Kill or Cure

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Kill or Cure Page 20

by Rebecca Levene


  "Or asked us who we are or why we're going to Vegas," Kelis said. "Don't you think that's odd?"

  I shrugged. "With anyone else, yeah. With these guys..."

  And then we were inside the bus and I felt a sick lurch in my stomach. It was a lab, low-tech but unmistakeable. Fuck! Why the hell did I still trust anyone? I backed away, gun out of its holster, ready to make a run if it wasn't already too late. I looked to Kelis, expecting her usual hair-trigger reaction to threat, but she was still looking at the lab. Looking and laughing.

  I relaxed, just a little, though my heartbeat was still pulsing in my ears. "There's something I'm not getting here, right?"

  Kelis took in my expression, my hand clawed around the handle of the Magnum. "It's OK, its fine,' she said, hand gently resting against mine, prying my fingers loose. Her tone was almost crooning, the voice you used with a hysteric. I must have seemed close to the edge, teetering on it. I guess I was. The Voice was constant now, chipping away at my calm and sanity.

  "This is not the same as Ashok's laboratory in Cuba," Ingo said. He had a beaker in his hand, squinting at its thick brown-yellow contents.

  "It's a meth lab," Kelis said. "Primitive, but it doesn't take much. Look." She gestured at a side table, which I saw now was piled high with opened boxes of prescription cold medicine. The ephedrine, I suddenly remembered - extract it and you were halfway to having yourself a batch of crystal meth.

  Finally, I laughed too. "Tweakers. OK."

  Not just tweakers, it turned out. The next bus had a lab set-up that looked a lot more complex but by then I wasn't too worried. Beside, they'd left a convenient pile of their end product on one table, little off-white pills with the rough imprint of a dove on them. Old school. "Ecstasy," I said.

  Kelis was inspecting a heap of white powder. She took a small dab on her finger and licked it before I could stop her. "Speed too, I think. Or it could be ketamine." She grinned, suddenly. "Give me five minutes - if I start fighting its speed, if I just lie there staring at my fingers, it's K."

  "You have not taken enough for either effect," Ingo said. Kelis' eyes met mine, amused. A second later we looked away, the momentary closeness between us a reminder of things we didn't want to think about.

  The third bus was a living quarter, crowded bunk beds and a filthy bathroom. The walls were draped with tie-died fabric and bad art. It looked like a squat I'd lived in for a week back when I was a medical student.

  "How do these people survive?" Kelis asked as we walked into the fourth bus. "They're sitting targets." Here was something I'd seen in the squat, too: growing tanks, heat lamps, and a profusion of green. The unmistakeable harsh greasy smell of dope.

  "Like the farmers," I said. "They've got the expertise to make this stuff, why would anyone want to interfere with that? And my guess is they give it away for free."

  "We do," Mike said, a dark shape in the doorway of the bus. "We don't have the tech to make anything high grade, but it's good enough to get rolling."

  "It's a fair trade, drugs for food and safe passage."

  He smiled, lopsided. "But the drugs are just a means to an end. It's the party we're about - the good time."

  "Yes," Ingo said, "because a party is precisely what people need in this world."

  Mike shook his head, taking Ingo's flat tone for sarcasm. But I knew that Ingo didn't do irony, and I thought that he was probably right. Mike and his people offered an escape, and that was more valuable than any pill, powder or plant.

  Later, they had a party for us. I hadn't intended to join in, but when they dragged out the effigy, a huge figure of wood and paper that must have been hidden away somewhere behind the buses, I decided that I'd stay to watch that at least. I was flooded with childhood memories of Guy Fawkes Night, innocent memories too painful to look at and too precious to ignore.

  It took twenty of them to carry the figure to the fire. They used a pulley to lever it upright and for a moment it teetered, a stain on the starscape, before it tipped over and burnt. As the flames licked up the wooden struts of its legs, turning them to ash, I felt other more unwelcome memories. The people of Cuba, burnt to death for a deal they'd made years before, whose terms they probably hadn't understood.

