While all Andalusia was thus music mad, a different mood prevailed at the court of Spain. Philip V, as is well known, was a miserable hypochondriac, and subject to all kinds of fancies. Sometimes he would keep to his bed for weeks together, groaning under imaginary complaints. At other times he would insist upon abdicating his throne, to the great annoyance of his royal spouse, who had a strong relish for the splendors of a court and the glories of a crown, and guided the sceptre of her imbecile lord with an expert and steady hand.
Nothing was found to be so efficacious in dispelling the royal megrims as the power of music; the queen took care, therefore, to have the best performers, both vocal and instrumental, at hand, and retained the famous Italian singer Farinelli about the court as a kind of royal physician.
At the moment we treat of, however, a freak had come over the mind of this sapient and illustrious Bourbon that surpassed all former vagaries. After a long spell of imaginary illness, which set all the strains of Farinelli and the consultations of a whole orchestra of court fiddlers at defiance, the monarch fairly, in idea, gave up the ghost, and considered himself absolutely dead.
This would have been harmless enough, and even convenient both to his queen and courtiers, had he been content to remain in the quietude befitting a dead man; but to their annoyance he insisted upon having the funeral ceremonies performed over him, and, to their inexpressible perplexity, began to grow impatient, and to revile bitterly at them for negligence and disrespect, in leaving him unburied. What was to be done? To disobey the king’s positive commands was monstrous in the eyes of the obsequious courtiers of a punctilious court — but to obey him, and bury him alive would be downright regicide!
In the midst of this fearful dilemma a rumor reached the court, of the female minstrel who was turning the brains of all Andalusia. The queen dispatched missions in all haste to summon her to St. Ildefonso, where the court at that time resided.
Within a few days, as the queen with her maids of honor was walking in those stately gardens, intended, with their avenues and terraces and fountains, to eclipse the glories of Versailles, the far-famed minstrel was conducted into her presence. The imperial Elizabetta gazed with surprise at the youthful and unpretending appearance of the little being that had set the world madding. She was in her picturesque Andalusian dress, her silver lute in hand, and stood with modest and downcast eyes, but with a simplicity and freshness of beauty that still bespoke her “the Rose of the Alhambra.”
As usual she was accompanied by the ever-vigilant Fredegonda, who gave the whole history of her parentage and descent to the inquiring queen. If the stately Elizabetta had been interested by the appearance of Jacinta, she was still more pleased when she learnt that she was of a meritorious though impoverished line, and that her father had bravely fallen in the service of the crown. “If thy powers equal their renown,” said she, “and thou canst cast forth this evil spirit that possesses thy sovereign, thy fortunes shall henceforth be my care, and honors and wealth attend thee.”
Impatient to make trial of her skill, she led the way at once to the apartment of the moody monarch.
Jacinta followed with downcast eyes through files of guards and crowds of courtiers. They arrived at length at a great chamber hung with black. The windows were closed to exclude the light of day: a number of yellow wax tapers in silver sconces diffused a lugubrious light, and dimly revealed the figures of mutes in mourning dresses, and courtiers who glided about with noiseless step and woebegone visage. In the midst of a funeral bed or bier, his hands folded on his breast, and the tip of his nose just visible, lay extended this would-be-buried monarch.
The queen entered the chamber in silence, and pointing to a footstool in an obscure corner, beckoned to Jacinta to sit down and commence.
At first she touched her lute with a faltering hand, but gathering confidence and animation as she proceeded, drew forth such soft aerial harmony, that all present could scarce believe it mortal. As to the monarch, who had already considered himself in the world of spirits, he set it down for some angelic melody or the music of the spheres. By degrees the theme was varied, and the voice of the minstrel accompanied the instrument. She poured forth one of the legendary ballads treating of the ancient glories of the Alhambra and the achievements of the Moors. Her whole soul entered into the theme, for with the recollections of the Alhambra was associated the story of her love. The funeral chamber resounded with the animating strain. It entered into the gloomy heart of the monarch. He raised his head and gazed around: he sat up on his couch, his eye began to kindle — at length, leaping upon the floor, he called for sword and buckler.
