Jim Baen’s Universe

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Jim Baen’s Universe Page 17

by Edited by Eric Flint


  “Secure the sce­ne?”

  “An en­dan­ge­red spe­ci­es is be­ing sla­ug­h­te­red right un­der my very no­se!” she sa­id. “You can be su­re the­re’s not go­ing to be anot­her ye­ti­ci­de on my watch! Which is why you’ll ha­ve to va­ca­te this ca­bin ”

  “What? I’ve still got mo­re than a month’s rent pa­id on it!”

  “That’s yo­ur prob­lem, Mr. Krus­den, not mi­ne. My prob­lem is pro­tec­ting bi­odi­ver­sity, which is why I’m ha­ving the fo­rest aro­und this ca­bin dec­la­red a san­c­ti­oned pro­tec­ti­on zo­ne. You sho­uld just be glad that I don’t char­ge you as an ac­ces­sory to an en­vi­ron­men­tal fe­lony. You ha­ve ten mi­nu­tes to pack up and le­ave!”

  Speed stal­ked out of the ca­bin and slam­med the do­or be­hind her.

  Bob lo­oked aro­und the ca­bin in dis­may. How the hell was he sup­po­sed to get ever­y­t­hing pac­ked in ten mi­nu­tes?

  Suddenly, from out­si­de the ca­bin, the­re was a de­ep-th­ro­ated cry, so­on jo­ined by a wo­man’s scre­am, both of which we­re cut off by a lo­ud, wet WHUMP.

  Bob ope­ned the do­or to find out that Spe­ed had be­en crus­hed by yet anot­her fal­ling ye­ti.

  ****

  “Mr. Krus­den, do you know what the pe­nalty is for kil­ling an agent of the fe­de­ral go­ver­n­ment?” as­ked Agent Rol­lins.

  “Look, I did not kill Ms. Spe­ed. She just hap­pe­ned to be in the wrong pla­ce at the wrong ti­me.”

  “That’s what you say. We ha­ve not ru­led out fo­ul play in Ms. Spe­ed’s de­ath, and we still con­si­der you a sus­pect.”

  “She was crus­hed by a ye­ti.”

  “Even if that is the ca­se, we can’t ne­ces­sa­rily ru­le out that you used the ye­ti as an in­s­t­ru­ment of mur­der.”

  “Do you think I’ve got sec­ret ca­ta­pult or ye­ti-fi­ring can­non out be­hind the ca­bin?”

  “Never un­de­res­ti­ma­te the de­vi­o­us byways of the cri­mi­nal mind.”

  “Don’t you think that’s a lit­tle crazy?”

  “Crazier than ye­ti fal­ling out of the sky?”

  He had a po­int.

  Two ho­urs af­ter Ms. Spe­ed’s de­mi­se, two FBI agents had shown up at the ca­bin and had be­co­me qu­ite per­tur­bed at the most re­cent turn of events. Now Agent Her­nan­dez was busy exa­mi­ning the bo­di­es whi­le his par­t­ner qu­es­ti­oned Bob.

  Hernandez wal­ked up, sha­king his he­ad. “It cer­ta­inly lo­oks li­ke she was kil­led by a fal­ling ye­ti.”

  Bob spre­ad his hands. See?

  “And the ot­hers?” as­ked Rol­lins.

  “It lo­oks li­ke they fell too. You can still see the in­den­ti­ons in the lo­am.”

  “Are you su­re they’re ye­ti?”

  “Heck if I know. I’ve ne­ver se­en one be­fo­re. But they ain’t guys in funny su­its.”

  “That’s aren’t guys in funny su­its. You’re an FBI agent now, Her­nan­dez. We spe­ak pro­per En­g­lish. And don’t say ‘heck.’”

  “Yes, sir. Sorry, sir.”

  Just then anot­her SUV pul­led up and two men clim­bed out, one of them car­rying a cam­cor­der.

  “Oh, gre­at, just what I ne­ed,” gro­used Rol­lins, mo­ving off to in­ter­cept them.

  “Tightass,” mut­te­red Her­nan­dez un­der his bre­ath.

  “Rollins, FBI,” he sa­id, flas­hing his bad­ge, “This is a cri­me sce­ne, you’ll ha­ve to le­ave im­me­di­ately!”

  “Agent Rol­lins, Dan Par­ker, FOX-31 News. Is it true that this ca­bin is the sight of a big­fo­ot kil­ling spree?”

  “No, it’s not, and get that ca­me­ra out of he­re!” he sa­id. The ca­me­ra­man kept fil­ming the FBI agent for a mo­ment, then pan­ned to ta­ke in the de­ad ye­ti on top of Spe­ed.

