Conrad's Fate (UK)

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Conrad's Fate (UK) Page 9

by Diana Wynne Jones


  I made several other remarks to Christopher and he did not answer any of them. I turned and looked at him. He was drooping over the table, panting a bit, and his face was almost the grey and white colour of the newspaper on the table. He had turned his neckcloth back to front in order not to get polish on it, and I noticed that there was a gold chain with a ring threaded on it hanging out of his shirt. It kept tinking on the candlestick he was working on because he was all bowed over.

  I remembered a boy called Hamish at my school who could never do Art because the paints gave him asthma. It looked as if something the same was wrong with Christopher. “What’s the matter? Is the polish making you ill?”

  Christopher put the candlestick down and held himself up with both hands on the table. “Not the polish,” he said. “The silver. There’s something about Series Seven that makes it worse than usual. I don’t think I can go on, Grant.”

  Gregor, luckily, was lazy enough not to keep dropping in on us. But he was going to come in at some point. And Christopher was the one he disliked most. “All right,” I said. “You keep a lookout by the door so that you can look busy when Gregor turns up, and I’ll do it. There’s no point making yourself ill.”

  “Really?” said Christopher.

  “Truly,” I said, and waited. Now he really did owe me one.

  Christopher said, “Thanks!” gratefully, and backed away from the silver. He went a better colour almost at once. I saw him glance down and notice the gold ring dangling out of his shirt. He looked quite horrified for an instant. He tucked the ring and its chain out of sight, double quick, and pulled his neckcloth round to hide it. “I owe you, Grant,” he said as he went to the door. “What can I do for you?”

  Success! I thought. I was so curious about Christopher by now that I very nearly blurted out that I wanted him to tell me all about himself. But I didn’t. Christopher was the kind of person that you needed to go cautiously with. So I said, “I don’t want anything at the moment. I’ll let you know when I do.”

  “Fair enough,” Christopher said. “What’s this droning sound coming through the wall?”

  “Mr Amos phoning,” I said, picking up the candlestick and starting to rub.

  “What could a butler find to phone about all this time?” Christopher said. “The exact vintage of champagne? Or has he an old mother who insists on a daily report? Amos, dear, are you using those corn plasters I sent you? Or is it his wife? Hugo must have a mother, after all. I wonder where they keep her.”

  I grinned. I could tell Christopher was feeling all right again now.

  “Talking of mothers,” he said, “I don’t care for the Countess at all, do you, Grant?”

  “No,” I said. “Mrs Potts who cleans the bookshop says she used to be a chorus girl.”

  Christopher was absolutely delighted. “No? Really? Tell me every word Mrs Potts said about her.”

  So I told him as I polished. From there, I somehow went on to tell him about the bookshop too, and about Mum and Uncle Alfred, and how Anthea had left. As I talked, it occurred to me that, instead of me finding out about Christopher, he was finding out about me.

  And I thought that was just typical of Christopher. Anyway, I didn’t mind telling him, as long as he didn’t get to know about my evil Fate and what I had to do, and it did help the silver-cleaning along wonderfully. By the time Gregor put his head round the door – and Christopher dashed to the table and pretended to buff up a jug – it was almost all done. Gregor was really annoyed.

  “Tea is Served in ten minutes,” he said, scowling. “Get washed. You two are pushing the tea-trolley in today.”

  “Never an idle moment here, is there?” Christopher said.

  Chapter Eight

  There was never an idle moment. We were kept so hard at it that I never managed to read one word of my Peter Jenkins book. Most nights I fell into bed and went straight to sleep. But I did notice, that second night, while we were getting into our nightshirts, that there was no sign of the ring or the chain round Christopher’s neck. Hidden by magic, I thought, and then fell fast asleep.

  Then – you know how it is – after three more days I began to get into the rhythm of things and to know my way about. Everything started to feel much more leisurely. I had time that day to be maddened with curiosity about what Christopher was really doing at Stallery and about where he had come from. In fact, I had time to be maddened by Christopher generally. He would keep calling me “Grant” in that superior way, and there were times when I wanted to hit him for it, or shout that it was only my alias, or – anyway he really annoyed me. Then he would say something that doubled me up with laughter and I discovered I liked him again. It was truly confusing.

