Rubbing my hair dry with the towel, I head out into the loft to find them. They’re sitting at the dining table, hunched over one of the monster binders and giggling. With the balcony doors open wide, a fresh breeze blows in off the Bay. It feels like everything is fresh and new.
“Look at his feet,” Grace exclaims, pointing to an anatomical drawing of a nulus.
Greer makes a face. “Gross.”
“You should see the panotii,” Grace says. “They have ears the size of their bodies.”
“Have you memorized all the binders?” Greer asks.
“No.” Grace blushes. “I’ve digitized most of them, though, and the funnier images stand out.”
I’m impressed. That’s a lot of work she got done in not a lot of time. I bet she has the entire library scanned and catalogued in less than a month.
I keep back, not wanting to disturb their moment. It feels weird to have people, other than Ursula, making themselves at home in the loft. Before I brought Grace back here, no one else had ever been in the loft.
Still, as weird as it feels, it also feels completely right. Meant to be. Like the pieces of a puzzle I didn’t even know I had to solve have finally fallen into place.
Now, if only Ursula were safely back home—
Greer stands, knocking her chair back behind her.
I step into the room.
“What’s wrong?” Grace asks, a note of panic in her voice.
“I—” Greer holds her hands out as if to steady herself. “I don’t know. It’s just, all of a sudden, I got this really awful feeling.”
Grace looks at me, her face creased with concern.
“What kind of feeling?” I ask.
Greer turns to face me, drained of color. “Like something bad is about to happen.”
As if on command, my phone rings.
I dash into the kitchen, snatching my phone off the charger. I can’t help the tiny spark of hope that it’s my mentor on the other end of the line.
“Hello,” I gasp into the receiver. “Ursula, is that—?”
“Get out!” a male voice shouts.
“What?”
“Get out of the loft,” he screams. “Get out now!”
Something about the absolute terror in his voice stabs me right in the chest. Without stopping to think, I move, grabbing each of my sisters by the arm, and shout, “Run!”
Dragging them behind me, I race for the open door. At a dead run, we fly out onto the balcony. I launch my sisters over the railing and then follow them down into the Bay below.
Before we hit the water, the air above us explodes in a burst of heat and light, slamming us hard against the ice-cold waves. I lose track of my sisters as I’m propelled into the inky depths, short of breath and trying to orient myself to find my way back to the surface. Following my air bubbles, I break through into the night, gasping and choking.
I scan the area, relieved to see Grace and Greer treading water nearby. They seem whole and unhurt. They both have their eyes glued to the spot above me, to the loft. I can see flickering yellow-and-orange flames reflected in their glassy eyes. I think Grace might be crying.
Afraid of what I’ll see, I force myself to turn and look up.
I suck in a gasp.
The entire upper level is blown out, and the building is engulfed in flames. Smoke billows out of my home, glowing in the light of the fire inside. My face burns with the heat of the raging inferno. My mind is reeling, and the only coherent thought I can grasp is how very close we came to getting blown up with the loft.
“This is bad,” Greer says.
“Somebody tried to kill us,” Grace says, unnecessarily.
I look at her. “You think?”
She ignores my sarcasm, shaking her head. “All those books,” she says. “Thank goodness I got most of the binders done, but all those resources . . .”
I can’t think about that right now. I can’t think about the library or the weapons collection or the handful of mementos I’ve gathered in my lifetime. None of that matters more than the safety of Grace and Greer. We are lucky to be alive tonight.
That was two close calls in a row. First the synchronized monster attack, and then this. If it hadn’t been for that perfectly timed phone call, then I wouldn’t be here having these thoughts. And neither would my sisters.
Somebody clearly wants us dead.
And somebody else clearly wants us to live.
If I have to hunt them to the ends of the earth and beyond, I’m going to find out who.
About the Author
TERA LYNN CHILDS is the award-winning author of several books for teens, including the mermaid romances FORGIVE MY FINS and FINS ARE FOREVER, as well as another mythology-inspired series including OH. MY. GODS. and GODDESS BOOT CAMP. Despite Tera’s distaste for all things snaky, nothing that slithers was harmed in the writing of this book. Find extras—such as excerpts and cool contests—for all of Tera’s books at www.teralynnchilds.com.
Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.
Also by
Tera Lynn Childs
Forgive My Fins
Fins Are Forever
Credits
Jacket photography © 2011 by Gustavo Marx/MergeLeft Reps, Inc.
Jacket design by Joel Tippie
Copyright
Sweet Venom
Copyright © 2011 by Tera Lynn Childs
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Library of Congress Cataloging-in-Publication Data
Childs, Tera Lynn.
Sweet venom / Tera Lynn Childs. — 1st ed.
p. cm.
Summary: As monsters walk the streets of San Francisco, unseen by humans, three teenaged descendants of Medusa, the once-beautiful gorgon maligned in Greek mythology, must reunite and embrace their fates.
ISBN 978-0-06-200181-8 (trade bdg.)
[1. Fate and fatalism—Fiction. 2. Medusa (Greek mythology)—Fiction. 3. Mythology, Greek—Fiction. 4. Monsters—Fiction. 5. Sisters—Fiction. 6. San Francisco (Calif.)—Fiction.] I. Title.
PZ7.C44185Sw 2011
[Fic]—dc22
2010050525
CIP
AC
EPub Edition © AUGUST 2011 ISBN: 9780062093455
11 12 13 14 15 LP/RRDB 10 9 8 7 6 5 4 3 2 1
FIRST EDITION
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FB2 document info
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Document version: 1
Document creation date: 1.3.2012
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Tera Lynn Childs
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