by Adam Nevill
‘No. I’m fine. I live here. But this kid. Here. This one. Do you know . . .’
She looked to where he was pointing and then screwed up her eyes to stare at Seth, puzzled for a moment and then wary. After a moment of silence she said, ‘Come out of it. I got to go home. I got nothing.’ She waddled away from him.
Seth looked at the boy and swallowed. ‘No,’ he said, and then ran back into the doorway of the pub. He dropped his shopping bag to fumble a key into the Yale lock. Scooping up his bag of tins and bleach, he fell inside the building and slammed the door behind him.
ELEVEN
Sometimes I believe I am marked and scrub my skin red raw. How else is he able to follow me? I cannot countenance the idea that he can read my thoughts and guess my intentions in advance. And does he leave the building when I do, after sitting outside my door like some cruel dog, patiently waiting for me? Or has he been inside here with me since the last time we saw him? Now I’m beginning to sound like you, my darling.
Apryl sat in bed with the second journal and skimmed through another series of aborted trips and paranoid fantasies. More crazy stories about how Lillian and her friends in the building were being terrorized. Haunted even, by someone she had yet to name.
When she spoke to her mother an hour after midnight, she didn’t mention Lillian’s madness, or her own unease in the apartment. And to her mother’s delight she even hinted that it might be possible after all for her to return to New York on the date previously planned. She then rang off and cuddled back under the eiderdown with a mug of camomile and honey tea, promising herself she would only read the beginning of the third journal before getting some sleep. The antique dealer was due at ten the next morning, and an auctioneer at noon, so her alarm was set for eight thirty.
But two hours later, after delving into the third volume, she realized the last thing she would be able to do was sleep in this bedroom:
My darling, these past two weeks I have tried to get away from here through the parks. But things have changed there too. If the sickness and the sudden confusion is not enough I believe he has now positioned sentinels to keep us inside here.
On Monday I set off at five, at first light, wondering if this would make any difference to my chances of getting out. But I began to feel nauseous halfway along Constitution Hill. Determined, and so upset I had only made it thus far to be suddenly stricken with the sickness, I set off north instead through Green Park with Piccadilly in sight. It was then I spied a woman who should not have been in the park. Not at that time of day, or at any time if I am to be honest.
Seeing her gave me such a shock I didn’t leave the flat again until Sunday morning, and I had the porters do what shopping I needed.
Even after all I have endured I am still ready to be shaken to the marrow by the strength of his influence. I still question what I saw, and still leap from denial to acceptance on an hourly basis, but I must accept these new sightings are a change in the strategy he employs to keep us in.
In my nervous state of mind I was ready to dismiss the individual in Green Park as some kind of actress. Perhaps they were filming nearby. Or maybe she was one of these strange youths I read of in the papers who are so fond of dressing up. But from her appearance I would have placed her with the Victorians and not the current ‘swinging’ Londoners, or whatever they are now.
She wore a long black dress that swept the path, and a bonnet on her head which concealed her face from me. And could I have imagined all of those ribbons in a detailed frill around her bonnet, as if she were in mourning? It was the details that convinced me this silent and unmoving figure was real. But she was so tall and so unhealthily thin beneath the dress that stretched up to her throat, she made me suspect I was seeing a person on stilts playing some prank on whoever was about at that time. And she was pushing a black perambulator out in front of her. A big old-fashioned thing with wheels like a cart.
I turned away and pretended to ignore her. But, as I proceeded to go on, she just seemed to come quickly out of the mist that was clearing from the base of the trees, and she approached along the path I needed to cross to reach Piccadilly. No matter how much I slowed down or sped up it seemed impossible that we would not meet at some junction ahead.
I veered to the right but she kept pace with me, so I cut directly upwards and tried to avoid a collision I instinctively felt would be unpleasant for me. By this time I was stumbling. Losing my balance because I felt so wretched. My hair had come loose and fallen across my face and I was in such a state, darling, but I tried. I really tried.
