by Mark Twain
That was our car, you see. We moved into it, straight off, the family and all. But I asked the English gentleman to remain, and he did. A pleasant man, an infantry colonel; and doesn't know, yet, that Smythe robbed him of his berth, but thinks it was done by Smythe's servant without Smythe's knowledge. He was assisted in gathering this impression.
The Indian trains are manned by natives exclusively. The Indian stations except very large and important ones—are manned entirely by natives, and so are the posts and telegraphs. The rank and file of the police are natives. All these people are pleasant and accommodating. One day I left an express train to lounge about in that perennially ravishing show, the ebb and flow and whirl of gaudy natives, that is always surging up and down the spacious platform of a great Indian station; and I lost myself in the ecstasy of it, and when I turned, the train was moving swiftly away. I was going to sit down and wait for another train, as I would have done at home; I had no thought of any other course. But a native official, who had a green flag in his hand, saw me, and said politely:
"Don't you belong in the train, sir?"
"Yes." I said.
He waved his flag, and the train came back! And he put me aboard with as much ceremony as if I had been the General Superintendent. They are kindly people, the natives. The face and the bearing that indicate a surly spirit and a bad heart seemed to me to be so rare among Indians—so nearly non-existent, in fact—that I sometimes wondered if Thuggee wasn't a dream, and not a reality. The bad hearts are there, but I believe that they are in a small, poor minority. One thing is sure: They are much the most interesting people in the world—and the nearest to being incomprehensible. At any rate, the hardest to account for. Their character and their history, their customs and their religion, confront you with riddles at every turn-riddles which are a trifle more perplexing after they are explained than they were before. You can get the facts of a custom—like caste, and Suttee, and Thuggee, and so on—and with the facts a theory which tries to explain, but never quite does it to your satisfaction. You can never quite understand how so strange a thing could have been born, nor why.
For instance—the Suttee. This is the explanation of it:
A woman who throws away her life when her husband dies is instantly joined to him again, and is forever afterward happy with him in heaven; her family will build a little monument to her, or a temple, and will hold her in honor, and, indeed, worship her memory always; they will themselves be held in honor by the public; the woman's self-sacrifice has conferred a noble and lasting distinction upon her posterity. And, besides, see what she has escaped: If she had elected to live, she would be a disgraced person; she could not remarry; her family would despise her and disown her; she would be a friendless outcast, and miserable all her days.
Very well, you say, but the explanation is not complete yet. How did people come to drift into such a strange custom? What was the origin of the idea? "Well, nobody knows; it was probably a revelation sent down by the gods." One more thing: Why was such a cruel death chosen—why wouldn't a gentle one have answered? "Nobody knows; maybe that was a revelation, too."
No—you can never understand it. It all seems impossible. You resolve to believe that a widow never burnt herself willingly, but went to her death because she was afraid to defy public opinion. But you are not able to keep that position. History drives you from it. Major Sleeman has a convincing case in one of his books. In his government on the Nerbudda he made a brave attempt on the 28th of March, 1828, to put down Suttee on his own hook and without warrant from the Supreme Government of India. He could not foresee that the Government would put it down itself eight months later. The only backing he had was a bold nature and a compassionate heart. He issued his proclamation abolishing the Suttee in his district. On the morning of Tuesday—note the day of the week—the 24th of the following November, Ummed Singh Upadhya, head of the most respectable and most extensive Brahmin family in the district, died, and presently came a deputation of his sons and grandsons to beg that his old widow might be allowed to burn herself upon his pyre. Sleeman threatened to enforce his order, and punish severely any man who assisted; and he placed a police guard to see that no one did so. From the early morning the old widow of sixty-five had been sitting on the bank of the sacred river by her dead, waiting through the long hours for the permission; and at last the refusal came instead. In one little sentence Sleeman gives you a pathetic picture of this lonely old gray figure: all day and all night "she remained sitting by the edge of the water without eating or drinking." The next morning the body of the husband was burned to ashes in a pit eight feet square and three or four feet deep, in the view of several thousand spectators. Then the widow waded out to a bare rock in the river, and everybody went away but her sons and other relations. All day she sat there on her rock in the blazing sun without food or drink, and with no clothing but a sheet over her shoulders.
The relatives remained with her and all tried to persuade her to desist from her purpose, for they deeply loved her. She steadily refused. Then a part of the family went to Sleeman's house, ten miles away, and tried again to get him to let her burn herself. He refused, hoping to save her yet.
All that day she scorched in her sheet on the rock, and all that night she kept her vigil there in the bitter cold. Thursday morning, in the sight of her relatives, she went through a ceremonial which said more to them than any words could have done; she put on the dhaja (a coarse red turban) and broke her bracelets in pieces. By these acts she became a dead person in the eye of the law, and excluded from her caste forever. By the iron rule of ancient custom, if she should now choose to live she could never return to her family. Sleeman was in deep trouble. If she starved herself to death her family would be disgraced; and, moreover, starving would be a more lingering misery than the death by fire. He went back in the evening thoroughly worried. The old woman remained on her rock, and there in the morning he found her with her dhaja still on her head. "She talked very collectedly, telling me that she had determined to mix her ashes with those of her departed husband, and should patiently wait my permission to do so, assured that God would enable her to sustain life till that was given, though she dared not eat or drink. Looking at the sun, then rising before her over a long and beautiful reach of the river, she said calmly, 'My soul has been for five days with my husband's near that sun; nothing but my earthly frame is left; and this, I know, you will in time suffer to be mixed with his ashes in yonder pit, because it is not in your nature or usage wantonly to prolong the miseries of a poor old woman.'"
