by Various
"Listen, hell," he said. He was hot with rage, shaking with it. "I am glad to say that you could not possibly have picked a worse symbol than me. I have no more use for the idea of the innate sacred superiority of one species over another than I had for that of one kind of man over another."
Her face changed. From an angry woman, she suddenly became a professional psychologist, coolly observing reactions.
"It's not the political question you really resent," she said. "You've wakened to a strange world and you're afraid of it, in spite of all the pre-awakening preparation we gave your subconscious. You're afraid, and so you're angry."
Kieran got a grip on himself. He shrugged. "What you say may be true. But it doesn't change the way I feel. I will not help you one damned bit."
Webber got up from his seat and came back toward them, his tall form stooping. He looked at Kieran and then at the woman.
"We have to settle this right now," he said. "We're getting near enough to Sako to go out of drive. Are we going to land or aren't we?"
"Yes," said Paula steadily. "We're landing."
Webber glanced again at Kieran's face. "But if that's the way he feels--"
"Go ahead and land," she said.
5.
It was nothing like landing in a rocket. First there was the business referred to as "going out of drive". Paula made Kieran strap in and she said, "You may find this unpleasant, but just sit tight. It doesn't last long." Kieran sat stiff and glowering, prepared for anything and determined not to show it no matter how he felt. Then Webber did something to the control board and the universe fell apart. Kieran's stomach came up and stuck in his throat. He was falling--up? Down? Sideways? He didn't know, but whichever it was not all the parts of him were falling at the same rate, or perhaps it was not all in the same direction, he didn't know that either, but it was an exceptionally hideous feeling. He opened his mouth to protest, and all of a sudden he was sitting normally in the chair in the normal cabin and screaming at the top of his lungs.
He shut up.
Paula said, "I told you it would be unpleasant."
"So you did," said Kieran. He sat, sweating. His hands and feet were cold.
Now for the first time he became aware of motion. The flitter seemed to hurtle forward at comet-like speed. Kieran knew that this was merely an ironic little joke, because now they were proceeding at something in the range of normal velocity, whereas before their speed had been quite beyond his comprehension. But he could comprehend this. He could feel it. They were going like a bat out of hell, and somewhere ahead of them was a planet, and he was closed in, blind, a mouse in a nose-cone. His insides writhed with helplessness and the imminence of a crash. He wanted very much to start screaming again, but Paula was watching him.
In a few moments that desire became academic. A whistling shriek began faintly outside the hull and built swiftly to a point where nothing could have been heard above it. Atmosphere. And somewhere under the blind wall of the flitter a rock-hard world-face reeling and rushing, leaping to meet them--
* * * * *
The flitter slowed. It seemed to hang motionless, quivering faintly. Then it dropped. Express elevator in the world's tallest building, top to bottom--only the elevator is a bubble and the wind is tossing it from side to side as it drops and there is no bottom.
They hung again, bounding lightly on the unseen wind.
Then down.
And hang again.
And down.
Paula said suddenly, "Webber. Webber, I think he's dying." She began to unstrap.
Kieran said faintly, "Am I turning green?"
She looked at him, frowning. "Yes."
"A simple old malady. I'm seasick. Tell Webber to quit playing humming-bird and put this thing down."
Paula made an impatient gesture and tightened her belt again.
Hang and drop. Once more, twice more. A little rocking bounce, a light thump, motion ceased. Webber turned a series of switches. Silence.
Kieran said, "Air?"
* * * * *
Webber opened a hatch in the side of the cabin. Light poured in. It had to be sunlight, Kieran knew, but it was a queer color, a sort of tawny orange that carried a pleasantly burning heat. He got loose with Paula helping him and tottered to the hatch. The air smelled of clean sun-warmed dust and some kind of vegetation. Kieran climbed out of the flitter, practically throwing himself out in his haste. He wanted solid ground under him, he didn't care whose or where.