She was there when I reached the path. Waiting, not more than a few feet away. Almost at my side. So silent, but determined to greet me, I felt. I only looked at her quickly, but could not see any evidence of her features inside that bonnet. It was angled down, but still, I thought, where is her face? Though what I did see in that solitary glance were her hands, clenched upon the handle of the pram. And I could not take another step after observing the state of them.
They were all bone. Brownish and mottled, not white as you’d expect bones to be. And in that moment she reached out and spread these hands over the top of the pram. As she unhooked the black veil from the hood and reached inside, her fingers made a clatter as if she were wearing lots of loose wooden rings on her thin fingers. I thought this sound more dreadful than the sight of them. And what she raised from the pram made me scream. I remember hearing my voice as if it came from someone else. It simply didn’t sound like me.
I must have fainted, because when I woke, the sun was warm on my face and the woman and her horrid pram were gone. A tramp stooped down and asked after me, but he frightened me too and I staggered all the way home in tears.
A week to that day I tried again. First, to reach the trains to Brighton at Victoria, and then to push across the river by the Albert Bridge where I had been unable to get through some years before. But there were more of them. Waiting for me.
Near Victoria I was greeted by something hunched over and wearing a flat cap. The face under the peak was all chattering yellow teeth. And on Cheyne Walk, three days later, my heart nearly stopped when I was surprised by the sudden appearance of three little hairless girls with the strangest misshapen heads, all long and thinnish. They were wearing surgical gowns tied at the neck and they did a horrible little dance on their stick legs, right there on the pavement before my eyes. Under the gowns I think their bodies were stitched together. But it was the way they moved . . .
I tried to run around them and get across the Albert Bridge but saw something caught up in a tree. I thought it was a kite, but it was fleshy. A face, in fact. With small pox scars on the skin and no eyes. Just hanging there alone in its own grief and pleading with me.
It was as if I was being held down in a nightmare and unable to wake. I doubt I shall ever try and go south again. Down there, it is worse than anywhere else.
Of course I am losing my mind. I know it. As you did at the end, my darling. But we both know where we saw such things before. He brought them here, into the building and into our homes. We never got rid of them. Not after all that burning.
Apryl closed the book. It had gone two and she couldn’t bear to read any more. Lillian was a schizophrenic. But how had it gone undiagnosed for so long when she was seeing so many doctors? Maybe it was Alzheimer’s. Didn’t that make you see things too? Did they even know what it was in those days?
There were no cars at all in the square outside the building. She missed the swishing sound of their tyres on wet tarmac. They were the only company she had as she lay alone with the lights on. Lights that were so dim they barely lit the room. She was no longer sure how she felt about the big wardrobes either, and wondered if she should go and turn the keys in their doors and make sure they were locked.
She looked at the ceiling. The paint was cracked around the light fitting. Three times she felt herself swoon into sleep, but forced her eyes to open each time. She was desperately tired but wanted to stay awake, because when you are a
sleep you can’t keep watch. But the next time her eyes closed they never reopened to lift her from sleep.
Until, in the faint far-off world outside her sleep, she heard a door open and close. A door inside the apartment. And after that came the sound of feet moving swiftly across the floorboards of the hallway.
Then she was awake and sitting up with her heart in her throat and her body stiff with fright. And as her eyes travelled to the doorway they passed over the mirror still facing the wall and the painting of Lillian and Reginald. But she didn’t look at the bedroom door for long because she was compelled to return her gaze to the painting. There were now three figures in the picture where there should have been only two. And the one standing in the middle, between her aunt and uncle, was terribly thin.
TWELVE
At midnight Seth was still pacing his room. Moving from the cold by the windows to the warmth near the radiator and then back again. Cigarette after cigarette moved between his fingers and his lips until he felt sick and tight across the chest. ‘Jesus Christ.’ He was seeing things. He’d lost it.