  “How many pe­op­le has the mur­de­ro­us big­fo­ot kil­led so far?”

  “Only one! No, stri­ke that! No com­ment! How the hell did you he­ar abo­ut this an­y­way!?”

  “Oh, you ca­me thro­ugh lo­ud and cle­ar on the po­li­ce scan­ner! We we­re out do­ing a spit­ting tree spi­der story when word ca­me ac­ross, but ni­ne or ten ot­her news crews are on the­ir way.”

  “I sa­id, get that ca­me­ra out of he­re! This is a cri­me sce­ne! Do you want to be ar­res­ted?”

  Parker shut off his mic­rop­ho­ne for a mo­ment. “Oh, co­uld you? Ple­ase? That wo­uld lo­ok so co­ol on my re­su­me!” He tur­ned the mic­rop­ho­ne back on. “Agent Rol­lins, be­fo­re ar­res­ting me, you sho­uld know that this audio and vi­deo is be­ing fed li­ve to FOX-31’s web si­te, but if you ne­ed to do yo­ur duty, so be it.”

  Rollins mut­te­red so­met­hing un­der his bre­ath as he wal­ked away and pul­led out his pho­ne.

  “Sir, are you the ow­ner of this ca­bin?” as­ked Par­ker, stic­king the mic­rop­ho­ne in Bob’s fa­ce. Bob lo­oked un­com­for­tab­le and un­con­s­ci­o­usly suc­ked in his gut.

  “Uh, not the ow­ner, the ren­ter.”

  “And yo­ur na­me?”

  “Uh, Bob Krus­den.”

  “And yo­ur pro­fes­si­on?”

  “Uh, I’m a scre­en­p­lay wri­ter.”

  “And did you wit­ness the mur­de­ro­us big­fo­ot at­tack?”

  “Uh, well, ac­tu­al­ly it’s mo­re of a ye­ti than a big­fo­ot.”

  “Yeti?”

  “Yeah. You can tell by the sil­ver pelt. And it wasn’t re­al­ly an at­tack, it just fell out of the sky.”

  “Fell out of the sky?”

  “Yeah, li­ke the ot­her fo­ur.”

  “Four?”

  Bob po­in­ted and the ca­me­ra­man bo­un­ded over to the si­de of the ca­bin to film the ot­her de­ad ye­ti.

  “Mr. Krus­den, how can we be­li­eve that fi­ve big­fo­ots-”

  “Yeti.”

  “That fi­ve ye­ti just fell out of the sky?”

  “Hey, now I re­mem­ber!” sa­id Her­nan­dez sud­denly. “Bob Krus­den! You wro­te the script for Autumn Light, right?”

  Bob smi­led. “Ye­ah, ac­tu­al­ly I did! How did you know that?”

  “I knew yo­ur na­me so­un­ded fa­mi­li­ar! Ye­ah, the­re’s an ex­cerpt from that in Mas­te­ring Scre­en­p­lay Ba­sics! I’ve al­ways wan­ted to be a scre­en­w­ri­ter! See, I’ve got this idea for a script abo­ut the­se two FBI agents. One of them’s co­ol, but the ot­her is re­al­ly a tig­h­tass-”

  “But back to the ye­ti, what the pub­lic wants to know-”

  At that mo­ment, they all he­ard a lo­ud, gut­tu­ral cry, and tur­ned just in ti­me to see anot­her ye­ti plo­wing in­to the gro­und.

  Finally, Bob had an idea. He pul­led out his pho­ne.

  “Ed’s Ge­ne­ral Sto­re, Hun­ting Em­po­ri­um and In­ter­net Caf, how may I help you?”

  “Hi Ed, this is Bob. Lis­ten, I wan­ted to see if you had so­me things in stock…”

  ****

  Night had fal­len, but the area in front of the ca­bin was brightly lit by an ar­ray of flo­od­lights. Bob, Agent Her­nan­dez, Ed, and Mi­ke we­re busy tying the last of the li­nes in Bob’s ma­kes­hift net. Ro­pe, bun­gie cord, se­ve­ral hun­ting slings and a co­up­le of re­al nets we­re ti­ed to se­ve­ral pi­ne tre­es and the top of the ca­bin’s porch so­me ten fe­et off the gro­und. Bet­we­en the ro­pes and the lights, Bob had en­ded up put­ting mo­re than a tho­usand dol­lars on his Vi­sa card, all of it at Ed’s exor­bi­tant pri­ces. When Bob had po­in­ted out that his bu­si­ness wo­uld pro­bably qu­in­tup­le af­ter to­urists got wind of the ye­ti story, Ed had ge­ne­ro­usly knoc­ked off fi­ve per­cent.

