Hopalong wiped the blood from his cheek and wormed his way to a new place; when half way there he called out again, "How's yore health—Tex?" in mock sympathy.
Elkins lied manfully and when he looked to get in another shot his enemy was on the farther bank, moving up to get behind him. He did not know Hopalong's new position until he raised his head to glance down over the dried river bed, and was informed by a bullet that nicked his ear. As he ducked, another grazed his head, the third going wild. He hazarded a return shot, and heard Hopalong's laugh ring out again.
"Like the story Lucas told, the best shot is going to win out this time, too," the Bar-20 man remarked, grimly. "You thought a game like this would give you some chance against a better shot, didn't you? You are a fool."
"It ain't over yet, not by a damned sight!" came the retort.
"An' you thought you had a little the best of it if you stayed still an' let me do the moving, didn't you? You'll learn something before I get through with you: but it'll be too late to do you any good," Hopalong called, crouched below a hillock of sand so the other could not take advantage of the words and single him out for a shot.
"You can't learn me nothing, you assassin; I've got my eyes open, this time." He knew that he had had them open before, and that Hopalong was in no way an assassin; but if he could enrage his enemy and sting him into some reflex carelessness he might have the last laugh.
Elkins' retort was wasted, for the sudden and unusual, although a familiar sound, had caught Hopalong's ear and he was giving all his attention to it. While he weighed it, his incredulity holding back the decision his common sense was striving to give him, the noise grew louder rapidly and common sense won out in a cry of warning an instant before a five-foot wall of brown water burst upon his sight, sweeping swiftly down the old, dry river bed; and behind it towered another and greater wall. Tree trunks were dancing end over end in it as if they were straws.
"Cloud-burst!" he yelled. "Run, Tex! Run for yore life! Cloud-burst up the valley! Run, you fool; Run!"
Tex's sarcastic retort was cut short as he instinctively glanced north, and his agonized curse lashed Hopalong forward. "Can't run—knee cap's busted! Can't swim, can't do—ah, hell—!"
Hopalong saw him torn from his shelter and whisked down the raging torrent like an arrow from a bow. The Bar-20 puncher leaped from the bank, shot under the yellow flood and arose, gasping and choking many yards downstream, fighting madly to get the muddy water out of his throat and eyes. As he struck out with all his strength down the current, he caught sight of Tex being torn from a jutting tree limb, and he shouted encouragement and swam all the harder, if such a thing were possible. Tex's course was checked for a moment by a boiling back-current and as he again felt the pull of the rushing stream Hopalong's hand gripped his collar and the fight for safety began. Whirled against logs and stumps, drawn down by the weight of his clothes and the frantic efforts of Tex to grasp him—fighting the water and the man he was trying to save at the same time, his head under water as often as it was out of it, and Tex's vise-like fingers threatening him—he headed for the west shore against powerful cross-currents that made his efforts seem useless. He seemed to get the worst of every break. Once, when caught by a friendly current, they were swung under an overhanging branch, but as Hopalong's hand shot up to grasp it a submerged bush caught his feet and pulled him under, and Tex's steel-like arms around his throat almost suffocated him before he managed to beat the other into insensibility and break the hold.
"I'll let you go!" he threatened; but his hand grasped the other's collar all the tighter and his fighting jaw was set with greater determination than ever.
They shot out into the main stream, where the U-bend channel joined the short-cut, and it looked miles wide to the exhausted puncher. He was fighting only on his will now. He would not give up, though he scarce could lift an arm, and his lungs seemed on fire. He did not know whether Tex was dead or alive, but he would get the body ashore with him, or go down trying. He bumped into a log and instinctively grasped it. It turned, and when he came up again it was bobbing five feet ahead of him. Ages seemed to pass before he flung his numb arm over it and floated with it. He was not alone in the flood; a coyote was pushing steadily across his path towards the nearer bank, and on a gliding tree trunk crouched a frightened cougar, its ears flattened and its sharp claws dug solidly through the bark. Here and there were cattle and a snake wriggled smoothly past him, apparently as much at home in the water as out of it. The log turned again and he just managed to catch hold of it as he came up for the second time.
Things were growing black before his eyes and strange, weird ideas and images floated through his brain. When he regained some part of his senses he saw ahead of him a long, curling crest of yellow water and foam, and he knew, vaguely, that it was pouring over a bar. The next instant his feet struck bottom and he fought his way blindly and slowly, with the stubborn determination of his kind, towards the brush-covered point twenty feet away.
When he opened his eyes and looked around he became conscious of excruciating pains and he closed them again to rest. His outflung hand struck something that made him look around again, and he saw Tex Ewalt, face down at his side. He released his grasp on the other's collar and slowly the whole thing came to him, and then the necessity for action, unless he wished to lose what he had fought so hard to save.
Anything short of the iron man Tex had become would have been dead before this or have been finished by the mauling he now got from Hopalong. But Tex groaned, gurgled a curse, and finally opened his eyes upon his rescuer, who sank back with a grunt of satisfaction. Slowly his intelligence returned as he looked steadily into Hopalong's eyes, and with it came the realization of a strange truth: he did not hate this man at all. Months of right living, days and nights of honest labor shoulder to shoulder with men who respected him for his ability and accepted him as one of themselves, had made a new man of him, although the legacy of hatred from the old Tex had disguised him from himself until now; but the new Tex, battered, shot-up, nearly drowned, looked at his old enemy and saw him for the man he really was. He smiled faintly and reached out his hand.
"Cassidy, yo're the boss," he said. "Shake."
They shook.
End of the Project Gutenberg EBook of Bar-20 Days, by Clarence E. Mulford
*** END OF THIS PROJECT GUTENBERG EBOOK BAR-20 DAYS ***
***** This file should be named 4922-h.htm or 4922-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/4/9/2/4922/
Produced by Dagny; John Bickers; David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT
GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Proje
ct Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Bar-20 Days Page 21