Bulfinch's Mythology: the Age of Fable

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by Thomas Bulfinch


  The culprit would gladly have recalled his words, but it was too late. The faces of the murderers pale with terror betrayed their guilt. The people took them before the judge, they confessed their crime and suffered the punishment they deserved.

  SIMONIDES

  Simonides was one of the most prolific of the early poets of Greece, but only a few fragments of his compositions have descended to us. He wrote hymns, triumphal odes, and elegies. In the last species of composition he particularly excelled. His genius was inclined to the pathetic, and none could touch with truer effect the chords of human sympathy. The Lamentation of Danae, the most important of the fragments which remain of his poetry is based upon the tradition that Danae and her infant son were confined by order of her father Acrisius in a chest and set adrift on the sea. The chest floated towards the island of Seriphus, where both were rescued by Dictys, a fisherman, and carried to Polydectes, king of the country, who received and protected them. The child Perseus when grown up became a famous hero, whose adventures have been recorded in a previous chapter.

  Simonides passed much of his life at the courts of princes, and often employed his talents in panegyric and festal odes, receiving his reward from the munificence of those whose exploits he celebrated. This employment was not derogatory, but closely resembles that of the earliest bards, such as Demodocus, described by Homer, or of Homer himself as recorded by tradition.

  On one occasion when residing at the court of Scopas, king of Thessaly, the prince desired him to prepare a poem in celebration of his exploits, to be recited at a banquet. In order to diversify his theme, Simonides, who was celebrated for his piety, introduced into his poem the exploits of Castor and Pollux. Such digressions were not unusual with the poets on similar occasions, and one might suppose an ordinary mortal might have been content to share the praises of the sons of Leda. But vanity is exacting; and as Scopas sat at his festal board among his courtiers and sycophants, he grudged every verse that did not rehearse his own praises. When Simonides approached to receive the promised reward Scopas bestowed but half the expected sum, saying, "Here is payment for my portion of the performance, Castor and Pollux will doubtless compensate thee for so much as relates to them." The disconcerted poet returned to his seat amidst the laughter which followed the great man's jest. In a little time he received a message that two young men on horseback were waiting without and anxious to see him. Simonides hastened to the door, but looked in vain for the visitors. Scarcely however had he left the banqueting-hall when the roof fell in with a loud crash, burying Scopas and all his guests beneath the ruins. On inquiring as to the appearance of the young men who had sent for him, Simonides was satisfied that they were no other than Castor and Pollux themselves.

  Sappho

  Sappho was a poetess who flourished in a very early age of Greek literature. Of her works few fragments remain, but they are enough to establish her claim to eminent poetical genius. The story of Sappho commonly alluded to is that she was passionately in love with a beautiful youth named Phaon, and failing to obtain a return of affection she threw herself from the promontory of Leucadia into the sea, under a superstition that those who should take that "Lover's-leap," would, if not destroyed, be cured of their love.

  Byron alludes to the story of Sappho in Childe Harold, Canto II.:

  Those who wish to know more of Sappho and her leap, are referred to the Spectator, Nos. 223 and 229, and also to Moore's Evenings in Greece.

  Chapter XIX Endymion. Orion. Aurora and Tithonus. Acis and Galatea

  Endymion was a beautiful youth who fed his flock on Mount Latmos. One calm, clear night, Diana, the Moon, looked down and saw him sleeping. The cold heart of the virgin goddess was warmed by his surpassing beauty, and she came down to him, kissed him, and watched over him while he slept.

  Another story was that Jupiter bestowed on him the gift of perpetual youth united with perpetual sleep. Of one so gifted we can have but few adventures to record. Diana, it was said, took care that his fortunes should not suffer by his inactive life, for she made his flock increase, and guarded his sheep and lambs from the wild beasts.

  The story of Endymion has a peculiar charm from the human meaning which it so thinly veils. We see in Endymion the young poet, his fancy and his heart seeking in vain for that which can satisfy them, finding his favorite hour in the quiet moonlight, and nursing there beneath the beams of the bright and silent witness the melancholy and the ardor which consumes him. The story suggests aspiring and poetic love, a life spent more in dreams than in reality, and an early and welcome death. S. G. Bulfinch

  The Endymion of Keats is a wild and fanciful poem, containing some exquisite poetry, as this, to the moon:

  "The sleeping kine

  Couched in thy brightness dream of fields divine.