  I turned away, sickened, to find Mike behind me, holding out a tray of pills. The doves mocked me, symbols of a peace none of us would know again. But I wanted to. Suddenly, I really wanted to. So I took one and put it in my mouth, quickly swallowing away the bitter chemical taste of it. I could feel Kelis' eyes burning into my face, but I wouldn't meet them.

  Half an hour later, the drug began to kick in, first a rush that was almost a panic, then the panic transforming into an energy that was also the most profound relaxation I'd ever felt. There was music playing somewhere, a haunting melody and a heavy beat. I let my body move to it, the movement no effort at all.

  Off to one side, I could see Haru with a joint hanging from his mouth, his eyes narrow and bloodshot but content. I smiled at him and he smiled back. I knew what I really thought of him, his cowardice and the moral vacuum where his heart should have been, but for just that moment I didn't care. The love I felt was big enough to include him, to include everyone. To my new eyes everyone looked like an echo of the Goth girl, a young life curling and growing inside them, pregnant with hope.

  I joined a circle of people dancing around the bonfire. My hand was taken by a thin brown one on one side, a blunt white one on the other. The family of man, I thought, and laughed.

  The hours stretched and warped and the night lasted both forever and no time at all. I took another pill, and then some of the powder which made me feel higher, or clearer, or happier; by then I could barely tell. The high couldn't last though - it was fighting against too much. The melancholy was lurking just underneath it. A moment's inattention and it crept back in and grabbed me.

  I walked away, out from the others into the wide desert around us. Someone called out to me, but I ignored them and they didn't follow. The joy the drugs brought felt like a joining, but there was a profound selfishness at the heart of it, an attention only to one's own pleasure. I walked until the fire was a distant blur of orange and the stars were the brightest thing in the night. I could just walk forever, I thought. Ash needed to be stopped, but it didn't have to be me. For one moment I let myself entertain the fantasy. Going back, across the continent and then the ocean. Finding him and pretending that I was still the person he loved. He'd never know all the things I'd done, and I'd never have to tell him.

  He's long dead, the Voice told me, and you can't go back to being who you were. It's too late. I sighed and took one last look around me at the stark solitude of the desert, then walked back to the light and the people.

  When I woke up the next morning I felt the lingering remnants of the drugs, a quiet echo of the absolute contentment I'd felt last night. Kelis wordlessly brought me a mug of coffee. I didn't know where she'd spent the night. She hadn't been in the truck when I'd returned to sleep there, curling myself in the back seat.

  "Vegas in five hours," she told me. There was an edge of accusation in her tone - do you really think that was the best time to get wrecked? - but she didn't voice it.

  The desert looked bleaker in the early morning light, or maybe that was the beginning of the vicious come-down I was due any time now. I sighed and started the engine.

  Three hours of driving later we hit the Colorado river, wide and powerful down here in the plains. We drove along its high banks for ten miles and then, suddenly, there was the concrete sweep of the Hoover dam, so vast you almost couldn't believe that it was man made. I wondered how long it would be before we were ready to make anything that astonishing again.

  The tarmac in the road over the bridge was crazed and broken causing the convoy to slow almost to a stop. I felt a crawling sense of unease as we crossed, the sense that we were being watched.

  "Cameras," Kelis said, pointing. She was right. There were two of them, high on the struts at each end of th
e dam, swivelling sleekly to follow us as we passed. I had the sudden, suffocating certainty that we were back in Ash's kingdom. I was sure the broken road surface was his doing, a way of slowing everyone down to let him examine them and decide whether to let them in. There were blocky buildings at each end of the bridge which I thought had once housed museums and tourist shops. Now they would be filled with his people, ready to push undesirables off the narrow road and far, far down to the waters below.

  I turned my face away, keeping it as much in shadow as I could. My fingers itched to be holding a weapon although I was sure that was just the sort of thing the invisible observers would be watching for.

  The minutes seem to pass agonisingly slowly as the convoy inched its way over the bridge. My head began to throb with the tension. Even Ingo seemed uneasy, the dark skin on his round face looking stretched and old.

