She had captured the meaning and the mystery of his native land in the one hundredth of a second that it took the lens shutter to open and close again, while he had laboured. for long agonizing months and not come anywhere near it, and secretly recognizing his failure was afraid to try again. He took a sip of the insipid wine that had been offered to him as a rebuke for this crisis of confidence in his own ability, and now the wine had a quinine aftertaste that he had not noticed before.
"Where are you from?" he asked the girl, without looking at her.
"Denver, Colorado," she said. "But my father has been with the Embassy in London for years. I did most of my schooling in England." That accounted for the accent. "I went to Africa when I was eighteen, and fell in love with it," she completed her life tory simply.
It took a physical-effort for Craig to touch the photograph and gently turn it face down. Beneath it was another of a young woman seated on a black lava rock beside a desert waterhole. She wore the distinctive leather bunny ears headdress of the Ovahimba. tribe. Her child stood beside her and nursed from her naked breast. The woman's skin was polished with fat and ochre. Her eyes were those from a fresco in a Pharaoh's tomb, and she was beautiful.
"Denver, Colorado, forsooth!" Craig thought and was surprised at his own bitterness, at the depths of his sudden resentment. How dare a damned foreign girl-child encapsulate so unerringly the complex spirit of a people in this portrait of a young woman. He had lived all his life with them and yet never seen an African so clearly as at this moment in an Italian restaurant in Greenwich Village.
He turned the photograph with a suppressed violence.
Beneath it was a view into the trumpet-shaped throat of k the magnificent maroon and gold bloom of kigelia Africana, Craig's favourite wild flower. In the lustrous depths of the flower nestled a tiny beetle likea precious emerald, shiny iridescent green. It was a perfect arrangement of shape and colour, and he found he hated her for it.
There were many others. One of a grinning lout of a militia man with an AK 47 rifle on his shoulder and a necklace of cured human ears around his neck, a caricature of savagery and arrogance; another of a wrinkled witch doctor hung with horns and beads and skulls and all the grisly accoutrements of his trade, his patient stretched out on the bare, dusty earth before him in the process of being crudely cupped, her blood making shiny dark serpents across her dark skin. The patient was a woman in her prime with patterns of tattoos on her breasts and cheeks and forehead. Her teeth were filed to points like those of a shark, a relic of the days of cannibalism, and her eyes, like those of a suffering animal, seemed filled with all the stoicism and patience of Africa.
Then there was another contrasting photograph of African children in a school-room of poles and rude thatch.
They shared a single reader between three of them, but all their hands were raised eagerly to the young black teacher's questions and all their faces lit by the burning desire for knowledge it was all there, a complete record of hope and despair, of abject poverty and great riches, of savagery and tenderness, of unrelenting elements and bursting fruitfulness, of pain and gentle humour. Craig could not bring himself to look at her again and he turned the stiff glossy sheets slowly, savouring each image and delaying the moment when he must face her.
Craig stopped suddenly, struck by a particularly poignant composition, an orchard of bleached bones. She had used black and white to heighten the dramatic effect, and the bones shone in the brilliant African sunlight, acres of bones, great femur and tibia bleached like drift-wood, huge rib-cages like the frames of stranded ocean clippers, and skulls the size of beer barrels with dark caves for eye sockets. Craig thought of the legendary elephant's graveyard, the old hunters" myth of the secret place where the elephants go to die.
"Poachers," she said. "Two hundred and eighty-six carcasses," and now Craig looked up at her at last, startled by the number.
"At one time?" he asked, and she nodded.
"They drove them into one of the old minefields." Involuntarily, Craig shuddered and looked down at the photograph again. Under the table-top his right hand ran down his thigh until he felt the neat strap that held his leg, and he experienced a choking empathy for the fate of those great pachyderms. He remembered his own minefield, and felt again the slamming impact of the explosion into his foot, as though he had been hit by the full swing of a sledgehammer.
"I'm sorry," she said saO. "I know about your leg."
"She does her home*ark,"Ashe said.
"Shut up," Craig thought furiously. "Why don't you both shut up." He hated anyone to mention the leg. If she had truly done her homework, she would have known that but it was not only mention of the leg, it was the elephants also. Once Craig had worked as a ranger in the game department. He knew them, had come to love them, and the evidence of this slaughter sickened and appalled him.
It increased his resentment of the girl; she had inflicted this upon him and he wanted to revenge himself, a childish urge to retaliate. But before he could do it, the late guest arrived, diverting them into a round of Ashes introductions.
"Craig, I want you to meet a special sort of guy." All of Ashes introductions came with a built-in commercial.
"This is Henry Pickering. Henry is a senior vice-president of the World Bank listen and you'll hear all those billions of dollars clashing around in his head. Henry, this is Craig Mellow, our boy genius. Not even excluding Karen Blixen, Craig is just one of the most important writers ever to come out of Africa, that's all he is!"