  “Is that end tight?” as­ked Bob.

  “Yeah, wha­te­ver,” sa­id Mi­ke, al­re­ady clim­bing down the lad­der.

  Bob ca­re­ful­ly wal­ked ac­ross the ma­kes­hift net and back,
un­com­for­tably awa­re of the do­zens of ca­me­ra­men fil­ming his every mo­ve. The­re we­re now a go­od fifty to sixty re­por­ters mil­ling aro­und out­si­de the FBI’s ta­pe bar­ri­er, all co­ve­ring “The Gre­at Ye­ti Mystery” and all be­ing scow­led at by Agent Rol­lins. Rol­lins hadn’t be­en wild abo­ut Bob’s idea, but hadn’t be­en ab­le to think of an­y­t­hing bet­ter.

  Though it shif­ted alar­mingly un­der his fe­et, Bob was re­aso­nably su­re the net wo­uld at le­ast bre­ak the next ye­ti’s fall, as­su­ming anot­her one ca­me tum­b­ling. Bob ca­re­ful­ly clim­bed down, wa­ved off a batch of sho­uted qu­es­ti­ons, and step­ped in­to his ca­bin to grab a cup of cof­fee. Whi­le it was bre­wing he chec­ked his pho­ne calls. Twen­ty-two re­qu­ests for in­ter­vi­ews, two mo­re fri­ends and an ex-gir­l­f­ri­end cal­ling to say they had se­en him on the news, his agent Sid cal­ling with the la­test of­fers for the mo­vie rights to his story, and his mot­her, as­king why he co­uldn’t we­ar so­me ni­ce pants for the ca­me­ras in­s­te­ad of tho­se ratty old je­ans. He cal­led Sid.

  “Bob, you’re gol­den! Sony’s up­ped the of­fer to $750,000!”

  “Creative con­t­rol?”

  “No, they’re bal­king at that. They say they’re not su­re you ha­ve the pro­per per­s­pec­ti­ve to do the story right. They think the pro­ta­go­nist ne­eds to be a be­a­uti­ful, twen­ty-so­met­hing half-Na­ti­ve Ame­ri­can ve­te­ri­na­ri­an who’s ca­pab­le of spe­aking to the spi­rits of the de­ad ye­ti.”

  “Of co­ur­se they do. That’s why you’re go­ing to tell them No. Call back when they’re wil­ling to of­fer two mil­li­on and cre­ati­ve con­t­rol.”

  “Well Bob, you’re the man! But are you su­re they’ll go that high?”

  “Wait un­til we cap­tu­re a li­ve ye­ti.” He rung off and step­ped back out­si­de.

  Bob lo­oked up at the net. One of the strands Mi­ke had ti­ed se­emed to be lo­ose. Bob pic­ked up the lad­der and mo­ved it to the next tree, pa­in­ful­ly awa­re of the ca­me­ras cap­tu­ring his every mo­ve. Upon clo­ser in­s­pec­ti­on it was co­ming lo­ose, but the­re wasn’t eno­ugh ro­pe left at the end to lo­op it aro­und the tree aga­in.

  “Do we ha­ve any mo­re ro­pe down the­re?” he as­ked.

  Before an­yo­ne an­s­we­red, the­re was anot­her gut­tu­ral scre­am as anot­her ye­ti fell, this one stra­ight in­to the ro­pes. The ma­kes­hift net bo­wed in the mid­dle, al­most to­uc­hed the gro­und, then held and ro­se back up, sen­ding the lad­der tum­b­ling to the gro­und in the pro­cess. Bob grab­bed the ed­ge of net ne­arest him, then, with so­me dif­fi­culty, pul­led him­self up.

  Dozens of li­ve ca­me­ra fe­eds cap­tu­red the sight of the new ye­ti scrab­bling to its fe­et in the net­ting, shi­el­ding its eyes aga­inst the flo­od­lights’ gla­re, fe­ar­ful and di­so­ri­en­ted. It se­emed to be we­aring the sa­me brown uni­form as the last few ye­ti and it car­ri­ed so­me sort of flas­h­light. It let out anot­her long cry.

  Bob got un­s­te­adily to his fe­et, un­su­re what to do next. “Uh, hi the­re!” he sa­id, ra­ising his hands, then won­de­ring if that wo­uld re­al­ly be se­en as a pe­ace­ful ges­tu­re. The ye­ti tur­ned to lo­ok at him, then slowly bac­ked away.

