In the open door.
The lit fire. A quick mouthful of ale.
We push the Merle at a sea of cold flame.
The oars drip honey.
Hook by hook uncoils under The Kame.
Our line breaks the trek of sudden thousands.
Twelve nobbled jaws,
Grey cowls, gape in our hands.
Twelve cold mouths scream without sound.
The sea is empty again.
Like tinkers the bright ones endlessly shift their ground.
We probe emptiness all the afternoon,
Then pause and fill our teeth
With dependable food, beef and barley scone.
Sunset drags its butcher blade
From the day’s throat.
We turn through an ebb salt and sticky as blood.
More stars than fish. Women, cats, a gull
Mewl at the rock.
The valley divides the meagre miracle.
GEORGE MACKAY BROWN
Money
Quarterly, is it, money reproaches me:
‘Why do you let me lie here wastefully?
I am all you never had of goods and sex.
You could get them still by writing a few cheques.’
So I look at others, what they do with theirs:
They certainly don’t keep it upstairs.
By now they’ve a second house and car and wife:
Clearly money has something to do with life
– In fact, they’ve a lot in common, if you enquire:
You can’t put off being young until you retire,
And however you bank your screw, the money you save
Won’t in the end buy you more than a shave.
I listen to money singing. It’s like looking down
From long french windows at a provincial town,
The slums, the canal, the churches ornate and mad
In the evening sun. It is intensely sad.
PHILIP LARKIN
Water
If I were called in
To construct a religion
I should make use of water.
Going to church
Would entail a fording
To dry, different clothes;
My liturgy would employ
Images of sousing,
A furious devout drench,
And I should raise in the east
A glass of water
Where any-angled light
Would congregate endlessly.
PHILIP LARKIN
Going, Going
I thought it would last my time –
The sense that, beyond the town,
There would always be fields and farms,
Where the village louts could climb
Such trees as were not cut down;
I knew there’d be false alarms
In the papers about old streets
And split-level shopping, but some
Have always been left so far;
And when the old part retreats
As the bleak high-risers come
We can always escape in the car.
Things are tougher than we are, just
As earth will always respond
However we mess it about;
Chuck filth in the sea, if you must:
The tides will be clean beyond.
– But what do I feel now? Doubt?
Or age, simply? The crowd
Is young in the M1 café;
Their kids are screaming for more –
More houses, more parking allowed,
More caravan sites, more pay.
On the Business Page, a score
Of spectacled grins approve
Some takeover bid that entails
Five per cent profit (and ten
Per cent more in the estuaries): move
Your works to the unspoilt dales
(Grey area grants)! And when
You try to get near the sea
In summer …
It seems, just now,
To be happening so very fast;
Despite all the land left free
For the first time I feel somehow
That it isn’t going to last,
That before I snuff it, the whole
Boiling will be bricked in
Except for the tourist parts –
First slum of Europe: a role
It won’t be so hard to win,
With a cast of crooks and tarts.
And that will be England gone,
The shadows, the meadows, the lanes,
The guildhalls, the carved choirs.
There’ll be books; it will linger on
In galleries; but all that remains
For us will be concrete and tyres.
Most things are never meant.
This won’t be, most likely: but greeds
And garbage are too thick-strewn
To be swept up now, or invent
Excuses that make them all needs.
I just think it will happen, soon.
PHILIP LARKIN
I Was Not There
The morning they set out from home
I was not there to comfort them
the dawn was innocent with snow
in mockery – it is not true
the dawn was neutral was immune
their shadows threaded it too soon
they were relieved that it had come
I was not there to comfort them
One told me that my father spent
a day in prison long ago
he did not tell me that he went
what difference does it make now
when he set out when he came home
I was not there to comfort him
and now I have no means to know
of what I was kept ignorant
Both my parents died in camps
I was not there to comfort them
I was not there they were alone
my mind refuses to conceive
the life the death they must have known
I must atone because I live
I could not have saved them from death
the ground is neutral underneath
Every child must leave its home
time gathers life impartially
I could have spared them nothing since
I was too young – it is not true
they might have lived to succour me
and none shall say in my defence
had I been there to comfort them
it would have made no difference
KAREN GERSHON
The Boasts of Hywel ab Owain Gwynedd
Sunday, skilled in zealous verse I praise the Lord.
