Victor called in to tell her they had found an auto body shop which could be closed up and made dark so they could use Luminol.
“How’s Buddy doing?”
“Fine. There wasn’t that much blood, so he knows he didn’t kill her in there.” He added, “You won’t believe what that girl did.”
“Summer?”
“She covered that bedroom with fingerprints—light fixtures, walls, chrome, you name it. We just filled up seven cards and all of them except one were the same. Plastered all over the place.”
“How do you know they were hers?”
“Buddy picked up some prints from his wife’s house—good enough to eyeball. Plus, the few places she didn’t get to were wiped clean. Probably from the last one.”
Laura wondered if “the last one” was Alison.
“Not only that, she pulled out her hair, by the roots. Left some hair in the sink, but some she hid. Like stringing one over the curtain rod, putting one under the lamp. Blonde, so they were easy to see. And a barrette Buddy remembers because he bought it for her. You should see Buddy. He’s glowing more than the Luminol. Twelve years old and she does that. She’s a cop’s daughter, all right.”
“See that the lab gets started on the blood right away. We don’t want Buddy wondering any longer than he has to—with DNA it’s going to be long enough as it is.”
“You coming down?”
Laura saw Lieutenant Galaz in her peripheral vision, holding a file folder, waiting for her to finish.
“Soon. Wait--you grew up in Tucson. Did you ever hear of a role-playing game called Dark Moondancer?”
“Dark Moondancer? That’s a silly name.”
Laura told him about the game and the Dark Moondancer who sent the e-mails to Lundy.
“Sounds pretty tenuous to me,” Victor said.
“There’s your big word for the day.”
As soon as she finished talking to Victor, Galaz said, “Why don’t you take a look at this evidence list before I call Tallahassee. I want to get this thing straightened out.”
He dropped the file on her desk and walked across the squad bay to talk to Richie Lockhart. She guessed that meant he wanted her to do it now. She’d just started scanning the list when the phone rang: Barry Fruchtendler calling back.
“When I was looking at my mother’s book, I saw a notation about Dark Moondancer with a question mark,” she told him. “Did that have anything to do with your case?”
Fruchtendler said, “It had a lot of bearing on the case. We found some loose paper from Julie Marr’s notebook in the cemetery—must have blown over the fence. School stuff, mostly. She wrote down that there was a party—I think it was the weekend after she was killed. A Dark Moondancer party. We didn’t release that to the press, but your mother knew about it.”
“You followed that lead, Dark Moondancer?” she asked. “Did you look at anyone in particular because of that?”
“Sure did. Talked to prob’ly seven or eight young men. It’s all in the murder book at TPD. I could make some calls, get them to fax it to you.”
More delay. “That would be great. I’ll try to expedite it on my end.”
She was about to hang up when he said, “There’s one name I won’t forget. I always thought that kid had something to do with it, but no matter how hard I tried I just couldn’t connect the dots. Not having a body, that was tough.”
He paused to cough. His cough lasted a long time and did not sound good.
“He attended high school in the same district as Julie Marr,” he said when he was finally able to talk. “His uncle owned A & B Auto Towing. That was where the car was taken from. Michael Harmon.”
“Mickey Harmon?” Her voice loud in the squad room.
From his place near Richie Lockhart’s desk, Galaz looked up disapprovingly.
“You know about him? That was his nickname, Mickey. Thought from the very beginning he was lying to me.”
WATCH AND WAIT
Musicman glanced at his fuel gauge—almost empty. He had been parked among the big trucks outside the Crown Paper Company for an hour, keeping an eye on the warehouse at the corner of 17th and Fremont, running the engine to keep cool. He’d have to do something soon, though. Waiting in one hundred-degree heat, no shade in sight, wasn’t an option. He supposed he could go get more gas. But what if they left while he was gone?
