“Why need you ask?” replied Roderick, with a look of dark intelligence. “Look into your own breast! Hark, my serpent bestirs himself! He acknowledges the presence of a master-fiend!”
And then, as the bystanders afterwards affirmed, a hissing sound was heard, apparently in Roderick Elliston’s breast. It was said, too, that an answering hiss came from the vitals of the shipmaster, as if a snake were actually lurking there, and had been aroused by the call of its brother-reptile. If there were in fact any such sound, it might have been caused by a malicious exercise of ventriloquism, on the part of Roderick.
Thus, making his own actual serpent—if a serpent there actually was in his bosom—the type of each man’s fatal error, or hoarded sin, or unquiet conscience, and striking his sting so unremorsefully into the sorest spot, we may well imagine that Roderick became the pest of the city. Nobody could elude him; none could withstand him. He grappled with the ugliest truth that he could lay his hand on, and compelled his adversary to do the same. Strange spectacle in human life, where it is the instinctive effort of one and all to hide those sad realities, and leave them undisturbed beneath a heap of superficial topics, which constitute the materials of intercourse between man and man! It was not to be tolerated that Roderick Elliston should break through the tacit compact, by which the world has done its best to secure repose, without relinquishing evil. The victims of his malicious remarks, it is true, had brothers enough to keep them in countenance; for, by Roderick’s theory, every mortal bosom harbored either a brood of small serpents, or one overgrown monster, that had devoured all the rest. Still, the city could not bear this new apostle. It was demanded by nearly all, and particularly by the most respectable inhabitants, that Roderick should no longer be permitted to violate the received rules of decorum, by obtruding his own bosom-serpent to the public gaze, and dragging those of decent people from their lurking-places.
Accordingly, his relatives interfered, and placed him in a private asylum for the insane. When the news was noised abroad, it was observed that many persons walked the streets with freer countenances, and covered their breasts less carefully with their hands.
His confinement, however, although it contributed not a little to the peace of the town, operated unfavorably upon Roderick himself. In solitude, his melancholy grew more black and sullen. He spent whole days—indeed, it was his sole occupation—in communing with the serpent. A conversation was sustained, in which, as it seemed, the hidden monster bore a part, though unintelligibly to the listeners, and inaudible, except in a hiss. Singular as it may appear, the sufferer had now contracted a sort of affection for his tormentor; mingled, however, with the intensest loathing and horror. Nor were such discordant emotions incompatible; each, on the contrary, imparted strength and poignancy to its opposite. Horrible love—horrible antipathy— embracing one another in his bosom, and both concentrating themselves upon a being that had crept into his vitals, or been engendered there, and which was nourished with his food, and lived upon his life, and was as intimate with him as his own heart, and yet was the foulest of all created things! But not the less was it the true type of a morbid nature.
Sometimes, in his moments of rage and bitter hatred against the snake and himself, Roderick determined to be the death of him, even at the expense of his own life. Once he attempted it by starvation. But, while the wretched man was on the point of famishing, the monster seemed to feed upon his heart, and to thrive and wax gamesome, as if it were his sweetest and most congenial diet. Then he privily took a dose of active poison, imagining that it would not fail to kill either himself, or the devil that possessed him, or both together. Another mistake; for if Roderick had not yet been destroyed by his own poisoned heart, nor the snake by gnawing it, they had little to fear from arsenic or corrosive sublimate. Indeed, the venomous pest appeared to operate as an antidote against all other poisons. The physicians tried to suffocate the fiend with tobacco-smoke. He breathed it as freely as if it were his native atmosphere. Again, they drugged their patient with opium, and drenched him with intoxicating liquors, hoping that the snake might thus be reduced to stupor, and perhaps be ejected from the stomach. They succeeded in rendering Roderick insensible; but, placing their hands upon his breast, they were inexpressibly horror-stricken to feel the monster wriggling, twining, and darting to and fro, within his narrow limits, evidently enlivened by the opium or alcohol, and incited to unusual feats of activity. Thenceforth, they gave up all attempts at cure or palliation. The doomed sufferer submitted to his fate, resumed his former loathsome affection for the bosom-fined, and spent whole miserable days before a looking-glass, with his mouth wide open, watching, in hope and horror, to catch a glimpse of the snake’s head, far down within his throat. It is supposed that he succeeded; for the attendants once heard a frenzied shout, and rushing into the room, found Roderick lifeless upon the floor.
