by Various
"I had an uncle flew in the war they fought to lick fascism, bombardier on a Flying Fortress or something, and once when he got drunk he told me how some days it didn't bother him at all to drop the eggs on Germany; the buildings and people down there seemed just like toys that a kid sets up to kick over, and the whole business about as naive fun as poking an anthill.
"I didn't even have to fly over at seven miles what I was going to be aiming at. Only I remember sometimes getting out a map and looking at a certain large dot on it and smiling a little and softly saying, 'Pow!'--and then giving a little conventional shudder and folding up the map quick.
"Naturally we told ourselves we'd never have to do it, fire the thing, I mean, we joked about how after twenty years or so we'd all be given jobs as museum attendants of this same bomb, deactivated at last. But naturally it didn't work out that way. There came the day when our side of the world got hit and the orders started cascading down from Defense Coordinator Bigelow--"
"Bigelow?" Pop interrupted. "Not Joe Bigelow?"
"Joseph A., I believe," I told him, a little annoyed.
"Why he's my boy then, the one I was telling you about--the skinny runt had this horn-handle! Can you beat that?" Pop sounded startlingly happy. "Him and you'll have a lot to talk about when you get together."
I wasn't so sure of that myself, in fact my first reaction was that the opposite would be true. To be honest I was for the first moment more than a little annoyed at Pop interrupting my story of my Big Grief--for it was that to me, make no mistake. Here my story had finally been teased out of me, against all expectation, after decades of repression and in spite of dozens of assorted psychological blocks--and here was Pop interrupting it for the sake of a lot of trivial organizational gossip about Joes and Bills and Georges we'd never heard of and what they'd say or think!
But then all of a sudden I realized that I didn't really care, that it didn't feel like a Big Grief any more, that just starting to tell about it after hearing Pop and Alice tell their stories had purged it of that unnecessary weight of feeling that had made it a millstone around my neck. It seemed to me now that I could look down at Ray Baker from a considerable height (but not an angelic or contemptuously superior height) and ask myself not why he had grieved so much--that was understandable and even desirable--but why he had grieved so uselessly in such a stuffy little private hell.
And it would be interesting to find out how Joseph A. Bigelow had felt.
"How does it feel, Ray, to kill a million people?"
* * * * *
I realized that Alice had asked me the question several seconds back and it was hanging in the air.
"That's just what I've been trying to tell you," I told her and started to explain it all over again--the words poured out of me now. I won't put them down here--it would take too long--but they were honest words as far as I knew and they eased me.
I couldn't get over it: here were us three murderers feeling a trust and understanding and sharing a communion that I wouldn't have believed possible between any two or three people in the Age of the Deaders--or in any age, to tell the truth. It was against everything I knew of Deathland psychology, but it was happening just the same. Oh, our strange isolation had something to do with it, I knew, and that Pullman-car memory hypnotizing my mind, and our reactions to the voices and violence of Atla-Alamos, but in spite of all that I ranked it as a wonder. I felt an inward freedom and easiness that I never would have believed possible. Pop's little disorganized organization had really got hold of something, I couldn't deny it.
* * * * *
Three treacherous killers talking from the bottoms of their hearts and believing each other!--for it never occurred to me to doubt that Pop and Alice were feeling exactly like I was. In fact, we were all so sure of it that we didn't even mention our communion to each other. Perhaps we were a little afraid we would rub off the bloom. We just enjoyed it.
We must have talked about a thousand things that night and smoked a couple of hundred cigarettes. After a while we started taking little catnaps--we'd gotten too much off our chests and come to feel too tranquil for even our excitement to keep us awake. I remember the first time I dozed waking up with a cold start and grabbing for Mother--and then hearing Pop and Alice gabbing in the dark, and remembering what had happened, and relaxing again with a smile.
Of all things, Pop was saying, "Yep, I imagine Ray must be good to make love to, murderers almost always are, they got the fire. It reminds me of what a guy named Fred told me, one of our boys ..."
