Dead Aim

by Thomas Perry

  She stepped quickly to the stairwell, making her plan by instinct as she climbed. She emerged, not at the lobby level but on the second floor, where she knew there would be fewer people to see her. There were none. From there she took the elevator to the fifteenth.

  She was through with Parish, through with hunting. She was going home to Massachusetts. By the time she had reached her room, wiped it clean of her fingerprints, and checked her overnight bag, she could look down at the street through the window and see police cars and ambulances. She sighed. She knew she would have to drag Tim’s bag home with her too. He had turned out to be a lousy lover and a coward too, but she couldn’t take the risk of letting him get caught and questioned by the police.

  CHAPTER 26

  Mallon felt light and cold now, his body no longer reacting to the sudden rush of adrenaline, but to the fact that it had stopped. The emergency was over. He walked along the street for another block, feeling his strength returning. He stopped to look behind him, but he could see nobody who might have followed him.

  Mallon stepped into the first lighted doorway he saw. It was a small coffee shop that looked as though half of its business came from homeless men who cadged change from people on Sunset Boulevard and came here to spend it. A pay telephone hung on the wall, where everyone would hear him talk, but he put in two quarters and dialed 911.

  When the emergency operator came on, his quarters came back. He said, “My name is Robert Mallon. I’ve just been attacked by two men with guns in the parking garage under the Beverly Towers Hotel. They shot at me, but I ran over them with my car.”

  The operator sounded strangely calm, almost sleepy. “And where are you now, sir? Where are you calling from?”

  “A coffee shop on Santa Monica Boulevard, a few blocks from the hotel. I drove away because there were two more with them.”

  “All right, sir,” she said. “I want you to stay on the line now, and I’m going to send officers to come and pick you up. All right?”

  “I guess so,” he said. “Sure.”

  The time seemed to pass very slowly. He was aware that several people in the coffee shop had heard his conversation, and they were watching him. The waitress kept glancing at him and wiping the counter with a rag so filthy that the surface looked gelatinous. At last, through the front window, he saw the police car come up Santa Monica with its flashing lights on, then swing around in a wide turn to stop at the curb just outside.

  Mallon said into the phone, “They’re here. Got to go,” and hung up. On the way to the door he said to the waitress, “Thanks for the use of the phone.”

  She shrugged and muttered, “It’s not mine.”

  He stepped outside as the two cops got out of their car. They both wore body armor under their shirts, so they looked big and square as they moved to intercept him. “Are you Mr. Mallon?” asked the nearest one. The other stood to the side, and Mallon knew he wasn’t supposed to be aware that the man had his right hand resting on the grip of his gun while they waited for him to answer.

  “I’m Robert Mallon. Thank you for coming so quickly.”

  The two moved in. The one who had not spoken said, “I’m sorry, sir, but we’ve got to see what’s in your pockets. Can you turn around for me and put your hands up on the wall here?”

  “Sure,” said Mallon, but he didn’t need to do anything. The two were already turning him and pushing him into position.

  One of them said, “Am I going to find any weapons?”

  “No.”

  He kept up the questions as he reached into Mallon’s pockets and turned them inside out, then began efficiently patting his ribs, his legs, his ankles. “Anything that might cut or poke me, like a knife or a needle?”

  “Nothing.”

  They finished quickly, and the other cop pulled him back from the wall. “Now, why don’t you tell us what happened?”

  Mallon carefully repeated the story he had told the operator, and the two cops listened intently, their faces expressionless. It occurred to Mallon that he had spent more time with police officers lately than he had when he’d worked in the parole department. In those days he had spent most of his time alone with the parolees in his caseload.

  “Where’s your car?”

  “Back there about two blocks.” He pointed. “I parked it so I could look for a phone.”

  “Why did these guys pick you? Were they trying to rob you?”

  “I don’t think so,” said Mallon. “I think they were just trying to kill me.”

  “Why would they do that?”

