Laura was saying something. A mellifluous name, he thought. I wish she were far away, so I could call her.
"How long will it take?" Laura was asking.
Mr. Rebeck blinked. "I beg your pardon?"
"Forgetting. Disintegrating. Letting things go."
"Oh, I see." Of course, Michael would have told her. "It depends. A month seems to be about average."
"A month? What happens then?"
"I don't know." Of course I don't know. I'm not the Answer Man. He wondered if that program was still on the radio. Probably not. He should have asked Mrs. Klapper.
"I can wait," Laura said.
Michael laughed. "You'll have to."
Laura looked at him as if he were something half-eaten and discarded. "What a wonderful Messiah you'd have made."
"True. My first miracle would have been raising you from the dead. With a steam shovel probably."
"You're like an old man in a small town," Laura said, "who used to be somebody important and still hangs around the place where he used to work, making speeches on holidays and playing at still being important."
"Maybe," Michael said tightly. "But I'll sit on your grave each Christmas and sing carols to you."
"Oh, for God's sake," Mr. Rebeck thought, "shut up!"
Not until he saw the astonished looks on their faces did he realize that he had said it aloud. Committed, he charged on. "What difference does it make which of you remembers his name longer? You're both dead. That may be the only thing you have in common, but it's a big one. You make my head hurt. If you feel like bickering so much, go off and yap among the stones. Death ought to be a quiet, easy thing, like love. You spend your time yelling that you won't sleep or that you can't sleep, when you don't even know what sleep is."
He saw the childishly startled looks on their translucent faces and suddenly could think of nothing else to say. He had not shouted at anybody for a very long while, and his voice sounded echoey and cavernous. A crazy image of bats nesting in his cheeks and hanging head down from the roof of his mouth scuttled across his mind, and he very nearly giggled.
"I've been here quite a long time, you know," he added. Then he sat and looked away because he was finished speaking.
Laura started to say something but called it back. She made a small, meaningless gesture to Michael, who nodded and leaned forward, hoping that Mr. Rebeck would look up at him. "Why did you come here?"
Mr. Rebeck did look up then. "I died, like everybody else," he said; then, seeing Laura wince, added, "No, that's too easy to say and not really true." He looked at Michael. "I told you I used to be a druggist, I think."
Michael nodded.
"I had a nice drugstore," Mr. Rebeck said. "It smelled. I mean, it was clean but it smelled nice. Like gunpowder and cinnamon, with a little chocolate, maybe. I had a bell that rang when somebody opened the door, and it rang for whatever a person needed, whether it was on his prescription or not. And I had a pair of scales that could weigh a man's heart. I didn't have a soda fountain, but I had a jar of candy to give the children when they came in to buy cough syrup or razor blades. Coltsfoot candy, they called it. I don't know why. It came in long yellow sticks. I don't think they sell it any more. I had everything any other druggist in New York had, and a little wolfbane besides."
A small breeze had sprung up, and Mr. Rebeck pulled his bathrobe closer around him and put his hands in the pockets.
"Once a man asked me to make a love potion for him. He was a good man, but very ugly, with a scarred face. He was a fighter, I think, because of his ears, and because he used to come in and have coffee with me and talk about boxing. There was a girl who used to come in and sit with us sometimes. She looked a little like you, Laura, only her hair was blond. A very smart girl. The man asked me to make up something to make her love him. He was ashamed of his face, you see, and he thought it would be so easy for me to do, like whipping up a malted. I couldn't do it, of course, not really, because it's illegal, and I didn't know how anyway. But I told him I would, only it wouldn't make her aggressive, just receptive. He'd still have to do the asking, face or no face."
He smiled, thinking about it. "She was a very nice girl, and I think she loved him anyway. But after that, everybody started to come in, asking for love potions and horoscopes and lucky charms and wanting to know what their dreams meant. People are unhappy, you know, and they'll try anything to change their luck. They acted as if I were a witch or a tame warlock, pleading with me to make their children well or make their husbands quit drinking. I told them I couldn't do it, that I wasn't a magician, and some wept and some cursed me. Those were very sad curses, without much strength. So I made a very big mistake. I said I would try.
