by Tim Blanning
———, “Herder and the Enlightenment,” in Earl R. Wasserman (ed.), Aspects of the Eighteenth Century (Baltimore and London, 1965)
Mark Berry, Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner’s Ring (Aldershot, 2006)
T.C.W. Blanning, The Culture of Power and the Power of Culture: Old Regime Europe, 1660–1789 (Oxford, 2002)
Tim Blanning, The Triumph of Music: Composers, Musicians and Their Audiences, 1700 to the Present (London, 2008)
David Blayney Brown, Romanticism (London, 2001)
Maurice Bowra, The Romantic Imagination (Oxford, 1961)
Nicholas Boyle, Goethe: The Poet and the Age, vol. I: The Poetry of Desire (Oxford, 1991)
Peter Burke, Popular Culture in Early Modern Europe (London, 1978)
Marilyn Butler, Romantics, Rebels and Reactionaries: English Literature and its Background 1760–1830 (Oxford, 1981)
David Cairns, Berlioz, vol. I: The Making of an Artist, 1803–1832 (London, 1989)
Gertrude Cepl-Kaufmann and Antje Johanning, Mythos Rhein: Zur Kulturgeschichte eines Stromes (Darmstadt, 2003)
D. G. Charlton (ed.), The French Romantics, 2 vols. (Cambridge, 1984)
Ilaria Ciseri, Le romantisme 1780–1860: La naissance d’une nouvelle sensibilité (Paris, 2004)
Kenneth Clark, The Gothic Revival: An Essay in the History of Taste, with a new introduction and bibliography by J. Mordaunt Crook (London, 1995)
———, The Romantic Rebellion: Romantic Versus Classical Art (London, 1973)
T. J. Clark, The Absolute Bourgeois: Artists and Politics in France 1848–1851 (London, 1973)
Jean Clay, Romanticism (Oxford, 1981)
Maurice Cranston, The Romantic Movement (Oxford, 1994)
David Daiches, Robert Burns (London, 1966)
S. Foster Damon, A Blake Dictionary: The Ideas and Symbols of William Blake (Providence, 1965)
John R. Davis, The Victorians and Germany (Oxford, 2007)
Edward Dent, The Rise of Romantic Opera, ed. Winton Dean (Cambridge, 1976)
Andreas Dörner, Politischer Mythos und symbolische Politik: Sinnstiftung durch symbolische Formen am Beispiel des Hermannmythos (Opladen, 1995)
Jacques Droz, Le romantisme allemand et l’état: Résistance et collaboration dans l’Allemagne napoléonienne (Paris, 1966)
David Edmonds and John Eidinow, Rousseau’s Dog: Two Great Thinkers at War in the Age of Enlightenment (London, 2006)
Herbert von Einem, Deutsche Malerei des Klassizismus und der Romantik 1760–1840 (Munich, 1978)
Alfred Einstein, Music in the Romantic Era (London, 1978)
Lorenz Eitner, Neoclassicism and Romanticism, 1750–1850, vol. I, Enlightenment/Revolution (London, 1971)
Reinhold Ergang, Herder and the Foundations of German Nationalism (New York, 1931)
Gesa von Essen, Hermannsschlachten: Germanen-und Römerbilder in der Literatur des 18. und 19. Jahrhunderts (Göttingen, 1998)
Michael Ferber (ed.), A Companion to European Romanticism (Oxford, 2005)
Elliot Forbes (ed.), Thayer’s Life of Beethoven, rev. ed. (Princeton, 1969)
Michael Forsyth, Buildings for Music: The Architect, the Musician, and the Listener from the Seventeenth Century to the Present Day (Cambridge, Mass., 1985)
Paul Frankl, The Gothic: Literary Sources and Interpretations Through Eight Centuries (Princeton, 1960)
Walter Friedlander, David to Delacroix (New York, 1968)
Peter Fritzsche, Stranded in the Present: Modern Time and the Melancholy of History (Cambridge, Mass., 2004)
Hannelore Gärtner, Georg Friedrich Kersting (Leipzig, 1988)
Nigel Glendinning, Goya and His Critics (New Haven and London, 1977)
Helmut Grasshoff (ed.), Geschichte der russischen Literatur von den Anfängen bis 1917, 2 vols. (Berlin, 1986)
F. W. J. Hemmings, Culture and Society in France 1789–1848 (Leicester, 1987)
Werner Hofmann, Caspar David Friedrich (London, 2000)
———, Das entzweite Jahrhundert: Kunst zwischen 1750 und 1830 (Munich, 1995)
Richard Holmes, The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science (London, 2008)
Hugh Honour, Neo-classicism (Harmondsworth, 1968)
———, Romanticism (London, 1979)
Robert Hughes, Goya (London, 2003)
Jens Christian Jensen, Caspar David Friedrich: Leben und Werk, 10th ed. (Cologne, 1995)
James H. Johnson, Listening in Paris: A Cultural History (Berkeley and Los Angeles, 1995)
Paul Johnson, The Birth of the Modern: World Society, 1815–1830 (London, 1991)
Marion Kant (ed.), The Cambridge Companion to Ballet (Cambridge, 2008)
Elie Kedourie, Nationalism, 4th ed. (Oxford, 1993)
E. Kennedy, A Cultural History of the French Revolution (New Haven and London, 1989)
David Kimbell, Italian Opera (Cambridge, 1991)
———, Verdi in the Age of Italian Romanticism (Cambridge, 1981)
John Louis Kind, Edward Young in Germany (New York, 1906)
Eckart Klessmann, Die deutsche Romantik (Cologne, 1981)
Joachim Köhler, Richard Wagner: The Last of the Titans (New Haven and London, 2004)