The triumph of music, or rather of the enchanted lute, was complete; the demon of melancholy was cast forth; and, as it were, a dead man brought to life. The windows of the apartment were thrown open; the glorious effulgence of Spanish sunshine burst into the late lugubrious chamber; all eyes sought the lovely enchantress, but the lute had fallen from her hand, she had sunk upon the earth, and the next moment was clasped to the bosom of Ruyz de Alarcon.
The nuptials of the happy couple were celebrated soon afterwards with great splendor, and the Rose of the Alhambra became the ornament and delight of the court. “But hold — not so fast” — I hear the reader exclaim, “this is jumping to the end of a story at a furious rate! First let us know how Ruyz de Alarcon managed to account to Jacinta for his long neglect?” Nothing more easy; the venerable, time-honored excuse, the opposition to his wishes by a proud, pragmatical old father: besides, young people, who really like one another, soon come to an amicable understanding, and bury all past grievances when once they meet.
But how was the proud pragmatical old father reconciled to the match?
Oh! as to that, his scruples were easily overcome by a word or two from the queen; especially as dignities and rewards were showered upon the blooming favorite of royalty. Besides, the lute of Jacinta, you know, possessed a magic power, and could control the most stubborn head and hardest breast.
And what came of the enchanted lute?
Oh, that is the most curious matter of all, and plainly proves the truth of the whole story. That lute remained for some time in the family, but was purloined and carried off, as was supposed, by the great singer Farinelli, in pure jealousy. At his death it passed into other hands in Italy, who were ignorant of its mystic powers, and melting down the silver, transferred the strings to an old Cremona fiddle. The strings still retain something of their magic virtues. A word in the reader’s ear, but let it go no further — that fiddle is now bewitching the whole world — it is the fiddle of Paganini!
The Veteran.
Among the curious acquaintances I made in my rambles about the fortress, was a brave and battered old colonel of Invalids, who was nestled like a hawk in one of the Moorish towers. His history, which he was fond of telling, was a tissue of those adventures, mishaps, and vicissitudes that render the life of almost every Spaniard of note as varied and whimsical as the pages of Gil Blas.
He was in America at twelve years of age, and reckoned among the most signal and fortunate events of his life, his having seen General Washington. Since then he had taken a part in all the wars of his country; he could speak experimentally of most of the prisons and dungeons of the Peninsula; had been lamed of one leg, crippled in his hands, and so cut up and carbonadoed that he was a kind of walking monument of the troubles of Spain, on which there was a scar for every battle and broil, as every year of captivity was notched upon the tree of Robinson Crusoe. The greatest misfortune of the brave old cavalier, however, appeared to have been his having commanded at Malaga during a time of peril and confusion, and been made a general by the inhabitants, to protect them from the invasion of the French. This had entailed upon him a number of just claims upon government, that I feared would employ him until his dying day in writing and printing petitions and memorials, to the great disquiet of his mind, exhaustion of his purse, and penance of his friends; not one of whom could visit him without hav
ing to listen to a mortal document of half an hour in length, and to carry away half a dozen pamphlets in his pocket. This, however, is the case throughout Spain; every where you meet with some worthy wight brooding in a corner, and nursing up some pet grievance and cherished wrong. Besides, a Spaniard who has a lawsuit, or a claim upon government, may be considered as furnished with employment for the remainder of his life.
I visited the veteran in his quarters in the upper part of the Torre del Vino, or Wine Tower. His room was small but snug, and commanded a beautiful view of the Vega. It was arranged with a soldier’s precision. Three muskets and a brace of pistols, all bright and shining, were suspended against the wall, with a sabre and a cane hanging side by side, and above them, two cocked hats, one for parade, and one for ordinary use. A small shelf, containing some half dozen books, formed his library, one of which, a little old mouldy volume of philosophical maxims, was his favorite reading. This he thumbed and pondered over day by day; applying every maxim to his own particular case, provided it had a little tinge of wholesome bitterness, and treated of the injustice of the world.