To Musicman’s surprise, the white van hadn’t gone far. The guy driving didn’t care that Musicman was on his tail. He drove sedately down the old Benson Highway, took Park Avenue north, and turned into the manufacturing district near the railroad tracks. Musicman watched as the man unlocked the gate to a tall chainlink fence topped by razor wire. A derelict brick warehouse, the Chiricahua Paint Company, rotted in the sun beyond the fence. Once in the parking lot, the man drove around the back and out of view. Since the road Musicman was on dead-ended, he had to turn before he reached the entrance. And so he drove around the block, trying to think what to do. By the time he came around again, he saw them at the side of the building, a big man holding Summer’s arm, the man opening the door and ushering her inside.
Dark Moondancer.
The GEO was shaking from the air-conditioner. He needed to do something, but what?
He did have options. He could make an anonymous call to the police and let them rescue her.
But he didn’t want to give Summer up. She had the potential to be The One, and he could not let her go without a fight. The best thing to do was retreat and think about this. Wait until dark, when at least he’d have a chance to sneak up on them.
He only hoped she’d be alive by then.
54
Laura jotted down the words Julie Marr, A & B towing, Dark Moondancer, and Mickey Harmon.
Mickey Harmon worked for Dynever Security, Jay Ramsey’s Internet security company. Jay had mentioned they’d grown up together. Jay might know something, either about Dark Moondancer or about Barry Fruchtendler’s suspicions.
She called the Ramsey house and got Freddy, who gave her his number at Dynever Security.
“I heard about that girl,” Jay said when he answered. “If I can help in any way…”
“Maybe you can,” she said. “You know Mickey Harmon pretty well?”
“We’ve been friends since we were in fifth grade.”
“Did you ever play a game called Dark Moondancer?”
“Dark Moondancer?”
“It was a role-playing game.”
“I know what Dark Moondancer is.” It was not her imagination: His voice sounded strained. “What’s this about Mickey?”
“Were you aware that the police considered him a suspect in the Julie Marr abduction?”
“Oh, that.” He sounded relieved. “For a while there they really went after him. But Mickey wouldn’t—“
She waited.
“Wouldn’t what?”
“Do you mind if I call you back? I’ve got someone in my office.”
“Sure,” she said, but he’d already hung up.
Thinking he sounded spooked and wondering why.
Galaz caught her eye. She waved at him and held up the evidence list, pantomiming that she’d get to it now.
When she took the list over to Galaz, he and Richie Lockhart were laughing about something.
“What’s so funny?”
Galaz said, “You missed all the excitement around here.”
“Excitement?”
“While you were in Florida. Victor got a message from his mistress. Her plumbing went crazy and she was knee-deep in water, panicked that the water was almost up to her mattress.”
“You remember the mattress he bought?” Richie said. “Top of the line, twenty-five hundred dollars?”
Galaz said, “He took out of here like a bat out of hell.”
“When was this?”
“Couple days ago. Richie swears he took the message down right.”
Richie looked at her, wide eyes innocent. “My espanol isn’t that
good, but I thought that was what she said.”
Galaz said, “You should’ve seen Victor when he got back. He was running around the squad bay screaming for Richie’s blood.”
Richie beamed, looking like a pixie with his prematurely white hair, just long enough to touch the collar of his oxford shirt. “You get hold of Myra Maynes yet?” he asked innocently.
“Go look for your own remains,” she said.
Richie and Let’s Go People thought that was hilarious.
Her cell phone vibrated. She sneaked a look at the number flashing on the screen: Jay Ramsey.
“Jay?” she said, turning her back so she could hear.
“We need to talk,” Ramsey said. He sounded as if he were speaking from the bottom of a well. “I’ll be done here in an hour and a half. Why don’t I meet you at the farm in two hours. Say, six-thirty? I’ll leave the gate open.”
“Six-thirty, I’ll be there.”
He hung up.
That strange quality to his voice.
“What was that?” Galaz asked, his voice hopeful. “A break?”
“Nope,” Laura said. “No break.”
* * *
She stopped by the auto body shop to see how the lab techs were doing with the motorhome. They were in the process of carrying out bags of evidence. There would be a lot to comb through.