"I
read the book," Henry nodded. He was very tall and thin and prematurely bald. He wore a dark banker's suit and stark white shirt, with a little individual touch of colour in his necktie and twinkly blue eyes. "For once you are probably not exaggerating, Ashe." He kissed Sally-Anne's cheek platonically, sat down, tasted the wine that Ashe poured for him and pushed the glass back an inch. Craig found himself admiring his style.
"What do you think?" Henry Pickering asked Craig, glancing down at the open portfolio of photographs.
"He loves them, Henry," Ashe Levy cut in swiftly. "He's ape over them I wish you could have seen his face when he got his first look loves them, man, loves them!"
"Good, Henry said softly, watching Craig's face. "Have you explained the concept?"
"I wanted to serve it up hot." Ashe Levy shook his head.
"I wanted to hit him with it." He turned to Craig.
"A book, he said. "It's about a book. The title of the book is "Craig Mellow's Africa". What happens is you "A rite about the Africa of your ancestors, about what it was and what it has become. You go back and you do an in depth assessment. You speak to the people-" "Excuse me," Henry interrupted him, "I understand that you speak one of the two major languages Sindebele, isn't it of Zimbabwe?" Fluently, Ashe answered for Craig. "Like one of them."
"Good," Henry nodded. "Is it true that you have many friends some highly placed in government?" Ashe fielded the question again. "Some of his old buddies are cabinet ministers in the Zimbabwe government. You can't go much higher." Craig dropped his eyes to the photograph of the elephant graveyard. "Zimbabwe," he was not yet comfortable with the new name that the black victors had chosen. He still thought of it as Rhodesia.
That was the country his ancestors had hacked out of the wilderness with pick and axe and Maxim machine-gun. Their land, once his land by any name still his home.
"It's going to be top quality, Craig, no expense spared.
You can go where you want to, speak to anybody, the World Bank will see to that, and pay for it." Ashe Levy was running on enthusiastically, and Craig looked up at Henry Pickering.
"The World Bank publishing?" Craig asked sardonically, and when Ashe would have replied again, Henry Pickering laid a restraining hand on his forearm.
"I'll take the ball a while, Ashe," he said. He had sensed Craig's mood; his tone was gentle and placatory. "The main part of our business is loops to underdeveloped countries.
We have almost
a biltiori4invested in Zimbabwe. We want to protect our investritnt. Think of it as a prospectus, we want the world to know about the little African state that we would like to turn into a showpiece, an example of how a black government can succeed. We think your book could help do that for us."
"And these?" Craig touched the pile of photographs.
"We want the book to have visual as well as intellectual impact. We think Sally-Anne can provide that." Craig was quiet for many seconds while he felt the terror slither around deep inside him, like some loathsome reptile. The terror of failure. Then he thought about having to compete with these photographs, of having to provide a text that would not be swamped by the awesome view through this girl's lens.
He had a reputation at stake, and she had nothing to lose. The odds were all with her.
She was not an ally but an adversary, and his resentment came back in full force, so strong that it was a kind of hatred.
She was leaning towards him across the table, the spotlight catching her long eyelashes and framing those green-flecked eyes. Her mouth was quivering with eagerness, and a tiny bubble of saliva likea seed pearl sparkled on her lower lip. Even in his anger and fear, Craig wondered what it would be like to kiss that mouth.
"Craig," she said. "I can do better than those if I have the chance. I can go all the way, if you give me the chance.
Please!"
"You like elephants?" Craig asked her. "I'll tell you an elephant story. This big old bull elephant had a flea that lived in his left ear. One day the elephant crossed a rickety bridge, and when he got to the other side, the flea said in his car, "Boo boy! We sure rocked that bridge!"" Sally-Anne's lips closed slowly and then paled. Her eyelids fluttered, the dark lashes beating like butterflies" wings, and as the tears began to sparkle behind them she leaned back out of the light.
There was a silence, and in it Craig felt a rush of remorse. He felt sickened by his own cruelty and pettiness.
He had expected her to be tough and resilient, to come back with a barbed retort. He had not expected the tears.
He wanted to comfort her, to tell her that he didn't mean it the way it sounded. He wanted to explain his own fear and insecurity, but she was rising and picking up the folio of photographs.
"Parts of your book were so understanding, so compassionate, I wanted so badly to work with you," she said softly. "I guess it was dumb to expect you to be like your book." She looked at Ashe. "I'm sorry, Ashe, I'm just not hungry any more." Ashe Levy stood quickly. "We'll share a cab," he said.
Then softly to Craig, "Well done, hero, call me when you've got the new typescript finished, and he hurried after Sally-Anne. As she went through the door the sunlight back-lit her and Craig saw the shape of her legs through her skirt. They were long and lovely, and then she was gone.
