“But where am I?” was the reiterated demand.
“In the house of Mr. Somerville.”
“Somerville — Somerville!” I recollected to have heard that a gentleman of that name had recently taken up his residence at some distance from my father’s abode, on the opposite side of the Hudson. He was commonly known by the name of “French Somerville,” from having passed part of his early life in France, and from his exhibiting traces of French taste in his mode of living, and the arrangements of his house. In fact, it was in his pleasure-boat, which had got adrift, that I had made my fanciful and disastrous cruise. All this was simple, straightforward matter of fact, and threatened to demolish all the cobweb romance I had been spinning, when fortunately I again heard the tinkling of a harp. I raised myself in bed and listened.
“Scipio,” said I, with some little hesitation, “I heard some one singing just now. Who was it?”
“Oh, that was Miss Julia.”
“Julia! Julia! Delightful! what a name! And, Scipio — is she — is she pretty?”
Scipio grinned from ear to ear. “Except Miss Sophy, she was the most beautiful young lady he had ever seen.”
I should observe, that my sister Sophia was considered by all the servants a paragon of perfection.
Scipio now offered to remove the basket of flowers; he was afraid their odor might be too powerful; but Miss Julia had given them that morning to be placed in my room.
These flowers, then, had been gathered by the fairy fingers of my unseen beauty; that sweet breath which had filled my ear with melody had passed over them. I made Scipio hand them to me, culled several of the most delicate, and laid them on my bosom.
Mr. Somerville paid me a visit not long afterward. He was an interesting study for me, for he was the father of my unseen beauty, and probably resembled her. I scanned him closely. He was a tall and elegant man, with an open, affable manner, and an erect and graceful carriage. His eyes were bluish-gray, and, though not dark, yet at times were sparkling and expressive. His hair was dressed and powdered, and being lightly combed up from his forehead, added to the loftiness of his aspect. He was fluent in discourse, but his conversation had the quiet tone of polished society, without any of those bold flights of thought, and picturings of fancy, which I so much admired.
My imagination was a little puzzled, at first, to make out of this assemblage of personal and mental qualities a picture that should harmonize with my previous idea of the fair unseen. By dint, however, of selecting what it liked, and giving a touch here and a touch there, it soon furnished out a satisfactory portrait.
“Julia must be tall,” thought I, “and of exquisite grace and dignity. She is not quite so courtly as her father, for she has been brought up in the retirement of the country. Neither is she of such vivacious deportment; for the tones of her voice are soft and plaintive, and she loves pathetic music. She is rather pensive — yet not too pensive; just what is called interesting. Her eyes are like her father’s, except that they are of a purer blue, and more tender and languishing. She has light hair — not exactly flaxen, for I do not like flaxen hair, but between that and auburn. In a word, she is a tall, elegant, imposing, languishing blue-eyed, romantic-looking beauty.” And having thus finished her picture, I felt ten times more in love with her than ever.
*
I felt so much recovered that I would at once have left my room, but Mr. Somerville objected to it. He had sent early word to my family of my safety; and my father arrived in the course of the morning. He was shocked at learning the risk I had run, but rejoiced to find me so much restored, and was warm in his thanks to Mr. Somerville for his kindness. The other only required, in return, that I might remain two or three days as his guest, to give time for my recovery, and for our forming a closer acquaintance; a request which my father readily granted. Scipio accordingly accompanied my father home, and returned with a supply of clothes, and with affectionate letters from my mother and sisters.
The next morning, aided by Scipio, I made my toilet with rather more care than usual, and descended the stairs with some trepidation, eager to see the original of the portrait which had been so completely pictured in my imagination.
On entering the parlor, I found it deserted. Like the rest of the house, it was furnished in a foreign style. The curtains were of French silk; there were Grecian couches, marble tables, pier-glasses, and chandeliers. What chiefly attracted my eye, were documents of female taste that I saw around me; a piano, with an ample stock of Italian music: a book of poetry lying on the sofa; a vase of fresh flowers on a table, and a portfolio open with a skillful and half-finished sketch of them. In the window was a canary bird, in a gilt cage, and near by, the harp that had been in Julia’s arms. Happy harp! But where was the being that reigned in this little empire of delicacies? — that breathed poetry and song, and dwelt among birds and flowers, and rose-colored curtains?