Klaus Lankheit, Revolution und Restauration 1785–1855 (Cologne, 1988)
David C. Large and William Weber (eds.), Wagnerism in European Culture and Politics (Ithaca and London, 1984)
Michael Levey, Rococo to Revolution: Major Trends in Eighteenth-Century Painting (London, 1966)
Michael J. Lewis, The Gothic Revival (London, 2002)
James Macaulay, The Gothic Revival, 1745–1845 (Glasgow, 1975)
Fiona MacCarthy, Byron: Life and Legend (London, 2003)
Alan Menhennet, The Romantic Movement (London, 1981) [on Germany]
Timothy Mitchell, Art and Science in German Landscape Painting, 1770–1840 (Oxford, 1993)
Jean Mongrédien, La musique en France des lumières au romantisme 1789–1830 (Paris, 1986)
Charles A. Moser (ed.), The Cambridge History of Russian Literature (Cambridge, 1989)
Martin Myrone, Henry Fuseli (London, 2001)
Rudolf Neuhäuser, Towards the Romantic Age: Essays on Pre-romantic and Sentimental Literature in Russia (The Hague, 1974)
Thomas Nipperdey, “In Search of Identity: Romantic Nationalism,” in J. C. Eade (ed.), Romantic Nationalism in Europe (Canberra, 1983)
———, The Rise of the Arts in Modern Society (London, 1990)
Linda Nochlin, Realism (London, 1971)
Roberta J. M. Olson (ed.), Ottocento: Romanticism and Revolution in Nineteenth-Century Italian Painting (New York, 1992)
Roy Pascal, The German Sturm und Drang (Manchester, 1953)
Alfonso E. Pérez Sánchez and Eleanor A. Sayre (eds.), Goya and the Spirit of Enlightenment (Boston, 1989)
Giorgio Pestelli, The Age of Mozart and Beethoven (Cambridge, 1984)
Nikolaus Pevsner, Academies of Art—Past and Present (Cambridge, 1940)
R. Porter and M. Teich (eds.), Romanticism in National Context (Cambridge, 1988)
T. J. Reed, Schiller (Oxford, 1991)
Alexander Ringer (ed.), The Early Romantic Era: Between Revolutions: 1789 and 1848 (London, 1990) [on music]
W. D. Robson-Scott, The Literary Background of the Gothic Revival in Germany (Oxford, 1965)
Charles Rosen, The Romantic Generation (New York, 1996)
Robert Rosenblum, The Romantic Child from Runge to Sendak (London, 1998)
Robert Rosenblum and H. W. Janson, Art of the Nineteenth Century: Painting and Sculpture (London, 1984)
Stephen Rumph, Beethoven After Napoleon: Political Romanticism in the Late Works (Berkeley, Los Angeles, and London, 2004)
Rüdiger Safranski, Romantik: Eine deutsche Affäre (Munich, 2007)
Jim Samson (ed.), The Late Romantic Era: From the Mid–Nineteenth Century to the First World War (London, 1991) [on music]
Donald Sassoon, The Cultur
e of the Europeans from 1800 to the Present (London, 2006)
Derek Sayer, The Coasts of Bohemia: A Czech History (Princeton, 1998)
H. G. Schenk, The Mind of the European Romantics (Oxford, 1979)
Hans-Joachim Schoeps, Deutsche Geistesgeschichte der Neuzeit, vol. 3, Von der Aufklärung zur Romantik (Mainz, 1978)
James J. Sheehan, German History, 1770–1866 (Oxford, 1989)
———, Museums in the German Art World: From the End of the Old Regime to the Rise of Modernism (New York, 2000)
Stewart Spencer and Barry Millington, Wagner’s Ring of the Nibelung (London, 1993)
William St. Clair, That Greece Might Still Be Free: The Philhellenes in the War of Independence (Oxford, 1972)
G. L. Strachey, Landmarks of French Literature (London, n.d.)
Rolf Toman (ed.), Klassizismus und Romantik: Architektur—Skulptur—Malerei—Zeichnung 1750–1848 (Cologne, 2000)
Hugh Trevor-Roper, The Invention of Scotland: Myth and History, ed. Jeremy J. Cater (New Haven, 2008)
Raymond Trousson, “Jean-Jacques Rousseau et son œuvre dans la presse périodique allemande de 1750 à 1800,” in Dixhuitième Siècle 1 (1969)
John Tyrell, Czech Opera (Cambridge, 1988)
William Vaughan, German Romantic Painting (New Haven, 1980)
Alan Walker, Franz Liszt: The Virtuoso Years, 1811–1847, rev. ed. (London, 1989)
John Warrack, Carl Maria von Weber, 2nd ed. (Cambridge, 1976)
L. A. Willoughby, “Classic and Romantic: A Re-examination,” in German Life and Letters 6 (1952)
C. M. Woodhouse, The Philhellenes (Cranbury, 1971)
ALSO BY TIM BLANNING
The Culture of Power and the Power of Culture:
Old Regime Europe 1660–1789
The Pursuit of Glory: Europe 1648–1815
The Triumph of Music:
Composers, Musicians and Their Audiences
ABOUT THE AUTHOR
TIM BLANNING is a Fellow of Sidney Sussex College, Cambridge, and a Fellow of the British Academy. He has published extensively on the political and cultural history of Europe in the eighteenth and nineteenth centuries and is also general editor of The Oxford History of Europe and The Short Oxford History of Europe. Blanning is also the author of the bestselling books The Pursuit of Glory: Europe 1648–1815 and The Triumph of Music. In 2000, he was awarded a Pilkington Teaching Prize by the University of Cambridge.
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