Henry Pickering was fiddling with his glass, studying the wine thoughtfully.
"It's pasteurized Roman goat urine," Craig said. He found his voice was uneven. He signalled the wine waiter and ordered a Meursault.
"That's better," Henry understated it. "Well, perhaps the book wasn't such a great idea after all, was it?" He glanced at his wrist-watch. "We'd better order." They talked of other things the Mexican loan default, Reagan's midterm assessment, the gold price Henry preferred silver for a quick appreciation and thought diamonds would soon be looking good again. "I'd buy De Beers to hold," he advised.
A svelte young blonde from one of the other tables came across while they were taking coffee.
"You're Craig Mello*," she accused him. "I saw you on TV. I loved yQuit book. Please, please, sign this for me." While he signed her menu, she leaned over him and pressed one hard hot little breast against his shoulder.
"I work at the cosmetics counter in Saks Fifth Ave," she breathed.
"You can find me there any time." The odour of expensive, pilfered perfumes lingered after she had left.
"Do you always turn them away?" Henry asked a little wistfully.
[mill
"Man is only flesh and blood," Craig laughed, and Henry insisted on paying the tab.
"I have a limo, "he offered. "I could drop you."
"I'll walk off the pasta," Craig said.
CDO you know, Craig, I think you'll go back to Africa. I saw the way you looked at those photographs. Likea hungry man."
"It's possible."
"The book. Our interest in it. There was more to it than Ashe understood. You know the top blacks there. That interests me. The ideas you expressed in the book fit into our thinking. If you do decide to go back, call me before you do. You and I could do each other a favour." Henry climbed into the back seat of the black Cadillac, and then with the door still open he said, "I thought her pictures were rather good, actually." He closed the door and nodded to the chauffeur.
was moored between two new commercially built yachts, a forty-five-foot Camper and Nicholson and a Hatteras convertible, and she stood the comparison well enough, although she was almost five years old. Craig had put in every screw with his own hands. He paused at the gates of the marina to look at her, but somehow today he did not derive as much pleasure as usual from her lines.
"Been a couple of calls for you, Craig," the girl behind the reception desk in the marina office called out to him as he went in. "You can use this phone," she offered.
He checked the slips she handed him, one from his broker marked turgent', another from the literary editor of a mid-western daily. There hadn't been too many of those recently.
He phoned the broker first. They had sold the Mocatta gold certificates that he had bought for three hundred and twenty dollars an ounce at five hundred and two dollars.
He instructed them to put the money on call deposit.
Then he dialled the second number. While he waited to be connected, the girl behind the desk moved around more than was really necessary, bending over the lowest drawers of the filing-cabinet to give Craig a good look at what she had in her white Bermudas and pink halter-top.
When Craig connected with the literary editor, she wanted to know when they were publishing his new book.
"What book?" Craig thought bitterly, but he answered, "We haven't got a firm date yet but it's in the pipeline.
Do you want to do an interview in the meantime?"
"Thanks, but we will wait until publication, Mr. Mellow."
"Long wait, my darling," Craig thought, and when he hung up the girl looked up brightly.
"The party is on Firewater tonight." There was a party on one of the yachts every single night of the year.
"Are you coming across?" She had a flat tight belly between the shorts and top.
Without the glasses, she might be quite pretty and what the hell, he had just made a quarter of a million dollars on the gold certificates and a fool of himself at the lunch table.
"I'm having a private party on Bawu," he said, "for two." She had been a good patient girl and her time had come.
Her face lit up soohe saw he had been right. She really was quite pretty. "I "finish in here at five."
"I know" he said. "Come straight down." Wipe one out and make another happy, he thought. It should even out, but of course it didn't.
raig lay on his back under a single sheet in the wide bunk with both hands behind his head and listened to the small sounds in the night, the creak of the rudder in its restrainer, the tap of a halyard against the mast and the slap of wavelets under the hull. Across the basin the party on Firewater was still in full swing, there was a faint splash and a distant burst of drunken laughter as they threw somebody overboard, and beside him the girl made regular little wet fluttering sounds through her lips as she slept.
She had been eager and very practised, but nevertheless Craig felt unrequited and restless. He wanted to go up on deck, but that would have disturbed the girl and he knew she would still be eager and he could not be bothered further. So he lay and let the images from Sally-Anne's portfolio run through his head likea magic, lantern show, and they triggered others
that had long lain dormant but now came back to him fresh and vivid, accompanied by the smells and tastes and sounds of Africa, so that instead of the revels of drunken yachties, he heard again the beat of native drums along the Chobe river in the night; instead of the sour waters of the East river he smelled tropical raindrops on baked earth, and he began to ache with the bitter-sweet melancholy of nostalgia and he did not sleep again that night.
Leopard Hunts in Darkness b-4 Page 3
