“No—unless we undress and you ganch me.”
“My dear, as I’ve often reminded you, you belong to a princely family but you talk like the loosest Lucinda imaginable. Is it a fad in your set, Lucette?”
“I have no set, I’m a loner. Once in a while, I go out with two diplomats, a Greek and an Englishman, who are allowed to paw me and play with each other. A corny society painter is working on my portrait and he and his wife caress me when I’m in the mood. Your friend Dick Cheshire sends me presents and racing tips. It’s a dull life, Van.
“I enjoy—oh, loads of things,” she continued in a melancholy, musing tone of voice, as she poked with a fork at her blue trout which, to judge by its contorted shape and bulging eyes, had boiled alive, convulsed by awful agonies. “I love Flemish and Dutch oils, flowers, food, Flaubert, Shakespeare, shopping, sheeing, swimming, the kisses of beauties and beasts—but somehow all of it, this sauce and all the riches of Holland, form only a kind of tonerikiy-tonerikiy (thin little) layer, under which there is absolutely nothing, except, of course, your image, and that only adds depth and a trout’s agonies to the emptiness. I’m like Dolores—when she says she’s ‘Only a picture painted on air.’ ”
“Never could finish that novel—much too pretentious.”
“Pretentious but true. It’s exactly my sense of existing—a fragment, a wisp of color. Come and travel with me to some distant place, where there are frescoes and fountains, why can’t we travel to some distant place with ancient fountains? By ship? By sleeping car?”
“It’s safer and faster by plane,” said Van. “And for Log’s sake, speak Russian.”
Mr. Sween, lunching with a young fellow who sported a bullfighter’s sideburns and other charms, bowed gravely in the direction of their table; then a naval officer in the azure uniform of the Gulfstream Guards passed by in the wake of a dark, ivory-pale lady and said: “Hullo Lucette, hullo, Van.”
“Hullo, Alph,” said Van, whilst Lucette acknowledged the greeting with an absent smile: over her propped-up entwined hands she was following with mocking eyes the receding lady. Van cleared his throat as he gloomily glanced at his half-sister.
“Must be at least thirty-five,” murmured Lucette, “yet still hopes to become his queen.”
(His father, Alphonse the First of Portugal, a puppet potentate manipulated by Uncle Victor, had recently abdicated upon Gamaliel’s suggestion in favor of a republican regime, but Lucette spoke of fragile beauty, not fickle politics.)
“That was Lenore Colline. What’s the matter, Van?”
“Cats don’t stare at stars, it’s not done. The resemblance is much less close than it used to be—though, of course, I’ve not kept up with counterpart changes. A propos, how’s the career been progressing?”
“If you mean Ada’s career, I hope it’s also a flop, the same as her marriage. So my getting you will be all Demon gains. I don’t go often to movies, and I refused to speak to Dora and her when we met at the funeral and haven’t the remotest idea of what her stage or screen exploits may have been lately.”
“Did that woman tell her brother about your innocent frolics?”
“Of course not! She drozhit (trembles) over his bliss. But I’m sure it was she who forced Ada to write me that I ‘must never try again to wreck a successful marriage’—and this I forgive Daryushka, a born blackmailer, but not Adochka. I don’t care for your cabochon. I mean it’s all right on your dear hairy hand, but Papa wore one like that on his hateful pink paw. He belonged to the silent-explorer type. Once he took me to a girls’ hockey match and I had to warn him I’d yell for help if he didn’t call off the search.”
“Das auch noch,” sighed Van, and pocketed the heavy dark-sapphire ring. He would have put it into the ashtray had it not been Marina’s last present.
“Look, Van,” she said (finishing her fourth flute). “Why not risk it? Everything is quite simple. You marry me. You get my Ardis. We live there, you write there. I keep melting into the background, never bothering you. We invite Ada—alone, of course—to stay for a while on her estate, for I had always expected mother to leave Ardis to her. While she’s there, I go to Aspen or Gstaad, or Schittau, and you live with her in solid crystal with snow falling as if forever all around pendant que je shee in Aspenis. Then I come back like a shot, but she can stay on, she’s welcome, I’ll hang around in case you two want me. And then she goes back to her husband for a couple of dreary months, see?”
