Fretfully, he began to fall asleep in the hot room, in the dark.
Almost to sleep, he heard a woman weeping in his mind.
The weeping scratched at the inside of his head, sliding randomly in and out of his brain. Not really the sound of weeping, not actually an audible sound at all, but rather a feeling, an essence of weeping, of unalterable sadness. Without waking, he groped for the elusive feelings, swimming down deeper and deeper into his mind—like diving below a storm-lashed ocean at night, swimming down to where it is always calm and no light goes, down where the deep currents run. He was only partially conscious, on the borderline of dream where anything seems rational and miracles are commonplace. It seemed only reasonable, only fair, that, in his desolation, he should find a woman in his head. He did not question this, he did not find it peculiar. He moved toward her, propelled and guided only by the urge to be with her, an ivory feather drifting and twisting through vast empty darkness, floating on the wind, carried by the currents that wind through the regions under the earth, the tides that march in Night. He found her, wrapped in the underbelly of himself like a pearl: a tiny exquisite irritant. Encased in amber, he could not see, but he knew somehow that she was lovely, as perfect and delicate as the bud of a flower opening to the sun, as a baby’s hand. He comforted her as he had comforted Emma on nights when she’d wake up crying: reaching through darkness toward sadness, wrapping it in warmth, leaching the fear away with presence, spreading the pain around between them to thin it down. She seemed startled to find that she was not alone at the heart of nothing, but she accepted him gratefully, and blended him into herself, blended them together, one stream into another, a mingling of secret waters in the dark places in the middle of the world, in Night, where shadows live. She was the thing itself, and not its wrapping, as Emma had been. She was ultimate grace—moving like silk around him, moving like warm rain within him. He merged with her forever.
And found himself staring at the ceiling.
Gritty light poured in through the window. The hotel sign had been turned off. It was morning.
He grinned at the ceiling, a harsh grin with no mirth in it: skin pulling back and back from the teeth, stretching to death’s-head tautness.
It had been a dream.
He grinned his corpse grin at the morning.
Hello morning. Hello you goddamned son of a bitch.
He got up. He ached. He was lightheaded with fatigue: his head buzzed, his eyelids were lead. It felt like he had not slept at all.
He went to work.
It is still raining. Dawn is hidden behind bloated spider clouds. Here, in the factory town, miles of steel mills, coke refineries, leather-tanning plants, chemical scum running in the gutters, it will rain most of the year: airborne dirt forming the nucleus for moisture, an irritant to induce condensation—producing a listless rain that fizzles down endlessly, a deity pissing. The bus creeps through the mists and drizzle like a slug, parking lights haloed by dampness. Raindrops inch down the windowpane, shimmering and flattening when the window buzzes, leaving long wet tracks behind them. Inside, the glass has been fogged by breath and body heat, making it hard to see anything clearly. The world outside has merged into an infinity of lumpy gray shapes, dinosaur shadows, here and there lights winking and diffusing wetly—it is a moving collage done in charcoal and watery neon. The men riding the bus do not notice it—already they seem tired. It is seven A.M. They sit and stare dully at the tips of their shoes, or the back of the seat in front of them. A few read newspapers. One or two talk. Some sleep. A younger man laughs—he stops almost immediately. If the windows were clear, the rain college of light and shadow would be replaced by row after row of drab, crumbling buildings, gas stations decked with tiny plastic flags, used car lots with floodlights, hamburger stands, empty schoolyards with dead trees poking up through the pavement, cyclone-fenced recreation areas that children never use. No one ever bothers to look at that either. They know what it looks like.