  Bob ed­ged clo­ser, pa­in­ful­ly awa­re of the fact that the ye­ti pro­bably we­ig­hed a go­od two hun­d­red po­unds mo­re than he did. “Hi the­re! My na­me is Bob,” he sa­id, lo­we­ring one hand and po­in­ting to him­self.

  The ye­ti ma­de no reply, its ga­ze dar­ting back and forth bet­we­en Bob, the gro­und, and the as­sem­b­led crowd. It was a go­od thing they had mo­ved all the de­ad ye­ti back be­hind the ca­bin.

  “My na­me is Bob,” he re­pe­ated, still po­in­ting at him­self.

  The ye­ti ze­ro­ed in on him.

  “Bob!” he sa­id aga­in, still po­in­ting.

  The ye­ti se­emed to get the idea. It po­in­ted a fin­ger at him and grow­led “Brrra­a­a­ab.”

  “Yes, that’s right!” sa­id Bob, nod­ding his he­ad and ed­ging clo­ser. “My na­me is Bob,” he sa­id, po­in­ting at him­self aga­in, “and yo­ur na­me is…” he sa­id po­in­ting at the ye­ti.

  “Yawragrowroh!” sa­id the ye­ti po­in­ting at him­self.

  “Yahhgrawow,” sa­id Bob, po­in­ting at the ye­ti.

  “Yawragrowroh!” sa­id the ye­ti, then it stiffly mi­mic­ked Bob’s nod­ding.

  Bob nod­ded in re­turn. “Ni­ce to me­et you, Yaw­rag­row­roh” he sa­id, slowly and ca­re­ful­ly ex­ten­ding his hand to the ye­ti. Yaw­rag­row­roh lo­oked at the hand for a mo­ment, then, un­der the gla­re of a hun­d­red ca­me­ra flas­hes, ca­uti­o­usly re­ac­hed out and gras­ped it.

  ****

  “Are you the­re, Bob?”

  “Yeah, Sid, I got you on the spe­aker­p­ho­ne.”

  “How abo­ut the Y-Man?”

  Yawragrowroh grow­led in as­sent.

  “What’s the sco­re?” as­ked Bob.

  “Sony ba­iled at two mil­li­on, but Vi­aD­re­am’s wil­ling to go two po­int fi­ve mil, plus a one per­cent con­tin­gent com­pen­sa­ti­on gross kic­ker when it ex­ce­eds one hun­d­red sixty mil­li­on.”

  “Crrrrrreeeeeeaaaative?” as­ked Yaw­rag­row­roh.

  “Wellll, sor­ta,” sa­id Sid. “They’re wil­ling to gi­ve you ‘sub­s­tan­ti­al’ script con­sul­ta­ti­on, but no fi­nal cut ap­pro­val.”

  “Did they ditch the cha­se sce­ne with the nuc­le­ar war­he­ad?”

  “Yeah, that’s go­ne.”

  “How abo­ut the di­no­sa­ur at­tack?”

  “Turns out Pa­ra­mo­unt is do­ing a ‘Di­no­sa­urs vs. Ro­bots’ mo­vie next ye­ar, so they ag­re­ed to cut that as well.”

  “And just to ma­ke su­re: I’m still not a hot In­di­an ve­te­ri­na­ri­an psychic, right?”

  “Well, not exactly, no. You’re still a ma­le Hol­lywo­od scrip­t­w­ri­ter, but now the half-Na­ti­ve Ame­ri­can ve­te­ri­na­ri­an is yo­ur gir­l­f­ri­end.”

  “ I wish. Who’s go­ing to play the gir­l­f­ri­end?”

  “They’re tal­king Re­ese Wit­her­s­po­on with dyed skin.”

  Bob po­un­ded his he­ad ever-so-softly aga­inst the wall. “Do­es she still spe­ak to the de­ad ye­ti?”

  “Yeah.”

  “I can li­ve with the gir­l­f­ri­end. But they ha­ve to drop the psychic crap. That’s a de­al bre­aker.”

  “Drrrreeeealbrrrreaaaker?”

  “If you can li­ve with the gir­l­f­ri­end, I think they’ll bud­ge on the psychic part.”

  “And if we can’t get a re­al In­di­an, can we at le­ast get a re­al bru­net­te?”

  “See what I can do. Oh, and they’re al­so of­fe­ring ‘per­so­nal cas­ting ap­pro­val.’”