Victor had gone to track down two private parties who sold white GEOs in the last week, and Buddy was about to leave. He pulled out behind her but she lost sight of him when she headed in the direction of mid-town. She decided to stop by Mickey Harmon’s house and see if she could catch him off-guard.
Harmon lived on a quiet street in the Sam Hughes neighborhood. His house was a Spanish eclectic mansion—arched collonades, red-tiled roof, stately palms and a lush desert garden which she could see through the gates set into the high stucco wall.
The security business must be booming. She rang the buzzer at the gate, but nothing happened.
She debated whether to go back to DPS or straight to Jay Ramsey’s house. She had a little over an hour before they were due to meet--too short a window to get anything done at DPS and get back out to mid-town. So she drove the few miles to Alamo Farm.
Unlike Harmon’s place, Ramsey’s gate was open. Maybe Jay had made it home early.
As she drove onto the property, the slanting sun poked holes through the windbreak of walnut and mesquite trees, throwing shadows on the lane like a bar code. She turned left on the lane leading to the house, driving into the sun. Dust from her car tires seemed to buzz in the air as sun and shade flickered across her eyeballs. The windshield gleamed gold and brown, like tortoiseshell.
A black SUV turned onto the lane from between the two eucalyptus trees marking the entrance to the Ramsey house. Funny. It looked like Mike Galaz’s take-home vehicle.
He stopped and she stopped, window to window. “If you’re looking for Jay,” Galaz said, “He’s not home.”
“I’m meeting him here at six-thirty.”
“Have you talked to Mickey yet?”
“No.”
“Two minds with a single thought,” Galaz said. “Jay knows Mickey a lot better than I do--it occurred to me he could give us some insight.”
“Same here.” Laura stifled her resentment. She hated the idea of him micromanaging her case.
“You want me to come back with you and wait?”
“That’s not—“
“Let me turn around, okay?”
She put the 4Runner in gear and drove on without waiting for him to catch up. Why was Galaz so interested? Was it because he was so close to Jay Ramsey and Mickey Harmon? She knew Ramsey was influential in raising money for Galaz’s campaign for mayor. Maybe he was here for damage control.
She turned off at Ramsey’s house, Galaz on her tail. Trees cast long shadows across the dirt clearing, the hard-packed ground reddish gold in the dying light. No cars. Laura knocked on the door anyway, and wasn’t surprised when she got no answer. Cold air leaked through the screen door as she peered in. Nobody home?
Galaz wasn’t good at waiting. He paced back and forth on the flagstone paving in front of the house, finally went around to the back. Returned and checked his watch over and over, whistling. Annoying the hell out of her.
A sprinkler stuttered noisily across the lawn, raining on a pair of shrieking grackles. Laura, grateful for the cooling mist as the water spattered near her feet.
“I don’t think he’s coming,” Galaz said after his second circuit around the house.
Laura was inclined to agree with him.
“That’s it for me.” Galaz got into his Suburban. “See you back at the ranch.”
He started his engine to cool off the Suburban but didn’t pull out right away. She could see him talking on the phone as she walked back to her own vehicle.
Something about this scene bothered her. Where was Freddy? She got out her phone and checked her messages. There was a message from Charlie Specter regarding the owner of the GEO Prism. The man was being interviewed by Victor Celaya now. But neither Freddy nor Jay had called to cancel the meeting.
The door to the house was open; only the screen door stood between her and the inside of the house. A guy who ran an Internet security company wouldn’t leave his house wide open like that.
I’ll leave the gate open for you.
Why? Why bother leaving the gate open when it was just as easy to do what he always did?
Abruptly, she had a bad feeling. It took her a moment to pinpoint it, although it had been in the back of her mind all afternoon.
She had interviewed and interrogated perhaps a hundred suspects and witnesses in her three years as a investigator, and in the cases where she got a confession, there was always that moment when the decision was made to capitulate. With some of them, it showed in their eyes; others, in their voices.
