I alighted outside of the village, for no horse nor vehicle is permitted to enter its precincts, lest it should cause defilement of the well-scoured pavements. Shaking the dust off my feet, therefore, I prepared to enter, with due reverence and circumspection, this sanctum sanctorum of Dutch cleanliness. I entered by a narrow street, paved with yellow bricks, laid edgewise, and so clean that one might eat from them. Indeed, they were actually worn deep, not by the tread of feet, but by the friction of the scrubbing-brush.
The houses were built of wood, and all appeared to have been freshly painted, of green, yellow, and other bright colors. They were separated from each other by gardens and orchards, and stood at some little distance from the street, with wide areas or courtyards, paved in mosaic, with variegated stones, polished by frequent rubbing. The areas were divided from the street by curiously-wrought railings, or balustrades, of iron, surmounted with brass and copper balls, scoured into dazzling effulgence. The very trunks of the trees in front of the houses were by the same process made to look as if they had been varnished. The porches, doors, and window-frames of the houses were of exotic woods, curiously carved, and polished like costly furniture. The front doors are never opened, excepting on christenings, marriages, or funerals; on all ordinary occasions, visitors enter by the back door. In former times, persons when admitted had to put on slippers, but this Oriental ceremony is no longer insisted upon.
A poor devil Frenchman, who attended upon me as cicerone, boasted with some degree of exultation of a triumph of his countrymen over the stern regulations of the place. During the time that Holland was overrun by the armies of the French republic, a French general, surrounded by his whole état major, who had come from Amsterdam to view the wonders of Broek, applied for admission at one of these taboo’d portals. The reply was that the owner never received any one who did not come introduced by some friend. “Very well,” said the general, “take my compliments to your master, and tell him I will return here tomorrow with a company of soldiers, ‘pour parler raison avec mon ami Hollandais.’” Terrified at the idea of having a company of soldiers billeted upon him, the owner threw open his house, entertained the general and his retinue with unwonted hospitality; though it is said it cost the family a month’s scrubbing and scouring to restore all things to exact order, after this military invasion. My vagabond informant seemed to consider this one of the greatest victories of the republic.
I walked about the place in mute wonder and admiration. A dead stillness prevailed around, like that in the deserted streets of Pompeii. No sign of life was to be seen, excepting now and then a hand, and a long pipe, and an occasional puff of smoke, out of the window of some “lusthaus” overhanging a miniature canal; and on approaching a little nearer, the periphery in profile of some robustious burgher.
Among the grand houses pointed out to me were those of Claes Bakker, and Cornelius Bakker, richly carved and gilded, with flower gardens and clipped shrubberies; and that of the Great Ditmus, who, my poor devil cicerone informed me, in a whisper, was worth two millions; all these were mansions shut up from the world, and only kept to be cleaned. After having been conducted from one wonder to another of the village, I was ushered by my guide into the grounds and gardens of Mynheer Broekker, another mighty cheese-manufacturer, worth eighty thousand guilders a year. I had repeatedly been struck with the similarity of all that I had seen in this amphibious little village to the buildings and landscapes on Chinese platters and teapots; but here I found the similarity complete; for I was told that these gardens were modeled upon Van Bramm’s description of those of Yuen min Yuen, in China. Here were serpentine walks, with trellised borders; winding canals, with fanciful Chinese bridges; flowerbeds resembling huge baskets, with the flower of “love lies bleeding” falling over to the ground. But mostly had the fancy of Mynheer Broekker been displayed about a stagnant little lake, on which a corpulent little pinnace lay at anchor. On the border was a cottage within which were a wooden man and woman seated at table, and a wooden dog beneath, all the size of life; on pressing a spring, the woman commenced spinning, and the dog barked furiously. On the lake were wooden swans, painted to the life; some floating, others on the nest among the rushes; while a wooden sportsman, crouched among the bushes, was preparing his gun to take deadly aim. In another part of the garden was a dominie in his clerical robes, with wig, pipe, and cocked hat; and mandarins with nodding heads, amid red lions, green tigers, and blue hares. Last of all, the heathen deities, in wood and plaster, male and female, naked and bare-faced as usual, and seeming to stare with wonder at finding themselves in such strange company.
My shabby French guide, while he pointed out all these mechanical marvels of the garden, was anxious to let me see that he had too polite a taste to be pleased with them. At every new knick-knack he would screw down his mouth, shrug up his shoulders, take a pinch of snuff, and exclaim: “Ma foi, Monsieur, ces Hollandais sont forts pour ces bétises là!”
To attempt to gain admission to any of these stately abodes was out of the question, having no company of soldiers to enforce a solicitation. I was fortunate enough, however, through the aid of my guide, to make my way into the kitchen of the illustrious Ditmus, and I question whether the parlor would have proved more worthy of observation. The cook, a little wiry, hook-nosed woman, worn thin by incessant action and friction, was bustling about among her kettles and saucepans, with the scullion at her heels, both clattering in wooden shoes, which were as clean and white as the milk-pails; rows of vessels, of brass and copper, regiments of pewter dishes, and portly porringers, gave resplendent evidence of the intensity of their cleanliness; the very trammels and hangers in the fireplace were highly scoured, and the burnished face of the good Saint Nicholas shone forth from the iron plate of the chimney back.
