by Thomas Perry
Poole put his head down and charged at the one who had spoken earlier. The young man hesitated, then looked at his companions, who showed no inclination to help him. They backed away, not from Hugo Poole but from their companion, as though if they could dissociate themselves from his fate, they would not share it. As Hugo Poole leapt the trench, the young man spun on his heel and ran about a hundred feet before he turned to see if he was safe.
The other three interpreted his flight as permission to run too. They dashed to the far wall where the shadows were deepest, and then moved off into the darkness down the riverbed. Hugo Poole turned to see that the two who had been on the ground were rapidly recovering. One was helping the other to his feet, and then they hobbled off together up the inclined driveway toward the street.
Hugo Poole stood in the dim concrete riverbed and caught his breath. The right knee of his pants had a small tear in it; the elbow of his suit coat felt damp, so he looked at that too. It had a dark splash of blood on it from the first man’s nose. He sighed: this was turning into an irritating evening, and it was still early.
Then Hugo Poole saw a new light. It began as a vague impression in his mind that there must be clouds moving away from the moon. Then the light brightened and the impression changed. The light was coming from somewhere down the channel. The wall opposite him began to glow, and then the light separated into two smaller, more focused circles.
A set of headlights appeared around an elbow bend in the channel and came toward him. He was aware that it might be a police patrol car, or the animal control people checking on the coyotes that used the concrete riverbeds to travel across the city at night. Either way, it would be best to stay still. It was especially important not to move if it was Steve Rao.
Hugo Poole stood and watched as the ghostly vehicle drew nearer, its headlights brightening until it pulled up beside him and stopped.Now that the headlights were shining past him, he saw that it was a black Hummer with tinted windows. Someone in the passenger seat used a powerful flashlight to sweep the walls of the channel and the bushes and hiding places up above at street level.
The flashlight went out, the passenger door opened, and a large man with wavy dark hair got out. He wore a lightweight black sport coat and pants of a color that looked gray in the near darkness. The driver got out, and Hugo Poole could see that he was wearing a sport coat too. Almost certainly the coats were intended to hide the bulges of firearms. The driver stood with his back against the door of the Hummer and kept guard while the other man approached Hugo Poole.
The man said, “Sir, are you Mr. Poole?”
“Yes.”
“Can you put your arms out from your sides for me, please?”
Hugo Poole complied, and stood with his feet apart so his legs could be checked next. He waited, staring into the distance as the man patted him down expertly, then stepped back. “Thank you very much, sir.”
Hugo Poole said, “You’re an off-duty cop, aren’t you?”
He didn’t deny it. “I’m a friend of Steve’s.”
Hugo nodded and watched the driver open the back door of the Hummer. Steve Rao was perched on the edge of the high seat when the door opened. He was wearing black jeans and a black T-shirt with a dark windbreaker, as though he were out to commit a burglary. His shoes were half light and half dark, like bowling shoes. He slid to the end of the Hummer’s back seat and then jumped down, smiling.
He looked proud of himself, his eyes and teeth reflecting the distant light from above. “Hugo, my man. Thanks for coming. I hope it wasn’t too inconvenient.”
“You saw?”
Steve Rao looked very serious. “I didn’t have anything to do with them, I swear to God.”
“I didn’t think you did,” said Hugo Poole.
“It’s terrible,” said Steve Rao. “This isn’t even gang territory. The city really has to do something.”
“I’ll write a letter to the Times.”
Steve Rao’s grin returned. “You’re still pretty mean, though, aren’t you? You can handle yourself against these young kids even now.”
Hugo Poole did not smile.
Steve Rao gestured toward the two men beside his black Hummer. “These two guys are my solution to that foolishness. You won’t see me rolling around on dirty cement beating the shit out of no gang of kids. I learned that much.”
“I’ll be honest with you, Steve. This night is beginning to wear on my patience. Why did you want to meet me in a place like this?”
“It’s safe and secure.”
“It’s safe and secure up there on the corner of Ventura and Laurel Canyon, and you can get a cup of coffee in Du Par’s,” said Hugo. “What is it you want?”
Steve Rao began to walk. Hugo followed for about two hundred feet, and stopped. Steve Rao noticed, so he stopped too, and spoke. “I’ve been around for a while now. You know that?”
“I’ve noticed you for about five years,” said Hugo Poole.
“I haven’t been lying around all that time.”
“I’ve noticed that too.”
“I’ve been busy. I’ve been talking to people, making deals, making friends.”
“No flies on you,” said Hugo Poole.
“It’s worked out. I’ve gotten big.” It was a strange thing for a man Hugo Poole judged was about five feet five to say. “It’s time to make a deal with you too.” He glared at Hugo Poole. “I’ve put it off for longer than I should have.”
“I’m listening.”
“I want ten thousand a month from you.”
“In exchange for what?”
