“Seize him! seize him!” cried Don Ambrosio to the familiars, “’tis an accomplice of the sorcerer’s.”
“Liar!” retorted Antonio, as he thrust the mob to the right and left, and forced himself to the spot.
The sword of Don Ambrosio flashed in an instant from the scabbard; the student was armed, and equally alert. There was a fierce clash of weapons: the crowd made way for them as they fought, and closed again, so as to hide them from the view of Inez. All was tumult and confusion for a moment; when there was a kind of shout from the spectators, and the mob again opening, she beheld, as she thought, Antonio weltering in his blood.
This new shock was too great for her already overstrained intellect. A giddiness seized upon her; every thing seemed to whirl before her eyes; she gasped some incoherent words, and sunk senseless upon the ground.
Days—weeks elapsed, before Inez returned to consciousness. At length she opened her eyes, as if out of a troubled sleep. She was lying upon a magnificent bed, in a chamber richly furnished with pier-glasses, and massive tables inlaid with silver, of exquisite workmanship. The walls were covered with tapestry; the cornices richly gilded; through the door, which stood open, she perceived a superb saloon, with statues and crystal lustres, and a magnificent suite of apartments beyond. The casements of the room were open to admit the soft breath of summer, which stole in, laden with perfumes from a neighbouring garden; from whence, also, the refreshing sound of fountains and the sweet notes of birds came in mingled music to her ear.
Female attendants were moving, with noiseless step, about the chamber; but she feared to address them. She doubted whether this was not all delusion, or whether she was not still in the palace of Don Ambrosio, and that her escape, and all its circumstances, had not been but a feverish dream. She closed her eyes again, endeavouring to recall the past, and to separate the real from the imaginary. The last scenes of consciousness, however, rushed too forcibly, with all their horrors, to her mind to be doubted, and she turned shuddering from the recollection, to gaze once more on the quiet and serene magnificence around her. As she again opened her eyes, they rested on an object that at once dispelled every alarm. At the head of her bed sat a venerable form, watching over her with a look of fond anxiety—it was her father!
I will not attempt to describe the scene that ensued; nor the moments of rapture which more than repaid all the sufferings that her affectionate heart had undergone. As soon as their feelings had become more calm, the alchymist stepped out of the room to introduce a stranger, to whom he was indebted for his life and liberty. He returned, leading in Antonio, no longer in his poor scholar’s garb, but in the rich dress of a nobleman.
The feelings of Inez were almost overpowered by these sudden reverses, and it was some time before she was sufficiently composed to comprehend the explanation of this seeming romance.
It appeared that the lover, who had sought her affections in the lowly guise of a student, was only son and heir of a powerful grandee of Valentia. He had been placed at the university of Salamanca; but a lively curiosity, and an eagerness for adventure, had induced him to abandon the university, without his father’s consent, and to visit various parts of Spain. His rambling inclination satisfied, he had remained incognito for a time at Granada, until, by farther study and self-regulation, he could prepare himself to return home with credit, and atone for his transgressions against paternal authority.
How hard he had studied, does not remain on record. All that we know is his romantic adventure of the tower. It was at first a mere youthful caprice, excited by a glimpse of a beautiful face. In becoming a disciple of the alchymist, he probably thought of nothing more than pursuing a light love affair. Farther acquaintance, however, had completely fixed his affections; and he had determined to conduct Inez and her father to Valentia, and to trust to her merits to secure his father’s consent to their union.
In the meantime, he had been traced to his concealment. His father had received intelligence of his being entangled in the snares of a mysterious adventurer and his daughter, and likely to become the dupe of the fascinations of the latter. Trusty emissaries had been despatched to seize upon him by main force, and convey him without delay to the paternal home.
What eloquence he had used with his father, to convince him of the innocence, the honour, and the high descent of the alchymist, and of the exalted worth of his daughter, does not appear. All that we know is, that the father, though a very passionate, was a very reasonable man, as appears by his consenting that his son should return to Granada, and conduct Inez as his affianced bride to Valentia.
