“I see,” Mr. Brodsky said gently, smiling a little. “Well, Mr. Teak, it’s been a long night for you. Why don’t you go home and get some rest now? I’m sure Mr. Basillio would be happy to see you to your car.”
Vol was taken aback by the suddenness with which the interrogation had come to an end. “What are you going to do now?” he asked, obviously frightened.
“Right now, nothing—nothing in reference to you, that is.” And he stood and gestured to Tony, who headed over to the door and stood waiting for Teak to join him. We heard their footsteps on the stairs.
When Tony had rejoined us, the attorney asked, “What do you make of it, Miss Nestleton?”
“Vol Teak was tired of paying blackmail to Dobrynin,” I said. “He hired Dobrynin’s bagman, Basil, to kill him. That’s what I make of it.”
“And you, Mr. Basillio?”
“She echoes my sentiments exactly.”
Brodsky leaned back in his chair, hands clasped together behind his neck. He looked tired. “I agree,” he pronounced. “The problem is how to prove it. As you’ve already told me, Mr. Basil is slippery. He won’t confess to any of this willingly.”
Brodsky stood suddenly and walked to a small table on the far side of the room. He opened a drawer, extracted a small object, and came back over to us.
I looked at the little white packet that he’d placed on the table in front of me. It was just a small piece of folded paper, its edges tucked in.
“Do you recognize this, Miss Nestleton?”
“No.”
He smiled. “This is the kind of wrapper that diamond merchants carry their wares in. This has always intrigued me. One would think they would transport their gems in tiny locked cases, or use all kinds of security devices. But no, they carry them in ordinary white paper envelopes such as this, in their pocket.”
He leaned over and unfolded the edges of the packet. Nestled within it were three small cut diamonds.
“Pretty, aren’t they?”
Tony and I looked up from the diamonds and at each other, perplexed.
He reclosed the packet, quite happy.
“And now, Miss Nestleton. About that police officer acquaintance of yours—the one who proved helpful in locating the fellow Basil.”
“Yes, what about him?”
“Do you think you could call on him to do one more favor?”
“A minor one, I suppose.”
“Oh, this would be decidedly minor. And Mr. Basillio, might I ask you for your help?”
“What with?” Tony asked.
“I will need a photograph of Vol Teak. And I will need a small, unobtrusive recording device.”
“No problem,” Tony said, a bit relieved.
Brodsky nodded. He reached over then and took my hand in a gallant gesture. “I am more than pleased at the way you constructed and sprang your trap for Mr. Teak,” he said. “Really. Most admirable.”
I nodded silent thanks.
“But,” he went on, “I wonder if now I might be allowed to set a trap of my own, with the able assistance—or indulgence—of Mr. Basillio and yourself.”
Chapter 21
It was just a one-act play. The shortest-running one I’d ever appeared in—only one performance. The lead character was a distinguished attorney, shrewd but kindly, aged but sharp-witted—played by Frank Brodsky.
Appearing as the willowy and mysterious lady private investigator—Miss Alice Nestleton.
Her earthy, wise-cracking, jack-of-all-trades sidekick—Anthony Basillio.
And the villain—or the hero, depending on your degree of affection for the rake Peter Dobrynin—that strangely erudite, campily deranged ex-convict known only by the one name, Basil.
Another able player would be making a brief cameo appearance: Detective Rothwax, member in good standing of the NYPD, playing Detective Rothwax, member in good standing of the NYPD.
There was no script, really, although the program should have featured a line stating, “from a concept by Frank Brodsky.” And even though the players would be performing without benefit of a director, everyone seemed to know exactly what to do.
It was a kind of sublime exercise in improvisation, made possible by the fact that everyone in it knew exactly how it should end. There was plenty of freedom for us to develop our parts, but we had to take advantage of that freedom quickly, because we knew the play was a short one.
