“I see,” said Dirk. “But why,” he added turning back to the strange figure of Michael slumped on its stool, “why has it taken you so long to find someone?”
“For long, long periods I am very weak, almost totally nonexistent, and unable to influence anything at all. And then, of course, before that time there was no time machine here, and . . . no hope for me at all—”
“Perhaps ghosts exist like wave patterns,” suggested Richard, “like interference patterns between the actual with the possible. There would be irregular peaks and troughs, like in a musical waveform.”
The ghost snapped Michael’s eyes around to Richard.
“You . . .” he said, “you wrote that article . . .”
“Er, yes—”
“It moved me very greatly,” said the ghost, with a sudden remorseful longing in his voice which seemed to catch itself almost as much by surprise as it did its listeners.
“Oh. I see,” said Richard. “Well, thank you. You didn’t like it so much last time you mentioned it. Well, I know that wasn’t you as such—”
Richard sat back frowning to himself.
“So,” said Dirk, “to return to the beginning—”
The ghost gathered Michael’s breath for him and started again. “We were on a ship—” it said.
“A spaceship.”
“Yes. Out from Salaxala, a world in . . . well, very far from here. A violent and troubled place. We—a party of some nine dozen of us—set out, as people frequently did, to find a new world for ourselves. All the planets in this system were completely unsuitable for our purpose, but we stopped on this world to replenish some necessary mineral supplies. Unfortunately our landing ship was damaged on its way into the atmosphere. Damaged quite badly, but still quite reparable.
“I was the engineer on board and it fell to me to supervise the task of repairing the ship and preparing it to return to our main ship. Now, in order to understand what happened next, you must know something of the nature of a highly automated society. There is no task that cannot be done more easily with the aid of advanced computerization. And there were some very specific problems associated with a trip with an aim such as ours.”
“Which was?” said Dirk sharply.
The ghost in Michael blinked as if the answer was obvious. “Well, to find a new and better world on which we could all live in freedom, peace and harmony forever, of course,” he said.
Dirk raised his eyebrows.
“Oh, that,” he said. “You’d thought this all out carefully, I assume.”
“We’d had it thought out for us. We had with us some very specialized devices for helping us to continue to believe in the purpose of the trip even when things got difficult. They generally worked very well, but I think we probably came to rely on them too much.”
“What on earth were they?” said Dirk.
“It’s probably hard for you to understand how reassuring they were. And that was why I made my fatal mistake. When I wanted to know whether or not it was safe to take off, I didn’t want to know that it might not be safe. I just wanted to be reassured that it was. So instead of checking it myself, you see, I sent out one of the Electric Monks.”
32
THE BRASS PLAQUE on the red door in Peckender Street glittered as it reflected the yellow light of a street lamp. It glared for a moment as it reflected the violent flashing light of a passing police car sweeping by.
It dimmed slightly as a pale, pale wraith slipped silently through it. It glimmered as it dimmed, because the wraith was trembling with such terrible agitation.
In the dark hallway the ghost of Gordon Way paused. He needed something to lean on for support, and of course there was nothing. He tried to get a grip on himself, but there was nothing to get a grip on. He retched at the horror of what he had seen, but there was, of course, nothing in his stomach. He half stumbled, half swam up the stairs, like a drowning man trying to grapple for a grip on the water.
He staggered through the wall, through the desk, through the door, and tried to compose and settle himself in front of the desk in Dirk’s office.
If anyone had happened into the office a few minutes later—a night cleaner perhaps, if Dirk Gently had ever employed one, which he didn’t on the grounds that they wished to be paid and he did not wish to pay them, or a burglar, perhaps, if there had been anything in the office worth burgling, which there wasn’t—they would have seen the following sight and been amazed by it.
The receiver of the large red telephone on the desk suddenly rocked and tumbled off its rest onto the desk top.
A dial tone started to burr. Then, one by one, seven of the large, easily pushed buttons depressed themselves, and after the very long pause which the British telephone system allows you within which to gather your thoughts and forget who it is you’re phoning, the sound of a phone ringing at the other end of the line could be heard.
After a couple of rings there was a click, a whirr, and a sound as of a machine drawing breath. Then a voice started to say, “Hello, this is Susan. I can’t come to the phone right at the moment because I’m trying to get an E flat right, but if you’d like to leave your name . . .”
“So then, on the say-so of an—I can hardly bring myself to utter the words—Electric Monk,” said Dirk in a voice ringing with derision, “you attempt to launch the ship and to your utter astonishment it explodes. Since when—?”
“Since when,” said the ghost, abjectly, “I have been alone on this planet. Alone with the knowledge of what I had done to my fellows on the ship. All, all alone . . .”
“Yes, skip that, I said,” snapped Dirk angrily. “What about the main ship? That presumably went on and continued its search for . . .”
“No.”
“Then what happened to it?”
“Nothing. It’s still there.”
“Still there?”
Dirk leaped to his feet and whirled off to pace the room, his brow furiously furrowed.
