by Heidi Rice
‘You don’t have to hang around,’ he said. ‘I can make my own way back when I’m done.’
‘Uh-huh, were you planning to jog back to the farm then?’
He coughed again, coming even closer to a laugh. ‘Did anyone ever tell you, your bedside manner is rubbish?’
‘Good thing I never considered becoming a nurse then, isn’t it?’ she said and was rewarded with an actual honest to goodness chuckle this time, albeit rough enough to sound as if someone had been sandpapering his larynx.
‘You’re not wrong.’
The door opened and Dr Grant walked into the room, followed by an older woman dressed in bright blue nurse’s scrubs and wheeling a metal trolley laden with what Ellie assumed must be the supplies needed to stitch Art’s hand.
‘OK, Mr Dalton, Tina is going to give you a tetanus shot and something to numb your hand and then I’ll get to work,’ Dr Grant said.
Art straightened on the bed, making the gown slip off one shoulder.
Apparently, the entertainment portion of the afternoon was now officially over. Sympathy whispered through Ellie. However annoying he was, and however many times he’d been stitched up before, this was liable to be unpleasant. And from the tension on his face, he knew exactly how unpleasant.
Watching Art get tortured wouldn’t have bothered her nineteen years ago after the way things had ended between them. But as the doctor and her assistant injected him, cleaned and irrigated the nasty gash and finally proceeded to stitch him – while Art remained stoic and silent and uncomplaining throughout the whole ordeal – Ellie had to admit that seeing him in pain now actually did bother her, a little bit.
*
‘You are not driving. Are you bonkers?’ Ellie marched ahead of Art across the car park and ignored his beyond stupid suggestion.
‘Why not? I’m fine now. And I’m a safer driver than you are.’
‘You’re not fine.’ She clicked the locks with the key fob and flung open the door. Settling in the driver’s seat, she waited for Art to climb in on the other side. The mulish expression on his face didn’t bother her as much as the white bandage on his hand which covered thirty-two stitches. She knew this because she had counted every single one.
As he wrestled with the seat belt with his right hand, she remembered that he was left-handed. She turned on the ignition and left him to struggle with the seat belt on his own.
‘I can drive one-handed,’ he said. ‘And even one-handed, I’ve got a better chance of getting us back alive than you have.’
‘Hardly. You’ve been shot full of enough painkillers to fell an ox, plus driving will only open up the wound.’ She crunched the gears, shifted into reverse, and wheeled into a three-point turn. Art gripped the dash like an old woman. She ignored the not-so-subtle hint. ‘And even though that would totally serve you right,’ she added, ‘the good Dr Grant’s just wasted twenty minutes stitching you up.’ Twenty minutes that had felt like twenty years. ‘And I’m not going to let you undo all her hard work just because you’re an idiot.’
A dark brow hitched up his forehead. ‘Since when did you become my keeper?’
‘Don’t worry, I’ll be resigning the position as soon as is humanly possible.’ With that in mind she accelerated down the country lane that led to the town’s main street. ‘And anyway, this is my car, so you don’t get a say.’
He didn’t reply, finally having conceded defeat. Feeling magnanimous in victory, she eased her foot off the accelerator as they headed over the speed bumps on the outskirts of town, and took her time getting onto the roundabout, waiting for a space big enough not to require the need to play chicken with any articulated lorries.
They’d been driving along the A30 for a good ten minutes, before he finally spoke again. ‘Thanks for helping me out. The cut was worse than I thought.’
The admission sounded weary and grudging.
‘Just a tad,’ she said, unable to resist a smile at his frown.
They drove on, the road passing the newbuilds on the outskirts of Gratesbury to wind through a landscape of fields banked by high hedges.
His eyelids kept drifting to half-mast and then popping open again. She remembered Josh doing the same thing as a toddler, when he was exhausted but didn’t want to go to bed. The thought made her think of Art as a boy, and the terror on his face when they’d walk into the unit.
‘Why didn’t you tell me you have a phobia of hospitals?’
His eyelids jerked open. He stared at her, the slow blink making her aware of exactly how long his lashes were.
He had the most amazing eyes, the tawny hazelnut brown embedded with flecks of gold. The bloodshot quality added to the glittery sheen of the low-grade temperature the good Dr Grant had told her to keep an eye on – because, at some point during today’s drama, she had become Art’s keeper.
