by Unknown
Teffi, Sobranie sochinenii v pyati tomakh (Moscow: Terra, 2008)
6. Scholarly books and articles in Russian
Malakhovskaya, Natalya, Nasledie Baby Yagi (St Petersburg: 2007)
Mikheyev, Mikhail, V mir Platonova cherez ego yazyk (Moscow: Izdatel’stvo Moskovskogo universiteta, 2003)
Mineyev, V. N., ‘O skazkakh Andreya Platonova’, in Russkaya rech’, no. 3 (Moscow, 2007), pp. 113–17; ‘Skazka A. P. Platonova Ivan-Chudo’ (unpublished); ‘ “Volshebnoe kol’tso” A. Platonova: Literaturnaya skazka ili kontaminatsiya’, in Znanie. Ponimanie. Umenie, no. 2 (Moscow: 2007), pp. 112–17
Propp, V. Ya., Fol’klor i deistvitel’nost’ (Leningrad: 1976)
Sokolov, Yury, Russky fol’klor (Moscow: Uchpedgiz, 1938)
7. Fiction
Dubravka Ugrešić, Baba Yaga Laid an Egg, tr. Ellen Elias-Bursac´, Celia Hawkesworth and Mark Thompson (Canongate Books, 2010)
8. Music
Much of what passes for recordings or performances of Russian folk song is saccharine. The ensemble Polynushka, however, is superb. Their research is scrupulous, the singers are true musicians and their performances are full of life. See: www.proutskova.de and www.polynushka.de
Acknowledgements
Earlier versions of some of these translations were included in: Robert Chandler, The Magic Ring (Faber & Faber, 1979); Ivan Bilibin and Robert Chandler, Russian Folk Tales (Shambhala, 1980); The Portable Platonov (Glas, 1999); The Redstone Diary 2010 (The Redstone Press, 2009). ‘A Tale of a Fisherman and a Fish’ was first published in Cardinal Points, nos. 12–13 (New York: Stosvet Press, 2011). ’A Tale about a Priest and his Servant Balda’ was first published in The Long Poem Magazine (London, 2012). A longer version of the appendix by Sibelan Forrester serves as an introduction to a forthcoming collection of tales about Baba Yaga, together with a selection of the finest nineteenth-and twentieth-century illustrations: Sibelan Forrester, Helena Goscilo and Martin Skoro, Baba Yaga: The Wild Witch of the East in Russian Folklore (University Press of Mississippi).
Except for the two Khudyakov tales, translated by Sibelan Forrester, and the four Bazhov tales, translated by Anna Gunin, all these translations are by myself and my wife. I am, however, a firm believer in the value of collaboration and I thank all the following for their help:
Kristin Bidoshi, Sergei Bunaev, Inna Caron, Peter Carson, Olive Classe, Jane Costlow, Nina Demurova, Boris Dralyuk, Edward Dumanis, Caryl Emerson, Peter France, Rose France, Yelena Francis, Melissa Frazier, Konstantin Goloviznin, Gasan Gusejnov, Edythe Haber, Jack Haney, Jeffrey D. Holdeman, Katia Hryharuk, Alvard Jivanyan, Masha Karp, Valeria Kolosova, Natalie Kononenko, Mark Leiderman, Sophie Lubensky, Bonnie Marshall, Irina Mashinski, Nancy Mattson, Olga Meerson, Vladimir Mineyev, Yelena Minyonok, Anna Muza, Elena Ostrovskaya, Natasha Perova, Anna Pilkington, Donald Rayfield, Margo Rosen, Jeanmarie Rouhier-Willoughby, Will Ryan, Andreas Schonle, Alexandra Smith, Lydia Strong, Faith Wigzell, Antony Wood, Aleksey Yudin, Olga Zaslavsky. I also thank my students at Queen Mary, University of London, and members of the Pushkin Club (London) and the SEELANGS email group.
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This collection first published in Penguin Classics 2012
Copyright for stories by Bazhov © The Bazhov estate, 2012
Copyright for stories by Platonov © The Platonov estate, 2012
Copyright for stories by Teffi © Mme Szyòlowski, 2012
Appendix and translation of stories by Khudyakov © Sibelan Forrester, 2012
Translation of stories by Bazhov © Anna Gunin, 2012
Translation of all other stories and editorial material © Robert Chandler, 2012
The Acknowledgements (pp. 439–40) constitute an extension of this copyright page
Cover: detail of an illustration by Natalia Goncharova from Le Conte de Tsar Saltan by Alexander Pushkin, published by Éditions de la Sirène, Paris, 1921 (Photograph courtesy of Sotheby’s Picture Library) © ADAGP, Paris and DACS, London 2012
All rights reserved
The moral right of the translators and authors of the Introduction and Appendix has been asserted
ISBN: 978-0-14-139254-7