  “Personal cas­ting?”

  “Yeah, just for the ac­tors to play you two.”

  “Who do they want to play me?”

  “Jason Ale­xan­der.”

  Bob sig­hed. “Ye­ah, I was af­ra­id of that. Did they try Bob Hos­kins?”

  “He’s pla­ying the vil­la­in in a Jet Li film.”

  “I can li­ve with Jason Ale­xan­der.”

  “Mrrrreeeeee?”

  ‘For you they want Ben Af­f­leck.”

  “RRRRRRRRRRAWWWWWWRRRRR!”

  “Okay, I’m sen­sing a lit­tle re­sis­tan­ce to the Af­f­leck idea. Who wo­uld you pre­fer?”

  “RRRRRReeebaaacaaa?”

  “Sorry, Y. Pe­ter May­hew is in the hos­pi­tal fol­lo­wing a golf cart ac­ci­dent.”

  “Rrrraaaawww, crrrrra­a­ap.”

  “Anyone el­se they ha­ve li­ned up?” as­ked Bob.

  ‘Well, unof­fi­ci­al­ly, they’re sa­ying Ge­or­ge Clo­oney is up next af­ter Af­f­leck.”

 
Yawragrowroh ma­de his ho­pe­ful no­ise. “Go­o­o­o­od de­a­a­al.”

  “No prob­lem with the Feds?”

  “Nah, now that the ga­te’s up and run­ning they’ve got do­zens of li­ve ye­tis to work with, and they’re too busy ham­me­ring out an in­ter-di­men­si­onal tra­de ag­re­ement to worry abo­ut so­me mo­vie de­al.”

  “So we got it? We in ag­re­ement he­re?”

  “Yeah, let’s do it. Pull the trig­ger.”

  “Y man?”

  “Rrrrrrroooock aa­a­and Rrrrrrrrro­o­o­ol­lll!”

  “All right! I’ll get Vi­aD­re­am to fax over the con­t­racts. Hang on­to yo­ur se­ats, gen­t­le­men. I think this one co­uld be a mon­s­ter!”

  ****

  Slanted Jack

  Mark L. Van Name

  Nothing sho­uld ha­ve be­en ab­le to ru­in my lunch.

  Joaquin Choy, the best chef on any pla­net wit­hin three jumps, had erec­ted his res­ta­urant, Falls, just out­si­de Eddy, the only city on the still-de­ve­lo­ping pla­net Mund. He’d cho­sen the si­te be­ca­use of the in­ten­se fla­vors of the na­ti­ve ve­ge­tab­les, the high qu­ality of the lo­cal­ly ra­ised li­ves­tock, and a set­ting that whip­ped yo­ur he­ad aro­und and wi­de­ned yo­ur eyes.

  Falls per­c­hed on ca­mo-pa­in­ted car­bon-fi­ber struts over the cen­ter of a tho­usand-me­ter-de­ep gor­ge. You en­te­red it via a three-me­ter-wi­de tran­s­pa­rent wal­k­way so soft you we­re su­re you we­re strol­ling ac­ross high, wispy clo­uds. The fo­ur wa­ter­fal­ls that in­s­pi­red its na­me re­ma­ined vi­sib­le even when you we­re in­si­de, thanks to the tran­s­pa­rent ac­ti­ve-glass walls who­se ca­re­ful light ba­lan­cing gu­aran­te­ed a gla­re-free vi­ew thro­ug­ho­ut the day. The air out­si­de fil­led yo­ur he­ad with the cle­an scent of wo­od waf­ting dow­n­s­t­re­am on light ri­ver bre­ezes; a mu­ted va­ri­ant of the sa­me smells per­va­ded the bu­il­ding’s in­te­ri­or.

  I oc­cu­pi­ed a cor­ner se­at, a highly de­si­rab­le po­si­ti­on gi­ven my bac­k­g­ro­und and li­ne of work, that let me easily scan all new ar­ri­vals. In the clo­uds abo­ve me, Lo­bo, my in­tel­li­gent bat­tle wa­gon, mo­ni­to­red the area sur­ro­un­ding the res­ta­urant so no thre­at co­uld as­sem­b­le wit­ho­ut my know­led­ge whi­le I ate. I’d lo­ca­ted an ex­te­ri­or exit op­ti­on when I first vi­si­ted Choy, and both Lo­bo and I co­uld re­ach it in un­der a mi­nu­te. Wrap­ped in a blan­ket of se­cu­rity I ra­rely ac­hi­eved in the gre­ater world, I co­uld re­lax and enj­oy myself.

 

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