Monday, I sing in bed to my busty Nest,
‘Such whiteness you are, pear blossom must be jealous.’
Tuesday, scholar Gwladus. Not to love her is a sin.
My couplets she pigeon-coos when I thrust to woo her
till her pale cheeks flush like rosy apple skin.
Wednesday, Generys. Dry old hymns I steal to please her.
Then with passion fruit in season I kneel to ease her.
Thursday, Hunydd, no hesitating lady, she.
One small cherry-englyn and she’s my devotee.
Friday, worried Hawis, my epic regular.
She wants no baby, she’s gooseberry vehement
till sugared by my poetry of endearment.
Saturday, I score and score. One tidy eulogy
and I’m away – I can’t brake – through an orchard
I adore. O sweet riot of efflorescence,
let her name be secret for her husband’s sake,
my peach of a woman, my vegetarian diet.
O tongue, lick up juices of the fruit. O teeth
– I’ve all of mine – be sure my busy tongue keeps quiet.
DANNIE ABSE
Epithalamion
Singing, today I married my white girl
beautiful in
a barley field.
Green on thy finger a grass blade curled,
so with this ring I thee wed, I thee wed,
and send our love to the loveless world
of all the living and all the dead.
Now, no more than vulnerable human,
we more than one, less than two,
are nearly ourselves in a barley field –
and only love is the rent that’s due
though the bailiffs of time return anew
to all the living but not the dead.
Shipwrecked, the sun sinks down harbours
of a sky, unloads its liquid cargoes
of marigolds, and I and my white girl
lie still in the barley – who else wishes
to speak, what more can be said
by all the living against all the dead?
Come then all you wedding guests:
green ghost of trees, gold of barley,
you blackbird priests in the field,
you wind that shakes the pansy head
fluttering on a stalk like a butterfly;
come the living and come the dead.
Listen flowers, birds, winds, worlds,
tell all today that I married
more than a white girl in the barley –
for today I took to my human bed
flower and bird and wind and world
and all the living and all the dead.
DANNIE ABSE
The Lost Woman
My mother went with no more warning
Than a bright voice and a bad pain.
Home from school on a June morning
And where the brook goes under the lane
I saw the back of a shocking white
Ambulance drawing away from the gate.
She never returned and I never saw
Her buried. So a romance began.
The ivy-mother turned into a tree
That still hops away like a rainbow down
The avenue as I approach.
My tendrils are the ones that clutch.
I made a life for her over the years.
Frustrated no more by a dull marriage
She ran a canteen through several wars.
The wit of a cliché-ridden village
She met her match at an extra-mural
Class and the OU summer school.
Many a hero in his time
And every poet has acquired
A lost woman to haunt the home,
To be compensated and desired,
Who will not alter, who will not grow,
A corpse they need never get to know.
She is nearly always benign. Her habit
Is not to stride at dead of night.
Soft and crepuscular in rabbit–
Light she comes out. Hear how they hate
Themselves for losing her as they did.
Her country is bland and she does not chide.
But my lost woman evermore snaps
From somewhere else: ‘You did not love me.
I sacrificed too much perhaps,
I showed you the way to rise above me
And you took it. You are the ghost
With the bat-voice, my dear. I am not lost.’
PATRICIA BEER
Scotland
It was a day peculiar to this piece of the planet,
when larks rose on long thin strings of singing
and the air shifted with the shimmer of actual angels.
Greenness entered the body. The grasses
shivered with presences, and sunlight
stayed like a halo on hair and heather and hills.
Walking into town, I saw, in a radiant raincoat,
the woman from the fish-shop. ‘What a day it is!’
cried I, like a sunstruck madman.