  There was a full moon that fifth night. Christopher said, “Grant, this darned moon is shining right in my eyes,” and he pinned our curtains together so that the room was almost completely dark.

  As I lay down and shut my eyes, I thought, Ah! He wants me to be asleep while he goes off like he did before. I was annoyed enough to do my best to stay awake.

  I didn’t manage it. I was sound asleep when I somehow realised that the door had just shut softly behind Christopher.

  By then I was so maddened with curiosity that I more or less tore myself out of sleep. I stumbled out of bed. It was cold. Stallery didn’t provide you with dressing gowns or slippers, so I was forced to climb quickly into my velvet breeches and drag the bedspread off my bed to make a sort of cloak. With the undone buckles of the breeches banging at my knees, I raced out into the corridor just as Christopher flushed the toilet and came out of the bathroom. I dodged back into our room again and waited to see where he would go.

  And a right idiot I shall look if he just comes back to bed! I thought.

  But Christopher went straight past our room and on in the direction of the lift. I tiptoed quietly after him, trying to tread on the parts of the chilly floorboards that didn’t creak. But Christopher himself was making the floor creak so much that I almost need not have bothered. He strode on as if he thought he was the only person awake in the attics.

  He marched straight past the lift and towards the clothing room. He stood there in front of the slatted doors for a moment, in moonlight blazing down on him from the big skylights, and I heard him mutter, “No, it is further on then.” Then he swung half round and marched off down the corridor that led to the line painted on the wall and the women’s rooms beyond.

  I must admit I nearly didn’t follow him. It would be a disaster to be sacked from Stallery before I had met Count Robert and settled my evil Fate. But then I thought that there was no point in getting up half dressed in order to follow Christopher if I didn’t follow him. So I went after him.

  When I caught up with Christopher, he was in a wide, bare space where moonlight shone bright and white through a row of windows. He was shivering in his nightshirt as he turned slowly round on the spot. “It is here,” he was saying to himself, quite loudly. “I know it is! So why can’t I find it then?”

  “What are you looking for?” I said.

  He made a noise like “Eek!” and jumped round to face me. It was the nearest to undignified that I had ever seen Christopher. “Oh,” he said. “It’s you. For a moment I thought you were the ghost of a hunchback. What are you doing here? I left a really strong sleep spell on you.”

  “I made myself wake up,” I said.

  “Bother you!” he said. “You must have a bigger talent for magic than I realised, then.”

  “But what are you doing here?” I said. “You’ll get the sack. This is the women’s part.”

  “No, it isn’t,” Christopher said. “The women’s part is along there.” He pointed. “There’s a painted line there too that I suppose they’re forbidden to go past as well. Go and look if you like. This part of the attics is empty, right from the front to the back, and there’s something very odd about it. Can’t you feel it?”

  I was going to say “Nonsense!” I was quite sure he was just trying
to distract me from my curiosity. But when I had my breath all drawn in ready to say it, I let it out again without speaking. There was an oddness. It was not unlike the peculiar buzzing I used to feel in Uncle Alfred’s workroom after Uncle Alfred had been doing magic, except that this strange vibration felt old and stale. And it did not feel as if it had been made by a person. It felt like a sort of earth tremor, only it was magical instead of natural.

  “Yes, and it feels pretty creepy,” I said.

  “It goes right down through the building,” Christopher said, “though it’s strongest up here. I’ve been all over this beastly mansion by now, so I know.”

  I was distracted, even though I knew he meant me to be. “What, even into the women’s part and Mr Amos’s pantry?” I said. “You can’t have.”

  “I couldn’t get into the wine cellar,” Christopher said regretfully, “but I’ve been everywhere else. Mr Amos’s pantry stinks of cigars and booze and Mrs Baldock’s room is full of crinoline dolls. Mr Amos’s bedroom is even more spectacular than the Countess’s is. He has a circular bed. In mauve silk.”