And as his boots thumped onto the red-ochre sand, it occurred to him that it had been a very long time since he had had solid ground underfoot. A very long time indeed--
His insides knotted up again, and this time it was not seasickness but fear, and he was cold all through again in spite of the hot new sun.
He was afraid, not of the present, nor of the future, but of the past. He was afraid of the thing tagged Reed Kieran, the stiff blind voiceless thing wheeling its slow orbit around the Moon, companion to dead worlds and dead space, brother to the cold and the dark.
He began to tremble.
Paula shook him. She was talking but he couldn't hear her. He could only hear the rush of eternal darkness past his ears, the thin squeak of his shadow brushing across the stars. Webber's face was somewhere above him, looking angry and disgusted. He was talking to Paula, shaking his head. They were far away. Kieran was losing them, drifting away from them on the black tide. Then suddenly there was something like an explosion, a crimson flare across the black, a burst of heat against the cold. Shocked and wild, the physical part of him clawed back to reality.
Something hurt him, something threatened him. He put his hand to his cheek and it came away red.
Paula and Webber were yanking at him, trying to get him to move.
* * * * *
A stone whizzed past his head. It struck the side of the flitter with a sharp clack, and fell. Kieran's nervous relays finally connected. He jumped for the open hatch. Automatically he pushed Paula ahead of him, trying to shield her, and she gave him an odd startled look. Webber was already inside. More stones rattled around and one grazed Kieran's thigh. It hurt. His cheek was bleeding freely. He rolled inside the flitter and turned to look back out the hatch. He was mad.
"Who's doing it?" he demanded.
Paula pointed. At first Kieran was distracted by the strangeness of the landscape. The flitter crouched in a vastness of red-ochre sand laced with some low-growing plant that shone like metallic gold in the sunlight. The sand receded in tilted planes lifting gradually to a range of mountains on the right, and dropping gradually to infinity on the left. Directly in front of the flitter and quite literally a stone's throw away was the beginning of a thick belt of trees that grew beside a river, apparently quite a wide one though he could not see much but a tawny sparkling of water. The course of the river could be traced clear back to the mountains by the winding line of woods that followed its bed. The trees themselves were not like any Kieran had seen before. There seemed to be several varieties, all grotesque in shape and exotic in color. There were even some green ones, with long sharp leaves that looked like spearheads.
Exotic or not, they made perfectly adequate cover. Stones came whistling out of the woods, but Kieran could not see anything where Paula was pointing but an occasional shaking of foliage.
"Sakae?" he asked.
Webber snorted. "You'll know it when the Sakae find us. They don't throw stones."
"These are the humans," Paula said. There was an indulgent softness in her voice that irritated Kieran.
"I thought they were our dear little friends," he said.
"You frightened them."
"I frightened them?"
"They've seen the flitter before. But they're extremely alert to modes of behavior, and they knew you weren't acting right. They thought you were sick."
"So they tried to kill me. Nice fellows."
"Self-preservation," Webber said. "They can't afford the luxury of too much kindness."
"Oh, well," said Kieran, "in that case I wouldn't dream of disappointing them. Let's go."
Paula glared at him and turned to Webber. "Talk to them."
"I hope there's time," Webber grunted, glancing at the sky. "We're sitting ducks here. Keep your patient quiet--any more of that moaning and flopping and we're sunk."
* * * * *
He picked up a large plastic container and moved closer to the door.
Paula looked at Kieran's cheek. "Let me fix that."
"Don't bother," he said. At this moment he hoped the Sakae, whoever and whatever they were, would come along and clap these two into some suitable place for the rest of their lives.
Webber began to "talk".
Kieran stared at him, fascinated. He had expected words--primitive words, perhaps resembling the click-speech of Earth's stone-age survivals, but words of some sort. Webber hooted. It was a soft reassuring sound, repeated over and over, but it was not a word. The rattle of stones diminished, then stopped. Webber continued to make his hooting call. Presently it was answered. Webber turned and nodded at Paula, smiling. He reached into the plastic container and drew forth a handful of brownish objects that smelled to Kieran like dried fruit. Webber tossed these out onto the sand. Now he made a different sound, a grunting and whuffling. There was a silence. Webber made the sound again.
