by P. J. Conn
Murder on Stilettos
A Detective Joe Ezell Mystery
Book Four
by
P.J. Conn
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ISBN: 978-1-947833-94-4
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Table of Contents
Cover
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Meet the Author
Chapter 1
Los Angeles, October, 1947
Bloody footprints surrounded the body in dancing steps. Joe Ezell had come across a more gruesome murder scene only once, and he'd done his best to forget it. He bent down to get a closer look at the tracks, and the sickening stench of freshly spilled blood instantly straightened his spine.
There was no sign of a fight, so the deceased must not have seen the first blow coming, and had had no chance to mount a defense. Blood splattered the wall in a sweeping arc, spoiling the pristine décor. The once beautiful apartment had been a serene mix of black and white, making the bright red splash doubly jarring.
Not wanting to smear whatever incriminating fingerprints might have been left behind, Joe knocked at the neighbor's door and a slim blonde answered. "I'm Joe Ezell, a private detective. There's been a murder, and I need you to call the police."
"Oh no." She gasped and grabbed the doorknob to steady herself. Dressed in a tightly belted pink satin robe and feathered mules, she appeared to be getting a very late start on the day. She glanced down the hallway to the door Joe had left standing ajar. She raised her hand to her throat. Her beautifully manicured nails were painted a bright red.
"I've never called the police. What should I say?"
"Give them your name and address and tell them there has been a murder in apartment eight. They'll take it from there."
"All right, I can handle that." She closed her door, and then yanked it open. "I'm sorry, but I'm not dressed and can't invite you in."
"I'd prefer to wait out here in the hallway. Please hurry and make the call. Then it would be a good idea for you to find some street clothes."
"Oh yes, right away." She closed her door and this time left it shut.
Twenty minutes later, LAPD Detective Jacob Lynch stepped out of the elevator. As always immaculately dressed in a well-tailored suit, he took one look at Joe, winced, and swore under his breath.
"Have you recently moved into this building, Mr. Ezell? If so, this is quite a step up for you."
Lynch knew where Joe lived because there had been a murder in his apartment building. Joe regarded the comparison between his modest home and this high-priced address rude in the extreme. He had never liked Lynch anyway. In fact, he could barely stand the man.
"No, I haven't moved. I was in the neighborhood working on a case."
"Really? You've shown a rare talent for showing up at murder scenes."
Joe nodded. "Yeah, I'm lucky that way."
When he'd been hired, he'd expected the usual follow and photograph work, and wondered how he could have been so badly mistaken.
* * *
Earlier in the week
Office of Discreet Investigations
During World War II, Joe Ezell had served in the Coast Guard on the Greenland patrol forecasting weather for Europe to aid the Allies in strategic planning. In his spare time, he'd read Dashiell Hammett's mystery novels and developed a deep admiration for his detective, Sam Spade.
With few jobs available for weather forecasters at the end of the war, he had studied a manual written by a former Pinkerton detective. After passing the California exam for a private investigator's license, he had proudly opened Discreet Investigations.
He had recently purchased a colorful painting of a California desert scene to give his small office some class. This morning he planned to again visit the Salvation Army thrift store in search of a rug. Interrupted by a ringing telephone, he counted to three before answering to appear busier than he actually was.
"Discreet Investigations."
A woman inquired in a hushed voice, "Are you really discreet?"
Joe muffled a totally inappropriate snort. "Indeed I am. You can be confident I'll take your secrets to my grave."
"My own secrets don't concern me. I need to speak with you in person. Do you have an opening this morning?"
He had no appointments for the day, and the purchase of a second hand rug could wait. "I have eleven o'clock free."
"I'll see you then. I'm Constance Remson."
"I'll look forward to meeting you, Miss Remson." He assumed a woman was unmarried, and let her correct him if she had a husband. Miss Remson hung up without comment, so apparently she was single.
He made a fresh pot of coffee, and took out a new manila folder and a yellow legal pad to make notes on her case. Another quick trip to the restroom at the end of the hallway provided water for the philodendron atop the file cabinet. Its glossy green leaves had barely begun to droop, but he wasn't taking any chances.
Constance Remson arrived precisely at 11:00. Her glossy brown hair floated over her shoulders in a free-flowing pageboy cut, and not a strand lay out of place. Her eyes were a deep brown, and her thick black lashes left faint shadows on her cheeks. Her man-tailored white shirt was tucked into the waistband of a slim black skirt, but there was nothing masculine about her.
She had a wealthy woman's tall, slender body, and a wide gold bangle on her right wrist. She took a chair opposite Joe's desk, crossed her long, shapely legs, and bounced a black stiletto heel on her toe.
