The custom remained after the wars were at an end, and what originated in necessity was kept up through ostentation. The wealth which flowed into the country from conquests and discoveries fostered the passion for princely establishments. According to magnificent old Spanish usage, in which pride and generosity bore equal parts, a superannuated servant was never turned off, but became a charge for the rest of his days; nay, his children, and his children’s children, and often their relatives to the right and left, became gradually entailed upon the family. Hence the huge palaces of the Spanish nobility which have such an air of empty ostentation from the greatness of their size compared with the mediocrity and scantiness of their furniture, were absolutely required in the golden days of Spain, by the patriarchal habits of their possessors. They were little better than vast barracks for the hereditary generations of hangers on, that battened at the expense of a Spanish noble.
These patriarchal habits of the Spanish nobility have declined with their revenues; though the spirit which prompted them remains, and wars sadly with their altered fortunes. The poorest among them have always some hereditary hangers on, who live at their expense, and make them poorer. Some who, like my neighbor the count, retain a modicum of their once princely possessions, keep up a shadow of the ancient system, and their estates are overrun and the produce consumed by generations of idle retainers.
The count held estates in various parts of the kingdom, some including whole villages, yet the revenues collected from them were comparatively small; some of them, he assured me, barely fed the hordes of dependents nestled upon them, who seemed to consider themselves entitled to live rent free and be maintained into the bargain, because their forefathers had been so since time immemorial.
The saint’s day of the old count gave me a glimpse into a Spanish interior. For two or three days previous preparations were made for the fete. Viands of all kinds were brought up from town, greeting the olfactory nerves of the old invalid guards, as they were borne past them through the Gate of Justice. Servants hurried officiously about the courts; the ancient kitchen of the palace was again alive with the tread of cooks and scullions, and blazed with unwonted fires.
When the day arrived I beheld the old count in patriarchal state, his family and household around him, with functionaries who mismanaged his estates at a distance and consumed the proceeds; while numerous old worn-out servants and pensioners were loitering about the courts and keeping within smell of the kitchen.
It was a joyous day in the Alhambra. The guests dispersed themselves about the palace before the hour of dinner, enjoying the luxuries of its courts and fountains, and embosomed gardens, and music and laughter resounded through its late silent halls.
The feast, for a set dinner in Spain is literally a feast, was served in the beautiful Morisco Hall of “Las Dos Hermanas.” The table was loaded with all the luxuries of the season; there was an almost interminable succession of dishes; showing how truly the feast at the rich Camacho’s wedding in Don Quixote was a picture of a Spanish banquet. A joyous conviviality prevailed round the board; for though Spaniards are generally abstemious, they are complete revellers on occasions like the present, and none more so than the Andalusians. For my part, there was something peculiarly exciting in thus sitting at a feast in the royal halls of the Alhambra, given by one who might claim remote affinity with its Moorish kings, and who was a lineal representative of Gonsalvo of Cordova, one of the most distinguished of the Christian conquerors.
The banquet ended, the company adjourned to the Hall of Ambassadors. Here every one endeavored to contribute to the general amusement, singing, improvising, telling wonderful tales, or dancing popular dances to that all-pervading talisman of Spanish pleasure, the guitar.
The count’s gifted little daughter was as usual the life and delight of the assemblage, and I was more than ever struck with her aptness and wonderful versatility. She took a part in two or three scenes of elegant comedy with some of her companions, and performed them with exquisite point and finished grace; she gave imitations of the popular Italian singers, some serious, some comic, with a rare quality of voice, and, I was assured, with singular fidelity; she imitated the dialects, dances, ballads, and movements and manners of the gipsies, and the peasants of the Vega, with equal felicity, but every thing was done with an all-pervading grace and a ladylike tact perfectly fascinating.
The great charm of every thing she did was its freedom from pretension or ambitious display, its happy spontaneity. Every thing sprang from the impulse of the moment; or was in prompt compliance with a request. She seemed unconscious of the rarity and extent of her own talent, and was like a child at home revelling in the buoyancy of its own gay and innocent spirits. Indeed I was told she had never exerted her talents in general society, but only, as at present, in the domestic circle.