She had heard that kind of resignation in Jay’s voice, realized that the sound of his voice was the main reason she had come out here. The link between Dark Moondancer and Musicman was tenuous and might come to nothing. Mickey Harmon may or may have not killed Julie Marr all those years ago. What compelled her to come here was Jay Ramsey’s state of mind.
She walked back to the house, glancing at Galaz in his vehicle, still engrossed in his phone call. She thought about asking him to go with her, but discarded that notion. She didn’t know if he would be a help or a hindrance. Better to do this on her own.
“Jay?” she called. “Freddy?”
She pulled at the screen door and was surprised that it was unlocked.
Suddenly she remembered the last time she had walked into this house uninvited, the night Jay Ramsey was shot. For a moment the two incidents, decades apart, seemed to meld together into this one surreal moment. She withdrew her weapon. Heart slamming against her ribs, she cleared each room she came to. Heading down the hallway to the master bedroom, unable to shake the bad feeling growing just beneath her solar plexis. The air coming from the vents was frigid, a vapor that seemed to seep like melting ice into her bowels.
Something wrong.
The white carpet with the vacuum marks had long ago been replaced by saltillo tile. The tiles reflected the white of the hallway walls and ceiling, gleaming yet cold; inviting yet ominous. Ahead in the half-light, Laura spotted a sheet of paper lying in the hallway. She picked it up. The freezing air coming from the vents made the paper flutter in her fingers.
“Dark Moondancer is a secret no longer worth keeping. I thought my penance was living the rest of my life as a quadriplegic, but it has become clear that I cannot live…”
The letter took up most of the page, twelve-point print. Laura returned the note to the floor where she found it. There would be plenty of time to look at it later; right now, she needed to find out if Jay was alive or dead.
She approached the open doorway to the master bedroom. The black iron dogs guarding the foot of the bed were gone, but she saw them as clearly as if they were here in real time,
along with the indelible image of Jay Ramsey tangled in the sheets, bleeding onto the white carpet.
Superimposed by reality.
Now Jay Ramsey sat in his wheelchair. A bottle of whiskey and an empty pill vial lay in his lap. A plastic bag had been pulled over his head.
55
Laura holstered her weapon and was at Jay Ramsey’s side in three strides. The bag had already been torn by his desperate fingers, leaving a hole, probably the last thing he did before he lost consciousness--suicides often had second thoughts.
A possibility then that he was still alive…she felt for a pulse. Weak, but there.
She removed the plastic bag and checked his airway—unobstructed. Breathing through his mouth. Good, she didn’t have to give him CPR. She couldn’t risk moving a quadriplegic from his wheelchair and laying him out on the floor.
Laura fumbled for her cell phone and pressed the TALK button.
“What’s going on?” Mike Galaz called from the hallway.
“In here,” she called. “Ramsey tried to kill himself, but he’s still alive.”
Galaz appeared in the doorway, his gun out and held at his side. “Is someone on the way?”
Face pale, eyes dark in his head. Agitated. “Did you call Dispatch? 911?”
“I was just going to call it i—“
He put his gun away and crossed the space between them. “Let me do it.”
Before she could object Galaz seized the phone from her hand. He looked at the screen for a moment, raised his arm, and threw the phone savagely across the room. It hit the wall and exploded into plastic shards.
Laura stared at the wall and back to Galaz.
“Houston, we’ve got a problem!” Galaz shouted. “Do you hear me, Mickey?”
Laura heard a noise from the master bathroom and pivoted, but it was too late; her fingers had just brushed the grip of her Sig when two huge hands closed down on her wrists like a vise, wrenching her arms up against her spine. Her shoulders and neck protested as Harmon shoved his knee square in the small of her back. He pushed her hard against the bedside table with crushing force, knocking the breath right out of her. Cuffs ratcheted around her wrists.
Darkness on the Edge of Town (Laura Cardinal Series) Page 28