Joe didn't recognize her cloying perfume, but she smelled like trouble. He planned to marry soon, however, and needed every dollar he could honestly earn. He welcomed her with his most charming smile.
"Tell me about your problem, Miss Remson, and I'll do my best to solve it."
"Do you know Matteo da Milano?"
"Sorry, we're not acquainted. Would you care for a cup of coffee?"
She cast a dismissive glance toward the coffee pot sharing space with the potted plant on the filing cabine
t and shook her head. "No, thank you. I should have asked if you knew of Matteo. He's the featured cellist with the Los Angeles Philharmonic. I'm a patron of the orchestra, and we met at a party following a concert. He's a musical genius, very charming, devilishly handsome, and known to be a lady's man."
She pulled a small photo from her purse. "You can keep this. We've been seeing each other for several months. He swears he adores me, but he may have several other women on the side. I won't abide it."
"Nor should you." She spoke with the crisp diction of a voice coach, and he readily understood how little patience she would have for a man with straying affections.
The photograph appeared to be a publicity pose showing Matteo with his cello. His dark hair had a slight curl, his brown eyes held a teasing sparkle, and his features were as perfect as a Greek god's. Women undoubtedly found the slight quirk to his smile doubly appealing.
"Would you like me to follow him for a week or so to gauge how deep his regard for you might actually run? I'll supply photographs whenever possible."
"Yes, proof is exactly what I need. I refuse to engage in childish arguments. If you find Matteo is seeing other women, I'll hand him the incriminating photos, and tell him good-bye before he has time to realize he's been caught in an unforgivable lie."
Joe asked for her address and telephone number for his file, as well as Matteo's information. He also added twenty dollars to his usual retainer, and she paid it without a single bat of her remarkable eyelashes.
"I brought a copy of the LA Philharmonic's schedule, and the address where they rehearse. He's there most days, but the hours vary."
He laid them on his desk. "I'll begin this afternoon, and call you when I have something to report." He stood as she rose from her chair and walked her to the door. He closed it behind her, and waited a moment to be certain she wouldn't return before opening the window to let in some much needed fresh air.
Cleotis Cotton, the building custodian, knocked on Joe's door and looked in. "I saw your new client. I swear it was like watching money slink down the stairs. Can't say I care much for her perfume though. Would you like me to bring in a fan?"
"Yes, that's a great idea, CC." Before beginning his surveillance of Matteo da Milano, Joe would have time to get a quick lunch at the counter in the drug store downstairs. The telephone rang while he was placing Constance Remson's file in his desk drawer.
"Discreet Investigations."
"I must speak with the owner, please," a woman responded in a breathless rush.
"This is Joe Ezell. How may I help you?"
"I'm Paloma Val Verde, and I need to see you today about a romantic matter that simply can't be delayed. I can be there in ten minutes."
"Fine. I'll see you then."
Paloma Val Verde was as exotic a creature as her name. Her curly black hair was knotted atop her head and decorated with ribbons and fresh red roses. Upswept eyelashes framed her hazel eyes. The bodice of her flowing aqua dress was heavily embroidered with colorful flowers and looked to be from Olvera Street, a historic plaza and tourist attraction located near Union Station. The shops there sold colorful clothing and crafts celebrating Los Angeles's Spanish heritage. Authentic down to her toes, Paloma wore Mexican huaraches.
She took a chair and arranged her dress in neat folds across her lap. Silver bracelets circled her wrists, and provided a faint musical accompaniment as she accented her words with graceful gestures. Her nails were polished a pale pink, her only subdued note.
"Thank you for finding time to see me. You must hear more than your share of women complaining about unfaithful men."
Joe hadn't kept track. "And vice versa."
"Yes, of course, but I'll bet most of your clients are women. We seek answers for our problems while men tend to hope their troubles will disappear on their own. Pathetic creatures most of the them, present company excepted, of course." She giggled, as though she'd meant her comment in fun.
"Thank you, but this is Discreet Investigations, and I never share client information with anyone."
"I'm delighted to hear it. I'm an artist, Mr. Ezell, and a great admirer of the celebrated Mexican painter, Frida Kahlo. Perhaps you've heard of her?"
"Yes, I have." He'd seen a photograph of her in a magazine, and recalled her intense gaze and flower-bedecked hair.
"She paints extraordinary self-portraits, while I'm concentrating on colorful birdhouses. I build them from scraps of wood to have models for my paintings. I'm becoming popular with those who collect art, although I don't pretend to have even a particle of Frida Kahlo's talent.