“Yes, magnificent plan,” said Van. “The only trouble is: she will never come. It’s now three o’clock, I have to see a man who is to renovate Villa Armina which I inherited and which will house one of my harems. Slapping a person’s wrist that way is not your prettiest mannerism on the Irish side. I shall now escort you to your apartment. You are plainly in need of some rest.”
“I have an important, important telephone call to make, but I don’t want you to listen,” said Lucette searching for the key in her little black handbag.
They entered the hall of her suite. There, firmly resolved to leave in a moment, he removed his glasses and pressed his mouth to her mouth, and she tasted exactly as Ada at Ardis, in the early afternoon, sweet saliva, salty epithelium, cherries, coffee. Had he not sported so well and so recently, he might not have withstood the temptation, the impardonable thrill. She plucked at his sleeve as he started to back out of the hallway.
“Let us kiss again, let us kiss again!” Lucette kept repeating, childishly, lispingly, barely moving her parted lips, in a fussy incoherent daze, doing her best to prevent him from thinking it over, from saying no.
He said that would do.
“Oh but why? Oh please!”
He brushed away her cold trembling fingers.
“Why, Van? Why, why, why?”
“You know perfectly well why. I love her, not you, and I simply refuse to complicate matters by entering into yet another incestuous relationship.”
“That’s rich,” said Lucette, “you’ve gone far enough with me on several occasions, even when I was a kid; your refusing to go further is a mere quibble on your part; and besides, besides you’ve been unfaithful to her with a thousand girls, you dirty cheat!”
“You shan’t talk to me in that tone,” said Van, meanly turning her poor words into a pretext for marching away.
“I apollo, I love you,” she whispered frantically, trying to cry after him in a whisper because the corridor was all door and ears, but he walked on, waving both arms in the air without looking back, quite forgivingly, though, and was gone.
4
A teasy problem demanded Dr. Veen’s presence in England.
Old Paar of Chose had written him that the “Clinic” would like him to study a singular case of chromesthesia, but that given certain aspects of the case (such as a faint possibility of trickery) Van should come and decide for himself whether he thought it worth the trouble to fly the patient to Kingston for further observation. One Spencer Muldoon, born eyeless, aged forty, single, friendless, and the third blind character in this chronicle, had been known to hallucinate during fits of violent paranoia, calling out the names of such shapes and substances as he had learned to identify by touch, or thought he recognized through the awfulness of stories about them (falling trees, extinct saurians) and which now pressed on him from all sides, alternating with periods of stupor, followed invariably by a return to his normal self, when for a week or two he would finger his blind books or listen, in red-lidded bliss, to records of music, bird songs, and Irish poetry.
His ability to break space into ranks and files of “strong” and “weak” things in what seemed a wallpaper pattern remained a mystery until one evening, when a research student (R.S.—he wished to remain that way), who intended to trace certain graphs having to do with the metabasis of another patient, happened to leave within Muldoon’s reach one of those elongated boxes of new, unsharpened, colored-chalk pencils whose mere evocation (Dixon Pink Anadel!) makes one’s memory speak in the language of rainbows, the
tints of their painted and polished woods being graded spectrally in their neat tin container. Poor Muldoon’s childhood could not come to him with anything like such iridian recall, but when his groping fingers opened the box and palpated the pencils, a certain expression of sensual relish appeared on his parchment-pale face. Upon observing that the blind man’s eyebrows went up slightly at red, higher at orange, still higher at the shrill scream of yellow and then stepped down through the rest of the prismatic spectrum, R.S. casually told him that the woods were dyed differently—“red,” “orange,” “yellow,” et cetera, and quite as casually Muldoon rejoined that they also felt different one from another.
In the course of several tests conducted by R.S. and his colleagues, Muldoon explained that by stroking the pencils in turn he perceived a gamut of “stingles,” special sensations somehow allied to the tingling aftereffects of one’s skin contact with stinging nettles (he had been raised in the country somewhere between Ormagh and Armagh, and had often tumbled, in his adventurous boyhood, the poor thick-booted soul, into ditches and even ravines), and spoke eerily of the “strong” green stingle of a piece of blotting paper or the wet weak pink stingle of nurse Langford’s perspiring nose, these colors being checked by himself against those applied by the researchers to the initial pencils. In result of the tests, one was forced to assume that the man’s fingertips could convey to his brain “a tactile transcription of the prismatic specter” as Paar put it in his detailed report to Van.