  "Come on, come one," Haru muttered. He was rocking backwards and forwards in his seat, little jerky motions which I don't think he knew he was making. Ingo reached out a hand and pressed him back firmly into his seat. Trying to calm him.

  But no one stopped us, because fifteen minutes later we were driving past the last buildings and away from the bridge. Haru let out a gasp of relief that was almost a sob and we drove on, an ugly green minnow in a school of gaudy angel fish.

  There were five more checkpoints in the next sixty miles and they waved us through each one. As we passed I saw people lean out of the windows of the buses, throwing little parcels to the guardsmen, the price of passage. I look at them out of the corner of my eye, trying not to let them know that I was watching. There was nothing about them that resembled the Infected in Cuba: just bored-looking men in khaki, smoking cigarettes and now the joints that the Party People had thrown them.

  "They look OK," Kelis said. "Like regular people."

  "Yeah," I said. "And so do I. The Infected only look the way they do because Ash got it wrong. Maybe he's perfected it."

  Haru scowled. "A city of lunatics."

  "Or worse," I said, and we carried on driving in silence.

  Finally we could see Vegas ahead of us, a dark stain on the sand that slowly resolved itself into a network of roads and then into trees, cars, individual houses. There was a burst of gold at the centre of it, bright in the midday sun, and I realised that the lights of Glitter Gulch were still blazing. That was just like Ash, I thought, who despite being a scientist had always been a showman.

  The city blended out into the desert and we were driving into the suburbs before I'd even realised. There was no obvious check-point but I knew that the unseen watchers were here too. Cameras were everywhere and people too. Some of them stopped and stared as we passed, none of the zombie-like inattention of the Cubans here. The women were wearing floral dresses, the men jeans and t-shirts. Different faces, different bodies, yet so alike in some way I couldn't quite identify. If I didn't know better they could have been clones, the same few individuals repeated over and over.

  "Is it just me," Haru said, "or are all the women here pregnant?"

  As soon as he said it I knew that I'd noticed it from the start but my conscious mind hadn't quite processed it.

  "Yeah, they are," Kelis said. "That's... creepy."

  "Rebirth is the only way to repopulate," Ingo said. I hoped that it was as simple as that, but I absolutely knew that it wasn't.

  Deeper into the city, but not quite at its heart, the buses finally stopped and we dismounted. Kelis looked a question at me and I nodded. The party people had bought us safe passage so far and we had nothing to gain by ditching them yet. I looked around. There didn't seem to be anything special about the place we'd stopped: tract housing to one side, the concrete cubes of a hospital the other.

  My nerves had been humming with tension, the vibration rising in pitch the nearer we came to Ash. I could sense his presence everywhere, and in my head the Voice was telling me that I should go to him. "Any reason we've stopped here?" I asked Mike as casually as I could.

  He smiled and pointed at the hospital. "Medical check-up. No one's allowed in without one." Justified paranoia in a post-Cull world, to check that newcomers weren't bringing new diseases with them - except I knew Ash and I didn't believe this was the real reason. The rest of Mike's people had dismounted the buses as we spoke. As I tried to back away I realised that we were surrounded, ten of Mike's people around each of us, subtly isolating us. I reached for my gun but they were so close there was no room to draw it, and even if I could take some of them before they overpowered me, I couldn't take them all.

  I tried to catch Kelis' eye, or Ingo's, but we'd been separated quite efficiently and now the party people were moving towards the hospital entrance, pressing us along with them. "What's this about?" I asked Mike, trying to swim uselessly against the tide of people carrying me forward.

  "It's just routine," he said. He was still smiling but the smile looked like something frozen now. Fake.

  Helplessly, I was pushed through the hospital doors. I drew my gun finally, however useless it might be, because I knew this was where the storm I'd been sensing all day was going to break.

  A hand grabbed my arm and the gun was taken from me before I could even think of using it. I snapped my head round but the woman had already backed away from me. She was big, armed and unsmiling. She was also pregnant. I heard a cry of pain to my left and saw Kelis drop to her knees. I knew that she'd been disarmed too. There were twenty or more women waiting in the room, all armed and all of them pregnant. As soon as they had our weapons they stepped in front of the doors behind us, blocking our escape.