And what did she have to say for it?
Her brow grew bleak, her ancestors raged in their graves
as she spoke with their ancient misery:
‘We’ll pay for it, we’ll pay for it, we’ll pay for it!’
ALASTAIR REID
The Child’s Story
When I was small and they talked about love I laughed
But I ran away and I hid in a tall tree
Or I lay in asparagus beds
But I still listened.
The blue dome sang with the wildest birds
And the new sun sang in the idle noon
But then I heard love, love, rung from the steeples, each belfry,
And I was afraid and I watched the cypress trees
Join the deciduous chestnuts and oaks in a crowd of shadows
And then I shivered and ran and ran to the tall
White house with the green shutters and dark red door
And I cried ‘Let me in even if you must love me’
And they came and lifted me up and told me the name
Of the near and the far stars,
And so my first love was.
ELIZABETH JENNINGS
My Grandmother
She kept an antique shop – or it kept her.
Among Apostle spoons and Bristol glass,
The faded silks, the heavy furniture,
She watched her own reflection in the brass
Salvers and silver bowls, as if to prove
Polish was all, there was no need of love.
And I remember how I once refused
To go out with her, since I was afraid.
It was perhaps a wish not to be used
Like antique objects. Though she never said
That she was hurt, I still could feel the guilt
Of that refusal, guessing how she felt.
Later, too frail to keep a shop, she put
All her best things in one long narrow room.
The place smelt old, of things too long kept shut,
The smell of absences where shadows come
That can’t be polished. There was nothing then
To give her own reflection back again.
And when she died I felt no grief at all,
Only the guilt of what I once refused.
I walked into her room among the tall
Sideboards and cupboards – things she never used
But needed: and no finger-marks were there,
Only the new dust falling through the air.
ELIZABETH JENNINGS
A Bird in the House
It was a yellow voice, a high, shrill treble in the nursery
White always and high, I remember it so,
White cupboard, off-white table, mugs, dolls’ faces
And I was four or five. The garden could have been
Miles away. We were taken down to the green
Asparagus beds, the cut lawn, and the smell of it
Comes each summer after rain when white returns. Our bird,
A canary called Peter, sang behind bars. The black and white cat
Curled and snoozed by the fire and danger was far away.
Far away for us. Safety was life and only now do I know
That white walls and lit leaves knocking windows
Are a good prison but always you have
To escape, fly off from love not felt as love,
But our bird died in his yellow feathers. The quick
Cat caught him, tore him through bars when we were out
And I do not remember tears or sadness, I only
Remember the ritual, the warm yellow feathers we put
In a cardboard egg. What a sense of fitness. How far, I know now,
Ritual goes back, egg to egg, birth to burial and we went
Down the garden softly, two in a small procession,
And the high clouds bent down, the sky pulled aside
Its blue curtains. Death was there or else
Where the wise cat had hidden. That day we buried our bird
With a sense of fitness, not knowing death would be hard
Later, dark, without form or purpose.
Clear of terror and agony,
The yellow bird sings in my mind and I say
That the child is callous but wise, knows the purpose of play.
And the grief of ten years ago
Now has an ancient rite,
A walk down the garden carrying death in an egg
And the sky singing, the trees still waving farewell
When dying was nothing to know.
ELIZABETH JENNINGS
When I am Reading
When I am reading
the literature of my people
I think,
We have no Homer
no poet as great as that,
at all as great as that,
in that way
in that marvellous way.
But now and again I read
about a particular girl
who died of love
in a ragged dress
or an eagle will rise
crying, I was eating
noble dead soldiers
who were lying on a battlefield.
And now and again there will sail
on the sea towards Canada
ships with salt sails,
songs that are white with pain.
IAIN CRICHTON SMITH
Owl and Mouse
The owl wafts home with a mouse in its beak.
The moon is stunningly bright in the high sky.
Such a gold stone, such a brilliant hard light.
The Map and the Clock Page 36
