The city editor was still there, and Charley made quick prints of the images in his digital camera and showed them to him.
“Well, it’s too late for today’s rag,” the city editor said. “Put it on the Atlanta wire; those big papers close later than we do. We’ll run it tomorrow.”
Charley sat down at his computer terminal and quickly typed,
Daphne, AL
Possible Peeping Tom Bagged By
Community Watcher, 72
Shown here with his shotgun and his as yet unidentified quarry handcuffed on the ground is retired business executive Chambers D. Galloway, 72, a member of Daphne’s Jackson Oak Citizens’ Community Watch, Inc., who made a middle-of-the-night citizen’s arrest of the man after he was seen peeping into the windows of a resident of the Lake Forest Yacht Club Condominiums, whom police declined to identify.
Four Daphne police cars, two Fairhope police cars, a Baldwin County deputy sheriff, and an Alabama state trooper converged on the scene to take the suspect off Mr. Galloway’s hands. The accused peeper will be held in the Daphne police jail while the investigation continues.
Mobile Register Photos By Charles E. Whelan
When the pictures and the story reached the Associated Press in Atlanta, the night man there also thought the yarn—and especially the pictures of the old guy with the shotgun—was funny, good human interest, and pushed the National button. This caused the photos and story to be instantly sent to newspapers all over the United States, which of course included those in Philadelphia.
[FOUR]
The device that electronically chimed “Be It Ever So Humble” when the doorbell of the residence of Sergeant Matthew Payne was pushed had two controls. One provided a selection of the numbers of bars of music to be played, from Six to All, and the other was a volume control.
Detective Payne, who had few visitors to his home, and used the device primarily as a backup alarm clock, had set both controls to the maximum choices offered.
A full rendition of “Be It Ever So Humble” played at maximum volume in the small confines of the apartment had so far never failed to wake Sergeant Payne from the deepest sleep.
And so it did the following morning at 6:05 A.M. when the Wachenhut security guard, a retired police officer who both liked the young cop in the attic and was grateful for the bottle of Wild Turkey he’d been given for Christmas, rode the elevator up, laid a copy of the just delivered Bulletin on the floor outside the door to the attic, and pushed the doorbell.
Half awake, Sergeant Payne had just identified the sound, glanced through half-opened eyes at the time displayed on the ceiling, and decided he had a good half hour to get leisurely out of bed, when a female voice quite close to him brought him suddenly to full wakefulness.
“What the hell is that?” Detective Olivia Lassiter had asked, as much in alarm as curiosity.
Matt opened his eyes fully.
Olivia had been so startled by the music that she had suddenly sat up on the bed and not thought about pulling the sheet up to modestly cover her exposed bosom.
Jesus, she has beautiful breasts!
“That’s the newspaper,” he said.
“The newspaper?”
“The security guy rings the doorbell when he brings the paper up,” Matt explained.
Olivia saw where his eyes were directed and pulled the sheet up over her chest.
“The cow, so to speak, is already out of the barn,” Matt said.
“What time is it?” Olivia asked, ignoring him.
Matt pointed at the ceiling. After a moment’s confusion, Olivia looked at the ceiling.
“My God, I’ve got to get out of here!” she said.
“Why?”
“Because I have to go home and change my clothes,” she said. “Something I didn’t think about last night.”
“Okay. I’ll take you, and we can get some breakfast someplace. ”
“I’m going to take a cab,” she said. “I should have taken one last night and gone home.”
“So we won’t be seen together, and someone will suspect what’s going on?”
“Exactly.”
“That cow, I have to tell you, is really out of the barn.”
“What does that mean?”
“Mr. Colt somehow got the idea—you saw that—that you and I have become something more than professional associates . . .”
“And?”
“. . . and decided to share this perception with Mickey O’Hara, Peter Wohl, and Jason Washington.”
“My God, I hope you denied it!”
“Of course,” Matt said, “whereupon Stan showed his acceptance of my denial in the following manner.”
He winked broadly, mimicking Colt, and demonstrated the balled-fist, thumb-up gesture Colt had used.
“That sonofabitch!”
“Honey, he thought he was being funny.”
“His being funny blew my chances of getting in Homicide, ” she said, bitterly.
“Realistically, honey, there doesn’t seem to be much chance of that,” Matt said.
“Thanks a lot!”
“Well, there doesn’t,” he insisted. “At least right now.”
“I’m going to take a shower,” she snapped. “And then a cab.”
He watched her enter the bathroom.
After a moment, he reluctantly concluded that—however delightful an idea it was on the surface—there was not room in the shower for the both of them.
And besides, she’s already pissed that our shameful secret has become public knowledge.
He swung his legs out of bed, got fresh underwear, and went down the stairs to get the newspaper.
He started to read it as he climbed the stairs back to his apartment, and just as he reached the top, he saw that the picture that Eddie the photographer had taken of him and Stan Colt outside the Bellvue-Stratford was on page one of the Bulletin.