Her faculty of observation and her perception of character must have been remarkably quick, for she could have had only casual and transient glances at the scenes, manners and customs, depicted with such truth and spirit. “Indeed it is a continual wonder to us,” said the countess, “where the child (la Nina) has picked up these things; her life being passed almost entirely at home, in the bosom of the family.”
Evening approached; twilight began to throw its shadows about the halls, and the bats to steal forth from their lurking-place and flit about. A notion seized the little damsel and some of her youthful companions, to set out, under the guidance of Dolores, and explore the less frequented parts of the palace in quest of mysteries and enchantments. Thus conducted, they peeped fearfully into the gloomy old mosque, but quick drew back on being told that a Moorish king had been murdered there; they ventured into the mysterious regions of the bath, frightening themselves with the sounds and murmurs of hidden aqueducts, and flying with mock panic at the alarm of phantom Moors. They then undertook the adventure of the Iron Gate, a place of baleful note in the Alhambra. It is a postern gate, opening into a dark ravine; a narrow covered way leads down to it, which used to be the terror of Dolores and her playmates in childhood, as it was said a hand without a body would sometimes be stretched out from the wall and seize hold of the passers by.
The little party of enchantment hunters ventured to the entrance of the covered way, but nothing would tempt them to enter, in this hour of gathering gloom; they dreaded the grasp of the phantom arm.
At length they came running back into the Hall of Ambassadors in a mock paroxysm of terror; they had positively seen two spectral figures all in white. They had not stopped to examine them; but could not be mistaken, for they glared distinctly through the surrounding gloom. Dolores soon arrived and explained the mystery. The spectres proved to be two statues of nymphs in white marble, placed at the entrance of a vaulted passage. Upon this a grave, but, as I thought, somewhat sly old gentleman present, who, I believe, was the count’s advocate or legal adviser, assured them that these statues were connected with one of the greatest mysteries of the Alhambra; that there was a curious history concerning them, and moreover, that they stood a living monument in marble of female secrecy and discretion. All present entreated him to tell the history of the statues. He took a little time to recollect the details, and then gave them in substance the following legend.
Legend of the Two Discreet Statues.
There lived once in a waste apartment of the Alhambra, a merry little fellow, named Lope Sanchez, who worked in the gardens, and was as brisk and blithe as a grasshopper, singing all day long. He was the life and soul of the fortress; when his work was over, he would sit on one of the stone benches of the esplanade, strum his guitar, and sing long ditties about the Cid, and Bernardo del Carpio, and Fernando del Pulgar, and other Spanish heroes, for the amusement of the old soldiers of the fortress, or would strike up a merrier tune, and set the girls dancing boleros and fandangos.
Like most little men, Lope Sanchez had a strapping buxom dame for a wife, who could almost have put him in her pocket; but he lacked the usual poor man’s lot — ins
tead of ten children he had but one. This was a little black-eyed girl about twelve years of age, named Sanchica, who was as merry as himself, and the delight of his heart. She played about him as he worked in the gardens, danced to his guitar as he sat in the shade, and ran as wild as a young fawn about the groves and alleys and ruined halls of the Alhambra.
It was now the eve of the blessed St. John, and the holiday-loving gossips of the Alhambra, men, women, and children, went up at night to the mountain of the sun, which rises above the Generalife, to keep their midsummer vigil on its level summit. It was a bright moonlight night, and all the mountains were gray and silvery, and the city, with its domes and spires, lay in shadows below, and the Vega was like a fairy land, with haunted streams gleaming among its dusky groves. On the highest part of the mountain they lit up a bonfire, according to an old custom of the country handed down from the Moors. The inhabitants of the surrounding country were keeping a similar vigil, and bonfires, here and there in the Vega, and along the folds of the mountains, blazed up palely in the moonlight.