‘I haven’t got a phobia. I just don’t like them much,’ he said, but his gaze flicked away as he said it and she knew he was lying.
How about that? She could still tell if Art Dalton was or was not speaking the truth. The way she had all those years ago.
It was a heady feeling, like discovering a superpower she thought she’d lost.
She drove down the track that led to the farm, recalling their exchange in the treatment room before Dr Grant had returned to give Art his thirty-two stitches.
OK, maybe she wasn’t totally immune to Art’s non-charms. But there would be no more flirting, with or without abs. Handling the fallout from one disastrous relationship was more than enough incentive to keep her libido on lockdown for the next decade, let alone the rest of the summer.
CHAPTER SEVEN
Driving into the farmyard, with Art dozing in the passenger seat, Ellie spotted a woman busy loading a muddy four-by-four while a young girl danced around beside her.
Art jerked awake as Ellie braked. As he hauled himself out of the car, the woman rushed towards them, the little girl bouncing behind her.
‘Art, what the hell happened to your hand?’ The woman’s eyebrows drew together. Tall and slim, with her long mahogany-coloured hair tied back in a ponytail, she looked elegant even in an ensemble of faded jeans, a baggy T-shirt and wellington boots.
‘Just had a disagreement with the rotary blade.’ Art lifted his bandaged hand as if to prove it was still attached. ‘It’s sorted.’
‘Give or take thirty-two stitches,’ Ellie added.
Art shot her his stop-being-a-drama-queen look.
‘Thirty-two stitches! In one hand?’ The woman crossed her arms over her chest, her concern escalating. ‘That sounds like some disagreement.’
‘Mummy, has Art lost his fingers?’ The girl clung to her mother’s leg, her eyes widening with a combination of fear and fascination. A puff of wild red hair surrounded a face covered in freckles, making her look like Little Orphan Annie after she’d been electrocuted.
‘No, sweetie, they’re still there,’ the woman murmured patting the child’s head. ‘Just about,’ she added under her breath.
Art crouched down and wiggled his fingers inside the bandage. ‘See, Melody, it’s all good.’ Straightening, he swept a sharp look over Ellie and Melody’s mother. ‘Stop scaring the children, ladies.’ He lifted the bag of medication out of Ellie’s hand. ‘I’ve got work to do.’ He rubbed the girl’s hair. ‘Bye, Melly,’ he said, then headed across the yard and disappeared behind the farmhouse.
What work did he think he was going to be doing on a farm with an injured hand? Ellie wondered, but stopped herself from shouting after him. Time to relinquish her responsibilities as Art’s keeper.
‘There goes the most stubborn guy on the planet,’ remarked the woman standing beside her.
‘You have no idea,’ Ellie murmured, the stomach muscles that had been knotted tight ever since Art had raced into the kitchen dripping blood finally starting to relax. ‘I had to practically kidnap him to get him to the doctor’s.’
‘Why does that not surprise me,’ the woman said,
before unfolding her arms and offering Ellie her hand. ‘Hi, Tess Peveney, I’m Mike’s wife. You’re Dee’s daughter?’
Ellie nodded, returning the firm handshake.
Mike had to be the red-headed guy she’d met the day before. Melody had obviously inherited her father’s mercurial hair.
‘Ellie Preston,’ she introduced herself, her maiden name coming out more naturally this time. ‘It’s nice to meet you.’
‘You too. Sorry I missed the welcoming party yesterday. I was busy suffering the tortures of hell in Gratesbury. Otherwise known as helping out at a birthday party for sixteen four-year-old girls.’ She tucked her hands into the back pockets of her jeans and shuddered. ‘If I hear “Let It Go” or see another pink balloon, Barbie cupcake or sparkly deely bopper again in this lifetime I may have to be sectioned.’
Ellie laughed. ‘That sounds almost as traumatic as having to drag a bleeding man to Gratesbury’s minor injury unit.’
Tess grinned. ‘Nope, it’s much worse. I think I may actually have post-traumatic Frozen disorder.’
‘I like Frozen, Mummy,’ Melody piped up, hopping from one leg to the other. ‘Anna and Elsa are the best.’