He sat down on the edge of the bed and stared at the floor, seeing nothing. His heart was beating too fast. Sweat cooled under his arms and smelled sour. He stood up and began to pace again until he could stand it no more and threw the window open to gulp at the dark, wet air outside. It sobered him enough to feel the need for an immediate escape from the confines of his room, to flee outside, to make fast feet and pumping legs exhaust the angry bees swarming inside his chest and head.
But he didn’t venture further than the toilet, one floor down, where it required all of his remaining concentration to stand still long enough to finish urinating. By the time the last droplets of clear pee vanished into the sodden toilet paper clogging up the bowl, anxious thoughts of the world outside the pub, and of what might be waiting for him on the street corner, coaxed him back up the stairs and into his room. A thick mist of smoke clung to the yellow ceiling.
He tried speaking to himself in a fast whisper so the neighbours wouldn’t hear, urging himself to calm down; repeating simple sentences in a mantra as if the act of speaking was doing the job of gravity, preventing his body from rising to the ceiling, where he would writhe in the exhaled smoke and tear at the chaos in his own belly with long, dirty fingernails.
He tried to distract himself; he had to do something to channel this electricity under his skin into an outlet before his stomach, and then the rest of his body, combusted. He remembered a photograph of a woman’s leg in a pile of ash beside a gas fire. As a child he’d seen it in a book of mysteries. If anyone could incinerate themselves by pure thought or emotion it was him, right now.
He giggled.
There was no use resisting the desire that had been stagnant in him for so long. Because recently it had begun to simmer again. Right now it was boiling. Without a distracting thought of where it would lead, whom it would please, or what it meant, Seth plunged his hands into the cardboard boxes full of paper, paint and pencils and set a rime of dust loose into the air.
With thick charcoal stubs and a large sketch pad, he fell into an immediate frenzy of creation, only pausing to shake some feeling into his cramped and aching fingers and wrist. Standing up at the table, or sitting cross-legged on the floor, he dragged his papers and pencils about looking for better light, or shifting to appease the pains erupting in his soft, untrained body, but always working constantly.
Violent, hurried, unthinking, he spilled images onto paper in a continual outpouring as if some tremendous turbulent inner pressure had found a tiny pore to squeeze itself through. The pinhole became a sluice.
Tearing one sheet after another from his pad and then discarding the fragments of sketches about him on the hard carpet to start new ones, he attempted to give some shape, an impression, to the faces and images and hideous things that had been pressing upon him or finding peculiar narratives in his dreams. When his hand cramped into a claw, he clenched his teeth against the ache and tried to photograph this crowd in his mind, terrified it would vanish before the lines and smudges of his pencil had captured it, even in part.
It seemed immediately and shockingly vital, this congested stream of image and sound and smell that whirled through him. He was sure he’d never imagined anything so significant before, nothing of this clarity or power. It was original. God, he was being original.
Whenever he paused to change position he would catch sight of the discarded sketches left in his wake across the dirty brown carpet, and be immediately startled by the absurdity, the inhumanity of what he had drawn. Only when the little travel clock read 08:00 did he stop. Still weakened by illness and feeling concussed by sleep deprivation, he absently dropped his pencil and fell upon his bed.
With a trickling sound the central heating came on. A radio began to play upstairs. But moments after dousing the bedside lamp, Seth was asleep, fully clothed.
‘We shouldn’t be in here.’
‘I wanted to show you some stuff.’
Seth’s whispers were tense and hurried in the humid air. ‘But this is someone’s room. It’s private.’ He stood beside the hooded boy in the only available floor space in the shabby attic room.
‘We can go anywhere.’
The ceiling curved under the arc of the roof. It was dark, but the one arched window above the bed let in an infusion of gassy yellow and grey light. It filtered through the smudges on the glass, and although it seemed to die a few feet in front of the window pane, where it was further suffocated by a haze of stale air and shadows from slouching walls, it still allowed Seth to see silhouettes of furniture and flotsam on the floor of the room. Black spore fungus erupted behind the painted plaster and the carpet was brittle as stale bread under his feet. When his eyes grew accustomed to the gloom, he could see more. Much more.