  Innumerable mountains rise, and rise,

  Ambitious for the hallowing of thine eyes,

  And yet thy benediction passeth not

  One obscure hiding place, one little spot

  Where pleasure may be sent; the nested wren

  Has thy fair face within its tranquil ken."

  Dr. Young in the Night Thoughts alludes to Endymion thus:

  "These thoughts, O Night, are thine;

  >From thee they came like lovers' secret sighs,

  While others slept. So Cynthia, poets feign,

  In shadows veiled, soft, sliding from her sphere,

  Her shepherd cheered, of her enamored less

  Than I of thee."

  Fletcher, in the Faithful Shepherdess, tells,

  "How the pale Phoebe, hunting in a grove,

  First saw the boy Endymion, from whose eyes

  She took eternal fire that never dies;

  How she conveyed him softly in a sleep,

  His temples bound with poppy, to the steep

  Head of Old Latmos, where she stoops each night,

  Gilding the mountain with her brother's light,

  To kiss her sweetest."

  ORION

  Orion was the son of Neptune. He was a handsome giant and a mighty hunter. His father gave him the power of wading through the depths of the sea, or as others say, of walking on its surface.

  Orion loved Merope, the daughter of Oenopion, king of Chios, and sought her in marriage. He cleared the island of wild beasts, and brought the spoils of the chase as presents to his beloved; but as Oenopion constantly deferred his consent, Orion attempted to gain possession of the maiden by violence. Her father, incensed at this conduct, having made Orion drunk, deprived him of his sight, and cast him out on the sea shore. The blinded hero followed the sound of the Cyclops' hammer till he reached Lemnos, and came to the forge of Vulcan, who, taking pity on him, gave him Kedalion, one of his men, to be his guide to the abode of the sun. Placing Kedalion on his shoulders, Orion proceeded to the east, and there meeting the sun-god, was restored to sight by his beam.

  After this he dwelt as a hunter with Diana, with whom he was a favorite, and it is even said she was about to marry him. Her brother was highly displeased and often chid her, but to no purpose. One day, observing Orion wading though the sea with his head just above the water, Apollo pointed it out to his sister and maintained that she could not hit that black thing on the sea. The archer-goddess discharged a shaft with fatal aim. The waves rolled the dead body of Orion to the land, and bewailing her fatal error with many tears, Diana placed him among the stars, where he appears as a giant, with a girdle, sword, lion's skin, and club. Sirius, his dog, follows him, and the Pleiads fly before him.

  The Pleiads were daughters of Atlas, and nymphs of Diana's train. One day Orion saw them, and became enamored, and pursued them. In their distress they prayed to the gods to change their form, and Jupiter in pity turned them into pigeons, and then made them a constellation in the sky. Though their numbers was seven, only six stars are visible, for Electra, one of them, it is said, left her place that she might not behold the ruin of Troy, for that city was founded by her son Dardanus. The sight
had such an effect on her sisters that they have looked pale ever since.

  Mr. Longfellow has a poem on the "Occultation of Orion." The following lines are those in which he alludes to the mythic story. We must premise that on the celestial globe Orion is represented as robed in a lion's skin and wielding a club. At the moment the stars of the constellation one by one were quenched in the light of the moon, the poet tells us,

  "Down fell the red skin of the lion

  Into the river at his feet.

  His mighty club no longer beat

  The forehead of the bull; but he

  Reeled as of yore beside the sea,

  When blinded by Oenopion

  He sought the blacksmith at his forge,

  And climbing up the narrow gorge,

  Fixed his blank eyes upon the sun."

  Tennyson has a different theory of the Pleiads:

  "Many a night I saw the Pleiads, rising through the mellow shade,

  Glitter like a swarm of fire-flies tangled in a silver braid."

  Locksley Hall

  Byron alludes to the lost Pleiad:

  "Like the lost Pleiad seen no more below."