The evening was gayly passed in dancing to the guitar of Lope Sanchez, who was never so joyous as when on a holiday revel of the kind. While the dance was going on, the little Sanchica with some of her playmates sported among the ruins of an old Moorish fort that crowns the mountain, when, in gathering pebbles in the fosse, she found a small hand curiously carved of jet, the fingers closed, and the thumb firmly clasped upon them. Overjoyed with her good fortune, she ran to her mother with her prize. It immediately became a subject of sage speculation, and was eyed by some with superstitious distrust. “Throw it away,” said one; “it’s Moorish — depend upon it, there’s mischief and witchcraft in it.” “By no means,” said another; “you may sell it for something to the jewellers of the Zacatin.”
In the midst of this discussion an old tawny soldier drew near, who had served in Africa, and was as swarthy as a Moor. He examined the hand with a knowing look. “I have seen things of this kind,” said he, “among the Moors of Barbary. It is a great virtue to guard against the evil eye, and all kinds of spells and enchantments. I give you joy, friend Lope, this bodes good luck to your child.”
Upon hearing this, the wife of Lope Sanchez tied the little hand of jet to a ribbon, and hung it round the neck of her daughter.
The sight of this talisman called up all the favorite superstitions about the Moors. The dance was neglected, and they sat in groups on the ground, telling old legendary tales handed down from their ancestors. Some of their stories turned upon the wonders of the very mountain upon which they were seated, which is a famous hobgoblin region. One ancient crone gave a long account of the subterranean palace in the bowels of that mountain where Boabdil and all his Moslem court are said to remain enchanted. “Among yonder ruins,” said she, pointing to some crumbling walls and mounds of earth on a distant part of the mountain, “there is a deep black pit that goes down, down into the very heart of the mountain. For all the money in Granada I would not look down into it. Once upon a time a poor man of the Alhambra, who tended goats upon this mountain, scrambled down into that pit after a kid that had fallen in. He came out again all wild and staring, and told such things of what he had seen, that every one thought his brain was turned. He raved for a day or two about the hobgoblin Moors that had pursued him in the cavern, and could hardly be persuaded to drive his goats up again to the mountain. He did so at last, but, poor man, he never came down again. The neighbors found his goats browsing about the Moorish ruins, and his hat and mantle lying near the mouth of the pit, but he was never more heard of.”
The little Sanchica listened with breathless attention to this story. She was of a curious nature, and felt immediately a great hankering to peep into this dangerous pit. Stealing away from her companions she sought the distant ruins, and after groping for some time among them came to a small hollow, or basin, near the brow of the mountain, where it swept steeply down into the valley of the Darro. In the centre of this basin yawned the mouth of the pit. Sanchica ventured to the verge, and peeped in. All was as black as pitch, and gave an idea of immeasurable depth. Her blood ran cold; she drew back, then peeped in again, then would have run away, then took another peep — the very horror of the thing was delightful to her. At length she rolled a large stone, and pushed it over the brink. For some time it fell in silence; then struck some rocky projection with a violent crash, then rebounded from side to side, rumbling and tumbling, with a noise like thunder, then made a final splash into water, far, far below — and all was again silent.
The silence, however, did not long continue. It seemed as if something had been awakened within this dreary abyss. A murmuring sound gradually rose out of the pit like the hum and buzz of a beehive. It grew louder and louder; there was the confusion of voices as of a distant multitude, together with the faint din of arms, clash of cymbals and clangor of trumpets, as if some army were marshalling for battle in the very bowels of the mountain.
The child drew off with silent awe, and hastened back to the place where she had left her parents and their companions. All were gone. The bonfire was expiring, and its last wreath of smoke curling up in the moonshine. The distant fires that had blazed along the mountains and in the Vega were all extinguished, and every thing seemed to have sunk to repose. Sanchica called her parents and some of her companions by name, but received no reply. She ran down the side of the mountain, and by the gardens of the Generalife, until she arrived in the alley of trees leading to the Alhambra, when she seated herself on a bench of a woody recess to recover breath. The bell from the watchtower of the Alhambra tolled midnight. There was a deep tranquillity as if all nature slept, excepting the low tinkling sound of an unseen stream that ran under the covert of the bushes. The breathing sweetness of the atmosphere was lulling her to sleep, when her eye was caught by something glittering at a distance, and to her surprise she beheld a long cavalcade of Moorish warriors pouring down the mountain side and along the leafy avenues. Some were armed with lances and shields, others with cimeters and battleaxes, and with polished cuirasses that flashed in the moonbeams. Their horses pranced proudly and champed upon their bits, but their tramp caused no more sound than if they had been shod with felt, and the riders were all as pale as death. Among them rode a beautiful lady, with a crowned head and long golden locks entwined with pearls. The housings of her palfrey were of crimson velvet embroidered with gold, and swept the earth; but she rode all disconsolate, with eyes ever fixed upon the ground.