When the latter arrived, Muldoon had not quite come out of a state of stupor more protracted than any preceding one. Van, hoping to examine him on the morrow, spent a delightful day conferring with a bunch of eager psychologists and was interested to spot among the nurses the familiar squint of Elsie Langford, a gaunt girl with a feverish flush and protruding teeth, who had been obscurely involved in a “poltergeist” affair at another medical institution. He had dinner with old Paar in his rooms at Chose and told him he would like to have the poor fellow transferred to Kingston, with Miss Langford, as soon as he was fit to travel. The poor fellow died that night in his sleep, leaving the entire incident suspended in midair within a nimbus of bright irrelevancy.
Van, in whom the pink-blooming chestnuts of Chose always induced an amorous mood, decided to squander the sudden bounty of time before his voyage to America on a twenty-four-hour course of treatment at the most fashionable and efficient of all the Venus Villas in Europe; but during the longish trip in the ancient, plushy, faintly perfumed (musk? Turkish tobacco?) limousine which he usually got from the Albania, his London hotel, for travels in England, other restless feelings joined, without dispelling it, his sullen lust. Rocking along softly, his slippered foot on a footrest, his arm in an armloop, he recalled his first railway journey to Ardis and tried—what he sometimes advised a patient doing in order to exercise the “muscles of consciousness”—namely putting oneself back not merely into the frame of mind that had preceded a radical change in one’s life, but into a state of complete ignorance regarding that change. He knew it could not be done, that not the achievement, but the obstinate attempt was possible, because he would not have remembered the preface to Ada had not life turned the next page, causing now its radiant text to flash through all the tenses of the mind. He wondered if he would remember the present commonplace trip. An English late spring with literary associations lingered in the evening air. The built-in “canoreo” (an old-fashioned musical gadget which a joint Anglo-American Commission had only recently unbanned) transmitted a heart-wounding Italian song. What was he? Who was he? Why was he? He thought of his slackness, clumsiness, dereliction of spirit. He thought of his loneliness, of its passions and dangers. He saw through the glass partition the fat, healthy, reliable folds of his driver’s neck. Idle images queued by—Edmund, Edmond, simple Cordula, fantastically intricate Lucette, and, by further mechanical association, a depraved little girl called Lisette, in Cannes, with breasts like lovely abscesses, whose frail favors were handled by a smelly big brother in an old bathing machine.
He turned off the canoreo and helped himself to the brandy stored behind a sliding panel, drinking from the bottle, because all three glasses were filthy. He felt surrounded by crashing great trees, and the monstrous beasts of unachieved, perhaps unachievable tasks. One such task was Ada whom he knew he would never give up; to her he would surrender the remnants of his self at the first trumpet blast of destiny. Another was his philosophic work, so oddly impeded by its own virtue—by that originality of literary style which constitutes the only real honesty of a writer. He had to do it his own way, but the cognac was frightful, and the history of thought bristled with clichés, and it was that history he had to surmount.
He knew he was not quite a savant, but completely an artist. Paradoxically and unnecessarily it had been in his “academic career,” in his nonchalant and arrogant lectures, in his conduct of seminars, in his published reports on sick minds, that, starting as something of a prodigy before he was twenty, he had gained by the age of thirty-one “honors” and a “position” that many unbelievably laborious men do not reach at fifty. In his sadder moments, as now, he attributed at least part of his “success” to his rank, to his wealth, to the numerous donations which (in a kind of extension of his overtipping the haggard beggars who cleaned rooms, manned lifts, smiled in hotel cor ridors) he kept showering upon worthwhile institutions and students. Maybe Van Veen did not err too widely in his wry conjecture; for on our Antiterra (and on Terra as well, according to his own writings) a powerfully plodding Administration prefers, unless moved by the sudden erection of a new building or the thunder of torrential funds, the safe drabness of an academic mediocrity to the suspect sparkle of a V.V.
Nightingales sang, when he arrived at his fabulous and ignoble destination. As usual, he experienced a surge of brutal elation as the car entered the oak avenue between two rows of phallephoric statues presenting arms. A welcome habitué of fifteen years’ standing, he had not bothered to “telephone” (the new official term). A searchlight lashed him: Alas, he had come on a “gala” night!