  See also Mrs. Heman's verses on the same subject.

  AURORA AND TITHONUS.

  Aurora, the goddess of the Dawn, like her sister the Moon, was at times inspired with the love of mortals. Her greatest favorite was Tithonus, son of Laomedon, king of Troy. She stole him away, and prevailed on Jupiter to grant him immortality; but forgetting to have youth joined in the gift, after some time she began to discern, to her great mortification, that he was growing old. When his hair was quite white she left his society; but he still had the range of her palace, lived on ambrosial food, and was clad in celestial raiment. At length he lost the power of using his limbs, and then she shut him up in his chamber, whence his feeble voice might at times be heard. Finally she turned him into a grasshopper.

  Memnon was the son of aurora and Tithonus. He was king of the AEthiopians, and dwelt in the extreme east, on the shore of Ocean. He came with his warriors to assist the kindred of his father in the war of Troy. King Priam received him with great honors, and listened with admiration to his narrative of the wonders of the ocean shore.

  The very day after his arrival, Memnon, impatient of repose, led his troops to the field. Antilochus, the brave son of Nestor, fell by his hand, and the Greeks were put to flight, when Achilles appeared and restored the battle. A long and doubtful contest ensued between him and the son of Aurora; at length victor declared for Achilles, Memnon fell, and the Trojans fled in dismay.

  Aurora, who, from her station in the sky, had viewed with apprehension the danger of her son, when she saw him fall directed his brothers, the Winds, to convey his body to the banks of the river Esepus in Paphlagonia. In the evening Aurora came, accompanied by the Hours and the Pleiads, and wept and lamented over her son. Night, in sympathy with her grief, spread the heaven with clouds; all nature mourned for the offspring of the Dawn. The Aethiopians raised his tomb on the banks of the stream in the grove of the nymphs, and Jupiter caused the sparks and cinders of his funeral-pile to be turned into birds, which, dividing into two flocks, fought over the pile till they fell into the flame. Every year, at the anniversary of his death, they return and celebrate his obsequies in like manner. Aurora remains inconsolable for the loss of her son. Her tears still flow, and may be seen at early morning in the form of dew-drops on the grass.

  Unlike most of the marvels of ancient mythology, there will exist some memorials of this. On the banks of the river Nile, in Egypt, are two colossal statues, one of which is said to be the statue of Memnon. Ancient writers record that when the first rays of the rising sun fall upon this statue, a sound is heard to issue from it which they compare to the snapping of a harp- string. There is some doubt about the identification of the existing statue with the one described by the ancients, and the mysterious sounds are still more doubtful. Yet there are not wanting some modern testimonies to their being still audible. It has been suggested that sounds produced by confined air making its escape from crevices or caverns in the rocks may have given some ground for the story. Sir Gardner Wilkinson, a late traveller, of the highest authority, examined the statue itself, and discovered that it was hollow, and that "in the lap of the statue is a stone, which, on being struck, emits a metallic sound, that might still be made use of to deceive a visitor who was predisposed to believe its powers."

  The vocal statue of Memnon is a favorite subject of allusion with the poets. Darwin, in his Botanic Garden, says,

  "So to the sacred Sun in Memnon's fane

  Spontaneous concords choired the matin strain;

  Touched by his orient beam responsive rings

  The living lyre and vibrates all its strings;

  Accordant aisles the tender tones prolong,

  And holy echoes swell the adoring song."

