I march down the entryway. Most of the building is empty space, divided by the same kind of cubicles you see in every open-plan office in the world. There are sheets hung over each one, forming little tents. The only real room is a small, built-out kitchen that has a large picture window to watch the cube farm. Along one wall is a row of server racks, more computing power than this place possibly needs, even with every lonely and horny guy in the world jacking in to watch the shows.
I can hear sounds. Stilted English. Breathy, theatrical moans. Bad Europop from cheap speakers.
In my head, I pick up nothing but the same boredom and fear and anxiety I sensed outside, only worse now. I feel like crawling out of my own skin.
I pass one of the cubes on my way to the kitchen, moving fast. I catch a glimpse of one of the girls. She cannot be more than fifteen in her star-spangled bikini. She looks up at me, her eyes rimmed with enough eyeshadow to look like a raccoon.
The last two keepers rush from the kitchen area, where they were sitting. The first one doesn’t hesitate, doesn’t ask stupid questions. Just launches himself at me.
It doesn’t help him. He gets about halfway across the concrete floor to me and drops like he’s just been shot in the back.
Which he thinks he has. That was my own memory. Up close and personal. I hope he appreciates it.
That leaves the last one, the keeper named Miron, the one who was thinking about the new girl. He, at least, remembered his gun. He almost gets it centered on me before he sees—impossible as it is—eight metric tons of Mercedes Atego truck bearing down on him, horn blaring, about to turn him into roadkill.
He screams and throws up his arms, waiting for the impact.
I hit him instead. First in the gut, right under the sternum, knocking all the air out of him. Then I punch him in the head as he folds up. He remains on his feet, so I do it again. And again. And again.
He’s down on the floor with his friends after a few more hits. I kick him once. Just to be sure. Then again, just to be cruel. The truck, if it had been real, would have hit him only once.
I sense Sara behind me before I hear her.
“Jesus Christ, John,” she says. She is looking around at the whole setup, the men on the ground, the bloody wreck of Miron at my feet.
“They were . . .” I search for the right words.
She shakes her head, and I know she gets it. She’s not angry or frightened by my actions. If anything, she’s only stunned by the sudden ferocity.
I suck down a deep, calming breath. It helps. Not much, but it helps.
“Not part of the job, I know,” I say.
“You were pretty quick,” she says. “I think we can spare the time.”
She takes her laptop bag and the cables over to the servers. She has this down to a practiced routine now. A few moments, and she’s got Godwin’s data humming into her machine, Stack’s programs hunting for every trace of him in the system.
That has the side effect of shutting down the cameras and the network. A few of the women—and the girls—have emerged from their cubes, watching us carefully.
They see the mess I’ve made of their keepers. I get a lot of mixed feelings.
One woman, a little older than the rest, a veteran at nineteen or twenty, comes tottering out in her high heels, a cheap silk wrap tied hastily around her.
“What have you done?” she demands.
“This place is closed,” I tell her simply. “We’ve shut it down.”
She looks shocked. She glances over at the men on the ground, who are starting to moan and move around. She has no sympathy for them.
But it doesn’t change the fact that I’ve just come in and upset the entire order of the little universe in this building.
“Where the fuck are we supposed to go now?” she asks, spitting the words out in her thick accent.
“I don’t know,” I say.
“Then what good are you?” she snaps back.
I don’t have an answer for her. I don’t pretend that this was a rescue mission. That I’ve made anything that much better.
But there are some things you simply cannot let happen. No matter what. Looking at the woman, I try to find a way to say that out loud, to bridge the gap.
“Smith,” Sara says, rescuing me from saying something stupid. She points at the screen of her machine. “I think we’ve got something here.”
I come over to her and peer over her shoulder. It’s mostly gibberish to me, but I recognize a few of the names on the files as they are loaded into her laptop. They’re labeled with downvote.