Mostly we took turns going to sleep, though I think there were times when all three of us were snoozing. About the fifth time I woke up, after some tighter shut-eye, the orange soup was back again outside and Alice was snoring gently in the next seat and Pop was up and had one of his knives out.
He was looking at his reflection in the viewport. His face gleamed. He was rubbing butter into it.
"Another day, another pack of troubles," he said cheerfully.
The tone of his remark jangled my nerves, as that tone generally does early in the morning. I squeezed my eyes. "Where are we?" I asked.
He poked his elbow toward the North America screen. The two green dots were almost one.
"My God, we're practically there," Alice said for me. She'd waked fast, Deathlands style.
"I know," Pop said, concentrating on what he was doing, "but I aim to be shaved before they commence landing maneuvers."
"You think automatic will land us?" Alice asked. "What if we just start circling around?"
"We can figure out what to do when it happens," Pop said, whittling away at his chin. "Until then, I'm not interested. There's still a couple of bottles of coffee in the sack. I've had mine."
I didn't join in this chit-chat because the green dots and Alice's first remark had reminded me of a lot deeper reason for my jangled nerves than Pop's cheerfulness. Night was gone, with its shielding cloak and its feeling of being able to talk forever, and the naked day was here, with its demands for action. It is not so difficult to change your whole view of life when you are flying, or even bumping along above the ground with friends who understand, but soon, I knew, I'd be down in the dust with something I never wanted to see again.
"Coffee, Ray?"
"Yeah, I guess so." I took the bottle from Alice and wondered whether my face looked as glum as hers.
"They shouldn't salt butter," Pop asserted. "It makes it lousy for shaving."
"It was the best butter," Alice said.
"Yeah," I said. "The Dormouse, when they buttered the watch."
It may be true that feeble humor is better than none. I don't know.
"What are you two yakking about?" Pop demanded.
"A book we both read," I told him.
"Either of you writers?" Pop asked with sudden interest. "Some of the boys think we should have a book about us. I say it's too soon, but they say we might all die off or something. Whoa, Jenny! Easy does it. Gently, please!"
That last remark was by way of recognizing that the plane had started an authoritative turn to the left. I got a sick and cold feeling. This was it.
Pop sheathed his knife and gave his face a final rub. Alice belted on her satchel. I reached for my knapsack, but I was staring through the viewport, dead ahead.
The haze lightened faintly, three times. I remembered the St. Elmo's fire that had flamed from the cracking plant.
"Pop," I said--almost whined, to be truthful, "why'd the bugger ever have to land here in the first place? He was rushing stuff they needed bad at Atla-Hi--why'd he have to break his trip?"
"That's easy," Pop said. "He was being a bad boy. At least that's my theory. He was supposed to go straight to Atla-Hi, but there was somebody he wanted to check up on first. He stopped here to see his girlfriend. Yep, his girlfriend. She tried to warn him off--that's my explanation of the juice that flared out of the cracking plant and interfered with his landing, though I'm sure she didn't intend the last. By the way, whatever s
he turned on to give him the warning must still be turned on. But Grayl came on down in spite of it."
* * * * *
Before I could assimilate that, the seven deformed gas tanks materialized in the haze. We got the freeway in our sights and steadied and slowed and kept slowing. The plane didn't graze the cracking plant this time, though I'd have sworn it was going to hit it head on. When I saw we weren't going to hit it, I wanted to shut my eyes, but I couldn't.
The stain was black now and the Pilot's body was thicker than I remembered--bloated. But that wouldn't last long. Three or four vultures were working on it.
CHAPTER 7
Here now in his triumph where all things falter, Stretched out on the spoils that his own hand spread, As a god self-slain on his own strange altar, Death lies dead.
--A Forsaken Garden, by Charles Swinburne
Pop was first down. Between us we helped Alice. Before joining them I took a last look at the control panel. The cracking plant button was up again and there was a blue nimbus on another button. For Los Alamos, I supposed. I was tempted to push it and get away solo, but then I thought, nope, there's nothing for me at the other end and the loneliness will be worse than what I got to face here. I climbed out.