Tony and I opened the first little scene by showing up at Basil’s halfway house around twenty minutes before noon. Basil was seated in the television room again, wearing his blue raincoat. He seemed different, more relaxed, as if whatever addictions he was prey to had at least been put on hold. He spoke differently now, too, not by means of that stilted, often cryptic dialogue. He was much more down-to-earth. In fact, when Tony told him we would like to buy him a good lunch with good whiskey accompanying it, Basil smiled and said, “You can do me like that any time. Do me now or do me later.” Then he winked at me and asked, “Right, beautiful woman?”
Off the three of us went, to meet the Wizard, who was seated in a back booth in a very upscale eating and drinking establishment on Broadway. I introduced Basil to Mr. Brodsky and we all sat down.
“What shall I call you?” the lawyer asked. “Is it ‘Mr. Basil,’ or ‘Mr. Basil something else’?”
“Call me anything you want. Call me now or call me later,” he replied. He was smiling. His eyes roved over the inside of the restaurant. Then a waitress appeared. Tony and I ordered Bloody Mary’s. Mr. Brodsky ordered tea. Mr. Basil ordered “rye whiskey.”
I saw Tony look at his watch after the drinks had arrived. It was time for the all-important bit player to make his entrance.
And Rothwax arrived on time, just as he had promised.
“What a pleasant surprise!” he boomed out as he approached the table. “You never know who you’ll meet in a bar!”
I introduced Detective Rothwax to my companions, saying that he was “one of New York’s finest.” Tony faked it—pretended he had never met the detective before. Brodsky said that “any friend of Alice Nestleton’s is surely a friend of mine.”
But Basil said nothing. Rothwax obviously made him uncomfortable—very uncomfortable. He sipped at his whiskey slowly, reflectively, staring out over the edge of the glass but not looking at Rothwax at all.
“Won’t you join us, Detective?” Brodsky offered, starting to slide over on the seat to welcome Rothwax.
“Thanks, no,” Rothwax declined. “I’m at the bar. I have to leave shortly.”
He said good-bye and how nice it had been to bump into me, that he’d enjoyed meeting everyone. Then he returned to the bar. From where we sat, his back was clearly visible. The threat was in place, as planned.
The waitress reappeared. Frank Brodsky ordered an omelet. Tony asked for a small Caesar salad. Basil ordered a turkey sandwich. I wasn’t hungry.
The moment our waitress had left, Mr. Brodsky pulled out a photograph and placed it face-up on the center of the table. Basil, who was seated next to the lawyer and across from me, didn’t even look at the picture. He kept sipping methodically at his rye.
“Do you know who this man is, Mr. Basil?”
Basil’s eyes remained on the photo for only a second. “Don’t know him. Don’t want to know him.”
Frank Brodsky tapped the photograph with his finger. “Pictured here, Mr. Basil, is one Vol Teak. We believe he murdered your friend Lenny because Lenny was blackmailing him. We believe also that he hired you to help him with the murder. Which would be an easy thing to do, given the number of times you came into contact with Mr. Teak. After all, it was you who collected those many envelopes from him, in front of the building at 1407 Broadway.”
Brodsky rotated the photograph on the table. “At the very least, y
ou were the one who managed to get into an office at Lincoln Center and secrete a gun beneath a desk there. So now, Mr. Basil, you are going to be given a chance to save your skin. I assure you that if you tell us all you know, things will go a lot easier for you with the police. They want the murderer, not the messenger. Of course, if you yourself pulled the trigger . . . well, that’s another matter altogether. But we don’t think you did. We believe you to be an innocent victim of an evil man.”
The old lawyer actually patted Basil’s arm before adding: “And I think you are very sorry about the part you played in Lenny’s death. I really believe you didn’t understand what Vol Teak was going to do. After all, Mr. Basil, judging from appearances, you seem to be a righteous man.”
We waited. Basil continued to nurse his rye. At last he looked over in silent condemnation of me for having set him up. His eyes traveled slowly over to the bar area, and then back to me.
“Don’t know the man,” Basil said icily. “Don’t know you. Don’t know the beautiful Judas.”
With a sigh, Mr. Brodsky picked up the photo and returned it to his pocket.