"I thought, I am a druggist. I try to help sick people. These people are sick also, in a different way. Perhaps I could help them in a different way. And I tried, which was wrong, because there isn't any magician in the world. But they needed me, I thought, and a man must be needed. So I ground up harmless little herbs and told them to sprinkle them in their food, and I told them to sleep with little bags of flour under their pillows and their dreams would be good. I was a witch doctor, a witch doctor in New York. I hadn't meant to be, but I was. And, to make matters worse, I wasn't a very good witch doctor. Sometimes I was lucky, sometimes I guessed right and the child got well, or the number was the right one. But not very often. The people who didn't believe in all this mumbo-jumbo stopped coming, and the people who did believe stopped coming because it wasn't very effective mumbo-jumbo."
Mr. Rebeck's hands twisted the belt of the robe around and around each other, but he was still smiling faintly. "Only the really dedicated crackpots remained, and a druggist is probably the one man in the world who can't find some use for them. But I served them because they were lonely and they believed in me. I was their prophet, a prophet fallen on evil days, perhaps, but not without honor. So I felt a little important sometimes."
He began to laugh quietly, in genuine amusement, smoothing his thin hair with a brown hand. "I knew something was going to happen sooner or later. What I was doing was illegal for anybody, and twice as criminal for a druggist. If a new customer came into the store— which did happen every once in a while—I'd have to brace myself against the counter to keep from running. Policemen always frightened me when I was young, and besides I was afraid I'd lose my license if anybody started checking up on me. And there wasn't anything else in the world I was equipped to do."
He settled back against one of the cracked pillars that fended off the sky from the Wilder tomb. "And then the funniest thing happened, the most logical thing in the world. I went bankrupt." Mr. Rebeck, having a good sense of the dramatic, paused for a moment and then went on. "I couldn't pay the rent, I couldn't pay for my stock, I couldn't pay for upkeep, I couldn't pay for electricity, and I couldn't pay the lawyer who told the court I couldn't pay for anything. When I left that court I'd have gone over the hill to the poorhouse, except that the city didn't have a poorhouse, and I didn't have the carfare."
"And you came here?" Laura had not taken her eyes from his face.
"No," said Mr. Rebeck. "Not right away. I was still young, you know, about Michael's age. I thought, Jonathan, you've got your whole life ahead of you, and you can't very well spend it living off oranges and cigarette butts. So I got a job as a clerk in a grocery because they let me sleep in the back of the store. I worked there for a couple of months and saved up some money and bought some new shirts. Then I went for a walk one night and passed the place where my store used to be. They had built a chain drugstore there. A big, clean drugstore with a counter made of green marble."
Now he did look away, clasping his hands tightly together. "And I thought," he said very softly, "how funny it all was. Because they were doing the same thing I'd been doing, only with advertising. Their signs said, 'We will make you beautiful, we will make you smell good, we will cure your kidney stones and your hemorrhoids and your bad breath and your dandruff and your bad
manners. We will smooth your skin and pluck away forty pounds as if we were removing a wart—which we also do very well—and people will want to talk to you. Come unto us, all ye that are ugly and ill-tempered and alone—' " He paused. "It's wrong to promise magic to people. It was wrong when I did it, and it was wrong for this clean new drugstore. I walked a long way that night, thinking many philosophic thoughts which, fortunately, I don't remember." He laughed shortly and fell silent.
"And then?" Michael's voice jerked Mr. Rebeck's head around sharply, as if there had been a string between them.
"Then," Mr. Rebeck answered calmly, "I got drunk enough for a wedding and a wake put together and I wandered in here, singing to myself—they just latched the gate in those days—and I fell asleep on the top step here and slept for a day."