“Yes.” Michael’s head drooped a little, but he looked up piteously at Reg and at Richard. “All of us were aboard the landing craft. At first I felt myself to be haunted by the ghosts of the rest, but it was only in my imagination. For millions of years, and then billions, I stalked the mud utterly alone. It is impossible for you to conceive of even the tiniest part of the torment of such eternity. Then,” he added, “just recently life arose on the planet. Life. Vegetation, things in the sea, then, at last, you. Intelligent life. I turn to you to release me from the torment I have endured.”
Michael’s head sank abjectly onto his chest for some few seconds. Then slowly, wobblingly, it rose and stared at them again, with yet darker fires in his eyes.
“Take me back,” he said, “I beg you, take me back to the landing craft. Let me undo what was done. A word from me, and it can be undone, the repairs properly made, the landing craft can then return to the main ship, we can be on our way, my torment will be extinguished, and I will cease to be a burden to you. I beg you.”
There was a short silence while his plea hung in the air.
“But that can’t work, can it?” said Richard. “If we do that, then this won’t have happened. Don’t we generate all sorts of paradoxes?”
Reg stirred himself from thought. “No worse than many that exist already,” he said. “If the Universe came to an end every time there was some uncertainty about what had happened in it, it would never have got beyond the first picosecond. And many of course don’t. It’s like a human body, you see. A few cuts and bruises here and there don’t hurt it. Not even major surgery if it’s done properly. Paradoxes are just the scar tissue. Time and space heal themselves up around them and people simply remember a version of events which makes as much sense as they require it to make.
“That isn’t to say that if you get involved in a paradox a few things won’t strike you as being very odd, but if you’ve got through life without that already happening to you, then I don’t know which Universe you’ve been living in, bu
t it isn’t this one.”
“Well, if that’s the case,” said Richard, “why were you so fierce about not doing anything to save the dodo?”
Reg sighed. “You don’t understand at all. The dodo wouldn’t have died if I hadn’t worked so hard to save the coelacanth.”
“The coelacanth? The prehistoric fish? But how could one possibly affect the other?”
“Ah. Now there you’re asking. The complexities of cause and effect defy analysis. Not only is the continuum like a human body, it is also very like a piece of badly put up wallpaper. Push down a bubble somewhere, another one pops up somewhere else. There are no more dodos because of my interference. In the end I imposed the rule on myself because I simply couldn’t bear it any more. The only thing that really gets hurt when you try and change time is yourself.” He smiled bleakly and looked away.
Then he added, after a long moment’s reflection, “No, it can be done. I’m just cynical because it’s gone wrong so many times. This poor fellow’s story is a very pathetic one, and it can do no harm to put an end to his misery. It happened so very, very long ago on a dead planet. If we do this we will each remember whatever it is that has happened to us individually. Too bad if the rest of the world doesn’t quite agree. It will hardly be the first time.”
Michael’s head bowed.
“You’re very silent, Dirk,” said Richard.
Dirk glared angrily at him. “I want to see this ship,” he demanded.
In the darkness, the red telephone receiver slipped and slid fitfully back across the desk. If anybody had been there to see it they might just have discerned a shape that moved it. It shone only very faintly, less than would the hands of a luminous watch. It seemed more as if the darkness around it was just that much darker and the ghostly shape sat within it like thickened scar tissue beneath the surface of the night.
Gordon grappled one last time with the recalcitrant receiver. At length he got a final grip and slipped it up onto the top of the instrument. From there it fell back onto its rest and disconnected the call. At the same moment the ghost of Gordon Way, his last call finally completed, fell back to his own rest and vanished.
33
SWINGING SLOWLY ROUND in the shadow of the Earth, just one more piece of debris among that which floated now forever in high orbit, was one dark shape that was larger and more regularly formed than the rest. And far, far older.
For four billion years it had continued to absorb data from the world below it, scanning, analyzing, processing. Occasionally it sent pieces back if it thought they would help, if it thought they might be received. But otherwise, it watched, it listened, it recorded. Not the lapping of a wave nor the beating of a heart escaped its attention.
Otherwise, nothing inside it had moved for four billion years, except for the air which circulated still, and the motes of dust within the air that danced and danced and danced and danced . . . and danced.
It was only a very slight disturbance that occurred now. Quietly, without fuss, like a dewdrop precipitating from the air onto a leaf, there appeared in a wall which had stood blank and gray for four billion years, a door. A plain, ordinary white-paneled door with a small dented brass handle.
This quiet event, too, was recorded and incorporated in the continual stream of data processing that the ship ceaselessly performed. Not only the arrival of the door, but the arrival of those behind the door, the way they looked, the way they moved, the way they felt about being there. All processed, all recorded, all transformed.
After a moment or two had passed, the door opened.
Within it could be seen a room unlike any on the ship. A room of wooden floors, of shabby upholstery, a room in which a fire danced. And as the fire danced, its data danced within the ship’s computers, and the motes of dust in the air also danced with it.
A figure stood in the doorway—a large lugubrious figure with a strange light that danced now in its eyes. It stepped forward across the threshold into the ship, and its face was suddenly suffused with a calm for which it had longed but had thought never again to experience.