Among the decorations of the kitchen was a printed sheet of woodcuts, representing the various holiday customs of Holland, with explanatory rhymes. Here I was delighted to recognize the jollities of New Year’s Day; the festivities of Paäs and Pinkster, and all the other merrymakings handed down in my native place from the earliest times of New Amsterdam, and which had been such bright spots in the year in my childhood. I eagerly made myself master of this precious document for a trifling consideration, and bore it off as a memento of the place; though I question if, in so doing, I did not carry off with me the whole current literature of Broek.
I must not omit to mention that this village is the paradise of cows as well as men; indeed you would almost suppose the cow to be as much an object of worship here as the bull was among the ancient Egyptians; and well does she merit it, for she is in fact the patroness of the place. The same scrupulous cleanliness, however, which pervades everything else, is manifested in the treatment of this venerated animal. She is not permitted to perambulate the place, but in winter, when she forsakes the rich pasture, a well-built house is provided for her, well painted, and maintained in the most perfect order. Her stall is of ample dimensions; the floor is scrubbed and polished; her hide is daily curried and brushed and sponged to her heart’s content, and her tail is daintily tucked up to the ceiling, and decorated with a ribbon!
On my way back through the village, I passed the house of the prediger, or preacher; a very comfortable mansion, which led me to augur well of the state of religion in the village. On inquiry, I was told that for a long time the inhabitants lived in a great state of indifference as to religious matters; it was in vain that their preachers endeavored to arouse their thoughts as to a future state; the joys of heaven, as commonly depicted, were but little to their taste. At length a dominie appeared among them who struck out in a different vein. He depicted the New Jerusalem as a place all smooth and level; with beautiful dykes, and ditches, and canals; and houses all shining with paint and varnish, and glazed tiles; and where there should never come horse, or ass, or cat, or dog, or anything that could make noise or dirt; but there should be nothing but rubbing and scrubbing, and washing and painting, and gilding and varnishing, fo
r ever and ever, amen! Since that time, the good housewives of Broek have all turned their faces Zionward.
*
SKETCHES IN PARIS IN 1825 FROM THE TRAVELING NOTEBOOK OF GEOFFREY CRAYON, GENT.
A Parisian hotel is a street set on end, the grand staircase forming the highway, and every floor a separate habitation. Let me describe the one in which I am lodged, which may serve as a specimen of its class. It is a huge quadrangular pile of stone, built round a spacious paved court. The ground floor is occupied by shops, magazines, and domestic offices. Then comes the entre-sol, with low ceilings, short windows, and dwarf chambers; then succeed a succession of floors, or stories, rising one above the other, to the number of Mahomet’s heavens. Each floor is like a distinct mansion, complete in itself, with antechamber, saloons, dining and sleeping rooms, kitchen and other conveniences for the accommodation of a family. Some floors are divided into two or more suites of apartments. Each apartment has its main door of entrance, opening upon the staircase, or landing-places, and locked like a street door. Thus several families and numerous single persons live under the same roof, totally independent of each other, and may live so for years without holding more intercourse than is kept up in other cities by residents in the same street.
Like the great world, this little microcosm has its gradations of rank and style and importance. The Premier, or first floor, with its grand saloons, lofty ceilings, and splendid furniture, is decidedly the aristocratical part of the establishment. The second floor is scarcely less aristocratical and magnificent; the other floors go on lessening in splendor as they gain in altitude, and end with the attics, the region of petty tailors, clerks, and sewing-girls. To make the filling up of the mansion complete, every odd nook and corner is fitted up as a joli petit appartement à garçon (a pretty little bachelor’s apartment), that is to say, some little dark inconvenient nestling-place for a poor devil of a bachelor.
The whole domain is shut up from the street by a great portecochère, or portal, calculated for the admission of carriages. This consists of two massy folding-doors, that swing heavily open upon a spacious entrance, passing under the front of the edifice into the courtyard. On one side is a spacious staircase leading to the upper apartments. Immediately without the portal is the porter’s lodge, a small room with one or two bedrooms adjacent, for the accommodation of the concierge, or porter and his family. This is one of the most important functionaries of the hotel. He is, in fact, the Cerberus of the establishment, and no one can pass in or out without his knowledge and consent. The portecochère in general is fastened by a sliding bolt, from which a cord or wire passes into the porter’s lodge. Whoever wishes to go out must speak to the porter, who draws the bolt. A visitor from without gives a single rap with the massive knocker; the bolt is immediately drawn, as if by an invisible hand; the door stands ajar, the visitor pushes it open, and enters. A face presents itself at the glass door of the porter’s little chamber; the stranger pronounces the name of the person he comes to seek. If the person or family is of importance, occupying the first or second floor, the porter sounds a bell once or twice, to give notice that a visitor is at hand. The stranger in the meantime ascends the great staircase, the highway common to all, and arrives at the outer door, equivalent to a street door, of the suite of rooms inhabited by his friends.
Beside this hangs a bell-cord, with which he rings for admittance.