  I looked at Mike, leaning relaxed against one wall. "You didn't get any message from the Collector," I said. "It was Ash who sent you to pick us up."

  He smiled and shrugged, as if none of it really mattered. "It's OK. They won't hurt you if you co-operate."

  There were doctors in the room, men in white coats with friendly reassuring faces, and it almost could have been just a routine physical. Except I remembered Paris and there was something about the set-up here, about the way they herded the women to the right and men to the left, that sent a spike of unease through my nerves.

  "It's OK," said one of the girls, the young Goth with the black hair. "They'll do the men first. And you're not... you know... are you?"

  "I'm not what?" I asked, my voice a dry rasp. And then, before she could answer, a horrible suspicion began to form. "I'm not pregnant?"

  "Right," she said and I tried to back away but there was nowhere to go and about twenty guns pointed right at me. I didn't think they'd hesitate to shoot through the girl to get at me.

  "You'll need to strip," the doctor said to the men. Exactly like Paris, I thought, as the men from the buses stripped while Ingo and Haru watched, motionless. It was almost comedic, the sight of all that tanned, naked flesh and the two clothed figures in the middle of it, upright and tense. I was so focussed on Ingo and Haru that it took me a moment to work out what was wrong. It was only when Mike turned his dazed, not-all-there smile on me that I saw it.

  Mike's stomach was flat, abs perfectly sculpted, a thin line of hair leading down from the middle of his belly to... nothing. There was nothing there, not even a stump, nothing left of his genitals but a healed over white scar. I felt a rush of bile to the back of my throat and pressed a hand against my mouth to hold it in.

  I looked past Mike at the other men. All of them were the same. Some of the scars were angry and red, recent. Some were clumsier than others, the mark of a more amateur surgeon. But every one of them was a eunuch. Worse than eunuchs - geldings. No longer men in the way that really mattered.

  I saw Haru's face, frozen with horror, as he took it in. Beside him Ingo was utterly impassive. Mike turned his smile on them both. "It's really all right," he told them. "They'll give you an anaesthetic, you won't feel anything. And you can take hormones, if you want them, to replace what's lost."

  "To replace..?" Haru said, voice high and incredulous. And then his par
alysis suddenly broke and he was running towards the entrance. The men reached out for him but their hands slid away as Haru's desperate flight carried him past. He was only ten feet from the door when they finally brought him to the ground, five of them piling themselves on top of him. I could hear Haru's ragged, half-sobbing breaths from beneath the pile of naked men. When they slowly let him up, arms locked behind him, he was crying.

  Throughout it all, Ingo had remained entirely still. He might have used the distraction to make his own escape, but he didn't. When Haru was finally subdued, Ingo calmly shucked first his own loose green t-shirt, and then the khaki trousers he was wearing underneath. When he was entirely naked, he turned to face me.

  I don't know why I was so shocked to see the same angry red scar on Ingo's groin, the same absence beneath. I should have worked it out long before.

  "You were working for him all along," I said.

  "Yes," Ash said. "He was."

  CHAPTER NINE

  They didn't blindfold me during the trip. Why would they? The whole town belonged to Ash. They drove me deeper into the city on one of the buses, wedged between two of Ash's female guards, semi-automatics held away from their pregnant bellies and pressed into mine. Ash himself wasn't with us. He'd barely stayed a minute after he'd checked that it was really me, Ingo was still his and Haru wasn't going to be a threat.

  The bus stopped at one end of the Strip. The road was pockmarked and badly maintained but the neon signs still glowed bright against the blue-grey twilit sky. At one end, the model of a cowboy waved, twinkling at us. The volcano outside The Mirage exploded on cue and, far above us, I could see the roller coaster thundering around the Stratosphere Tower. Only the human beings were missing, leaving the whole place with the feel of a model town, working but unpopulated.

 

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