He was kept but little longer under restraint. After minute investigation, the medical directors of the asylum decided that his mental disease did not amount to insanity, nor would warrant his confinement; especially as its influence upon his spirits was unfavorable, and might produce the evil which it was meant to remedy. His eccentricities were doubtless great—he had habitually violated many of the customs and prejudices of society; but the world was not, without surer ground, entitled to treat him as a madman. On this decision of such competent authority, Roderick was released, and had returned to his native city, the very day before his encounter with George Herkimer.
As soon as possible after learning these particulars, the sculptor, together with a sad and tremulous companion, sought Elliston at his own house. It was a large, sombre edifice of wood, with pilasters and a balcony, and was divided from one of the principal streets by a terrace of three elevations, which was ascended by successive flights of stone steps. Some immense old elms almost concealed the front of the mansion. This spacious and once magnificent family-residence was built by a grandee of the race, early in the past century; at which epoch, land being of small comparative value, the garden and other grounds had formed quite an extensive domain. Although a portion of the ancestral heritage had been alienated, there was still a shadowy enclosure in the rear of the mansion, where a student, or a dreamer, or a man of stricken heart, might lie all day upon the grass, amid the solitude of murmuring boughs, and forget that a city had grown up around him.
Into this retirement, the sculptor and his companion were ushered by Scipio, the old black servant, whose wrinkled visage grew almost sunny with intelligence and joy, as he paid his humble greetings to one of the two visitors.
“Remain in the arbor,” whispered the sculptor to the figure that leaned upon his arm, “you will know whether, and when, to make your appearance.”
“God will teach me,” was the reply. “May he support me too!”
Roderick was reclining on the margin of a fountain, which gushed into the fleckered sunshine with the same clear sparkle, and the same voice of airy quietude, as when trees of primeval growth flung their shadows across its bosom. How strange is the life of a fountain, born at every moment, yet of an age coeval with the rocks, and far surpassing the venerable antiquity of a forest!
“You are come! I have expected you,” said Elliston, when he became aware of the sculptor’s presence.
His manner was very different from that of the preceding day —quiet, courteous, and, as Herkimer thought, watchful both over his guest and himself. This unnatural restraint was almost the only trait that betokened anything amiss. He had just thrown a book upon the grass, where it lay half-opened, thus disclosing itself to be a natural history of the serpent-tribe, illustrated by lifelike plates. Near it lay that bulky volume, the Ductor Dubitantium of Jeremy Taylor, full of cases of conscience, and in which most men, possessed of a conscience, may find something applicable to their purpose.
“You see,” observed Elliston, pointing to the book of serpents, while a smile gleamed upon his lips, “I am making an effort to become better acquainted
with my bosom-friend. But I find nothing satisfactory in this volume. If I mistake not, he will prove to be sui generis, and akin to no other reptile in creation.”
“Whence came this strange calamity?” inquired the sculptor.
“My sable friend, Scipio, has a story,” replied Roderick, “of a snake that had lurked in this fountain—pure and innocent as it looks—ever since it was known to the first settlers. This insinuating personage once crept into the vitals of my great-grandfather, and dwelt there many years, tormenting the old gentleman beyond mortal endurance. In short, it is a family peculiarity. But, to tell you the truth, I have no faith in this idea of the snake’s being an heirloom. He is my own snake, and no man’s else.”
“But what was his origin?” demanded Herkimer.
“Oh! there is poisonous stuff in any man’s heart, sufficient to generate a brood of serpents,” said Elliston, with a hollow laugh. “You should have heard my homilies to the good townspeople. Positively, I deem myself fortunate in having bred but a single serpent. You, however, have none in your bosom, and therefore cannot sympathize with the rest of the world. It gnaws me! It gnaws me!”
With this exclamation, Roderick lost his self-control and threw himself upon the grass, testifying his agony by intricate writhings, in which Herkimer could not but fancy a resemblance to the motions of a snake. Then, likewise, was heard that frightful hiss, which often ran through the sufferer’s speech, and crept between the words and syllables, without interrupting their succession.
“This is awful indeed!” exclaimed the sculptor—“an awful infliction, whether it be actual or imaginary! Tell me, Roderick Elliston, is there any remedy for this loathsome evil?”
“Yes, but an impossible one,” muttered Roderick, as he lay wallowing with his face in the grass. “Could I, for one instant, forget myself, the serpent might not abide within me. It is my diseased self-contemplation that has engendered and nourished him!”
“Then forget yourself, my husband,” said a gentle voice above him—“forget yourself in the idea of another!”