Members usually had their chauffeurs park in a special enclosure near the guardhouse, where there was a pleasant canteen for servants, with nonalcoholic drinks and a few inexpensive and homely whores. But that night several huge police cars occupied the garage boxes and overflowed into an adjacent arbor. Telling Kingsley to wait a moment under the oaks, Van donned his bautta and went to investigate. His favorite walled walk soon took him to one of the spacious lawns velveting the approach to the manor. The grounds were lividly illuminated and as populous as Park Avenue—an association that came very readily, since the disguises of the astute sleuths belonged to a type which reminded Van of his native land. Some of those men he even knew by sight—they used to patrol his father’s club in Manhattan whenever good Gamaliel (not reelected after his fourth term) happened to dine there in his informal gagality. They mimed what they were accustomed to mime—grapefruit vendors, black hawkers of bananas and banjoes, obsolete, or at least untimely, “copying clerks” who hurried in circles to unlikely offices, and peripatetic Russian newspaper readers slowing down to a trance stop and then strolling again behind their wide open Estotskiya Vesti. Van remembered that Mr. Alexander Screepatch, the new president of the United Americas, a plethoric Russian, had flown over to see King Victor; and he correctly concluded that both were now sunk in mollitude. The comic side of the detectives’ display (befitting, perhaps, their dated notion of an American sidewalk, but hardly suiting a weirdly illumined maze of English hedges) tempered his disappointment as he shuddered squeamishly at the thought of sharing the frolics of historical personages or contenting himself with the brave-faced girlies they had started to use and rejected.
Here a bedsheeted statue attempted to challenge Van from its marble pedestal but slipped and landed on its back in the bracken. Ignoring the sprawling god, Van returned to the still-throbbing jolls-joyce. Purple-jowled Kingsley, an old tried friend, offered to drive him
to another house, ninety miles north; but Van declined upon principle and was taken back to the Albania.
5
At five P.M., June 3, his ship had sailed from Le Havre-de-Grâce; on the evening of the same day Van embarked at Old Hantsport. He had spent most of the afternoon playing court tennis with Delaurier, the famous Negro coach, and felt very dull and drowsy as he watched the low sun’s ardency break into green-golden eye-spots a few sea-serpent yards to starboard, on the far-side slope of the bow wave. Presently he decided to turn in, walked down to the A deck, devoured some of the still-life fruit prepared for him in his sitting room, attempted to read in bed the proofs of an essay he was contributing to a festschrift on the occasion of Professor Counterstone’s eightieth birthday, gave it up, and fell asleep. A tempest went into convulsions around midnight, but despite the lunging and creaking (Tobakoff was an embittered old vessel) Van managed to sleep soundly, the only reaction on the part of his dormant mind being the dream image of an aquatic peacock, slowly sinking before somersaulting like a diving grebe, near the shore of the lake bearing his name in the ancient kingdom of Arrowroot. Upon reviewing that bright dream he traced its source to his recent visit to Armenia where he had gone fowling with Arm borough and that gentleman’s extremely compliant and accomplished niece. He wanted to make a note of it—and was amused to find that all three pencils had not only left his bed table but had neatly aligned themselves head to tail along the bottom of the outer door of the adjacent room, having covered quite a stretch of blue carpeting in the course of their stopped escape.
The steward brought him a “Continental” breakfast, the ship’s newspaper, and the list of first-class passengers. Under “Tourism in Italy,” the little newspaper informed him that a Domodossola farmer had unearthed the bones and trappings of one of Hannibal’s elephants, and that two American psychiatrists (names not given) had died an odd death in the Bocaletto range: the older fellow from heart failure and his boy friend by suicide. After pondering the Admiral’s morbid interest in Italian mountains, Van clipped the item and picked up the passenger list (pleasingly surmounted by the same crest that adorned Cordula’s notepaper) in order to see if there was anybody to be avoided during the next days. The list yielded the Robinson couple, Robert and Rachel, old bores of the family (Bob had retired after directing for many years one of Uncle Dan’s offices). His gaze, traveling on, tripped over Dr. Ivan Veen and pulled up at the next name. What constricted his heart? Why did he pass his tongue over his thick lips? Empty formulas befitting the solemn novelists of former days who thought they could explain everything.
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