Suddenly I heard the hall door fly open, the quick pattering of light steps, a wild, capricious strain of music, and the shrill barking of a dog. A light, frolic nymph of fifteen came tripping into the room, playing on a flageolet, with a little spaniel romping after her. Her gypsy hat had fallen back upon her shoulders; a profusion of glossy brown hair was blown in rich ringlets about her face, which beamed through them with the brightness of smiles and dimples.
At sight of me she stopped short, in the most beautiful confusion, stammered out a word or two about looking for her father, glided out of the door, and I heard her bounding up the staircase, like a frightened fawn, with the little dog barking after her.
When Miss Somerville returned to the parlor, she was quite a different being. She entered, stealing along by her mother’s side with noiseless step, and sweet timidity; her hair was prettily adjusted, and a soft blush mantled on her damask cheek. Mr. Somerville accompanied the ladies, and introduced me regularly to them. There were many kind inquiries and much sympathy expressed, on the subject of my nautical accident, and some remarks upon the wild scenery of the neighborhood, with which the ladies seemed perfectly acquainted.
“You must know,” said Mr. Somerville, “that we are great navigators, and delight in exploring every nook and corner of the river. My daughter, too, is a great hunter of the picturesque, and transfers every rock and glen to her portfolio. By the way, my dear, show Mr. Mountjoy that pretty scene you have lately sketched.” Julia complied, blushing, and drew from her portfolio a colored sketch. I almost started at the sight. It was my favorite brook. A sudden thought darted across my mind. I glanced down my eye, and beheld the divinest little foot in the world. Oh, blissful conviction! The struggle of my affections was at an end. The voice and the footstep were no longer at variance. Julia Somerville was the nymph of the fountain!
*
What conversation passed during breakfast I do not recollect, and hardly was conscious of at the time, for my thoughts were in complete confusion. I wished to gaze on Miss Somerville, but did not dare. Once, indeed, I ventured a glance. She was at that moment darting a similar one from under a covert of ringlets. Our eyes seemed shocked by the rencontre, and fell; hers through the natural modesty of her sex, mine through a bashfulness produced by the previous workings of my imagination. That glance, however, went like a sunbeam to my heart.
A convenient mirror favored my diffidence, and gave me the reflection of Miss Somerville’s form. It is true it only presented the back of her head, but she had the merit of an ancient statue; contemplate her from any point of view, she was beautiful. And yet she was totally different from everything I had before conceived of beauty. She was not the serene, meditative maid that I had pictured the nymph of the fountain; nor the tall, soft, languishing, blue-eyed, dignified being that I had fancied the minstrel of the harp. There was nothing of dignity about her: she was girlish in her appearance, and scarcely of the middle size; but then there was the tenderness of budding youth; the sweetness of the half-blown rose, when not a tint of perfume has been withered or exhaled; there were smiles an
d dimples, and all the soft witcheries of ever-varying expression. I wondered that I could ever have admired any other style of beauty.
After breakfast, Mr. Somerville departed to attend to the concerns of his estate, and gave me in charge of the ladies. Mrs. Somerville also was called away by her household cares, and I was left alone with Julia! Here, then, was the situation which of all others I had most coveted. I was in the presence of the lovely being that had so long been the desire of my heart. We were alone; propitious opportunity for a lover! Did I seize upon it? Did I break out in one of my accustomed rhapsodies? No such thing! Never was being more awkwardly embarrassed.
“What can be the cause of this?” thought I. “Surely, I cannot stand in awe of this young girl. I am of course her superior in intellect, and am never embarrassed in company with my tutor, notwithstanding all his wisdom.”