"But I digress. I met Matteo da Milano at an art show last spring. Have you heard of him?"
Joe's clients astonished him so often he had become adept at masking his surprise. "The principal cellist with the LA Philharmonic?"
"Yes, that's Matteo. He's become a dear friend, much more I should say. He may soon propose, and I want to be certain he's not seeing anyone else before I accept."
Perplexed to have a second inquiry about the same man in a single day, Joe wasn't sure how to respond. "It's natural such a talented man would be popular."
"Believe me, he'd be popular playing the harmonica on a street corner." She giggled again. Paloma was a pretty young woman and clearly knew how to use her looks to a saucy advantage. She handed him the same publicity photograph Constance had given him.
Joe studied it as though he'd not already seen it that morning. "You're right, he's a very handsome man." It was difficult to believe the famed cellist could have been attracted to someone as aloof as Constance Remson, as well as this adorable artist.
"I'll make a point of attending a LA Philharmonic concert someday soon. Has Mr. da Milano done something to make you suspicious of his intentions?"
She pursed her lips and gave his question a moment's thought. "No, he's wonderfully attentive, but he does have a reputation for womanizing. Artists are known to be free spirits, Mr. Ezell, but it pays to be sensible when the situation demands it."
"I couldn't agree more." Hoping a professional way to serve both clients would soon come to him, he accepted a retainer, and she provided Matteo's home address and the LA Philharmonic performance schedule. "I'll call as soon as I have something to report."
"Please do. Now I must get back to my work." She rose, gave her dress a quick swish so it fell gracefully into place around her ankles, and slipped the strap of a tooled leather handbag over her shoulder. "It's been a pleasure to meet you, Mr. Ezell. I was afraid you'd be as gruff as Humphrey Bogart is in his films."
"He's playing a character," Joe reminded her. "He's probably very pleasant in person."
"I shall hope so for Laurel Bacall's sake."
He opened the door for her, and remembered too late that he'd neglected to ask if she'd care for a cup of coffee. He received few compliments on the brew, but still, it provided a gracious welcome to his office.
* * *
Joe dined that evening with his fiancée, Mary Margaret McBride, a nurse who worked at the West Los Angeles Veteran's Hospital. In addition to being a fabulous cook, she was a sensible young woman, who gave insightful advice.
"Two women came to see me today about the same man. Before I could voice a coherent, ethical objection to taking the second woman's money, she'd already paid me and left."
Mary Margaret was a petite redhead with a musical laugh. "Oh, Joe, when woman number two came in, you had the answer to both women's concerns."
He finished a bite of a savory pork chop before he answered. "I realized it at the time, but I run Discreet Investigations remember, and can't divulge one client's complaint to another. It also occurred to me that if a man is seeing two women, he might also be seeing a third."
"Good point, and you can report on woman number three to both clients without telling them about each other."
"While I've serious misgivings about the case, it's worth a try. The second young woman gave me a different home address for the man. That struck me as odd."<
br />
"Some people do have more than one home."
"Within two blocks of each other?"
"You're right. That is odd. Are they nice places?"
"Yes, they are in well-appointed apartment buildings in West LA. He might have some movie star neighbors. I checked the mailboxes, and he uses initials on one, and his last name only on the other. He's a musician, and it's possible he uses one place as a rehearsal studio."
Unimpressed, her gaze took on a skeptical gleam. "Are you making excuses for him?"
"Certainly not. I'm merely considering all the possibilities. He's something of a public figure, so if he had a wife and family, both women would know."
They often discussed his cases, without names, of course, and she loved a good story as much as he did. "How do you plan to approach the case tomorrow?"
"I'll park near apartment number one in the morning and follow him if he appears. I know where he'll be later in the day, and I can follow him from there if need be. I doubt the case will take long."
She nodded thoughtfully. "Whatever cases you have, please remember to keep time open in December for our wedding and honeymoon."
He leaned close to kiss her. "Of course. How much rain is there in Seattle at that time of year?"
"A lot, so we won't plan a garden wedding. I know what you're thinking, it will be beautiful here where all our friends live, but my family lives in rainy Seattle."
Joe would have preferred to get married at the courthouse and be done with it, but she deserved to have a beautiful wedding to create cherished memories. "What do you hear from your mother?"
She rose to gather their dishes and carried them to the kitchen. Her cottage was small, so it was no more than a few steps. Joe followed to help. "Is it bad news?" he asked.
"Not exactly, but she is disappointed she won't have an opportunity to meet you before we arrive for the wedding. Two trips would be too costly for us, she understands that."