On the third try the people came out of the woods.
In all there were perhaps twenty-five of them. They came slowly and furtively, moving a step or two at a time, then halting and peering, prepared to run. The able-bodied men came first, with one in the lead, a fine-looking chap in early middle age who was apparently the chief. The women, the old men, and the children followed, trickling gradually out of the shadow of the trees but remaining where they could disappear in a flash if alarmed. They were all perfectly naked, tall and slender and large-eyed, their muscles strung for speed and agility rather than massive strength. Their bodies gleamed a light bronze color in the sun, and Kieran noticed that the men were beardless and smooth-skinned. Both men and women had long hair, ranging in color from black to tawny, and very clean and glistening. They were a beautiful people, as deer are a beautiful people, graceful, innocent, and wild. The men came to the dried fruits which had been scattered for them. They picked them up and sniffed them, bit them, then began to eat, repeating the grunt-and-whuffle call. The women and children and old men decided everything was safe and joined them. Webber tossed out more fruit, and then got out himself, carrying the plastic box.
* * * * *
"What does he do next?" whispered Kieran to Paula. "Scratch their ears? I used to tame squirrels this way when I was a kid."
"Shut up," she warned him. Webber beckoned and she nudged him to move out of the flitter. "Slow and careful."
Kieran slid out of the flitter. Big glistening eyes swung to watch him. The eating stopped. Some of the little ones scuttled for the trees. Kieran froze. Webber hooted and whuffled some more and the tension relaxed. Kieran approached the group with Paula. There was suddenly no truth in what he was doing. He was an actor in a bad scene, mingling with impossible characters in an improbable setting. Webber making ridiculous noises and tossing his dried fruit around like a caricature of somebody sowing, Paula with her brisk professionalism all dissolved in misty-eyed fondness, himself an alien in this time and place, and these perfectly normal-appearing people behaving like orang-utans with their fur shaved off. He started to laugh and then thought better of it. Once started, he might not be able to stop.
"Let them get used to you," said Webber softly.
Paula obviously had been here before. She had begun to make noises too, a modified hooting more like a pigeon's call. Kieran just stood still. The people moved in around them, sniffing, touching. There was no conversation, no laughing or giggling even among the little girls. A particularly beautiful young woman stood just behind the chief, watching the strangers with big yellow cat-eyes. Kieran took her to be the man's daughter. He smiled at her. She continued to stare, deadpan and blank-eyed, with no answering flicker of a smile. It was as though she had never seen one before. Kieran shivered. All this silence and unresponsiveness became eerie.
"I'm happy to tell you," he murmured to Paula, "that I don't think much of your little pets?"
She could not allow herself to be sharply angry. She only said, in a whisper, "They are not pets, they are not animals. They--"
She broke off. Something had come over the naked people. Every head had lifted, every eye had turned away from the strangers. They were listening. Even the littlest ones were still.
Kieran could not hear anything except the wind in the trees.
"What--?" he started to ask.
Webber made an imperative gesture for silence. The tableau held for a brief second longer. Then the brown-haired man who seemed to be the leader made a short harsh noise. The people turned and vanished into the trees.
"The Sakae," Webber said. "Get out of sight." He ran toward the flitter. Paula grabbed Kieran's sleeve and pushed him toward the trees.
"What's going on?" he demanded as he ran.
"Their ears are better than ours. There's a patrol ship coming, I think."
* * * * *
The shadows took them in, orange-and-gold-splashed shadows under strange trees. Kieran looked back. Webber had been inside the flitter. Now he tumbled out of the hatch and ran toward them. Behind him the hatch closed and the flitter stirred and then took off all by itself, humming.
"They'll follow it for a while," Webber panted. "It may give us a chance to get away." He and Paula started after the running people.