“For being able to do whatever you want. For not having to worry. You can go on forever, just like you have been, and nobody will bother you.”
“Nobody bothers me now.”
Steve Rao stopped and pointed back at the Hummer, where the two off-duty cops were sitting. “See those guys?”
Hugo Poole gave his second sigh of the evening. “Steve, how old are you?”
“Twenty-four.”
“When you’re a young guy, just starting out, you have to consider the possibility that the people who were here before you were born aren’t all dumb.”
“What do you mean?”
“You should look around and say, ‘What are people already doing that works? What are people not doing, even though it’s an obvious thing to do? And why aren’t they?’ ”
Steve Rao glared at him again, then resumed walking. “A lot of people are doing this. People have sold protection for a hundred years.”
“Street gangs. They shake down a few Korean grocery stores, a couple of small liquor stores. They ask for just enough so the payoff is cheaper than buying a new front window. The game lasts a few months, until all the gang boys are in jail for something else or dead. Grown-ups don’t do this in L.A. And they don’t use off-duty cops for bodyguards.”
“Why are you saying this shit?” Steve was quickly beginning to feel the heat around his neck cooking into anger. “It’s all shit! Half the rock stars in town have hired cops with them wherever they go.”
“I’m telling you this because I want to do you a big favor,” said Hugo Poole. “That works great for musicians. Cops have to carry guns off-duty, so nobody has to make any guesses.”
“That’s right,” said Steve Rao. “So don’t even think about trying to get out of this. I might as well be made out of steel. Anybody opens up anywhere near me, my cops will drill his ass for him. They got my back. Nobody can do anything to me.”
“That’s probably true,” said Hugo Poole. “But what can you do to anybody else?”
“Anything,” said Steve Rao, but he sounded uncertain.
Hugo Poole said, “Off-duty cops will keep people from killing you if they can, just like they do for rock stars. But they won’t let even the biggest rock stars grease somebody else.”
“We have an understanding.”
“They understand you better than you understand them.”
“They’re mi
ne. I bought them.”
“You’re paying cops money to stay a few feet from you. They can see you make deals, they can hear what you say. When they’ve seen and heard enough, they’re going to arrest you and all of the people who do business with you.”
“You’re full of shit.”
“Steve, these guys know the system. They know that if they get in trouble, you won’t be able to do them any good. The only people who can help them are other cops.” He paused. “You aren’t going to collect any money from anybody, Steve, because you can’t hurt anybody in front of two cops. You just put yourself out of business.”
“Hugo, I always heard you were supposed to be the smartest man in L.A. But this is pitiful,” said Steve Rao. He took a small semiautomatic pistol from his jacket. He didn’t point it at Hugo, just shifted it to his belt. “I want your ten grand tomorrow by five, and then once a month. Be on time.”
“Ask me how I knew they were cops.”
“All right. How did you know?”
“They’re wearing microphones,” said Hugo Poole. “See you, Steve.” Hugo Poole walked down the concrete riverbed, away from Steve Rao.
“You don’t walk away from me,” said Steve Rao. “You wait until I walk away from you.” His voice sounded strained and thin, as though his throat were dry.
Hugo Poole walked on, his pace the same smart stride he always used on the street that kept his head up and his eyes on the world in front of him and let him scan the sights beside him. He had decided that it would be best not to return to the street by the same path he had used to come down here, so he walked on for what he judged to be an extra two blocks before he came to the next ramp built for the flood maintenance people. At the top of the path he had to climb an eight-foot chain-link fence, something he hated to do, but since his suit was beyond repair, he supposed he could hardly ruin it twice.
He swung himself over, dropped to the ground, then walked back up to Radford. Just as he was coming out of the dimly lighted, quiet street toward Ventura Boulevard, he heard the distant pops of four shots in rapid succession, then seven more. They seemed to echo from the direction of the river. As he walked along, he considered the eleven shots. Eleven was a bad number for Steve Rao. The magazines for pistols like Steve Rao’s held no more than ten in a single stack.
To my father,
RICHARD PERRY
ACKNOWLEDGMENTS
Thanks to my agent Robert Lescher
and my editor Kate Medina.
ALSO BY THOMAS PERRY
The Butcher’s Boy
Metzger’s Dog
Big Fish
Island
Sleeping Dogs
Vanishing Act
Dance for the Dead
Shadow Woman
The Face-Changers
Blood Money
Death Benefits
Pursuit
Nightlife
Thomas Perry is the author of many critically acclaimed novels, including the Edgar Award–winning The Butcher’s Boy and its sequel, Sleeping Dog; the five-volume Jane Whitefield series (Vanishing Act was chosen as one of the 100 Favorite Mysteries of the Century by the Independent Mystery Booksellers Association); the New York Times Notable Book Metzger’s Dog; and the national bestsellers Death Benefits and Pursuit. His latest novel is Nightlife. Perry lives in Southern California with his wife and two daughters.