  Mallon looked at him, and began his story for the first time that evening, wondering how many times he would have to tell it again before morning.

  He told it four times, to four different sets of interrogators. After one of them called Detective Fowler in Santa Barbara, their demeanor changed slightly. He was placed in the third small room of the evening, and this time the detective was a sad-looking man named Diehl. He brought Mallon a cup of coffee.

  He said, “The two dead men’s hands tested positive for gun powder. Before you hit them, they both discharged their weapons. Yours tested negative, so there isn’t much argument about who put the holes in your car windows. You’re no longer a hit-and-run. Now you’re a self-defense.”

  “Do you know who they are?” asked Mallon.

  Diehl shook his head. “No, do you?”

  “No.”

  Diehl took the top off his own cup of coffee and sipped it, then set it on the table in front of him and leaned back. “Detective Fowler in Santa Barbara says this seems to happen to you a lot. Why is that?”

  Mallon answered, “I’ve told everybody else the same thing. I don’t know for sure. About a month ago, I saved a woman named Catherine Broward from drowning herself in the ocean. While I was out getting us some dinner, she apparently walked to her car, took out a gun, and shot herself. I hired a detective named Lydia Marks to find out why she did that.”

  “Why?”

  “I’m not positive that she did. Lydia had a theory, but—”

  “No,” Diehl interrupted. “Why did you do that?”

  “I happened to see her while she was trying to kill herself,” said Mallon. “I thought I had stopped it, but I’d just interrupted it for a few hours, while I talked to her, got to know her a little, came to like her a lot. It was like holding a bubble in your hand: if you stop thinking about keeping the bubble intact, turn your eyes away, make a move, the bubble is gone. I turned my back on Catherine Broward for a short time, and she was gone. I needed to know why she would try so hard to kill herself. I thought if I found out about her life, it would tell me the answer. So I hired somebody who knew how to find out about people. I picked Lydia Marks because I knew her—used to work with her years ago—but also because she was a woman. I thought that maybe she could help me understand Catherine better.”

  “You didn’t answer my question,” said Diehl. “Why did you care?”

  “That’s one of the things that I’m learning. After she died, I tried to convince myself that it must be just detached curiosity, like science, because I wouldn’t be foolish enough to care so much about somebody I didn’t actually know very well. Then I decided that it must be some kind of midlife crisis—that it was about my own mortality. But it was Catherine. I liked her. For a few hours she made life surprising and mysterious again. I wanted her to live, and if she had, I would have tried to know her better. I’m still not sure whether that would have worked out, but I wanted her to live.”

  Diehl’s melancholy stare did not change. He had tired eyes that looked red enough to hurt. “You found something about her that somebody didn’t want known, or somebody thinks that you did. That’s your theory now, I take it?”

  “It’s not just me they seem to be after. It’s everyone who was trying to find out about why Catherine Broward died. Lydia Marks is dead. My attorney, Diane Fleming, seems to have gone somewhere—maybe into hiding, maybe kidnapped. I came down here to see if I cou
ld get help from an LAPD detective named Angela Berwell. She knew Lydia, and we had talked to her about Catherine’s death. Before I got a chance to talk to her, these people found me.”

  “We’ll be looking into all of that. Right now I’d like to find out more about you, Mr. Mallon. You’re the sort of guy who stimulates my curiosity. You seem to have a whole lot of money, but you retired some time ago. Is that right?”

  “Yes,” said Mallon.

  “At what age? About thirty-five?”

  “Thirty-eight.” He resigned himself to the fact that he was going to have to go through all the details. “I worked in the parole office in San Jose, for about four years.”

  “You were a cop? What happened?”

  “I decided it wasn’t for me. I went into it with the idea that what I was going to do was help people who needed it. After four years, it still didn’t seem to be happening. So I quit.”

  “I can understand that,” said Diehl. The expression on his face was ambiguous.