Away, then, Don Antonio hurried back, full of joyous anticipations. He still forbore to throw off his disguise, fondly picturing to himself what would be the surprise of Inez, when, having won her heart and hand as a poor wandering scholar, he should raise her and her father at once to opulence and splendour.
On his arrival he had been shocked at finding the tower deserted by its inhabitants. In vain he sought for intelligence concerning them; a mystery hung over their disappearance which he could not penetrate, until he was thunderstruck, on accidentally reading a list of the prisoners at the impending auto da fé, to find the name of his venerable master among the condemned.
It was the very morning of the execution. The procession was already on its way to the grand square. Not a moment was to be lost. The grand inquisitor was a relation of Don Antonio, though they had never met. His first impulse was to make himself known; to exert all his family influence, the weight of his name, and the power of his eloquence, in vindication of the alchymist. But the grand inquisitor was already proceeding, in all his pomp, to the place where the fatal ceremony was to be performed. How was he to be approached? Antonio threw himself into the crowd, in a fever of anxiety, and was forcing his way to the scene of horror, where he arrived just in time to rescue Inez, as has been mentioned.
It was Don Ambrosio that fell in their contest. Being desperately wounded, and thinking his end approaching, he had confessed to an attending father of the inquisition, that he was the sole cause of the alchymist’s condemnation, and that the evidence on which it was grounded was altogether false. The testimony of Don Antonio came in corroboration of this avowal; and his relationship to the grand inquisitor had, in all probability, its proper weight. Thus was the poor alchymist snatched, in a manner, from the very flames; and so great had been the sympathy awakened in his case, that for once a populace rejoiced at being disappointed of an execution.
The residue of the story may readily be imagined, by every one versed in this valuable kind of history. Don Antonio espoused the lovely Inez, and took her and her father with him to Valentia. As she had been a loving and dutiful daughter, so she proved a true and tender wife. It was not long before Don Antonio succeeded to his father’s titles and estates, and he and his fair spouse were renowned for being the handsomest and happiest couple in all Valentia.
As to Don Ambrosio, he partially recovered to the enjoyment of a broken constitution and a blasted name, and hid his remorse and disgrace in a convent; while the poor victim of his arts, who had assisted Inez in her escape, unable to conquer the early passion that he had awakened in her bosom, though convinced of the baseness of the object, retired from the world, and became an humble sister in a nunnery.
The worthy alchymist took up his abode with his children. A pavilion, in the garden of their palace, was assigned to him as a laboratory, where he resumed his researches with renovated ardour, after the grand secret. He was now and then assisted by his son-in-law; but the latter slackened grievously in his zeal and diligence, after marriage. Still he would listen with profound gravity and attention to the old man’s rhapsodies, and his quotations from Paracelsus, Sandivogius, and Pietro D’Abano, which daily grew longer and longer. In this way the good alchymist lived on quietly and comfortably, to what is called a good old age, that is to say, an age that is good for nothing; and unfortunately for mankind, was hurried out of life in his ninetieth year, j
ust as he was on the point of discovering the Philosopher’s Stone.
*
Such was the story of the captain’s friend, with which we whiled away the morning. The captain was, every now and then, interrupted by questions and remarks, which I have not mentioned, lest I should break the continuity of the tale. He was a little disturbed, also, once or twice, by the general, who fell asleep, and breathed rather hard, to the great horror and annoyance of Lady Lillycraft. In a long and tender love scene, also, which was particularly to her ladyship’s taste, the unlucky general, having his head a little sunk upon his breast, kept making a sound at regular intervals, very much like the word pish, long drawn out. At length he made an odd abrupt guttural sound, that suddenly awoke him; he hemmed, looked about with a slight degree of consternation, and then began to play with her ladyship’s work-bag, which, however, she rather pettishly withdrew. The steady sound of the captain’s voice was still too potent a soporific for the poor general; he kept gleaming up and sinking in the socket, until the cessation of the tale again roused him, when he started awake, put his foot down upon Lady Lillycraft’s cur, the sleeping Beauty, which yelped and seized him by the leg, and, in a moment, the whole library resounded with yelpings and exclamations. Never did man more completely mar his fortunes while he was asleep. Silence being at length restored, the company expressed their thanks to the captain, and gave various opinions of the story. The parson’s mind, I found, had been continually running upon the leaden manuscripts, mentioned in the beginning, as dug up at Granada, and he put several eager questions to the captain on the subject. The general could not well make out the drift of the story, but thought it a little confused. “I am glad, however,” said he, “that they burnt the old chap of the tower; I have no doubt he was a notorious impostor.”