I didn't look at the body, although we were practically on top of it. I saw a little patch of silver off to one side and remembered the gun that had melted. The vultures had waddled off but only a few yards.
"We could kill them," Alice said to Pop.
"Why?" he responded. "Didn't some Hindus use them to take care of dead bodies? Not a bad idea, either."
"Parsees," Alice amplified.
"Yep, Parsees, that's what I meant. Give you a nice clean skeleton in a matter of days."
Pop was leading us past the body toward the cracking plant. I heard the flies buzzing loudly. I felt terrible. I wanted to be dead myself. Just walking along after Pop was an awful effort.
"His girl was running a hidden observation tower here," Pop was saying now. "Weather and all that, I suppose. Or maybe setting up a robot station of some kind. I couldn't tell you about her before, because you were both in a mood to try to rub out anybody remotely connected with the Pilot. In fact, I did my best to lead you astray, letting you think I'd been the one to scream and all. Even now, to be honest about it, I don't know if I'm doing the right thing telling and showing you all this, but a man's got to take some risks whatever he does."
"Say, Pop," I said dully, "isn't she apt to take a shot at us or something?" Not that I'd have minded on my own account. "Or are you and her that good friends?"
"Nope, Ray," he said, "she doesn't even know me. But I don't think she's in a position to do any shooting. You'll see why. Hey, she hasn't even shut the door. That's bad."
He seemed to be referring to a kind of manhole cover standing on its edge just inside the open-walled first story of the cracking plant. He knelt and looked down the hole the cover was designed to close off.
"Well, at least she didn't collapse at the bottom of the shaft," he said. "Come on, let's see what happened." And he climbed into the shaft.
We followed him like zombies. At least that's how I felt. The shaft was about twenty feet deep. There were foot- and hand-holds. It got stuffy right away, and warmer, in spite of the shaft being open at the top.
At the bottom there was a short horizontal passage. We had to duck to get through it. When we could straighten up we were in a large and luxurious bomb-resistant dugout, to give it a name. And it was stuffier and hotter than ever.
There was a lot of scientific equipment around and several small control panels reminding me of the one in the back of the plane. Some of them, I supposed, connected with instruments, weather and otherwise, hidden up in the skeletal structure of the cracking plant. And there were signs of occupancy, a young woman's occupancy--clothes scattered around in a frivolous way, and some small objects of art, and a slightly more than life-size head in clay that I guessed the occupant must have been sculpting. I didn't give that last more than the most fleeting look, strictly unintentional to begin with, because although it wasn't finished I could tell whose head it was supposed to be--the Pilot's.
* * * * *
The whole place was finished in dull silver like the cabin of the plane, and likewise it instantly struck me as having a living personality, partly the Pilot's and partly someone else's--the personality of a marriage. Which wasn't a bit nice, because the whole place smelt of death.
But to tell the truth I didn't give the place more than the quickest look-over, because my attention was rivetted almost at once on a long wide couch with the covers kicked off it and on the body there.
The woman was about six feet tall and built like a goddess. Her hair was blonde and her skin tanned. She was lying on her stomach and she was naked.
She didn't come anywhere near my libido, though. She looked sick to death. Her face, twisted towards us, was hollow-cheeked and flushed. Her eyes, closed, were sunken and dark-circled. She was breathing shallowly and rapidly through her open mouth, gasping now and then.
I got the crazy impression that all the heat in the place was coming from her body, radiating from her fever.
And the whole place stunk of death. Honestly it seemed to me that this dugout was Death's underground temple, the bed Death's altar, and the woman Death's sacrifice. (Had I unconsciously come to worship Death as a god in the Deathlands? I don't really know. There it gets too deep for me.)
No, she didn't come within a million miles of my libido, but there was another part of me that she was eating at ...
If guilt's a luxury, then I'm a plutocrat.