  “Then I went into construction. It was a good, steady business for about twelve years, and it was getting better. I got into developing housing projects. Then my wife started divorce proceedings. Her lawyers wouldn’t accept a half interest in the company. They insisted that I cash her out. I had already borrowed all I could to finance the projects I was doing, so there was nothing I could do but sell, and divide the proceeds. We happened to be at the beginning of a boom, and at that moment I was in phase one of a development called Old Greenridge Ranch. A couple of much bigger companies wanted that location. The area was growing so fast that they couldn’t build quickly enough to keep up with the demand without gobbling up some companies like mine, and keeping the crews on the job. So one of them made a preemptive offer that was more than I’d ever imagined I would get.”

  “What happened then?” asked Diehl.

  “I bought a three-bedroom house in Santa Barbara, and put the rest of the money into investments. For ten years I’ve spent most of my days going places on foot or reading books from the public library. If I go out at night it’s usually to concerts or lectures at the university, or maybe a movie. I have about four really good sport coats and five pairs of expensive walking shoes. I replace maybe one of them a year. It doesn’t cost much to live that way, so the money stayed invested and I got a lot richer in ten years.”

  Diehl said, “You’re lucky.” He stared at his coffee cup. “Or maybe you’re a genius.” He looked up to watch Mallon as he said, “I know some guys who went into construction at about the same time you did. They worked really hard, and they seem to still have plenty of work. But they tell me they’re not ready to retire even now.”

  “You’re right. I was lucky,” said Mallon. “It didn’t feel like luck at the time. It felt like a disaster. But at the end of it, I had a lot of money.”

  Diehl sighed impatiently. “You’ve got to help me here. There is absolutely no question in anybody’s mind now that people have made attempts to kill you. My question to you is just this: have you told us every reason you can imagine for them to do that? Something left over from the construction business, maybe?”

  “I’ve told the police here and in Santa Barbara everything I know,” Mallon said. “I think it has to do with the death of Catherine Broward, and the murder of her boyfriend before that, not with me, or a business I sold years ago.”

  Diehl looked at him for a few seconds, his eyes still sad and tired and red. Then he placed both hands on the table and pushed himself to his feet as though it were a difficult exercise. “Then you may as well go. We’ll be looking into everything you’ve told us. If we learn anything about the two bodies we have, we’ll let you know. Meanwhile, try to take precautions so this doesn’t happen again.”

  “You’re saying that you won’t do anything to protect me.”

  “The only way I can protect you is by breaking this case.” He held his empty hands out from his sides. “That’s all I have.” Then he turned and went out the door.

  CHAPTER 27

  It was morning when Mallon was allowed to leave the station. He took a taxi to the airport, rented a car, and checked into a hotel on Century Boulevard. He sat on the big bed, took out the telephone book, looked up the nonemergency numbers of the police department, and began calling various divisions. After his third call, he found that Angela Berwell was assigned to homicide in Hollywood. He wrote the number on the small pad by the phone, then dialed it.

  When he heard the call connect, a female voice said, “Hollywood.” He shoved the sheet with the number into his pocket.

  “I’d like to speak with Detective Berwell, please.”

  After half a minute, Mallon heard, “Homicide, Berwell.”

  He said, “Detective Berwell, this is Robert Mallon. Do you remember me? Lydia Marks and I met with you a few weeks ago.”

  “Yes, Mr. Mallon. Of course I remember. I’ve been trying to get in touch with you for days, since Lydia was killed. Are you all right?”

  Her voice seemed so sympathetic, so calm and sane. Every other police officer he’d talked to since the beginning had seemed to suspect him of hiding something, or think he was crazy. “I’m not hurt or anything,” he said, “but I seem to have become the next target.”

  “I heard about what happened at the hotel just a little while ago when I came on duty.” Her voice became quieter. “Listen, Lydia’s death and what’s happened to you aren’t part of my caseload—didn’t even happen in my precinct—but I’d like to talk to you. I’ll bet you’ve had your fill of police stations, so why don’t you meet me somewhere?”