Then succeeded a train of courtiers magnificently arrayed in robes and turbans of divers colors, and amidst them, on a cream-colored charger, rode King Boabdil el Chico, in a royal mantle covered with jewels, and a crown sparkling with diamonds. The little Sanchica knew him by his yellow beard, and his resemblance to his portrait, which she had often seen in the picture gallery of the Generalife. She gazed in wonder and admiration at this royal pageant, as it passed glistening among the trees; but though she knew these monarchs and courtiers and warriors, so pale and silent, were out of the common course of nature, and things of magic and enchantment, yet she looked on with a bold heart, such courage did she derive from the mystic talisman of the hand, which was suspended about her neck.
The cavalcade having passed by, she rose and followed. It continued on to the great Gate of Justice, which stood wide open; the old invalid sentinels on duty lay on the stone benches of the barbican, buried in profound and apparently charmed sleep, and the phantom pageant swept noiselessly by them with flaunting banner and triumphant state. Sanchica would have followed; but to her surprise she beheld an opening in the earth, within the barbican, leading down beneath the foundations of the tower. She entered for a little distance, and was encouraged to proceed by finding steps rudely hewn in the rock, and a vaulted passage here and there lit up by a silver lamp, which, while it gave light, diffused likewise a grateful fragrance. Venturing on, she came at last to a great hall, wrought out of the heart of the mountain, magnificently furnished in the Moorish
style, and lighted up by silver and crystal lamps. Here, on an ottoman, sat an old man in Moorish dress, with a long white beard, nodding and dozing, with a staff in his hand, which seemed ever to be slipping from his grasp; while at a little distance sat a beautiful lady, in ancient Spanish dress, with a coronet all sparkling with diamonds, and her hair entwined with pearls, who was softly playing on a silver lyre. The little Sanchica now recollected a story she had heard among the old people of the Alhambra, concerning a Gothic princess confined in the centre of the mountain by an old Arabian magician, whom she kept bound up in magic sleep by the power of music.
The lady paused with surprise at seeing a mortal in that enchanted hall. “Is it the eve of the blessed St. John?” said she.
“It is,” replied Sanchica.
“Then for one night the magic charm is suspended. Come hither, child, and fear not. I am a Christian like thyself, though bound here by enchantment. Touch my fetters with the talisman that hangs about thy neck, and for this night I shall be free.”
So saying, she opened her robes and displayed a broad golden band round her waist, and a golden chain that fastened her to the ground. The child hesitated not to apply the little hand of jet to the golden band, and immediately the chain fell to the earth. At the sound the old man woke and began to rub his eyes; but the lady ran her fingers over the chords of the lyre, and again he fell into a slumber and began to nod, and his staff to falter in his hand. “Now,” said the lady, “touch his staff with the talismanic hand of jet.” The child did so, and it fell from his grasp, and he sank in a deep sleep on the ottoman. The lady gently laid the silver lyre on the ottoman, leaning it against the head of the sleeping magician; then touching the chords until they vibrated in his ear—”O potent spirit of harmony,” said she, “continue thus to hold his senses in thraldom till the return of day. Now follow me, my child,” continued she, “and thou shalt behold the Alhambra as it was in the days of its glory, for thou hast a magic talisman that reveals all enchantments.” Sanchica followed the lady in silence. They passed up through the entrance of the cavern into the barbican of the Gate of Justice, and thence to the Plaza de los Algibes, or esplanade within the fortress.
Complete Fictional Works of Washington Irving (Illustrated) Page 132