Usually Mason prefers the aisle seat, but this morning, prompted by some obscure instinct, he sits by the window. He is trying to understand his compulsion to watch the blurred landscape, trying to verbalize what it makes him think of, how it makes him feel. He cannot. Sad—that’s the closest he can come. Why should it make him sad? Sad, and there is something else, something he gropes for but it keeps slipping away. An echo of reawakening fear, in reaction to his groping. It felt like, it was kind of like— Uneasily, he presses his palm to the window, attempts to rub away some of the moisture obscuring the glass. (This makes him feel funny too. Why? He flounders, grasping at nothing—it is gone.) A patch of relatively clear glass appears as he rubs, a swath of sharper focus surrounded by the oozing myopia of the collage. Mason stares out at the world, through his patch of glass. Again he tries to grasp something—again he fails. It all looks wrong somehow. It makes him vaguely, murkily angry. Buildings crawl by outside. He shivers, touched by a septic breath of entropy. Maybe it’s—If it was like— He cannot. Why is it wrong? What’s wrong with it? That’s the way it’s always looked, hasn’t it? Nothing’s changed. What could you change it to? What the fuck is it supposed to be like? No words.
Raindrops pile up on the window again and wash away the world.
At work, the dream continued to bother Mason throughout the day. He found that he couldn’t put it out of his mind for long—somehow his thoughts always came back to it, circling constantly like the flies that buzzed around the pools of blood on the concrete floor.
Mason became annoyed, and slightly uneasy. It wasn’t healthy to be so wrapped up in a fucking dream. It was sick, and you had to be sick in the head to fool around with it. It was sick—it made him angry to think about the slime and sickness of it, and faintly nauseous. He didn’t have that slime in his head. No, the dream had bothered him because Emma was gone. It was rough on a guy to be alone again after living with somebody for so long. He should go out and actually pick up some broad instead of just thinking about it—should’ve had one last night so he wouldn’t’ve had to worry about what to tell Kaplan. Sweep the cobwebs out of his brain. Sitting around that damn house night after night, never doing anything—no wonder he felt funny, had crazy dreams.
At lunch—sitting at the concrete, formica-topped table, next to the finger-smudged plastic faces of the coffee machine, the soft drink machine, the sandwich machine, the ice cream machine (OUT OF ORDER) and the candy bar machine—he toyed with the idea of telling Russo about the dream, playing it lightly, maybe getting a few laughs out of it. He found the idea amazingly unpleasant. He was reluctant to tell anybody anything about the dream. To his amazement, he found himself getting angry at the thought. Russo was a son of a bitch anyway. They were all son of a bitches. He snapped at Russo when the Italian tried to draw him into a discussion he and Kaplan were having about cars. Russo looked hurt.
Mason mumbled something about a hangover in apology and gulped half of his steaming coffee without feeling it. His tuna salad sandwich tasted like sawdust, went down like lead. A desolate, inexplicable sense of loss had been growing in him throughout the morning as he became more preoccupied with the dream. He couldn’t have been this affected by a dream, that was crazy—there had to be more to it than that, it had to be more than just a dream, and he wasn’t crazy. So it couldn’t have been a dream completely, somehow. He missed the girl in the dream. How could he miss someone who didn’t exist? That was crazy. But he did miss her. So maybe the girl wasn’t completely a dream somehow, or he wouldn’t miss her like that, would he? That was crazy too. He turned his face away and played distractedly with crumbs on the formica tabletop. No more of this: it was slimy, and it made his head hurt to think about it. He wouldn’t think about it anymore.
That afternoon he took to listening while he worked. He caught himself at it several times. He was listening intently, for nothing. No, not for nothing. He was listening for her.
On the bus, going home, Mason is restless, as if he were being carried into s
ome strange danger, some foreign battlefield. His eyes gleam slightly in the dark. The glare of oncoming car headlights sweeps over him in oscillating waves. Straps swing back and forth like scythes. All around him, the other passengers sit silently, not moving, careful not to touch or jostle the man next to them. Each in his own space: semivisible lumps of flesh and shadow. Their heads bob slightly with the motion of the bus, like dashboard ornaments.