Yet he was social and kindhearted, and provided he could be diverted from his wrongs and his philosophy, was an entertaining companion. I like these old weatherbeaten sons of fortune, and enjoy their rough campaigning anecdotes. In the course of my visits to the one in question, I learnt some curious facts about an old military commander of the fortress, who seems to have resembled him in some respects, and to have had similar fortunes in the wars. These particulars have been augmented by inquiries among some of the old inhabitants of the place, particularly the father of Mateo Ximenes, of whose traditional stories the worthy I am about to introduce to the reader, was a favorite hero.
The Governor and the Notary.
In former times there ruled, as governor of the Alhambra, a doughty old cavalier, who, from having lost one arm in the wars, was commonly known by the name of el Gobernador Manco, or “the one-armed governor.” He in fact prided himself upon being an old soldier, wore his mustaches curled up to his eyes, a pair of campaigning boots, and a Toledo as long as a spit, with his pocket handkerchief in the basket-hilt.
He was, moreover, exceedingly proud and punctilious, and tenacious of all his privileges and dignities. Under his sway the immunities of the Alhambra, as a royal residence and domain, were rigidly exacted. No one was permitted to enter the fortress with firearms, or even with a sword or staff, unless he were of a certain rank; and every horseman was obliged to dismount at the gate, and lead his horse by the bridle. Now as the hill of the Alhambra rises from the very midst of the city of Granada, being, as it were, an excrescence of the capital, it must at all times be somewhat irksome to the captain-general, who commands the province, to have thus an imperium in imperio, a petty independent post in the very centre of his domains. It was rendered the more galling, in the present instance, from the irritable jealousy of the old governor, that took fire on the least question of authority and jurisdiction; and from the loose vagrant character of the people who had gradually nestled themselves within the fortress, as in a sanctuary, and thence carried on a system of roguery and depredation at the expense of the honest inhabitants of the city.
Thus there was a perpetual feud and heartburning between the captain-general and the governor, the more virulent on the part of the latter, inasmuch as the smallest of two neighboring potentates is always the most captious about his dignity. The stately palace of the captain-general stood in the Plaza Nueva, immediately at the foot of the hill of the Alhambra, and here was always a bustle and parade of guards, and domestics, and city functionaries. A beetling bastion of the fortress overlooked the palace and public square in front of it; and on this bastion the old governor would occasionally strut backwards and forwards, with his Toledo girded by his side, keeping a wary eye down upon his rival, like a hawk reconnoitering his quarry from his nest in a dry tree.
Whenever he descended into the city it was in grand parade, on horseback, surrounded by his guards, or in his state coach, an ancient and unwieldy Spanish edifice of carved timber and gilt leather, drawn by eight mules, with running footmen, outriders, and lackeys; on which occasions he flattered himself he impressed every beholder with awe and admiration as vicegerent of the king; though the wits of Granada, particularly those who loitered about the palace of the captain-general, were apt to sneer at his petty parade, and in allusion to the vagrant character of his subjects, to greet him with the appellation of “the king of the beggars.” One of the most fruitful sources of dispute between these two doughty rivals was the right claimed by the governor to have all things passed free of duty through the city, that were intended for the use of himself or his garrison. By degrees this privilege had given rise to extensive smuggling. A nest of contrabandistas took up their abode in the hovels of the fortress, and the numerous caves in its vicinity, and drove a thriving business under the connivance of the soldiers of the garrison.
The vigilance of the captain-general was aroused. He consulted his legal adviser and factotum, a shrewd meddlesome escribano, or notary, who rejoiced in an opportunity of perplexing the old potentate of the Alhambra, and involving him in a maze of legal subtilties. He advised the captain-general to insist upon the right of examining every convoy passing through the gates of his city, and penned a long letter for him in vindication of the right. Governor Manco was a straightforward cut-and-thrust old soldier, who hated an escribano worse than the devil and this one in particular worse than all other escribanos.