When the family or person inquired for is of less importance, or lives in some remote part of the mansion less easy to be apprised, no signal is given. The applicant pronounces the name at the porter’s door, and is told, “Montez au troisième, au quatrième; sonnez à la porte à droite ou à gauche.” (“Ascend to the third or fourth story; ring the bell on the right or left hand door”); as the case may be.
The porter and his wife act as domestics to such of the inmates of the mansion as do not keep servants; making their beds, arranging their rooms, lighting their fires, and doing other menial offices, for which they receive a monthly stipend. They are also in confidential intercourse with the servants of the other inmates, and, having an eye on all the incomers and outgoers, are thus enabled, by hook and by crook, to learn the secrets and domestic history of every member of the little territory within the portecochère.
The porter’s lodge is accordingly a great scene of gossip, where all the private affairs of this interior neighborhood are discussed. The courtyard, also, is an assembling place in the evenings for the servants of the different families, and a sisterhood of sewing girls from the entre-sols and the attics, to play at various games, and dance to the music of their own songs, and the echoes of their feet, at which assemblages the porter’s daughter takes the lead; a fresh, pretty, buxom girl, generally called “La Petite,” though almost as tall as a grenadier. These little evening gatherings, so characteristic of this gay country, are countenanced by the various families of the mansion, who often look down from their windows and balconies, on moonlight evenings, and enjoy the simple revels of their domestics. I must observe, however, that the hotel I am describing is rather a quiet, retired one, where most of the inmates are permanent residents from year to year, so that there is more of the spirit of neighborhood than in the bustling, fashionable hotels in the gay parts of Paris, which are continually changing their inhabitants.
MY FRENCH NEIGHBOR
I often amuse myself by watching from my window (which, by the bye, is tolerably elevated) the movements of the teeming little world below me; and as I am on sociable terms with the porter and his wife, I gather from them, as they light my fire, or serve my breakfast, anecdotes of all my fellow lodgers. I have been somewhat curious in studying a little antique Frenchman, who occupies one of the jolie chambres à garçon already mentioned. He is one of those superannuated veterans who flourished before the revolution, and have weathered all the storms of Paris, in consequence, very probably, of being fortunately too insignificant to attract attention. He has a small income, which he manages with the skill of a French economist; appropriating so much for his lodgings, so much for his meals; so much for his visits to St. Cloud and Versailles, and so much for his seat at the theater. He has resided in the hotel for years, and always in the same chamber, which he furnishes at his own expense. The decorations of the room mark his various ages. There are some gallant pictures which he hung up in his younger days; with a portrait of a lady of rank, whom he speaks tenderly of, dressed in the old French taste; and a pretty opera dancer, pirouetting in a hoop petticoat, who lately died at a good old age. In a corner of this picture is stuck a prescription for rheumatism, and below it stands an easy-chair. He has a small parrot at the window, to amuse him when within doors, and a pug dog to accompany him in his daily peregrinations. While I am writing he is crossing the court to go out. He is attired in his best coat, of sky-blue, and is doubtless bound for the Tuileries. His hair is dressed in the old style, with powdered ear-locks and a pigtail. His little dog trips after him, sometimes on four legs, sometimes on three, and looking as if his leather small-clothes were too tight for him. Now the old gentleman stops to have a word with an old crony who lives in the entre-sol, and is just returning from his promenade. Now they take a pinch of snuff together; now they pull out huge red cotton handkerchiefs (those “flags of abomination,” as they have well been called) and blow their noses most sonorously. Now they turn to make remarks upon their two little dogs, who are exchanging the morning’s salutation; now they part, and my old gentleman stops to have a passing word with the porter’s wife; and now he sallies forth, and is fairly launched upon the town for the day.
No man is so methodical as a complete idler, and none so scrupulous in measuring and portioning out his time as he whose time is worth nothing. The old gentleman in question has his exact hour for rising, and for shaving himself by a small mirror hung against his casement. He sallies forth at a certain hour every morning to take his cup of coffee and his roll at a certain cafe, where he reads the papers. He has been a regular admirer of the l
ady who presides at the bar, and always stops to have a little badinage with her en passant. He has his regular walks on the Boulevards and in the Palais Royal, where he sets his watch by the petard fired off by the sun at midday. He has his daily resort in the Garden of the Tuileries, to meet with a knot of veteran idlers like himself, who talk on pretty much the same subjects whenever they meet. He has been present at all the sights and shows and rejoicings of Paris for the last fifty years; has witnessed the great events of the revolution; the guillotining of the king and queen; the coronation of Bonaparte; the capture of Paris, and the restoration of the Bourbons. All these he speaks of with the coolness of a theatrical critic; and I question whether he has not been gratified by each in its turn; not from any inherent love of tumult, but from that insatiable appetite for spectacle which prevails among the inhabitants of this metropolis. I have been amused with a farce, in which one of these systematic old triflers is represented. He sings a song detailing his whole day’s round of insignificant occupations, and goes to bed delighted with the idea that his next day will be an exact repetition of the same routine:
Complete Fictional Works of Washington Irving (Illustrated) Page 148