When Mason got home, he had frozen pizza for supper again, though he’d been intending to have an omelet. He also ate some more Fig Newtons. It was as though he were half-consciously trying to reproduce the previous night, superstitiously repeating all the details of the evening in hopes of producing the same result. So he ate pizza, shaking his head at his own stupidity and swearing bitterly under his breath. He ate it nevertheless. And as he ate, he listened for the scratching—hating himself for listening, but listening—only partially believing that such a thing as the scratching even existed, or ever had, but listening. Half of him was afraid that it would not come; half was afraid that it would. But nothing happened.
When the scratching at his mind did come again it was hours later, while he was watching an old movie on The Late Show, when he had almost managed to forget. He stiffened, feeling a surge of terror (and feeling something else that he was unable to verbalize), even the half of his mind that had wanted it to come screaming in horror of the unknown now that the impossible had actually happened. He fought down terror, breathing harshly. This couldn’t be happening. Maybe he was crazy. A flicker of abysmal fear. Sweat started on his forehead, armpits, crotch.
Again, the scratching: bright feelings sliding tentatively into his head, failing to catch and slipping out, coming back again—like focusing a split-image lens. He sat back in the easy chair; old springs groaned, the cracked leather felt hot and sticky against his T-shirted back. He squeezed the empty beer can, crumpling it. Automatically he put the empty into the six-pack at the foot of the chair. He picked up another can and sat with it unopened in his lap. The sliding in his head made him dizzy and faintly nauseous—he squirmed uneasily, trying to find a position that would lessen the vertigo. The cushion made a wet sucking noise as he pulled free of it: the dent made by his back in the leather began to work itself back to level, creaking and groaning, only to re-form when he let his weight down again. Jarred by motion, the ashtray he’d been balancing on his knee slipped and crashed face-down to the rug in an explosion of ashes.
Mason leaned forward to pick it up, stopped, his attention suddenly caught and fixed by the television again. He blinked at the grainy, flickering black-and-white images; again he felt something that he didn’t know how to say, so strongly that the sliding in his head was momentarily ignored.
It was one of those movies they’d made in the late twenties or early thirties, where everything was perfect. The hero was handsome, suave, impeccably dressed; he had courage, he had style, he could fit in anywhere, he could solve any problem—he never faltered, he never stepped on his own dick. He was Quality. The heroine matched him: she was sophisticated, refined, self-possessed—a slender, aristocratic sculpture in ice and moonlight. She was unspeakably lovely. They were both class people, posh people: the ones who ran things, the ones who mattered. They had been born into the right families on the right side of town, gone to the right schools, known the right people—got the right jobs. Unquestioned superiority showed in the way they moved, walked, planted their feet, turned their heads. It was all cool, planned and poised, like a dancer. They knew that they were the best people, knew it without having to think about it or even knowing that they knew it. It was a thing assumed at birth. It was a thing you couldn’t fake, couldn’t put on: something would trip you up every time, and the other ones on top would look through you and see what you really were and draw a circle that excluded you (never actually saying anything, which would make it worse), and you would be left standing there with your dick hanging out, flushed, embarrassed, sweating—too coarse, doughy, unfinished—twisting your hat nervously between knobby, clumsy hands. But that would never happen to the man and woman on television.
Mason found himself trembling with rage, blind with it, shaking as if he were going to tear himself to pieces, falling apart and not knowing why, amazed and awed by his own fury, his guts knotting, his big horny hands clenching and unclenching at the injustice, the monstrousness, the slime, the millions of lives pissed away, turning his anger over and over, churning it like a murky liquid, pounding it into froth.
They never paid any dues. They never sweated, or defecated. Their bodies never smelled bad, never got dirty. They never had crud under their fingernails, blisters on their palms, blood staining their arms to the elbows. The man never had five o’clock shadow, the woman never wore her hair in rollers like Emma, or had sour breath, or told her lover to take out the garbage. They never farted. Or belched. They did not have sex—they made love, and it was all transcendental pleasure: no indignity of thrashing bodies, clumsily intertwining limbs, fumbling and straining, incoherent words and coarse animal sounds; and afterward he would be breathing easily, her hair would be in place, there would be no body fluids, the sheets would not be rumpled or stained. And the world they moved through all their lives reflected their own perfection: it was beautiful, tidy, ordered. Mansions. Vast lawns. Neatly painted, tree-lined streets. And style brought luck too. The gods smiled on them, a benign fate rolled dice that always came up sevens, sevens, sevens. They skated through life without having to move their feet, smiling, untouched, gorgeous, like a parade float: towed by others. They broke the bank of every game in town. Everything went their way. Coincidence became a contortionist to finish in their favor.