Milk bottles in varying states of emptiness were littered among tousled newspapers, scraps of discarded clothing, oddments of cutlery and kitchen utensils, stained plates and steel pots dull with grease and dust, from which a kidneyish aroma wafted. Closing his eyes, Seth covered his mouth and nose with one hand in a vain attempt to suffocate the taste in his mouth.
‘Fought you should see it.’
He looked at the slovenly disorder of mismatching linen and rough blankets on the bed. There was no sheet on the mattress. Red and purple stripes like a stick of rock showed through the tangle of soiled bedclothes in which Archie slept. From out of an orange wicker bedspread a gnarled and toothless head protruded. It looked impossibly large, too big for the scrawny remains of the body. Beneath the head Seth could see a suggestion of thin, naked limbs. But it must have been a trick of the light to coat them in so much long white hair.
The hooded boy stepped towards the bed. ‘Look.’
‘Don’t.’
Too late. The boy grasped a handful of bedspread and the sheet that had the texture of a towel and raised it above Archie’s sleeping body.
Yellow bones, shaped like hooves, were revealed as the natural conclusion to Archie’s wasted ankles. Large knees, with surfaces like bleached nut shells, broke through the carpet of white hair – or fur – that covered the rest of the emaciated legs and malnourished groin. But worst of all was the terrible smell of livestock – wet straw, slimed nostril, stale urine – that belched from under the sheets and hit Seth full and hot in the face. Coughing to clear his throat, he took a step backwards and kicked over a milk bottle, discharging a lumpy soup across the carpet.
Archie stirred. In his sleep his oversized hands, stained yellow at the fingernails, clawed at the air to retrieve the missing blankets. Blue home-made tattoos looked like bruises through the hair on his thin forearms. Archie then rolled onto his other side, his sleeping mind still hoping to regain the lost warmth by facing the other way.
After a glimpse of the spine, covered by violent pink skin and more of the white hair, Seth turned away, unsteady on his feet, and breathed through his fingers. He lived in this place; below old goats who pisse
d in their straw.
‘I want to go. He might wake up.’ Seth’s voice was faint.
‘We’re in this old bastard’s dream, mate. When he dies, this is where he’ll come back to. And stay for a long, long time.’
‘I feel sick.’
‘But there’s more.’
‘No more, please.’
‘Just a little bit. Look closer. By ’is ’and.’
Between two of Archie’s swollen sheep knuckles a thin plume of bluish smoke rose from a hand-rolled cigarette. Around the arm the mattress was dotted with black holes and scorch marks.
‘Christ, he’ll kill us all,’ Seth said.
‘And your pictures will be burnt to ash.’ As the hooded boy said this, Seth noticed a smell of burning wood and flesh that coincided with a brief deepening of the boy’s voice.
‘What do you mean?’
In the dark room the boy raised his face. Inside the impenetrable blackness of the hood, Seth sensed a grin. ‘You’s good at them drawin’s, Seth. But this lot don’t care. No one does. They mean nuffin’ to them. They’d be happy to burn ’em. Like they did to his pictures. But you should paint what you see. That’s what our mate told me. You’ll be the best.’
Seth flushed red. It was the first encouragement he’d had in years.
‘Honest. You been spotted. He’ll help you.’
‘I don’t understand. Who?’
‘He told me to tell you.’ The hooded boy said this slowly like he’d been practising it. ‘He’s been watching you. And what’s inside you, all tight and twisted. He told me to show you stuff. Then you paint it like it is. You know it anyway. You know these things are here.’ He pointed at the bed where Archie lay contorted in the sheets. ‘You always known it. But you too scared of it to draw it. You been stuck in one place for too long, behind bars. I told you before. You know how things really are now. You’re lucky you been shown, mate. You’s can be the best. Like our friend was, before them shits wrecked it all. So it’s not much to ask for you to do summat for us, like.’