  I was even more distracted. I tried to see Mr Amos rolling about in a round, mauve bed. It was nearly as hard as seeing the Countess in a row of chorus girls. “You’re joking,” I said. “I’ve been with you all the time.”

  Christopher gave a chuckle that was half a shiver. He wrapped his arms round his nightshirt and said, “Ah, Grant, what an innocent you are! It’s not difficult to make an image of yourself. I simply made an illusion of me standing by the wall while the Countess wolfs down her Dinner. It’s the one time I know Mr Amos is busy waiting on her. Think about it, Grant. Have I looked at you or talked to you much during these last few Dinner times?”

  I realised that he hadn’t. I was amazed. It was hard not to be even more distracted and pester Christopher to tell me how he did it, but I took a stern grip on myself. “Yes, but what have you been looking for? Tell me. You owe me.

  “Grant,” Christopher said, “you’re a pest. You keep your nose to my trail like a bloodhound. All right. I’ll tell you. But let’s go back to our room first. I’m getting frostbite.”

  Back in our room, Christopher put on his smart linen jacket and wrapped himself in his bedclothes. “That’s better,” he said. “Why does it get so cold at night? Because this place is up in the mountains? How high is Stallery, Grant?”

  “Three thousand feet, and you’re trying to distract me again,” I said.

  Christopher sighed. “All right. I was just wondering where to start really. I suppose I’d better begin by admitting that I don’t come from this world of yours. I come from another one, a different universe entirely, that we call Series Twelve. This one, where you live, we call Series Seven. Do you have trouble believing that yours is not the only world in the world, Grant?”

  “Not really,” I said. “Uncle Alfred told me there might be other ones. He says it’s all to do with probabilities.”

  “Right. Good,” said Christopher. “One hurdle cleared. The next thing you should know is that I was born a nine-lifed enchanter – and that, believe me, Grant, is a great deal more than just being a magician – and, although I only have a few lives left now, that doesn’t make any difference to the kind of powers I have. And it means that, at home in my own world, I’m being trained to take over as what we call the Chrestomanci. The Chrestomanci is an enchanter appointed by the government to control the use of magic. Are you with me so far?”

  “Yes,” I said. “And what happens if you don’t want the job?”

  “Shrewd point,” said Christopher. “I take off to Series Seven, I suppose.” He laughed in a way that was not quite happy. “To be truthful,” he said, “I was almost looking forward to being the Chrestomanci, until I had a bad disagreement with my guardian, who happens to be the present Chrestomanci. He’s a very serious and correct person, my guardian – one of those who knows he’s always right, if you follow me, Grant.”

  “Then can’t he train up someone else that he gets on with better?” I asked.

  Across the dark room, I could just see Christopher shaking his head. “No. As far as we know,” he said, “there is no one else he can train up. We two seem to be the only nine-lifed enchanters in all the known worlds. So “we’re stuck with one another. He disapproves of me and I think he’s boring. But the disagreement wasn’t really about that. He’s guardian to a lot of people my age – most of us live with him in Chrestomanci Castle – but one of us – an enchantress from Series Ten who likes to be called Millie – is a sort of special case. She only lives with us in the holidays, because the people she came from insisted on her going to boarding school. Her latest school’s in Switzerland…”

  “Where’s that?” I asked.

  “You don’t have it in Seven,” Christopher said. “It’s in the Alps, squashed in among France, Germany and Italy…”

  “I don’t know of a Germany either,” I said.

  “The Teutonic States then?” Christopher guessed.

  “Oh, you mean the Slavo-Teutonic States!” I said. “I know about those. Mum says the Tesdi – my father’s ancestors – came from there during the Conquest.”

  “You don’t have to tell me history and geography are different here,” Christopher said. “I have been educated. Do you want to hear the rest, or not?”

  “Go on,” I said.