ANNETTE DELARBRE.
The soldier frae the war returns,
And the merchant from the main,
But I hae parted with my love,
And ne’er to meet again,
My dear.
And ne’er to meet again.
When day is gone, and night is come,
And a’ are boun to sleep,
I think on them that’s far awa
The lee-lang night, and weep,
My dear,
The lee-lang night, and weep.
—Old Scotch Ballad.
In the course of a tour that I once made in Lower Normandy, I remained for a day or two at the old town of Honfleur, which stands near the mouth of the Seine. It was the time of a fête, and all the world was thronging in the evening to dance at the fair, held before the chapel of Our Lady of Grace. As I like all kinds of innocent merrymaking, I joined the throng.
The chapel is situated at the top of a high hill, or promontory, from whence its bell may be heard at a distance by the mariner at night. It is said to have given the name to the port of Havre-de-Grace, which lies directly opposite, on the other side of the Seine. The road up to the chapel went in a zigzag course, along the brow of the steep coast; it was shaded by trees, from between which I had beautiful peeps at the ancient towers of Honfleur below, the varied scenery of the opposite shore, the white buildings of Havre in the distance, and the wide sea beyond. The road was enlivened by groups of peasant girls, in their bright crimson dresses and tall caps; and I found all the flower of the neighbourhood assembled on the green that crowns the summit of the hill.
The chapel of Notre Dame de Grace is a favourite resort of the inhabitants of Honfleur and its vicinity, both for pleasure and devotion. At this little chapel prayers are put up by the mariners of the port previous to their voyages, and by their friends during their absence; and votive offerings are hung about its walls, in fulfilment of vows made during times of shipwreck and disaster. The chapel is surrounded by trees. Over the portal is an image of the Virgin and child, with an inscription which struck me as being quite poetical:
”Etoile de la mer, priez pour nous!”
(Star of the sea, pray for us.)
On a level spot near the chapel, under a grove of noble trees, the populace dance on fine summer evenings; and here are held frequent fairs and fêtes, which assemble all the rustic beauty of the loveliest parts of Lower Normandy. The present was an occasion of the kind. Booths and tents were erected among the trees; there were the usual displays of finery to tempt the rural coquette, and of wonderful shows to entice the curious; mountebanks were exerting their eloquence; jugglers and fortune-tellers astonishing the credulous; while whole rows of grotesque saints, in wood and wax-work, were offered for the purchase of the pious.
The fête had assembled in one view all the picturesque costumes of the Pays d’Auge, and the Coté de Caux. I beheld tall, stately caps, and trim bodices, according to fashions which have been handed down from mother to daughter for centuries, the exact counterparts of those worn in the time of the Conqueror; and which surprised me by their faithful resemblance to those which I had seen in the old pictures of Froissart’s Chronicles, and in the paintings of illuminated manuscripts. Any one, also, that has been in Lower Normandy, must have remarked the beauty of the peasantry, and that air of native elegance that prevails among them. It is to this country, undoubtedly, that the English owe their good looks. It was from hence that the bright carnation, the fine blue eye, the light auburn hair, passed over to England in the train of the Conqueror, and filled the land with beauty.
The scene before me was perfectly enchanting: the assemblage of so many fresh and blooming faces; the gay groups in fanciful dresses; some dancing on the green, others strolling about, or seated on the grass; the fine clumps of trees in the foreground, bordering the brow of this airy height, and the broad green sea, sleeping in summer tranquillity in the distance.