Rosina had emerged from the arbor, and was bending over him, with the shadow of his anguish reflected in her countenance, yet so mingled with hope and unselfish love, that all anguish seemed but an earthly shadow and a dream. She touched Roderick with her hand. A tremor shivered through his frame. At that moment, if report be trustworthy, the sculptor beheld a waving motion through the grass, and heard a tinkling sound, as if something had plunged into the fountain. Be the truth as it might, it is certain that Roderick Elliston sat up, like a man renewed, restored to his right mind, and rescued from the fiend, which had so miserably overcome him in the battle-field of his own breast.
“Rosina!” cried he, in broken and passionate tones, but with nothing of the wild wail that had haunted his voice so long. “Forgive! Forgive!”
Her happy tears bedewed his face.
“The punishment has been severe,” observed the sculptor. “Even Justice might now forgive—how much more a woman’s tenderness! Roderick Elliston, whether the serpent was a physical reptile, or whether the morbidness of your nature suggested that symbol to your fancy, the moral of the story is not the less true and strong. A tremendous Egotism—manifesting itself, in your case, in the form of jealousy—is as fearful a fiend as ever stole into the human heart. Can a breast, where it has dwelt so long, be purified?”
“Oh, yes!” said Rosina, with a heavenly smile. “The serpent was but a dark fantasy, and what it typified was as shadowy as itself. The past, dismal as it seems, shall fling no gloom upon the future. To give it its due importance, we must think of it but as an anecdote in our Eternity!”
1. The physical fact, to which it is here attempted to give a moral signification, has been known to occur in more than one instance.
THE CHRISTMAS BANQUET. FROM THE UNPUBLISHED “ALLEGORIES OF THE HEART.”
“I have here attempted,” said Roderick, unfolding a few sheets of manuscript, as he sat with Rosina and the sculptor in the summer-house—“I have attempted to seize hold of a personage who glides past me, occasionally, in my walk through life. My former sad experience, as you know, has gifted me with some degree of insight into the gloomy mysteries of the human heart, through which I have wandered like one astray in a dark cavern, with his torch fast flickering to extinction. But this man—this class of men—is a hopeless puzzle.”
“Well, but propound him,” said the sculptor. “Let us have an idea of him, to begin with.”
“Why, indeed,” replied Roderick, “he is such a being as I could conceive you to carve out of marble, and some yet unrealized perfection of human science to endow with an exquisite mockery of intellect; but still there lacks the last inestimable touch of a divine Creator. He looks like a man, and, perchance, like a better specimen of man than you ordinarily meet. You might esteem him wise—he is capable of cultivation and refinement, and has at least an external conscience—but the demands that spirit makes upon spirit, are precisely those to which he cannot respond. When, at last, you come close to him, you find him chill and unsubstantial—a mere vapor.”
“I believe,” said Rosina, “I have a glimmering idea of what you mean.”
“Then be thankful,” answered her husband, smiling; “but do not anticipate any further illumination from what I am about to read. I have here imagined such a man to be—what, probably, he never is—conscious of the deficiency in his spiritual organization. Methinks the result would be a sense of cold unreality, wherewith he would go shivering through the world, longing to exchange his load of ice for any burthen of real grief that fate could fling upon a human being.”
Contenting himself with this preface, Roderick began to read.
In a certain old gentleman’s last will and testament, there appeared a bequest, which, as his final thought and deed, was singularly in keeping with a long life of melancholy eccentricity. He devised a considerable sum for establishing a fund, the interest of which was to be expanded, annually for ever, in preparing a Christmas Banquet for ten of the most miserable persons that could be found. It seemed not to be the testator’s purpose to make these half-a-score of sad hearts merry, but to provide that the stern or fierce expression of human discontent should not be drowned, even for that one holy and joyful day, amid the acclamations of festal gratitude which all Christendom sends up. And he desired, likewise, to perpetuate his own remonstrance against the earthly course of Providence, and his sad and sour dissent from those systems of religion or philosophy which either find sunshine in the world, or draw it down from heaven.
The task of inviting the guests, or of selecting among such as might advance their claims to partake of this dismal hospitality, was confided to the two trustees or stewards of the fund. These gentlemen, like their deceased friend, were sombre humorists, who made it their principal occupation to number the sable threads in the web of human life, and drop all the golden ones out of the reckoning. They performed their present office with integrity and judgment. The aspect of the assembled company, on the day of the first festival, might not, it is true, have satisfied every beholder that these were especially the individuals, chosen forth from all the world, whose griefs were worthy to stand as indicators of the mass of human suffering. Yet, after due consideration, it could not be disputed that here was a variety of hopeless discomfort, which, if it sometimes arose from causes apparently inadequate, was thereby only the shrewder imputation against the nature and mechanism of life.