Following him stepped out a smaller, older man with hair that was white and wayward. He stopped and blinked with wonder as he passed from out of the realm of his room and into the realm of the ship. Following him came a third man, impatient and tense, with a large leather overcoat that flapped about him. He too stopped and was momentarily bewildered by something he didn’t understand. With a look of deepest puzzlement on his face he walked forward and looked around at the gray and dusty walls of the ancient ship.
At last came a fourth man, tall and thin. He stooped as he walked out of the door, and then instantly stopped as if he had walked into a wall.
He had walked into a wall, of a kind.
He stood transfixed. If anyone had been looking at his face at that moment, it would have been abundantly clear to them that the single most astonishing event of this man’s entire existence was currently happening to him.
When slowly he began to move it was with a curious gait, as if he were swimming very slowly. Each tiniest movement of his head seemed to bring fresh floods of awe and astonishment into his face. Tears welled in his eyes, and he became breathless with gasping wonder.
Dirk turned to look at him, to hurry him along.
“What’s the matter?” he called above the noise.
“The . . . music . . .” whispered Richard.
The air was full of music. So full it seemed there was room for nothing else. And each particle of air seemed to have its own music, so that as Richard moved his head he heard a new and different music, though the new and different music fitted quite perfectly with the music that lay beside it in the air.
The modulations from one to another were perfectly accomplished—astonishing leaps to distant keys made effortlessly in the mere shifting of the head. New themes, new strands of melody, all perfectly and astoundingly proportioned, constantly involved themselves into the continuing web. Huge slow waves of movement, faster dances that thrilled through them, tiny scintillating scampers that danced on the dances, long tangled tunes whose ends were so like their beginnings that they twisted around upon themselves, turned inside out, upside down, and then rushed off again on the back of yet another dancing melody in a distant part of the ship.
Richard staggered against the wall.
Dirk hurried to grab him.
“Come on,” he said, brusquely, “what’s the matter? Can’t you stand the music? It’s a bit loud, isn’t it? For God’s sake, pull yourself together. There’s something here I still don’t understand. It’s not right. Come on—”
He tugged Richard after him, and then had to support him as Richard’s mind sank further and further under the overwhelming weight of music. The visions that were woven in his mind by the million thrilling threads of music as they were pulled through it were increasingly a welter of chaos, but the more the chaos burgeoned the more it fitted with the other chaos, and the next greater chaos, until it all became a vast exploding ball of harmony expanding in his mind faster than any mind could deal with.
And then it was all much simpler.
A single tune danced through his mind and all his attention rested upon it. It was a tune that seethed through the magical flood, shaped it, formed it, lived through it hugely, lived through it minutely, was its very essence. It bounced and trilled along, at first a little tripping tune, then it slowed, then it danced again but with more difficulty, seemed to founder in eddies of doubt and confusion, and then suddenly revealed that the eddies were just the first ripples of a huge new wave of energy surging up joyfully from beneath.
Richard began very, very slowly to faint.
He lay very still.
He felt he was an old sponge steeped in paraffin and left in the sun to dry.
He felt like the body of an old horse burning hazily in the sun. He dreamed of oil, thin and fragrant, of dark heaving seas. He was on a white beach, drunk with fish, stupefied with sand, bleached, drowsi
ng, pummeled with light, sinking, estimating the density of vapor clouds in distant nebulae, spinning with dead delight. He was a pump spouting fresh water in the springtime, gushing into a mound of reeking new-mown grass. Sounds, almost unheard, burned away like distant sleep.
He ran and was falling. The lights of a harbor spun into night. The sea like a dark spirit slapped infinitesimally at the sand, glimmering, unconscious. Out where it was deeper and colder he sank easily with the heavy sea swelling like oil around his ears, and was disturbed only by a distant burr burr as of the phone ringing.
He knew he had been listening to the music of life itself. The music of light dancing on water that rippled with the wind and the tides, of the life that moved through the water, of the life that moved on the land, warmed by the light. He continued to lie very still. He continued to be disturbed by a distant burr burr as of a phone ringing.
Gradually he became aware that the distant burr burr as of a phone ringing was a phone ringing.
He sat up sharply.
He was lying on a small crumpled bed in a small untidy paneled room that he knew he recognized but couldn’t place. It was cluttered with books and shoes. He blinked at it and was blank.
The phone by the bed was ringing. He picked it up.
“Hello?” he said.
“Richard!” It was Susan’s voice, utterly distraught. He shook his head and had no recollection of anything useful.
“Hello?” he said again.
“Richard, is that you? Where are you?”
“Er, hold on, I’ll go and look.”
He put the receiver down on the crumpled sheets, where it lay squawking, climbed shakily off the bed, staggered to the door and opened it.
Here was a bathroom. He peered at it suspiciously. Again, he recognized it but felt that there was something missing. Oh yes. There should be a horse in it. Or at least, there had been a horse in it the last time he had seen it. He crossed the bathroom floor and went out of the other door. He found his way shakily down the stairs and into Reg’s main room.
Dirk Gently's Holistic Detective Agency Box Set Page 23