There was a rather lengthy caption:Stan Colt, movie detective, in Philadelphia to raise money for West Catholic High, found time in his busy schedule to meet with the real thing. He is shown here arriving at the Mayor’s Reception at the Bellvue-Stratford with Sergeant M. M. Payne of the Phila. PD Homicide Unit. Payne will be showing Colt what police work is really like whenever Colt has a spare minute. (The full schedule of the Colt Fund-raising Visit can be found on page 2 of Section Four of today’s Bulletin.)
Matt remembered that Colt had said that the picture was the only one that would get printed.
Olivia was toweling herself by the side of the bed, which he found to be an interesting sight.
“I’m famous,” he said, showing her the newspaper.
Olivia glanced at it very quickly.
“Put your clothes on. You can drive me home,” she said.
“Oh, thank you, thank you!”
“I have three choices: putting on wet underwear, getting in a cab without my underwear, or you.”
“With or without underwear?”
“My God! Get dressed.”
[FIVE]
The Swedish philosopher/theologian Emmanuel Swedenborg believed that there is sometimes an unspoken communication between loved ones. That one loved person knows what the other loved one is thinking.
This may or may not have had anything to do with what Detective Olivia Lassiter said to Sergeant Matthew Payne when he pulled to the curb in front of her apartment.
“You wait in the car. I know what you’re thinking.”
Sergeant Payne had in fact been thinking, all the way from Rittenhouse Square, that there was something wonderfully erotic having Olivia sitting beside him, with nothing beneath her dress but Olivia, and that with just a little bit of luck he might get lucky when they got to her apartment and they went inside while she changed clothing.
“What am I going to do out here?” he asked.
“That’s up to you. You’re not coming in,” Detective Lassiter said, and got out of the car.
He watched her enter the apartment, shrugged, and th
en reached for the Philadelphia Bulletin, which had his picture on the front page, and which he had dropped onto the floor.
When he saw the picture, he smiled, remembering what Stan Colt had said when he got out of the car to pose for Eddie the photographer: “Look serious, but think of pussy!”
Then he started looking through the rest of the Bulletin. Ten minutes later, on page 4 of Section Three, “Living Today,” he saw a picture of an old geezer with an over-and-under crooked over his arm standing with a bunch of cops and with half a dozen patrol cars of various law enforcement agencies in the background.
Then he read the caption, and then looked very carefully at the picture again, at the handcuffed man in black coveralls on the ground.
“Jesus Christ!” he said aloud, and reached for his cellular.
“Police department,” a female voice with a thick southern accent announced.
“I’d like to speak to whoever’s handling the case of that Peeping Tom you bagged last night.”
“So would everybody else from New Orleans to Destin,” the woman replied.
“My name is Matthew Payne. I’m a sergeant in Homicide in Philadelphia. . . .”
“Yeah, I bet you are.”
“Excuse me?”
“How do I know that?”
“Because I just told you. Now get me some supervisor on the phone, and right now.”
“You don’t have to bite my head off!”
A male voice with an equally heavy accent next came on the line.
“Can I help you?”
“With whom am I speaking. Please?”
“I’m Sergeant Kenny.”
“Sergeant, I’m Sergeant Payne. Philadelphia Homicide.”
“So Barbara-Anne said. How can I help you?”
“That Peeping Tom you bagged last night? Was there a knife involved? A great big knife?”
There was no response.
“Hello?” Matt asked after what seemed like a long time.
“What can I do for you?” a new southern-accented male voice inquired.
“Was I just talking to you?”
“No. You were talking to Sergeant Kenny. I’m the chief. How can I help you?”
“Chief, my name is Payne. I’m a Philadelphia Homicide sergeant.”
“So Sergeant Kenny said. What can we do for you, Sergeant?”
“This a long shot, Chief, but that Peeping Tom you bagged last night may be a man we’re looking for in connection with a homicide here.”
“You don’t say?”
“Can you tell me if there was a knife involved? Did your guy have a great big knife?”
“Sergeant, I don’t know for sure you’re who you say you are, and even if I did, I’m not sure if I could answer that question. This is an ongoing investigation, and there’s some things we don’t want to get out, you understand.”
Which means, of course, that he did have a knife, otherwise you would have said “no.”
“How about a camera? A digital camera? Could you tell me that?”
“What part of I’m-Not-Going-To-Answer-Any-Questions-About -This-Investigation don’t you understand, Sergeant?” the chief asked.
“Certainly, Chief, I understand. But if you don’t think it would interfere with your investigation, could you tell me if the window he was peeping through was that of a young woman? And was he just looking, or maybe trying to open the window?”
There was a long pause.
“No, I don’t think I’d better get into that,” the chief said, finally.
This sonofabitch isn’t going to tell me a goddamn thing!
“Chief, I’ll probably be in touch with you again,” Matt said, politely. “In the meantime, if you’ll give me your police teletype address, I’ll have the department confirm who I am.”
“That sounds like a good idea, Sergeant,” the chief said, and gave it to him.
“I’ll get that out as soon as I get to the Round . . . police headquarters,” Matt said. “And thank you for taking the time to talk to me, Chief. I can imagine how busy you are.”