The arrangements and decorations of the banquet were probably intended to signify that death-in-life which had been the testator’s definition of existence. The hall, illuminated by torches, was hung round with curtains of deep and dusky purple, and adorned with branches of cypress and wreaths of artificial flowers, imitative of such as used to be strewn over the dead. A sprig of parsley was laid by every plate. The main reservoir of wine was a sepulchral urn of silver, whence the liquor was distributed around the table in small vases, accurately copied from those that held
the tears of ancient mourners. Neither had the stewards— if it were their taste that arranged these details—forgotten the fantasy of the old Egyptians, who seated a skeleton at every festive board, and mocked their own merriment with the imperturbable grin of a death’s-head. Such a fearful guest, shrouded in a black mantle, sat now at the head of the table. It was whispered, I know not with what truth, that the testator himself had once walked the visible world with the machinery of that same skeleton, and that it was one of the stipulations of his will, that he should thus be permitted to sit, from year to year, at the banquet which he had instituted. If so, it was perhaps covertly implied that he had cherished no hopes of bliss beyond the grave, to compensate for the evils which he felt or imagined here. And if, in their bewildered conjectures as to the purpose of earthly existence, the banqueters should throw aside the veil, and cast an inquiring glance at this figure of death, as seeking thence the solution otherwise unattainable, the only reply would be a stare of the vacant eye-caverns, and a grin of the skeleton-jaws. Such was the response that the dead man had fancied himself to receive, when he asked of Death to solve the riddle of his life; and it was his desire to repeat it, when the guests of his dismal hospitality should find themselves perplexed with the same question.
“What means that wreath?” asked several of the company, while viewing the decorations of the table.
They alluded to a wreath of cypress, which was held on high by a skeleton-arm, protruding from within the black mantle.
“It is a crown,” said one of the stewards, “not for the worthiest, but for the wofullest, when he shall prove his claim to it.”
The guest earliest bidden to the festival, was a man of soft and gentle character, who had not energy to struggle against the heavy despondency to which his temperament rendered him liable; and therefore with nothing outwardly to excuse him from happiness, he had spent a life of quiet misery, that made his blood torpid, and weighed upon his breath, and sat like a ponderous night-fiend upon every throb of his unresisting heart. His wretchedness seemed as deep as his original nature, if not identical with it. It was the misfortune of a second guest to cherish within his bosom a diseased heart, which had become so wretchedly sore, that the continual and unavoidable rubs of the world, the blow of an enemy, the careless jostle of a stranger, and even the faithful and loving touch of a friend, alike made ulcers in it. As is the habit of people thus afflicted, he found his chief employment in exhibiting these miserable sores to any who would give themselves the pain of viewing them. A third guest was a hypochondriac, whose imagination wrought necromancy in his outward and inward world, and caused him to see monstrous faces in the household fire, and dragons in the clouds of sun-set, and fiends in the guise of beautiful women, and something ugly or wicked beneath all the pleasant surfaces of nature. His neighbor at table was one who, in his early youth, had trusted mankind too much, and hoped too highly in their behalf, and, meeting with many disappointments, had become desperately soured. For several years back, this misanthrope had employed himself in accumulating motives for hating and despising his race—such as murder, lust, treachery, ingratitude, faithfulness of trusted friends, instinctive vices of children, impurity of women, hidden guilt in men of saintlike aspect—and, in short, all manner of black realities that sought to decorate themselves with outward grace or glory. But, at every atrocious fact that was added to his catalogue—at every increase of the sad knowledge which he spent his life to collect— the native impulses of the poor man’s loving and confiding heart made him groan with anguish. Next, with his heavy brow bent downward, there stole into the hall a man naturally earnest and impassioned, who, from his immemorial infancy, had felt the consciousness of a high message to the world, but, essaying to deliver it, had found either no voice or form of speech, or else no ears to listen. Therefore his whole life was a bitter questioning of himself—“Why have not men acknowledged my mission? Am I not a self-deluding fool? What business have I on earth? Where is my grave?” Throughout the festival, he quaffed frequent draughts from the sepulchral urn of wine, hoping thus to quench the celestial fire that tortured his own breast, and could not benefit his race.
Mosses from an Old Manse, Volume 2 Page 4