It was passing strange. I felt that if she were an old woman, I should be quite at my ease; if she were even an ugly woman, I should make out very well: it was her beauty that overpowered me. How little do lovely women know what awful beings they are, in the eyes of inexperienced youth! Young men brought up in the fashionable circles of our cities will smile at all this. Accustomed to mingle incessantly in female society, and to have the romance of the heart deadened by a thousand frivolous flirtations, women are nothing but women in their eyes; but to a susceptible youth like myself, brought up in the country, they are perfect divinities.
Miss Somerville was at first a little embarrassed herself; but, somehow or other, women have a natural adroitness in recovering their self-possession; they are more alert in their minds, and graceful in their manners. Besides, I was but an ordinary personage in Miss Somerville’s eyes; she was not under Hie influence of such a singular course of imaginings as had surrounded her, in my eyes, with the illusions of romance. Perhaps, too, she saw the confusion in the opposite camp and gained courage from the discovery. At any rate she was the first to take the field.
Her conversation, however, was only on commonplace topics, and in an easy, well-bred style. I endeavored to respond in the same manner; but I was strangely incompetent to the task. My ideas were frozen up; even words seemed to fail me. I was excessively vexed at myself, for I wished to be uncommonly elegant. I tried two or three times to turn a pretty thought, or to utter a fine sentiment; but it would come forth so trite, so forced, so mawkish, that I was ashamed of it. My very voice sounded discordantly, though I sought to modulate it into the softest tones. “The truth is,” thought I to myself, “I cannot bring my mind down to the small talk necessary for young girls; it is too masculine and robust for the mincing measure of parlor gossip. I am a philosopher — and that accounts for it.”
The entrance of Mrs. Somerville at length gave me relief. I at once breathed freely, and felt a vast deal of confidence come over me. “This is strange,” thought I, “that the appearance of another woman should revive my courage; that I should be a better match for two women than one. However, since it is so, I will take advantage of the circumstance, and let this young lady see that I am not so great a simpleton as she probably thinks me.”
I accordingly took up the book of poetry which lay upon the sofa. It was Milton’s Paradise Lost. Nothing could have been more fortunate; it afforded a fine scope for my favorite vein of grandiloquence. I went largely into a discussion of its merits, or rather an enthusiastic eulogy of them. My observations were addressed to Mrs. Somerville, for I found I could talk to her with more ease than to her daughter. She appeared alive to the beauties of the poet and disposed to meet me in the discussion; but it was not my object to hear her talk; it was to talk myself. I anticipated all she had to say, overpowered her with the copiousness of my ideas, and supported and illustrated them by long citations from the author.
While thus holding forth, I cast a side glance to see how Miss Somerville was affected. She had some embroidery stretched on a frame before her, but had paused in her labor, and was looking down as if lost in mute attention. I felt a glow of self-satisfaction, but I recollected, at the same time, with a kind of pique, the advantage she had enjoyed over me in our tete-a-tete. I determined to push my triumph, and accordingly kept on with redoubled ardor, until I had fairly exhausted my subject, or rather my thoughts.
I had scarce come to a full stop, when Miss Somerville raised her eyes from the work on which they had been fixed, and turning to her mother, observed: “I have been considering, mamma, whether to work these flowers plain, or in colors.”
Had an ice-bolt shot to my heart, it could not have chilled me more effectually. “What a fool,” thought I, “have I been making myself — squandering away fine thoughts, and fine language, upon a light mind and an ignorant ear! This girl knows nothing of poetry. She has no soul, I fear, for its beauties. Can any one have real sensibility of heart, and not be alive to poetry? However, she is young; this part of her education has been neglected; there is time enough to remedy it. I will be her preceptor. I will kindle in her mind the sacred flame, and lead her through the fairy land of song. But after all, it is rather unfortunate that I should have fallen in love with a woman who knows nothing of poetry.”
*
I passed a day not altogether satisfactory. I was a little disappointed that Miss Somerville did not show more poetical feeling. “I am afraid, after all,” said I to myself, “she is light and girlish, and more fitted to pluck wild flowers, play on the flageolet, and romp with little dogs than to converse with a man of my turn.”