  “I’d like to.” He knew the relief must be audible in his voice. “Where and when?”

  “Meet me on the corner of Wilshire and Fairfax at noon. We can walk and talk, maybe go somewhere quiet for lunch.”

  “Great,” he said. “I’ll be there.”

  By the time he had showered and dressed it was nearly eleven. He had no idea how long it would take him to drive to Wilshire and Fairfax. Sometimes the San Diego Freeway was so slow that it might be an hour or more. He went downstairs to his rental car and drove.

  As he merged into the northbound side of the freeway, he tried to sort out what was happening. It was possible that Detective Berwell would tell him something that would indicate his predicament was about to improve, but he doubted it. He hoped that talking with her would at least provide him with an advocate on the Los Angeles police force. Even if she was only willing to help him because she wanted to find Mark Romano’s killer, it didn’t matter.

  The traffic was moving smoothly, and it took him less than a half hour to reach the corner where he had agreed to meet Detective Berwell. Since he was so early, he drove up and down a few of the streets near the intersection of Wilshire and Fairfax, killing time and looking for the best place to park. Finally, he drove along Sixth Street behind the L.A. County Museum of Art, intending to find a space in the parking lot up the street and walk toward Fairfax. But on Sixth, just before he reached Curson, he found a space and took it. As he was about to get out of the car he looked up South Curson. It led into Park La Brea, a large apartment complex. Inside the entrance, he saw something that puzzled him. In the circle at the end of South Curson were two plain vans, one blue and the other white, stopped at the curb with their motors running. Each had a driver sitting behind the wheel and two other men loitering nearby. A few feet ahead of them was a car with another driver waiting behind the wheel and a person beside him.

  Mallon decided not to get out of his car yet. He sat and waited. It seemed an odd gathering to him. Neither van had any markings to indicate that it was from a delivery company or a repair service. Maybe he was being overly jumpy, but who were these men, and what were they waiting for? Almost certainly there was some dull, benign explanation, but what was it?

  After another minute, the passenger door of the car parked ahead of the vans opened, and a woman got out. Mallon recognized the blond hair at once. It was Angela Berwell. She stepped aw
ay from the car and he could see that she was wearing a navy blue pantsuit. As she moved toward the white van, she was talking. One of the men leaning on the van approached her, and the other went to the back door of the van and climbed inside. Mallon waited, and the man who had gone inside came out again and stood in front of Angela Berwell.

  Mallon guessed that on her way to meet him, she and her partner must have detected some violation, and this man was going to show her some permit, or maybe just his license and registration. But he didn’t show her anything. Instead, she opened her coat, held the lapel away from her body, and the man reached up to fiddle with something inside it. While he did, one of the two men near the blue van got into it.

  The man with Detective Berwell said something to her, she talked for a few seconds, and then both of them turned to look at the man beside the blue van. He waved an arm and nodded. As Mallon watched, the man who had been sitting behind the wheel of the sedan got out and joined them for a moment, then returned to his car. The rest of the men got into the two vans, and all three vehicles drove around the circle and back down South Curson to Wilshire Boulevard. Then they turned right toward Fairfax. Angela Berwell stood and watched them make the turn, then began to walk alone down Sixth Street in the general direction of the corner where she had agreed to meet him. As she went, Mallon could see that she was talking to an invisible listener. She was wearing a wire.

  Mallon sat motionless, trying to get over the shock and disappointment. She wasn’t interested in helping him. She was meeting him to try to get him to say something incriminating on a surveillance tape. He supposed they must be considering prosecuting him for running over the two men in the parking garage. Maybe they had even begun to suspect him of killing Catherine, or killing Lydia. Once he became a suspect, there was probably no limit to the crimes they could link to him. Diane Fleming had been right: it had not been smart to keep bringing himself to their attention, offering his help and asking for theirs.