Whilst I was regarding this animated picture, I was struck with the appearance of a beautiful girl, who passed through the crowd without seeming to take any interest in their amusements. She was slender and delicate in her form; she had not the bloom upon her cheek that is usual among the peasantry of Normandy, and her blue eyes had a singular and melancholy expression. She was accompanied by a venerable-looking man, whom I presumed to be her father. There was a whisper among the bystanders, and a wistful look after her as she passed; the young men touched their hats, and some of the children followed her at a little distance, watching her movements. She approached the edge of the hill, where there is a little platform, from whence the people of Honfleur look out for the approach of vessels. Here she stood for some time waving her handkerchief, though there was nothing to be seen but two or three fishing-boats, like mere specks on the bosom of the distant ocean.
These circumstances excited my curiosity, and I made some inquiries about her, which were answered with readiness and intelligence by a priest of the neighbouring chapel. Our conversation drew together several of the bystanders, each of whom had something to communicate, and from them all I gathered the following particulars.
Annette Delarbre was the only daughter of one of the higher order of farmers, or small proprietors, as they are called, who lived at Pont l’Eveque, a pleasant village not far from Honfleur, in that rich pastoral part of Lower Normandy called the Pays d’Auge. Annette was the pride and delight of her parents, and was brought up with the fondest indulgence. She was gay, tender, petulant, and susceptible. All her feelings were quick and ardent; and having never experienced contradiction or restraint, she was little practised in self-control: nothing but the native goodness of her heart kept her from running continually into error.
Even while a child, her susceptibility was evinced in an attachment which she formed to a playmate, Eugene La Forgue, the only son of a widow, who lived in the neighbourhood. Their childish love was an epitome of maturer passion; it had its caprices, and jealousies, and quarrels, and reconciliations. It was assuming something of a graver character, as Annette entered her fifteenth and Eugene his nineteenth year, when he was suddenly carried off to the army by the conscription.
It was a heavy blow to his wid
owed mother, for he was her only pride and comfort; but it was one of those sudden bereavements which mothers were perpetually doomed to feel in France, during the time that continual and bloody wars were incessantly draining her youth. It was a temporary affliction also to Annette, to lose her lover. With tender embraces, half childish, half womanish, she parted from him. The tears streamed from her blue eyes, as she bound a braid of her fair hair round his wrist; but the smiles still broke through; for she was yet too young to feel how serious a thing is separation, and how many chances there are, when parting in this wide world, against our ever meeting again.
Weeks, months, years flew by. Annette increased in beauty as she increased in years, and was the reigning belle of the neighbourhood. Her time passed innocently and happily. Her father was a man of some consequence in the rural community, and his house was the resort of the gayest of the village. Annette held a kind of rural court; she was always surrounded by companions of her own age, among whom she alone unrivalled. Much of their time was passed in making lace, the prevalent manufacture of the neighbourhood. As they sat at this delicate and feminine labour, the merry tale and sprightly song went round; none laughed with a lighter heart than Annette; and if she sang, her voice was perfect melody. Their evenings were enlivened by the dance, or by those pleasant social games so prevalent among the French; and when she appeared at the village ball on Sunday evenings, she was the theme of universal admiration.
As she was a rural heiress, she did not want for suitors. Many advantageous offers were made her, but she refused them all. She laughed at the pretended pangs of her admirers, and triumphed over them with the caprice of buoyant youth and conscious beauty. With all her apparent levity, however, could any one have read the story of her heart, they might have traced in it some fond remembrance of her early playmate, not so deeply graven as to be painful, but too deep to be easily obliterated; and they might have noticed, amidst all her gayety, the tenderness that marked her manner towards the mother of Eugene. She would often steal away from her youthful companions and their amusements, to pass whole days with the good widow; listening to her fond talk about her boy, and blushing with secret pleasure, when his letters were read, at finding herself a constant theme of recollection and inquiry.
Complete Fictional Works of Washington Irving (Illustrated) Page 62