‘I know how much you love Frozen, baby.’ Tess rolled her eyes for Ellie’s benefit, before addressing her daughter. ‘Run into the farmhouse and have a pee before we head for Salisbury.’
‘Do I have to?’ Melody begged, wiggling furiously.
Swinging her daughter around, Tess gave her a pat on the bottom. ‘Yes, because you need to…’ Taking a deep breath she launched into the Frozen anthem… ‘Let it go…Let it go.’
Her daughter ran off, struggling to complete the song’s chorus around her delighted giggles.
‘Are you going anywhere near the market in Salisbury?’ Ellie asked, once they had both stopped laughing. ‘I was supposed to be helping out my mum today on the stall.’
‘Actually, that’s exactly where we’re headed. Melly and I just finished baking the stall’s supply of strawberry shortbread and sourdough loaves. Or rather I baked and Melly ate as many strawberries as she could cram into her mouth.’ She swung round to indicate the trays she’d been loading into the car when Ellie and Art had arrived. ‘Why don’t you tag along?’
‘That would be terrific,’ Ellie said, pleased to get the chance to escape her unnecessary concerns about Art. Spending the rest of the afternoon in the company of women seemed like the perfect antidote to the morning’s drama.
*
Situated in the historic centre of Salisbury, the city’s main square had served the population since medieval times as a thriving community market. Presided over on one side by the majestic Georgian columns of the Guildhall, which now housed the city council, and hemmed by the patchwork of shopfronts ranging in style from half-timbered Tudor to redbrick Victorian, eight hundred years of the city’s history was here. As Ellie muscled her way from the car park behind the square through the crowds of shoppers buying everything from home-made soap to burritos, it was clear the Artisan Market was still a thriving place of commerce in the present day.
Indian spices blended with the scent of freshly roasted coffee and patchouli oil. The standard-issue green gazebos vied for space with gleaming metal food trucks and striped awnings, while the jubilant Caribbean riff of a steel band floated over the shouts of the traders and the general hubbub of people enjoying a sunny June afternoon getting lots of retail therapy. A pair of elderly ladies in floral prints inspected a stall laden with hand-sewn cushions next to a gang of teenagers with tattoos and nose rings clustered around another stall peddling multicoloured cupcakes.
‘How long has this market been in operation?’ Ellie shouted to Tess as they made their way through the labyrinth, laden down with a tray each of the strawberry shortbread Tess had baked. The few times she’d been to Salisbury in her teens all Ellie could remember was a market full of jumble sale knock-offs that she’d looked down her nose at as a London teenager with vast fashion sophistication.
Tess glanced back, Melody clinging to the hem of her T-shirt so as not to get lost in the crowd. ‘The Artisan Market? Quite a while. It’s a brilliant venue for us. It attracts a great foodie crowd. But, unfortunately, it’s only on one Sunday a month. Dee also runs a stall at the farmers’ market here every Wednesday and the general markets, on Tuesdays and Saturdays, when she’s not manning stalls at other farmers’ markets around the county.’
‘That must require a huge amount of work, doing all that baking?’ Ellie said, readjusting the tray. Her arms were already aching and they had two trays of bread still to transport.
‘We don’t just sell baked goods,’ Tess said. ‘Dee does amazing jams and preserves too. And Annie is a whizz with pastry – she’s on a mission to single-handedly reintroduce the wonder of quiche to the south-west of England – and Annie’s husband Rob makes some very nice elderflower fizz when he has the time,’ Tess replied. ‘But yeah, time is a problem because most of us are stuck doing day jobs. So Dee is the one who has to bear the brunt of the work.’ Tess shouldered her tray and sidestepped a queue of people lining up to buy themselves a dosa wrap from a Bombay street food stall. ‘Most of the speciality markets don’t run after Christmas,’ Tess continued. ‘So there is some chance to stock up and catch up on our sleep. But as most of our merchandise is freshly prepared, not much. And, to be honest, the time spent travelling to venues and setting up, and then clearing out, is also pretty prohibitive.’
Ellie spotted her mother’s stall ahead of them. The queue was even longer than at the dosa wrap one, with her mother in the centre of it all busy chatting with one of her customers while Josh and Toto packed their order into folding cake boxes.
Seeing them approaching, Dee raised a hand to greet them both.