  ACIS AND GALATEA

  Scylla was a fair virgin of Sicily, a favorite of the Sea-Nymphs. She had many suitors, but repelled them all, and would go to the grotto of Galatea, and tell her how she was persecuted. One day the goddess, while Scylla dressed her hair, listened to the story, and then replied, "Yet, maiden, your persecutors are of the not ungentle race of men, whom if you will you can repel; but I, the daughter of Nereus, and protected by such a band of sisters, found no escape from the passion of the Cyclops but in the depths of the sea;" and tears stopped her utterance, which when the pitying maiden had wiped away with her delicate finger, and soothed the goddess, "Tell me, dearest," said she, "the cause of your grief." Galatea then said, "Acis was the son of Faunus and a Naiad. His father and mother loved him dearly, but their love was not equal to mine. For the beautiful youth attached himself to me alone, and he was just sixteen years old, the down just beginning to darken his cheeks. As much as I sought his society, so much did the cyclops seek mine; and if you ask me whether my love for Acis or my hatred for Polyphemus was the stronger, I cannot tell you; they were in equal measure. Oh, Venus, how great is thy power! This fierce giant, the terror of the woods, whom no hapless stranger escaped unharmed, who defied even Jove himself, learned to feel what love was, and touched with a passion for me, forgot his flocks and his well-stored caverns. Then, for the first time, he began to take some care of his appearance, and to try to make himself agreeable; he harrowed those coarse locks of his with a comb, and mowed his beard with a sickle, looked at his harsh features in the water, and composed his countenance. His love of slaughter, his fierceness and thirst of blood prevailed no more, and ships that touched at his island went away in safety. He paced up and down the sea-shore, imprinting huge tracks with his heavy tread, and, when weary, lay tranquilly in his cave.

  "There is a cliff which projects into the sea, which washes it on either side. Thither one day the huge Cyclops ascended, and sat down while his flocks spread themselves around. Laying down his staff which would have served for a mast to hold a vessel's sail, and taking his instrument, compacted of numerous pipes, he made the hills and the waters echo the music of his song. I lay hid under a rock, by the side of my beloved Acis, and listened to the distant strain. It was full of extravagant praises of my beauty, mingled with passionate reproaches of my coldness and cruelty.

  "When he had finished he rose up, and like a raging bull, that cannot stand still, wandered off into the woods. Acis and I thought no more of him, till on a sudden he came to a spot which gave him a view of us as we sat. 'I see you,' he exclaimed, 'and I will make this the last of your love-meetings.' His voice was a roar such as an angry Cyclops alone could utter. AEtna trembled at the sound. I, overcome with terror, plunged into the water. Acis turned and fled, crying, 'Save me, Galatea, save me, my parents!" The Cyclops pursued him, and tearing a rock from the side of the mountain hurled it at him. Though only a corner of it touched him it overwhelmed him.

  "All that fate left in my power I did for Acis. I endowed him with the honors of his grandfather the river-god. The purple blood flowed out from under the
rock, but by degrees grew paler and looked like the stream of a river rendered turbid by rains, and in time it became clear. The rock cleaved open, and the water, as it gushed from the chasm, uttered a pleasing murmur."

  Thus Acis was changed into a river, and the river retains the name of Acis.

  Chapter XX The Trojan War

  Minerva was the goddess of wisdom, but on one occasion she did a very foolish thing; she entered into competition with Juno and Venus for the prize of beauty. It happened thus. At the nuptials of Peleus and Thetis all the gods were invited with the exception of Eris, or Discord. Enraged at her exclusion, the goddess threw a golden apple among the guests with the inscription, "For the most beautiful." Thereupon Juno, Venus, and Minerva, each claimed the apple. Jupiter not willing to decide in so delicate a matter, sent the goddesses to Mount Ida, where the beautiful shepherd Paris was tending his flocks, and to him was committed the decision. The goddesses accordingly appeared before him. Juno promised him power and riches, Minerva glory and renown in war, and Venus the fairest of women for his wife, each attempting to bias his decision in her own favor. Paris decided in favor of Venus and gave her the golden apple, thus making the two other goddesses his enemies. Under the protection of Venus, Paris sailed to Greece, and was hospitably received by Menelaus, king of Sparta. Now Helen, the wife of Menelaus, was the very woman whom Venus had destined for Paris, the fairest of her sex. She had been sought as a bride by numerous suitors, and before her decision was made known, they all, at the suggestion of Ulysses, one of their number, took an oath that they would defend her from all injury and avenge her cause if necessary. She chose Menelaus, and was living with him happily when Paris became their guest. Paris, aided by Venus, persuaded her to slope with him, and carried her to Troy, whence arose the famous Trojan war, the theme of the greatest poems of antiquity, those of Homer and Virgil.

 

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