  “Well,” Christopher said, “Millie was really unhappy at this Swiss school. She said the girls and the teachers were horrible and she didn’t learn anything and they were always punishing her just for being different, and she didn’t want to go back last term. But of course our guardian sent her back because it was right. She cried. She’s not one who usually cries, so I knew she was having a really horrible time. I tried to tell our guardian she was, but he wouldn’t listen, and we had our first row. So then Millie got desperate and she ran away from this school. Being an enchantress, she did it very cleverly, in a way that made the school and my guardian think she was hiding somewhere in Series Twelve. But I knew, right from the start, that she was in a different Series. I told my guardian, but he told me he wasn’t going to listen to juvenile maunderings. That was our second row.”

  There was a short silence here. I could feel Christopher brooding. I knew it had been a very bad row. At length, Christopher sighed and went on.

  “Anyway, soon after that, I began to be sure that wherever Millie was hiding, she was in some kind of trouble. I even got worried enough to go to my guardian again. He more or less told me to shut up and go away.” There was another short, brooding silence. “That made our third row,” Christopher said. “He said they were doing all they could to find Millie and I was to stop wasting his time, and I said no they weren’t because he wouldn’t listen to me. Honestly, Grant, if he hadn’t been a nine-lifed enchanter too, I’d have turned him into a slug, I was so angry!”

  “So you came to look for her yourself,” I said.

  “That,” said Christopher, “makes it sound much easier than it was. It’s taken me weeks just to get this far. Finding out – secretly, of course – where Millie had gone was hard enough, and I now see that was the simple part. I got her pinned down in this part of Series Seven in a couple of days, and I worked out what / had to do to stop them coming after me in a matter of hours. My guardian thinks I’m hiding in Twelve B, but that’s just cover for the way I cadged a lift from the Travellers. That’s what started the delays. Travellers, you see, are some of the few people who are always moving from world to world…”

  “You mean those two – three – five – caravans and that horse go to other worlds!” I said.

  “All the time, Grant,” Christopher said, “and there are tribes more of them and they’re much better organised than they let you see. They go in a sort of spiral around the worlds – that was something I didn’t know either and I nearly went mad while they did. And they’re more important than anyone thinks. You wouldn’t believe the delays and disasters there were, while they coped wi
th crises in Series One and so on, and I chewed my nails. It was over a month before we even got within smelling distance of Series Seven. Then we had to get here. Luckily, they always go to Stallery. There’s something about Stallery that they need to keep contained, they tell me. The only good thing is that my guardian is probably as confused as I am about where I’ve been.”

  “You’ll be in awful trouble with him, won’t you?” I said.

  “Grant, you are putting that too mildly,” Christopher replied. “Trouble is not the word for what will happen if he catches up with me. You see…” Christopher paused, and this time he seemed to be seething with bottled-up misery, rather than brooding. “You see, Grant, when I was younger, I kept losing my lives. And my guardian, in his usual high-handed way, tried to stop me losing any more of them by taking one of my lives away and locking it in his safe under nine high-power charms that only he was allowed to break. As long as he had that life, I knew he could trace me wherever I went. Anyway, I felt I had a right to my own life. So, before I left with the Travellers, I broke the charms, opened the safe, and took my life away with me. He’s not going to forgive me for that, Grant.”

  That gold ring! I thought. I bet that’s his life. This guardian of his sounded a total monster. “So what are you going to do,” I asked, “when you find Millie?”

  “I don’t know! That’s just the problem, Grant. I can’t find her!” There were pounding noises across the room, where I could dimly see Christopher’s fist rising and falling, beating at his knees. “I can feel her,” he said. “She’s here, I know she is! I felt her when we were coming here across the park, and I keep feeling her inside this house. When I get to that queer part beyond that line of paint, it almost feels as if I’m treading on her! But she’s not there! I don’t understand it, Grant, and it’s driving me mad!”

  He was pounding away at his knees in a frenzy by then. I was surprised, because Christopher always seemed so cool. “Take it easy,” I said. “Does she seem unhappy – as if she was a prisoner or something?”

 

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