I believe, however, to tell the truth, I was more out of humor with myself. I thought I had made the worst first appearance that ever hero made, either in novel or fairy tale. I was out of all patience, when I called to mind my awkward attempts at ease and elegance, in the tete-a-tete. And then my intolerable long lecture about poetry to catch the applause of a heedless auditor! But there I was not to blame. I had certainly been eloquent: it was her fault that the eloquence was wasted. To meditate upon the embroidery of a flower, when I was expatiating on the beauties of Milton! She might at least have admired the poetry, if she did not relish the manner in which it was delivered: though that was not despicable, for I had recited passages in my best style, which my mother and sisters had always considered equal to a play. “Oh, it is evident,” thought I, “Miss Somerville has very little soul!”
Such were my fancies and cogitations during the day, the greater part of which was spent in my chamber, for I was still languid. My evening was passed in the drawing-room, where I overlooked Miss Somerville’s portfolio of sketches. They were executed with great taste, and showed a nice observation of the peculiarities of nature. They were all her own, and free from those cunning tints and touches of the drawing-master, by which young ladies’ drawings, like their heads, are dressed up for company. There was no garish and vulgar trick of colors, either; all was executed with singular truth and simplicity.
“And yet,” thought I, “this little being, who has so pure an eye to take in, as in a limpid brook, all the graceful forms and magic tints of nature, has no soul for poetry!”
Mr. Somerville, toward the latter part of the evening, observing my eye to wander occasionally to the harp, interpreted and met my wishes with his accustomed civility.
“Julia, my dear,” said he, “Mr. Mountjoy would like to hear a little music from your harp; let us hear, too, the sound of your voice.”
Julia immediately complied, without any of that hesitation and difficulty, by which young ladies are apt to make company pay dear for bad music. She sang a sprightly strain, in a brilliant style, that came trilling playfully over the ear; and the bright eye and dimpling smile showed that her little heart danced with the song. Her pet canary bird, who hung close by, was awakened by the music, and burst forth into an emulating strain. Julia smiled with a pretty air of defiance, and played louder.
After some time the music changed, and ran into a plaintive strain, in a minor key. Then it was that all the former witchery of her voice came over me; then it was that she
seemed to sing from the heart and to the heart. Her fingers moved about the chords as if they scarcely touched them. Her whole manner and appearance changed; her eyes beamed with the softest expression; her countenance, her frame, all seemed subdued into tenderness. She rose from the harp, leaving it still vibrating with sweet sounds, and moved toward her father, to bid him good-night.
His eyes had been fixed on her intently during her performance. As she came before him he parted her shining ringlets with both his hands, and looked down with the fondness of a father on her innocent face. The music seemed still lingering in its lineaments, and the action of her father brought a moist gleam in her eye. He kissed her fair forehead, after the French mode of parental caressing: “Goodnight, and God bless you,” said he, “my good little girl!”
Julia tripped away, with a tear in her eye, a dimple in her cheek, and a light heart in her bosom. I thought it the prettiest picture of paternal and filial affection I had ever seen.
When I retired to bed, a new train of thoughts crowded into my brain. “After all,” said I to myself, “it is clear this girl has a soul, though she was not moved by my eloquence. She has all the outward signs and evidences of poetic feeling. She paints well, and has an eye for nature. She is a fine musician, and enters into the very soul of song. What a pity that she knows nothing of poetry! But we will see what is to be done? I am irretrievably in love with her; what then am I to do? Come down to the level of her mind, or endeavor to raise her to some kind of intellectual equality with myself? That is the most generous course. She will look up to me as a benefactor. I shall become associated in her mind with the lofty thoughts and harmonious graces of poetry. She is apparently docile: besides the difference of our ages will give me an ascendency over her. She cannot be above sixteen years of age, and I am full turned to twenty.” So, having built this most delectable of air castles, I fell asleep.
Complete Fictional Works of Washington Irving (Illustrated) Page 141