Because they had class. Because they were on top.
Mason sat up, gasping. He had left the ashtray on the floor. Numbly, he set the beer can down beside it. His hand was trembling. He felt like he had been kicked in the stomach. They had quality. He had nothing. He could see everything now: everything he’d been running from all his life. He was shit. No way to deny it. He lived in a shithouse, he worked in a shithouse. His whole world was a vast shithouse: dirty black liquid bubbling prehistorically; rich feisty odors of decay. He was surrounded by shit, he wallowed in it. He was shit. Already, he realized, it made no difference that he had ever lived. You’re nothing, he told himself, you’re shit. You ain’t never been anything but shit. You ain’t never going to be anything but shit. Your whole life’s been nothing but shit.
No.
He shook his head blindly.
No.
There was only one thing in his life that was out of the ordinary, and he snatched at it with the desperation of a drowning man.
The sliding, the scratching in his head that was even now becoming more insistent, that became almost overwhelming as he shifted his attention back to it. That was strange, wasn’t it? That was unusual. And it had come to him, hadn’t it? There were millions and millions of other people in the world, but it had picked him—it had come to him. And it was real, it wasn’t a dream. He wasn’t crazy, and if it was just a dream he’d have to be. So it was real, and the girl was real. He had somebody else inside his head. And if that was real, then that was something that had never happened to anybody else in the world before—something he’d never even heard about before other than some dumb sci-fi movies on TV. It was something that even they had never done, something that made him different from every man in the world, from every man who had ever lived. It was his own personal miracle.
Trembling, he leaned back in the chair. Leather creaked. This was his miracle, he told himself, it was good, it wouldn’t harm him. The bright feelings themselves were good: somehow they reminded him of childhood, of quiet gardens, of dust motes spinning in sunlight, of the sea. He struggled for calm. Blood pounded at his throat, throbbed in his wrists. He felt (the memory flooding, incredibly vivid-ebbing) the way he had the first time Sally Rogers had let him spread her meaty, fragrant thighs behind the hill during noon cla
ss in the seventh grade: light-headed, scared, shaking with tension, madly impatient. He swallowed, hesitating, gathering courage. The television babbled unnoticed in the background. He closed his eyes and let go.
Colors swallowed him in a rush.
She waited for him there, a there that became here as his knowledge of his physical environment faded, as his body ceased to exist, the soothing blackness broken only by random afterimages and pastel colors scurrying in abstract, friendly patterns.
She was here—simultaneously here and very far away. Like him, she both filled all of here and took up no space at all—both statements were equally absurd. Her presence was nothing but that: no pictures, no images, nothing to see, hear, touch, or smell. That had all been left in the world of duration. Yet somehow she radiated an ultimate and catholic femininity, an archetypal essence, a quicksilver mixture of demanding fire and an ancient racial purpose as unshakable and patient as ice—and he knew it was the (girl? woman? angel?) of his previous “dream,” and no other.
There were no words here, but they were no longer needed. He understood her by empathy, by the clear perception of emotion that lies behind all language. There was fear in her mind—a rasp like hot iron—and a feeling of hurtling endlessly and forlornly through vast, empty desolation, surrounded by cold and by echoing, roaring darkness. She seemed closer tonight, though still unimaginably far away. He felt that she was still moving slowly toward him, even as they met and mingled here, that her body was careening toward him down the path blazed by her mind.
Morning Child and Other Stories Page 10
