment of his purposes. He urged his apprehensions to the alchymist and his daughter, and proposed that they should abandon the dangerous vicinity of Granada.
“I have relations,” said he, “in Valentia, poor indeed, but worthy and affectionate. Among them you will find friendship and quiet, and we may there pursue our labours unmolested.” He went on to paint the beauties and delights of Valentia, with all the fondness of a native, and all the eloquence with which a lover paints the fields and groves which he is picturing as the future scenes of his happiness. His eloquen
ce, backed by the apprehensions of Inez, was successful with the alchymist, who, indeed, had led too unsettled a life to be particular about the place of his residence; and it was determined, that, as soon as Antonio’s health was perfectly restored, they should abandon the tower, and seek the delicious neighbourhood of Valentia.
To recruit his strength, the student suspended his toils in the laboratory, and spent the few remaining days, before departure, in taking a farewell look at the enchanting environs of Granada. He felt returning health and vigour, as he inhaled the pure temperate breezes that play about its hills; and the happy state of his mind contributed to his rapid recovery. Inez was often the companion of his walks. Her descent, by the mother’s side, from one of the ancient Moorish families, gave her an interest in this once favourite seat of Arabian power. She gazed with enthusiasm upon its magnificent monuments, and her memory was filled with the traditional tales and ballads of Moorish chivalry. Indeed, the solitary life she had led, and the visionary turn of her father’s mind, had produced an effect upon her character, and given it a tinge of what, in modern days, would be termed romance. All this was called into full force by this new passage; for, when a woman first begins to love, life is all romance to her.
In one of their evening strolls, they had ascended to the mountain of the Sun, where is situated the Generaliffe, the palace of pleasure, in the days of Moorish dominion, but now a gloomy convent of Capuchins. They had wandered about its garden, among groves of orange, citron, and cypress, where the waters, leaping in torrents, or gushing in fountains, or tossed aloft in sparkling jets, fill the air with music and freshness.
There is a melancholy mingled with all the beauties of this garden, that gradually stole over the feelings of the lovers. The place is full of the sad story of past times. It was the favourite abode of the lovely queen of Granada, where she was surrounded by the delights of a gay and voluptuous court. It was here, too, amidst her own bowers of roses, that her slanderers laid the base story of her dishonour, and struck a fatal blow to the line of the gallant Abencerrages.
The whole garden has a look of ruin and neglect. Many of the fountains are dry and broken; the streams have wandered from their marble channels, and are choked by weeds and yellow leaves. The reed whistles to the wind, where it had once sported among roses, and shaken perfume from the orange-blossom. The convent-bell flings its sullen sound, or the drowsy vesper-hymn floats along these solitudes, which once resounded with the song, and the dance, and the lover’s serenade. Well may the Moors lament over the loss of this earthly paradise; well may they remember it in their prayers, and beseech Heaven to restore it to the faithful; well may their ambassadors smite their breasts when they behold these monuments of their race, and sit down and weep among the fading glories of Granada!
It is impossible to wander about these scenes of departed love and gayety, and not feel the tenderness of the heart awakened. It was then that Antonio first ventured to breathe his passion, and to express by words what his eyes had long since so eloquently revealed. He made his avowal with fervour, but with frankness. He had no gay prospects to hold out: he was a poor scholar, dependent on his “good spirits to feed and clothe him.” But a woman in love is no interested calculator. Inez listened to him with downcast eyes, but in them was a humid gleam that showed her heart was with him. She had no prudery in her nature; and she had not been sufficiently in society to acquire it. She loved him with all the absence of worldliness of a genuine woman; and, amidst timid smiles and blushes, he drew from her a modest acknowledgment of her affection.
They wandered about the garden, with that sweet intoxication of the soul which none but happy lovers know. The world about them was all fairy land; and, indeed, it spread forth one of its fairest scenes before their eyes, as if to fulfil their dream of earthly happiness. They looked out from between groves of orange, upon the towers of Granada below them; the magnificent plain of the Vega beyond, streaked with evening sunshine, and the distant hills tinted with rosy and purple hues: it seemed an emblem of the happy future, that love and hope were decking out for them.