Kieran balked. "I don't know why I'm running away from anybody."
Webber pulled out a snub-nosed instrument that looked enough like a gun to be very convincing. He pointed it at Kieran's middle.
"Reason one," he said. "If the Sakae catch Paula and me here we're in very big trouble. Reason two--this is a closed area, and you're with us, so you will be in very big trouble." He looked coldly at Kieran. "The first reason is the one that interests me most."
Kieran shrugged. "Well, now I know." He ran.
Only then did he hear the low heavy thrumming in the sky.
6.
The sound came rumbling very swiftly toward them. It was a completely different sound from the humming of the flitter, and it seemed to Kieran to hold a note of menace. He stopped in a small clearing where he might see up through the trees. He wanted a look at this ship or flier or whatever it was that had been built and was flown by non-humans.
But Webber shoved him roughly on into a clump of squat trees that were the color of sherry wine, with flat thick leaves.
"Don't move," he said.
Paula was hugging a tree beside him. She nodded to him to do as Webber said.
"They have very powerful scanners." She pointed with her chin. "Look. They've learned."
The harsh warning barks of the men sounded faintly, then were hushed. Nothing moved, except by the natural motion of the wind. The people crouched among the trees, so still that Kieran would not have seen them if he had not known they were there.
The patrol craft roared past, cranking up speed as it went. Webber grinned. "They'll be a couple of hours at least, overhauling and examining the flitter. By that time it'll be dark, and by morning we'll be in the mountains."
The people were already moving. They headed upstream, going at a steady, shuffling trot. Three of the women, Kieran noticed, had babies in their arms. The older children ran beside their mothers. Two of the men and several of the women were white-haired. They ran also.
"Do you like to see them run?" asked Paula, with a sharp note of passion in her voice. "Does it look good to you?"
"No," said Kieran, frowning. He looked in the direction in which the sound of the patrol craft was vanishing.
* * * * *
Kieran followed the naked people through the woods, beside the tawny river. Paula and Webber jogged beside him. The shadows were long now, reaching out across the water.
Paula kept glancing at him anxiously, as though to detect any sign of weakness on his part. "You're doing fine," she said. "You should. Your body was brought back to normal strength and tone, before you ever were awakened."
"They'll slow down when it's dark, anyway," said Webber.
The old people and the little children ran strongly.
"Is their village there?" Kieran asked, indicating the distant mountains.
"They don't live in villages," Paula said. "But the mountains are safer. More places to hide."
"You said this was a closed area. What is it, a hunting preserve?"
"The Sakae don't hunt them any more."
"But they used to?"
"Well," Webber said, "a long time ago. Not for food, the Sakae are vegetarians, but--"
"But," said Paula, "they were the dominant race, and the people were simply beasts of the field. When they competed for land and food the people were hunted down or driven out." She swung an expressive hand toward the landscape beyond the trees. "Why do you think they live in this desert, scraping a miserable existence along the watercourses? It's land the Sakae didn't want. Now, of course, they have no objection to setting it aside as a sort of game preserve. The humans are protected, the Sakae tell us. They're living their natural life in their natural environment, and when we demand that a program be--"
She was out of breath and had to stop, panting. Webber finished for her.
"We want them taught, lifted out of this naked savagery. The Sakae say it's impossible."
"Is it true?" asked Kieran.
"No," said Paula fiercely. "It's a matter of pride. They want to keep their dominance, so they simply won't admit that the people are anything more than animals, and they won't give them a chance to be anything more."
There was no more talking after that, but even so the three outlanders grew more and more winded and the people gained on them. The sun went down in a blaze of blood-orange light that tinted the trees in even more impossible colors and set the river briefly on fire. Then night came, and just after the darkness shut down the patrol craft returned, beating up along the winding river bed. Kieran froze under the black trees and the hair lifted on his skin. For the first time he felt like a hunted thing. For the first time he felt a personal anger.