“My pleasure,” the chief said, and hung up.
[SIX]
“You don’t look so happy, boss,” Captain Frank Hollaran said as Deputy Commissioner Dennis V. Coughlin slipped beside him into the front seat of the car.
“Have you seen the Bulletin?” Coughlin asked.
“Yes, sir.”
“And Matty’s picture on the front page with Stan Colt?” Coughlin asked, and then went on without waiting for a reply. “I don’t like it, Frank. I understand why Matty’s showing that guy around, and from the perspective of Mariani and the mayor, it may be a great idea, but I don’t think it belongs in the newspapers.”
“I guess you haven’t seen the Ledger?” Hollaran asked.
“Same picture?”
“And worse,” Hollaran said, and indicated the newspaper on the seat between them. “The editorial page, Commissioner. ”
" ’Commissioner’? The editorial page? That sounds ominous, ” Coughlin said, as he flipped through the paper looking for the editorial page.
Ten seconds later, he said, “Oh, shit!”
And ten seconds after that, “Those bastards!”
NO WONDER MURDERERS REMAIN FREE
This newspaper received a publicity photo (below) of movie star Stan Colt and Homicide Sergeant M. M. Payne, getting out of a police car at the Mayor’s Reception for Colt at the Bellvue-Stratford last night. The press release went on to say that while Colt is in town raising money for West Catholic High School, his alma mater, Sergeant Payne is showing him how things really are in the Philadelphia police department.
The way things really are in the police department are that there are two open unsolved recent cases of brutal murder, and one can only guess how many “old” unsolved murders on the books.
One of the new open cases is that of a young woman who very probably was raped and murdered in her apartment while police officers chatted with her neighbors.
The second is that of a single mother of three who was murdered in a fast-food restaurant during a robbery. When the police finally responded to that call for help, the murderers killed the responding officer.
At last report the Philadelphia police department doesn’t have a clue as to the identity of the murderers.
Perhaps they would if Sergeant Payne were spending his time doing what the taxpayers hired him to do, investigate homicides, rather than spending it showing a movie star how things really are.
And it’s not only Sergeant Payne. Earlier yesterday, Payne was seen taking into Colt’s hotel an attractive young woman later identified as Detective Olivia Lassiter. Presumably, she was showing Colt how things really are in the Philadelphia police department.
And it’s not only the junior officers. At midnight, Inspector Peter Wohl, Commanding Officer of the Special Operations Division, who is supposed to be heading up the Mayor’s Task Force to solve the murders at the fast-food restaurant, and Homicide Lieutenant Jason Washington were seen showing how things really are in the Philadelphia police department by feeding Stan Colt beer and cheese steak sandwiches at D’Allesandro’s.
But maybe that’s the way things really are in the police department.
And maybe it’s time for a change in the police department, starting at the top with the commissioner, who permits this sort of thing to happen.
Or maybe in City Hall itself. After all, one of the primary responsibilities of Mayor Alvin W. Martin is the supervision of the police department.
And ten seconds after that, the radio went off.
"C-2, go,” Halloran said to his microphone.
"C-2, meet the commissioner at the Roundhouse.”
“Radio, we are en route. Estimate ten minutes.”
“I guess somebody else has been reading the morning’s papers,” Deputy Commissioner Coughlin said.
SIXTEEN
[ONE]
The editorial in the Philadelphia Ledger was brought to Mayo
r Alvin W. Martin’s attention by Mr. Philip Donaldson, who decided the editorial was worth finally playing one of his aces in the hole, this one the mayor’s unlisted and carefully guarded home telephone number.
After this call, Phil was sure, the number would go unanswered until another unlisted number could be obtained and the original one taken out of service.
“Yeah?” the mayor said, somewhat less than charmingly, into his kitchen telephone.
“Am I mistaken, or did the Honorable Alvin W. Martin, our mayor, answer his phone himself?”
The voice was familiar, but the mayor could not quite place it.
“This is Alvin Martin,” he said, now far more pleasantly, “who not only answers his own phone, but whom you caught in the midst of making his own breakfast.”
“The little woman didn’t make it for you, Mr. Mayor?”
“No, she didn’t. Who is this?”
“Phil Donaldson, Mr. Mayor, of Phil’s Philly. And you’re on the air!”
How the hell did you get this number?
Just in time, the mayor stopped himself from asking that thought aloud. Instead, mustering what charm he could under the circumstances, he said,
“Well, good morning, Phil.”
“And good morning to you, Mr. Mayor.”
“What can I do for you, Phil, so early in the morning?”
“Just a question or two, Mr. Mayor, and then you can go back to making your own breakfast. Do you always make your own breakfast?”
What business is that of yours?
“Is that one of your two questions?”
“Maybe it will be three questions. But what about breakfast? ”
“I try, like every other husband, I suppose, to pitch in whenever my wife is tied up.”
“Tied up?”
You flip sonofabitch!
“A figure of speech, Phil.”
“Of course.”
“The questions, Phil?”
If I ever find out who gave this bastard my number . . .
Final Justice Page 39