Tess ducked round the crowd. She stacked her own tray and lifted Ellie’s out of tired arms, then began adding the cakes to the dwindling supplies on display.
‘Mom, me and Toto have been working all morning.’ Josh tugged Ellie’s arm to get her attention. ‘And Granny Dee says she’s going to pay us.’ He did a jaw-breaking yawn as Dee looped an arm around his shoulders.
‘He’s been terrific,’ Dee said. ‘A natural salesman just like Toto.’
Josh grinned up at his grandmother, basking in her praise, and Ellie felt the burst of warmth in her chest. However many mistakes she’d made in the last few months, however much she’d let Josh down, the hare-brained decision to bring him to Wiltshire might turn out better than expected in some regards.
However stilted her own relationship with Dee, Josh seemed more relaxed than she’d seen him in months.
Not so Toto though. The wave of regret was swift and fairly painful for Ellie as the girl’s gaze darted away from her.
Art had told her not to apologise to Toto, but then he was, and had always been, a hard arse. Having watched Josh struggle for over a year to find acceptance with any of the judgemental little body fascists at the expensive private school he attended in Orchard Harbor, Ellie knew she owed Art’s daughter an apology.
But that would have to wait, until after she’d given Dee news of the morning’s events at A and E. She drew Dee to one side while Josh and Toto helped Tess deal with the queue of customers.
‘Mum, I need to tell you something,’ she said.
‘I hope you don’t mind that I didn’t wake you,’ Dee said. ‘But you looked so peaceful, I didn’t want to disturb you.’
‘I don’t mind.’ Ellie smiled, strangely touched. When was the last time anyone had put her needs first? ‘Actually, as it turns out, it was a fortuitous thing I was at the farm, because Art had an accident and I had to take him to Gratesbury to get his hand stitched up.’
The colour leached out of Dee’s face. ‘Is he OK?’
‘Yes, as long as he doesn’t try playing dodgeball with a rotary blade again.’
Ellie gave her mother’s hands a reassuring squeeze when her colour failed to return. ‘He’s woozy from all the medication and not
too happy with me. And I’m afraid your kitchen looks like the set of a slasher movie, but otherwise he’s fine.’
‘He let you take him to the hospital?’ Dee asked.
So Dee knew about Art’s hospital phobia? Ellie wondered if her mother knew where it came from. And anything about that gruesome scar on his stomach?
‘I insisted,’ she said.
Dee squeezed Ellie’s hands back then let them go. ‘I’m sure that’s an understatement.’ She gave a breathless laugh. ‘But thank you. And thank goodness you were there.’ She tucked her hair behind her ear in a nervous gesture.
Ellie wanted to question her mother further about Art’s phobia, when Toto’s panicked voice interrupted them.
‘Is my dad OK?’ The cake box in her hands had been scrunched into a ball. ‘Is he going to die?’
‘No, of course he isn’t.’ Dee captured the girl’s slender shoulders and folded her into a hard hug. ‘He cut his hand, but Ellie looked after him and it’s all fixed now.’ Dee sent Ellie a look of gratitude over Toto’s head.
Toto nodded mutely while concentrating on the mangled cardboard in her hands: ‘Thank you for looking out for my dad,’ she mumbled. ‘I’m sorry I made you mad yesterday.’
‘You don’t need to be sorry,’ Ellie said. ‘I was tired and cranky yesterday. I hope you can forgive me?’
‘OK,’ the girl whispered, but the wary expression remained. ‘Can I go home and make sure Dad’s alive? Please?’
‘Yes, of course,’ Dee said, but Ellie could see the concern cross her mother’s face. There were still two trays of bread to unload from the car, plus there were several hours to go yet before the market closed and the queue was only getting longer.
Ellie touched her mother’s arm. ‘Mum, you go ahead and take Toto and Josh back to the farmhouse.’ From the way Josh was yawning, she suspected the jet lag was about to slam into him. ‘I can assist Tess on the stall.’
It took quite a lot of effort to persuade Dee, but Ellie eventually managed to corral her mother and all three of the children to the car park – Melody having decided that hanging out with Josh and Toto would be much more fun than manning a market stall for the rest of the afternoon. After seeing them off, two questions nagged at her as she began the trek back to the stall with a tray of sourdough loaves.