“What!” said he, curling up his mustaches fiercely, “does the captain-general set his man of the pen to practise confusions upon me? I’ll let him see an old soldier is not to be baffled by schoolcraft.”
He seized his pen and scrawled a short letter in a crabbed hand, in which, without deigning to enter into argument, he insisted on the right of transit free of search, and denounced vengeance on any customhouse officer who should lay his unhallowed hand on any convoy protected by the flag of the Alhambra. While this question was agitated between the two pragmatical potentates, it so happened that a mule laden with supplies for the fortress arrived one day at the gate of Xenil, by which it was to traverse a suburb of the city on its way to the Alhambra. The convoy was headed by a testy old corporal, who had long served under the governor, and was a man after his own heart; as rusty and stanch as an old Toledo blade.
As they approached the gate of the city, the corporal placed the banner of the Alhambra on the pack-saddle of the mule, and drawing himself up to a perfect perpendicular, advanced with his head dressed to the front, but with the wary side-glance of a cur passing through hostile ground, and ready for a snap and a snarl.
“Who goes there?” said the sentinel at the gate.
“Soldier of the Alhambra!” said the corporal, without turning his head.
“What have you in charge?”
“Provisions for the garrison.”
“Proceed.”
The corporal marched straight forward, followed by the convoy, but had not advanced many paces before a posse of customhouse officers rushed out of a small toll-house.
“Hallo there!” cried the leader. “Muleteer, halt, and open those packages.”
The corporal wheeled round, and drew himself up in battle array. “Respect the flag of the Alhambra,” said he; “these things are for the governor.”
“A figo for the governor, and a figo for his flag. Muleteer, halt, I say.”
“Stop the convoy at your peril!” cried the corporal, cocking his musket.
The muleteer gave his beast a hearty thwack; the customhouse officer sprang forward and seized the halter; whereupon the corporal levelled his piece, and shot him dead.
The street was immediately in an uproar.
The old corporal was seized, and after undergoing sundry kicks, and cuffs, and cudgellings, which are generally given impromptu by the mob in Spain, as a foretaste of the after penalties of the law, he was loaded with irons, and conducted to the city pr
ison; while his comrades were permitted to proceed with the convoy, after it had been well rummaged, to the Alhambra.
The old governor was in a towering passion when he heard of this insult to his flag and capture of his corporal. For a time he stormed about the Moorish halls, and vapored about the bastions, and looked down fire and sword upon the palace of the captain-general. Having vented the first ebullition of his wrath, he dispatched a message demanding the surrender of the corporal, as to him alone belonged the right of sitting in judgment on the offences of those under his command. The captain-general, aided by the pen of the delighted escribano, replied at great length, arguing that as the offence had been committed within the walls of his city, and against one of his civil officers, it was clearly within his proper jurisdiction. The governor rejoined by a repetition of his demand; the captain-general gave a sur-rejoinder of still greater length and legal acumen; the governor became hotter and more peremptory in his demands, and the captain-general cooler and more copious in his replies; until the old lion-hearted soldier absolutely roared with fury at being thus entangled in the meshes of legal controversy.
While the subtle escribano was thus amusing himself at the expense of the governor, he was conducting the trial of the corporal, who, mewed up in a narrow dungeon of the prison, had merely a small grated window at which to show his iron-bound visage and receive the consolations of his friends.
A mountain of written testimony was diligently heaped up, according to Spanish form, by the indefatigable escribano; the corporal was completely overwhelmed by it. He was convicted of murder, and sentenced to be hanged.
It was in vain the governor sent down remonstrance and menace from the Alhambra. The fatal day was at hand, and the corporal was put in capilla, that is to say, in the chapel of the prison, as is always done with culprits the day before execution, that they may meditate on their approaching end and repent them of their sins.
Complete Fictional Works of Washington Irving (Illustrated) Page 129