As if to make the scene complete, a group of Andalusians struck up a dance, in one of the vistas of the garden, to the guitars of two wandering musicians. The Spanish music is wild and plaintive, yet the people dance to it with spirit and enthusiasm. The picturesque figures of the dancers; the girls with their hair in silken nets that hung in knots and tassels down their backs, their mantillas floating round their graceful forms, their slender feet peeping from under their basquinas, their arms tossed up in the air to play the castanets, had a beautiful effect on this airy height, with the rich evening landscape spreading out below them.
When the dance was ended, two of the parties approached Antonio and Inez; one of them began a soft and tender Moorish ballad, accompanied by the other on the lute. It alluded to the story of the garden, the wrongs of the fair queen of Granada, and the misfortunes of the Abencerrages. It was one of those old ballads that abound in this part of Spain, and live, like echoes, about the ruins of Moorish greatness. The heart of Inez was at that moment open to every tender impression; the tears rose into her eyes, as she listened to the tale. The singer approached nearer to her; she was striking in her appearance;—young, beautiful, with a mixture of wildness and melancholy in her fine black eyes. She fixed them mournfully and expressively on Inez, and, suddenly varying her manner, sang another ballad, which treated of impending danger and treachery. All this might have passed for a mere accidental caprice of the singer, had there not been something in her look, manner, and gesticulation that made it pointed and startling.
Inez was about to ask the meaning of this evidently personal application of the song, when she was interrupted by Antonio, who gently drew her from the place. Whilst she had been lost in attention to the music, he had remarked a group of men, in the shadows of the trees, whispering together. They were enveloped in the broad hats and great cloaks so much worn by the Spanish, and, while they were regarding himself and Inez attentively, seemed anxious to avoid observation. Not knowing what might be their character or intention, he hastened to quit a place where the gathering shadows of evening might expose them to intrusion and insult. On their way down the hill, as they passed through the wood of elms, mingled with poplars and oleanders, that skirts the road leading from the Alhambra, he again saw these men apparently following at a distance; and he afterwards caught sight of them among the trees on the banks of the Darro. He said nothing on the subject to Inez, nor her father, for he would not awaken unnecessary alarm; but he felt at a loss how to ascertain or to avert any machinations that might be devising against the helpless inhabitants of the tower.
He took his leave of them late at night, full of this perplexity. As he left the dreary old pile, he saw some one lurking in the shadow of the wall, apparently watching his movements. He hastened after the figure, but it glided away, and disappeared among some ruins. Shortly after he heard a low whistle, which was answered from a little distance. He had no longer a doubt but that some mischief was on foot, and turned to hasten back to the tower, and put its inmates on their guard. He had scarcely turned, however, before he found himself suddenly seized from behind by some one of Herculean strength. His struggles were in vain; he was surrounded by armed men. One threw a mantle over him that stifled his cries, and enveloped him in its folds; and he was hurried off with irresistible rapidity.
The next day passed without the appearance of Antonio at the alchymist’s. Another, and another day succeeded, and yet he did not come; nor had any thing been heard of him at his lodgings. His absence caused, at first, surprise and conjecture, and at length alarm. Inez recollected the singular intimations of the ballad-singer upon the mountain, which seemed to warn her of impending danger, and her mind was full of vague forebodings. She sat listening to every sound at the gate, or footstep on the stairs. She would take up her guitar and strike a few notes, but it would not do; her heart was sickening with suspense and anxiety. She had never bef
ore felt what it was to be really lonely. She now was conscious of the force of that attachment which had taken possession of her breast; for never do we know how much we love, never do we know how necessary the object of our love is to our happiness, until we experience the weary void of separation.
The philosopher, too, felt the absence of his disciple almost as sensibly as did his daughter. The animating buoyancy of the youth had inspired him with new ardour, and had given to his labours the charm of full companionship. However, he had resources and consolations of which his daughter was destitute. His pursuits were of a nature to occupy every thought, and keep the spirits in a state of continual excitement. Certain indications, too, had lately manifested themselves, of the most favourable nature. Forty days and forty nights had the process gone on successfully; the old man’s hopes were constantly rising, and he now considered the glorious moment once more at hand, when he should obtain not merely the major lunaria, but likewise the tinctura solaris, the means of multiplying gold, and of prolonging existence. He remained, therefore, continually shut up in his laboratory, watching his furnace; for a moment’s inadvertency might once more defeat all his expectations.
Complete Fictional Works of Washington Irving (Illustrated) Page 58