He assured her that it was his desire and duty to save her, and to urge her to live, and to keep her family from the disgrace of being thought her murderers. But she said she "was not afraid of their being thought so; that they had all, like good children, done everything in their power to induce her to live, and to abide with them; and if I should consent I know they would love and honor me, but my duties to them have now ended. I commit them all to your care, and I go to attend my husband, Ummed Singh Upadhya, with whose ashes on the funeral pile mine have been already three times mixed."
She believed that she and he had been upon the earth three several times as wife and husband, and that she had burned herself to death three times upon his pyre. That is why she said that strange thing. Since she had broken her bracelets and put on the red turban she regarded herself as a corpse; otherwise she would not have allowed herself to do her husband the irreverence of pronouncing his name. "This was the first time in her long life that she had ever uttered her husband's name, for in India no woman, high or low, ever pronounces the name of her husband."
Major Sleeman still tried to shake her purpose. He promised to build her a fine house among the temples of her ancestors upon the bank of the river and make handsome provision for her out of rent-free lands if she would consent to live; and if she wouldn't he would allow no stone or brick to ever mark the place where she died. But she only smiled and said, "My pulse has long ceased to beat, my s
pirit has departed; I shall suffer nothing in the burning; and if you wish proof, order some fire and you shall see this arm consumed without giving me any pain."
Sleeman was now satisfied that he could not alter her purpose. He sent for all the chief members of the family and said he would suffer her to burn herself if they would enter into a written engagement to abandon the suttee in their family thenceforth. They agreed; the papers were drawn out and signed, and at noon, Saturday, word was sent to the poor old woman. She seemed greatly pleased. The ceremonies of bathing were gone through with, and by three o'clock she was ready and the fire was briskly burning in the pit. She had now gone without food or drink during more than four days and a half. She came ashore from her rock, first wetting her sheet in the waters of the sacred river, for without that safeguard any shadow which might fall upon her would convey impurity to her; then she walked to the pit, leaning upon one of her sons and a nephew—the distance was a hundred and fifty yards.
"I had sentries placed all around, and no other person was allowed to approach within five paces. She came on with a calm and cheerful countenance, stopped once, and casting her eyes upwards, said, 'Why have they kept me five days from thee, my husband?' On coming to the sentries her supporters stopped and remained standing; she moved on, and walked once around the pit, paused a moment, and while muttering a prayer, threw some flowers into the fire. She then walked up deliberately and steadily to the brink, stepped into the centre of the flame, sat down, and leaning back in the midst as if reposing upon a couch, was consumed without uttering a shriek or betraying one sign of agony."
It is fine and beautiful. It compels one's reverence and respect—no, has it freely, and without compulsion. We see how the custom, once started, could continue, for the soul of it is that stupendous power, Faith; faith brought to the pitch of effectiveness by the cumulative force of example and long use and custom; but we cannot understand how the first widows came to take to it. That is a perplexing detail.
Sleeman says that it was usual to play music at the suttee, but that the white man's notion that this was to drown the screams of the martyr is not correct; that it had a quite different purpose. It was believed that the martyr died prophecying; that the prophecies sometimes foretold disaster, and it was considered a kindness to those upon whom it was to fall to drown the voice and keep them in ignorance of the misfortune that was to come.
CHAPTER XLIX.
He had had much experience of physicians, and said "the only way to keep your health is to eat what you don't want, drink what you don't like, and do what you'd druther not."
—Pudd'nhead Wilson's New Calendar.
Pyjamas—Day Scene in India—Clothed in a Turban and a Pocket Handkerchief—Land Parceled Out—Established Village Servants—Witches in Families—Hereditary Midwifery—Destruction of Girl Babies—Wedding Display—Tiger-Persuader—Hailstorm Discouragers—The Tyranny of the Sweeper—Elephant Driver—Water Carrier—Curious Rivers—Arrival at Allahabad—English Quarter—Lecture Hall Like a Snowstorm—Private Carriages—A Milliner—Early Morning—The Squatting Servant—A Religious Fair
It was a long journey—two nights, one day, and part of another day, from Bombay eastward to Allahabad; but it was always interesting, and it was not fatiguing. At first the night travel promised to be fatiguing, but that was on account of pyjamas. This foolish night-dress consists of jacket and drawers. Sometimes they are made of silk, sometimes of a raspy, scratchy, slazy woolen material with a sandpaper surface. The drawers are loose elephant-legged and elephant-waisted things, and instead of buttoning around the body there is a drawstring to produce the required shrinkage. The jacket is roomy, and one buttons it in front. Pyjamas are hot on a hot night and cold on a cold night—defects which a nightshirt is free from. I tried the pyjamas in order to be in the fashion; but I was obliged to give them up, I couldn't stand them. There was no sufficient change from day-gear to night-gear. I missed the refreshing and luxurious sense, induced by the night-gown, of being undressed, emancipated, set free from restraints and trammels. In place of that, I had the worried, confined, oppressed, suffocated sense of being abed with my clothes on. All through the warm half of the night the coarse surfaces irritated my skin and made it feel baked and feverish, and the dreams which came in the fitful flurries of slumber were such as distress the sleep of the damned, or ought to; and all through the cold other half of the night I could get no time for sleep because I had to employ it all in stealing blankets. But blankets are of no value at such a time; the higher they are piled the more effectively they cork the cold in and keep it from getting out. The result is that your legs are ice, and you know how you will feel by and by when you are buried. In a sane interval I discarded the pyjamas, and led a rational and comfortable life thenceforth.