The food arrived then. The rest of my party ate slowly, in silence. Basil made no move to go but ate his sandwich fastidiously, albeit with great dispatch. He kept glancing at the bar, where Rothwax was so clearly visible—a threat without being threatening.
Then Brodsky made a deal out of accidentally dropping his fork. When he’d been given a new one, he turned to Basil again and said, “My memory seems to be failing me these days, Mr. Basil. There was one other question I had meant to ask you. A very important question.”
Basil chewed the last bit of his sandwich, not looking at Brodsky.
“My question is,” the attorney went on, “have you ever heard of a man by the name of Kurt van Holsema?”
Still not meeting Brodsky’s look, Basil just shook his head, angry but restrained.
“Well, sir,” Brodsky said, that hint of steel beginning to infuse his voice, “I think you do know him. But perhaps not by name. Mr. van Holsema is a Dutch businessman who now lies in Lenox Hill Hospital. His business is diamonds. And a few days ago he was mugged—knifed—after leaving a concert at Lincoln Center. Of course the culprit stole his watch and wallet, credit cards, and things of that nature. But something much more precious than that was taken. A packet of diamonds he was carrying. The man who robbed and stabbed him, Mr. Basil, bore an uncanny resemblance to yourself.”
Basil looked up then.
“Yes, isn’t it an amazing coincidence?” Brodsky said. “He even wore the same sort of coat as you do, and he too has a thin mustache.”
Tony and I stared at each other. Basil gazed down at his now empty plate.
Brodsky moved in for the kill. “Would you do me a favor, Basil? Would you be good enough to reach into your left coat pocket and remove what you find there?”
Basil’s hand went quickly to the pocket. It grasped at something and then pulled it out.
Mr. Brodsky said, “Now put that item on the table, would you please . . .? Good. Now if you would be so kind, please open it. Yes . . . splendid.”
For a few moments we all sat gazing at the sparkling gems as they caught the light.
“You see, Mr. Basil, this packet of diamonds, which has been in your possession, is the one stolen from the poor Dutch gentleman. Why, I saw you remove them from your pocket with my own eyes. And I daresay one wouldn’t be at all surprised to find various other items rightly belonging to Mr. van Holsema, say, in the place where you reside?”
“Ain’t no such thing happened to no Dutchman!” Basil said, seething. “You know it ain’t, Nellie!”
“Ah,” Brodsky said sagely. “But there is a Dutchman who will say it did. As will I. Now, doesn’t that amount to the same thing?”
Basil’s head twisted wildly toward the bar then. Rothwax was there, solid as ever, but this time he was looking dead into Basil’s eyes.
“Let me explain something to you, Basil,” the attorney said. “I’ll explain it very carefully, because I don’t want you to have any questions left in your mind. If you describe to us the circumstances that caused you to go to work for Vol Teak, you will serve, at most, a year in prison. I will personally involve myself in your case. This assumes, however, that you didn’t pull the trigger yourself. Now, as you must realize, if you are arrested for the diamond theft and assault—and believe me, you will be—you may never see the light of day again. That’s how deep you’ll be buried in the state prison system.”
Basil looked back down at his plate. I thought his face might literally crack. This was the most effective scam I had ever seen or participated in—and the cruelest. It was ugly beyond belief. I knew there was no diamond merchant, no stolen watch, or any of those other things. I knew that Brodsky had simply slipped the diamonds into Basil’s pocket. I knew that he was brilliantly playing to the eternal paranoia of the street criminal. Did Basil believe he had knifed the merchant? It didn’t matter. He knew what the police would believe. I felt a sudden dreadful shame at playing even a minor role in this whole theatrical piece.
But what if it worked? What if Basil knew a great deal, and would now be willing to talk? Then would the end have justified the means? I found I was unable to look at Mr. Brodsky. He knew I wouldn’t interfere. He knew that if push came to shove, I would trade Basil for Lucia. He knew that I would hurt Basil if that hurt would save Lucia. He knew it. I knew it. Everyone knew it.