He shrugged. "And there you are. I stayed. At first I thought I'd just rest for a while, because I was very tired, but the raven brought me food—" He grinned suddenly. "The raven was there when I woke up, waiting for me. He told me he'd bring me food as long as I stayed, and when I asked why, he said it was because we had one thing in common. We both had delusions of kindness."
Mr. Rebeck yawned. "I'm tired," he said, almost apologetically, "and I want to go to bed." He stood up and stretched, and the bathrobe tightened around his thin body.
"I told you death was like life, Michael," he said sleepily. "It doesn't make very much difference whether you fight or not." He turned to Laura. "Except to you. Each man's death is his own concern, and whether he sleeps or doesn't sleep is of less importance than how he accepts it—or how he rationalizes it." He walked slowly to the mausoleum door and turned. "Good night."
"Good night," they said. "Good night."
He closed the door, took off his robe, and lay down on a mattress made largely out of small cushions arranged in a pattern that kept him reasonably comfortable. He pulled a blanket over himself and lay quietly on his back, staring at the ceiling.
Someone spoke his name, and he realized that Michael was in the room. He had wondered how long it would take Michael to realize that no physical barriers affected him now. "Yes, Michael?"
"Would you do me a favor?"
"Probably. What is it?"
Michael's voice was hesitant. "Could you tell me—could you tell me how this girl looks?"
"Laura?"
"Mmm-hmm. I'm just curious."
"You can't see her, I gather?"
"Just as a sort of general outline. Hair, shape—I know she's a woman, but that's about it."
"Yes," said Mr. Rebeck. He was silent.
"Well?"
"Oh. Well, she's dark. Her eyes are gray, I think, and she has long fingers."
"Is that all?"
"Michael, what difference can it make now?"
"None," said Michael after a moment. "I was just curious. Sorry I bothered you."
"Good night."
Michael was gone. It will be a nice summer, Mr. Rebeck said to himself. I've needed company.
He thought about the autumn. He had never liked the season, partly because looking ahead to it spoiled the spring a little for him. I look too far ahead, he thought, because I am afraid of suddenly coming face to face with things. He had never been able to enjoy the Christmas holidays in his childhood because they seemed to skid him helplessly toward the long January.
But the night was warm and scented, and he dismissed the autumn. It will come, he thought, as it always does. But first, the summer.
Chapter 5
Mrs. Klapper had set the alarm for nine-thirty, and now she waited patiently for it to ring. She lay on her side, facing away from the clock, her legs drawn up and one arm under the pillow. The blankets had been pulled so tightly up to her chin that they had come loose at the end of the bed and her feet were uncovered. She crossed her ankles and rubbed her feet against each other, but her feet remained cold, and she felt oddly vulnerable.
Rolling over on her back, she flung out an arm and became aware, as she did every morning, that nobody was there to be hit and snarl a complaint out of a half-dream.
The bed was too big, she thought. She'd go down to Sachs today or tomorrow and trade it in. "What do you need with a double bed, Klapper?" she demanded of the ceiling. "You expecting guests?"
The alarm clock made a small, self-satisfied click, and Mrs. Klapper tensed in expectancy. But the alarm did not ring, and the clock hummed innocently to itself. "So ring already!" Mrs. Klapper relaxed disgustedly. "It's by now ten o'clock, ten-thirty. What do you want, I should send you an engraved invitation?" The clock expressed no preference.
"Ai, the wonders of science," said Mrs. Klapper and turned groaningly over to look at the clock face. Her eyes looked cautiously out through her heavy lids, like two sentinels spying out enemy territory. She brushed her hair away from her face and looked closer at the dial. "You're supposed to glow in the dark, you know," she reminded it conversationally. "So glow a little." She finally made out the time to be nine-fifteen.
Mrs. Klapper fell back onto the pillow. "Fifteen minutes. I still got fifteen minutes." She was silent, then turned back to shout at the clock, "So what do I do for fifteen minutes? Tell myself jokes?" She turned over and burrowed into the pillow.