Out in the country in India, the day begins early. One sees a plain, perfectly flat, dust-colored and brick-yardy, stretching limitlessly away on every side in the dim gray light, striped everywhere with hard-beaten narrow paths, the vast flatness broken at wide intervals by bunches of spectral trees that mark where villages are; and along all the paths are slender women and the black forms of lanky naked men moving, to their work, the women with brass water-jars on their heads, the men carrying hoes. The man is not entirely naked; always there is a bit of white rag, a loin-cloth; it amounts to a bandage, and is a white accent on his black person, like the silver band around the middle of a pipe-stem. Sometimes he also wears a fluffy and voluminous white turban, and this adds a second accent. He then answers properly to Miss Gordon Cumming's flash-light picture of him—as a person who is dressed in "a turban and a pocket handkerchief."
All day long one has this monotony of dust-colored dead levels and scattering bunches of trees and mud villages. You soon realize that India is not beautiful; still there is an enchantment about it that is beguiling, and which does not pall. You cannot tell just what it is that makes the spell, perhaps, but you feel it and confess it, nevertheless. Of course, at bottom, you know in a vague way that it is history; it is that that affects you, a haunting sense of the myriads of human lives that have blossomed, and withered, and perished here, repeating and repeating and repeating, century after century, and age after age, the barren and meaningless process; it is this sense that gives to this forlorn, uncomely land power to speak to the spirit and make friends with it; to speak to it with a voice bitter with satire, but eloquent with melancholy. The deserts of Australia and the ice-barrens of Greenland have no speech, for they have no venerable history; with nothing to tell of man and his vanities, his fleeting glories and his miseries, they have nothing wherewith to spiritualize their ugliness and veil it with a charm.
There is nothing pretty about an Indian village—a mud one—and I do not remember that we saw any but mud ones on that long flight to Allahabad. It is a little bunch of dirt-colored mud hovels jammed together within a mud wall. As a rule, the rains had beaten down parts of some of the houses, and this gave the village the aspect of a mouldering and hoary ruin. I believe the cattle and the vermin live inside the wall; for I saw cattle coming out and cattle going in; and whenever I saw a villager, he was scratching. This last is only circumstantial evidence, but I think it has value. The village has a battered little temple or two, big enough to hold an idol, and with custom enough to fat-up a priest and keep him comfortable. Where there are Mohammedans there are generally a few sorry tombs outside the village that have a decayed and neglected look. The villages interested me because of things which Major Sleeman says about them in his books—particularly what he says about the division of labor in them. He says that the whole face of India is parceled out into estates of villages; that nine-tenths of the vast population of the land consist of cultivators of the soil; that it is these cultivators who inhabit the villages; that there are certain "established" village servants—mechanics and others who are apparently paid a wage by the village at large, and whose callings remain in certain families and are handed down from father to son, like an estat
e. He gives a list of these established servants: Priest, blacksmith, carpenter, accountant, washerman, basketmaker, potter, watchman, barber, shoemaker, brazier, confectioner, weaver, dyer, etc. In his day witches abounded, and it was not thought good business wisdom for a man to marry his daughter into a family that hadn't a witch in it, for she would need a witch on the premises to protect her children from the evil spells which would certainly be cast upon them by the witches connected with the neighboring families.
The office of midwife was hereditary in the family of the basket-maker. It belonged to his wife. She might not be competent, but the office was hers, anyway. Her pay was not high—25 cents for a boy, and half as much for a girl. The girl was not desired, because she would be a disastrous expense by and by. As soon as she should be old enough to begin to wear clothes for propriety's sake, it would be a disgrace to the family if she were not married; and to marry her meant financial ruin; for by custom the father must spend upon feasting and wedding-display everything he had and all he could borrow—in fact, reduce himself to a condition of poverty which he might never more recover from.
It was the dread of this prospective ruin which made the killing of girl-babies so prevalent in India in the old days before England laid the iron hand of her prohibitions upon the piteous slaughter. One may judge of how prevalent the custom was, by one of Sleeman's casual electrical remarks, when he speaks of children at play in villages—where girl-voices were never heard!
The wedding-display folly is still in full force in India, and by consequence the destruction of girl-babies is still furtively practiced; but not largely, because of the vigilance of the government and the sternness of the penalties it levies.