... eating at until I was an empty shell, until I had no props left, until I wanted to die then and there, until I figured I had to die ...
There was a faint sharp hiss right at my elbow. I looked and found that, unbeknownst to myself, I'd taken the steel cube out of my pocket and holding it snuggled between my first and second fingers I'd punched the button with my thumb just as I'd promised myself I would if I got to really feeling bad.
It goes to show you that you should never give your mind any kind of instructions even half in fun, unless you're prepared to have them carried out whether you approve later or not.
Pop saw what I'd done and looked at me strangely. "So you had to die after all, Ray," he said softly. "Most of us find out we have to, one way or another."
We waited. Nothing happened. I noticed a very faint milky cloud a few inches across hanging in the air by the cube.
Thinking right away of poison gas, I jerked away a little, dispersing the cloud.
"What's that?" I demanded of no one in particular.
"I'd say," said Pop, "that that's something that squirted out of a tiny hole in the side of the cube opposite the button. A hole so nearly microscopic you wouldn't see it unless you looked for it hard. Ray, I don't think you're going to get your baby A-blast, and what's more I'm afraid you've wasted something that's damn valuable. But don't let it worry you. Before I dropped those cubes for Atla-Hi I snagged one."
And darn if he didn't pull the brother of my cube out of his pocket.
"Alice," he said, "I noticed a half pint of whiskey in your satchel when we got the salve. Would you put some on a rag and hand it to me."
Alice looked at him like he was nuts, but while her eyes were looking her pliers and her gloved hand were doing what he told her.
Pop took the rag and swabbed a spot on the sick woman's nearest buttock and jammed the cube against the spot and pushed the button.
"It's a jet hypodermic, folks," he said.
He took the cube away and there was the welt to substantiate his statement.
"Hope we got to her in time," he said. "The plague is tough. Now I guess there's nothing for us to do but wait, maybe for quite a while."
I felt shaken beyond all recognition.
* * * * *
"Pop, you old caveman detective!" I burst out. "When did you get that idea for a steel hospital?" Don't think I
was feeling anywhere near that gay. It was reaction, close to hysterical.
Pop was taken aback, but then he grinned. "I had a couple of clues that you and Alice didn't," he said. "I knew there was a very sick woman involved. And I had that bout with Los Alamos fever I told you. They've had a lot of trouble with it, I believe--some say its spores come from outside the world with the cosmic dust--and now it seems to have been carried to Atla-Hi. Let's hope they've found the answer this time. Alice, maybe we'd better start getting some water into this gal."
After a while we sat down and fitted the facts together more orderly. Pop did the fitting mostly. Alamos researchers must have been working for years on the plague as it ravaged intermittently, maybe with mutations and ET tricks to make the job harder. Very recently they'd found a promising treatment (cure, we hoped) and prepared it for rush shipment to Atla-Hi, where the plague was raging too and they were sieged in by Savannah as well. Grayl was picked to fly the serum, or drug or whatever it was. But he knew or guessed that this lone woman observer (because she'd fallen out of radio communication or something) had come down with the plague too and he decided to land some serum for her, probably without authorization.
"How do we know she's his girlfriend?" I asked.
"Or wife," Pop said tolerantly. "Why, there was that bag of woman's stuff he was carrying, frilly things like a man would bring for a woman. Who else'd he be apt to make a special stop for?
"Another thing," Pop said. "He must have been using jets to hurry his trip. We heard them, you know."
That seemed about as close a reconstruction of events as we could get. Strictly hypothetical, of course. Deathlanders trying to figure out what goes on inside a "country" like Atla-Alamos and why are sort of like foxes trying to understand world politics, or wolves the Gothic migrations. Of course we're all human beings, but that doesn't mean as much as it sounds.
* * * * *
Then Pop told us how he'd happened to be on the scene. He'd been doing a "tour of duty", as he called it, when he spotted this woman's observatory and decided to hang around anonymously and watch over her for a few days and maybe help protect her from some dangerous characters that he knew were in the neighborhood.