She could always get up, of course, she thought. It would at least give her the pleasure of shutting off the alarm. The idea delighted her. She reached out an arm toward the clock and then pulled it back. There wasn't any rush.
If I don't get up, she thought, I'll get such a headache. That nearly got her out of bed; she feared pain and endured it, when it came, with the stoicism of the deeply afraid. She pushed the covers back and started to sit up. Halfway erect, she changed her mind. And if I get up, all I got to look forward to is not getting a headache. Big deal. She lay down again.
An urge possessed her to look over her shoulder at the clock and find out how many minutes she had to go before she could get up in honesty. But that would have been a moral victory for the clock, and Mrs. Klapper knew the value of moral victories. She collected them. So she lay motionless, one arm lying heavy on her thigh, and thought quite directly about the strange small man in the cemetery. She had thought about him a lot during the twelve days that had passed since she had visited her husband's tomb.
The small man bothered her because she could not come to any definite conclusion about him. A gentleman, she had decided tentatively. A gentleman with a screw loose. But the decision did not satisfy her. Mrs Klapper had met gentlemen with screws loose before; Morris's law firm had seemed to specialize in them. The man she had met was not one of these.
This clock was electric and guaranteed noiseless. Actually, it made a small humming sound that Mrs. Klapper found infinitely annoying. Ticking she understood, and she loved the sound for the memories it brought back of the nights when she and Morris had lain side by side on the low bed with the thin mattress and there had been no sound but the jagged ticktock teeth biting pieces out of the night. Sometimes, if she listened for a long while, the ticking had seemed to speed up, to rush and thunder through dark tunnels in search of something just ahead, something that would be waiting only a little farther on, hunched and glowing redly. Then she would grasp Morris's arm, as if it were a banister on a long and crooked stairway, and pull herself close to him, holding him so tightly that he would move sleepily and say, "Gertrude, a little air here, please. You are not married to an accordion."
And then it would be all right. Morris was there, solid and warm and complaining, and the clock was just a clock, and she would just lie awake for a minute more, breathing deeply and quietly, and then she would turn in to face Morris and go to sleep—
The alarm went off, buzzing like a dentist's drill, and Mrs. Klapper sprang out of bed and pounced on it, shutting it off. Then she sat on the edge of the bed and said, "Hell," in an abstracted tone. Her head did hurt a little.
She got up and went from window to window, opening the blinds to let the sun flow into the big room. Standing in the sunlight, bl
inking a bit, she stretched and yawned with the same sensual appreciation of a good stretch and yawn that animals and children have. "A little exercise maybe, Klapper?" she asked herself aloud. "Bend down and touch your toes." Looking incuriously at her bare feet, she decided against it. "Silly way to start the morning."
Wandering slowly in the direction of her dresser, she caught sight of herself in the full-length mirror set into the closet door. She began to take off the faded blue pajamas. "Vey Gott, Klapper, you look like a bunch of bananas." She opened the closet quickly and looked inside for a slip.
Mrs. Klapper dressed slowly, picking her clothes carefully. It was hot already; wherever she turned, she could feel the sun on the back of her neck. She made a mental note to take a shower that night, and to wash her hair as well. As she dressed, she sang a small song about a girl whose mother offered her a choice of husbands-elect, all of them rich, successful men, but who refused them all to marry a penniless rabbinical student. "Dope," she said at the end of the song, as she always did, but, as always, she said it with kindness.
Dressed, her face washed—she had worn no makeup since Morris's death—she went into the kitchen to boil a couple of eggs. She set the timer for fifteen minutes, because she liked her eggs hard and firm, and because it was fifteen minutes during which she could move quickly around in the kitchen, running water and shutting it off, lighting small fires on the stove and then turning them off, ferreting in the refrigerator and cupboards, planning her meals for the rest of the day, and sometimes the days beyond. The dining room was quiet and much too big, and she did not like eating there any more. She continued eating at the too long table, however, because she was very much a creature of habit. Habits were secure and comforting and lent a certain purpose to the day.
A Fine and Private Place Page 6