Basil said, “He paid me.”
“Who paid you?” Brodsky asked, in a tone that sounded almost bored.
“The man.”
“By that do you mean Vol Teak? The man in the photograph I showed you?”
“Him.”
“What did he pay you for?”
“To take Lenny into Lincoln Center on Christmas Eve.”
“And did you do as he asked?”
“Yeah. Christmas Eve. I took him there and left him. He was drunk. We both were. I stole some newspapers and made out we were trying to sell early editions. We went in through the parking garage. I gave the man there twenty bills. I left Lenny there.”
“How much did Teak pay you?”
“A hundred bills.”
“Did you know he meant to kill Lenny?”
“Never figured it. No way. Never figured any of it.”
“Did you supply Teak with the .25-caliber weapon that killed Lenny?”
“No. I told him a while ago where to get guns. There’s this guy works at a hardware store, on Columbus. That’s all I told him.”
“Did you go into an office and plant a gun there—under a desk?”
“Never saw any gun, I said. All I did was get Lenny there. And I left him there. Alive.”
“Thank you so much, Mr. Basil,” Brodsky said. He removed a small tape recorder from somewhere under the lip of the table, almost in slow motion. This was the old man’s moment of triumph. He had cleared his client.
Then he picked up the diamonds, still nestled in the folded paper, and dropped them one by one into what was left of my Bloody Mary. He smiled broadly. “Fakes,” he noted.
Chapter 22
All charges were dropped against Lucia Maury. The DA’s office began to assemble a case against Vol Teak and Basil, whose real name turned out to be Charles Small and who had a long prison record. The combination of Basil’s confession and the revelation of Teak’s financial relationship with Dobrynin constituted a powerful prima facie case.
There was only one weak link, and that was the gun. Basil had confirmed to the police what he’d told Brodsky—that all he knew about the weapon was that it had probably been obtained by Teak from an illegal gun dealer he, Basil, had recommended. That person, no longer an employee at the hardware store he’d mentioned, could not be located, and Basil’s memory of what he looked like
was vague.
But the DA’s office was confident. I had supplied them with a statement describing my Anna Pavlova Smith trap and recounting, to the best of my ability, Teak’s confession of how he had obtained money from various ballet company officials in exchange for his help in getting Louis Beasley’s endorsement of them. And of course I told them about Dobrynin’s blackmail scheme.
Given all this, no wonder Lucia and her attorney were holding what could only be described as a victory party in her apartment that brutally cold Sunday afternoon. Tony had decided not to accompany me, on the grounds that, one, he had had his fill of ballet folks, and two, he really no longer liked Frank Brodsky. So I went unescorted.
The apartment was already crowded when I arrived. There were large quantities of hastily obtained food and drink. It looked as if dozens of small neighborhood stores had been contacted at the last moment, for the buzzer kept ringing as delivery boys brought up new packages of edibles. There was Italian food, there was Jewish delicatessen, there were savory Indian and Mexican treats.
Lucia looked tired but happy, and she embraced me with such fervor and determination that she nearly choked me. Her aged parents, who had come up from Delaware, thanked me profusely for all my efforts in Lucia’s behalf. There were warm embraces and tears all around.
I disengaged myself from the Maury family and went over to one of the tables laden with food. I spread a tantalizing dip on a strange-looking little cracker. Just as I was about to bite into the canapé I saw Frank Brodsky, alone on the sofa with a martini in hand, looking at me. I put the cracker down and smiled pleasantly at him. He returned the smile and lowered his head in a courtly little nod. I turned away from the food table then and started across the room to join a group of Lucia’s dancer friends I hadn’t seen in years.
“Alice Nestleton! Hello, Alice!” I heard my name being called above the din. I saw a woman waving at me a bit wildly. It was the dance critic Betty Ann Ellenville. She started to wave me toward her. I allowed myself to be reeled in. When I reached her she grabbed my arm and asked: “Can we go somewhere to talk? Maybe into the bedroom?”
A Cat in the Wings: (InterMix) Page 13
