by John Creasey
“Alice was kidnapped, as she told you, and fooled by Elliott, who was the ‘policeman’ you handed her over to. Since then, she’s spent a lot of time telling herself that she was a fool, and promising she’d never complain about life being dull again.”
Loftus smiled amiably.
Ross shrugged.
“Someone ought to do something about that,” he said.
It was easy to find an excuse for visiting her; easy, after all, to show her that normal life needn’t be dull. By the time the trial was over and the sentences carried out, Ross had come to look into a pair of startlingly blue eyes and know that they were his.
THE END
A Kind of Prisoner
John Creasey
CHAPTER
1
HOMECOMING
JUDY RYALL heard the ring at the front door bell as she was moving from the kitchen to the sitting-room of the flat. She stopped in the tiny hall. The only light came from the sitting-room, but the door was nearly closed, and in the hall it was very dull.
It wasn’t a long, steady ring; just brief and halfhearted, as if someone had touched the bell and then snatched a finger away.
Judy stood listening, her heart thumping.
Fear was an ugly thing; and by night it had become her constant companion. She could not fully understand it. It came whenever Alec was away. He was now, on another of his mysterious errands. She hated it. She hated his being away, but more than anything she hated the fear which crept upon her with the night’s darkness. She knew of no reason for it; she tried to laugh at it, but could only hold it at bay during daylight. It always came on the wings of the dusk.
The bell did not ring again, but there was an unfamiliar sound; a panting sound. She could picture a dog, lying down after a long, exciting run; that was it, someone was panting.
Then she heard a different sound; the faintest ting at the bell, it could hardly be called a ring. Then came tapping, not sharp or hard, but muffled and slow. The panting came, also.
Then came a voice: “Judy,” a man whispered, as if in pain: “Judy.”
That was—Alec. Her husband; gasping the word.
Fright paralysed the muscles of Judy’s mouth and her lips; and when she tried to move, her body seemed to resist. But she had to open the door now. She could just see the dark shape of the electric light switch. She stretched out a hand, and forced herself to go forward until she could touch it.
Light flooded the tiny hall, but brought no real relief, for at the same moment came another short, sharp ring at the bell; another hoarse: “Judy.” She felt icily cold. She was close enough to open the door, now, but her muscles seemed dead. The panting noise continued, but the tapping had stopped and Alec didn’t call out again.
She heard a thud, against the door.
“No!” she screamed, and with the cry there came some release from the paralysing fear. She slid the knob back and pulled the door wide, ready to scream again. But she did not.
Alec stood there.
Alec, her husband, Alec her lover and beloved, stood with the light shining on a face so pale that all the blood might have been drained from it. His eyes were huge, dark, filled with pain. He leaned against the side of the door, and his right hand was stretched out. He was gasping for breath; panting.
“Alec,” she breathed, and there was no scream now, because of his desperate need. She took his arm, to draw him into the room. “Come in, and——”
He resisted her, and without being told, she knew that it was with a great effort. He licked his lips; he looked as if he might fall dead at her feet.
“Judy—ring this—number. Say you’re my wife. Give the man——”
He stopped, but his lips kept working; it was as if the words he wanted wouldn’t come. He stood with his huge pain-racked eyes and his desperately pale face, resisting his wife with one arm, and thrusting the other forward—with the envelope in it. It brushed against her hand.
“Give the man—who comes—this. Don’t—don’t open——”
He stopped again.
He turned his head—and sounds outside became clearer; footsteps.
Something happened to Alec. He thrust the envelope into Judy’s hand, somehow compelling her fingers to close over it. Then he pushed her away. She couldn’t resist, just staggered back. He did not look as if he had the strength, but there was no resisting his pressure.
“Lock, bolt, door.” His voice suddenly became powerful. “Shut——”
He stretched forward, grabbed the door and closed it before she could move. It slammed. The bell gave a sharp ting. There were strange sounds outside, of movement and of voices. She shot the lower bolt, as a key scraped in the lock. The door shook but didn’t open. Soon there came a long, urgent ring of the bell.
Alec had vanished; in his place was the solid wooden door, with the battery of the bell inside; and the bolts top and bottom.
Judy wanted to open the door, call Alec, help him, save him; but she did not. The bell rang again. She knew that there was desperation in Alec’s mind, that although he might be dying, he was desperately anxious for her to do what he told her; he wanted that more than anything else in the world. She had known for a long time that he held his work more dear than life. Work—service. Mysterious, deadly, sinister secret service. This had begun the fear in her, vague at first until to-night; there was all the justification for fear.
All the horrors she had imagined had become real.
The bell jarred out again.
She put out a hand and shot the top bolt. She hardly knew what she was doing; she was not thinking beyond the words of his instructions, which she would never forget. She felt that they were the last words that he would ever speak to her, that obeying them was a trust.
She looked at the envelope.
It was just an ordinary cream-laid one, sealed, and with no address. At the top was scrawled a telephone number:
Whitehall 08181
Judy could hear that husky voice, hear words which had been uttered as if with the last effort he would ever be able to make.
“. . . ring this—number. Say you’re my wife. Give the man—who comes—this. Don’t—don’t open——”
That was all, before the sounds had come from the stairs.
The bell rang again and there was a thud at the door; Judy knew that whoever was there would try to break it down. The light of the hall was bright upon her as she turned towards the living-room. Her mouth was dry, her face seemed stiff, her eyes were wide open, rounded, as if she couldn’t close them. There was the warm, comfortable room, with the pictures which Alec had chosen and the precious things that they shared, and on the other side of the fireplace her chair, with the work-basket by its side, the light glinting on a pair of scissors.
The telephone was by Alec’s big, winged chair.
“Ring this—number.”
She looked down at it again, while the ringing at the door and the thudding stopped; and that seemed more ominous than the noise itself. Whitehall 08181. She actually lifted the receiver and began to dial, when a sound came at the window.
She screamed, dropped the telephone, turned. She gaped at the billowing curtains, at the man behind them and the open window. Fear worse than she had ever known held her in a vice. She could not move, could only stand with her mouth open, the telephone hanging from its platform, the letter in her hand.
The man jumped into the room, lithely; and landed as lightly and easily as a cat.
He smiled.
She had never seen him before. There was nothing remarkable about him; he was a little smaller than average, lean, youthful, hatless, wearing a brown coat. The thing which made him different was his smile. It wasn’t at all sinister. At first it had no effect on Judy, except a negative one; it did nothing to worsen her fears. Then he turned his back on her, as the wind howled in. An ash-tray fell off a table, two photographs collapsed on the top of bookshelves on either side of the fireplace. As the window closed, calmnes
s seemed to come into the room.
“Sorry to scare you, Mrs. Ryall,” he said. He had a pleasant voice, and the remarkable thing was that his manner was so normal; somehow, he calmed her. “Sorry about it all. But we need your help.” He smiled again, differently, as if trying to give her a message which words couldn’t quite convey. “Alec would ask for it, too.”
“Alec——” she began, and felt her body relaxing; it was almost as if the ice which had frozen in her veins was beginning to melt. “He——”
“I know, he’s outside,” the man said. “We’ll do all we can. Did he give you this?” He moved towards her, but didn’t take the letter. “And ask you to telephone Whitehall 08181?”
She found that she could answer. “Yes.” His knowledge gave her confidence that this man was a friend of Alec. Afterwards she realised that there was no way of being sure, and that he might have fooled her; but at the moment she felt quite certain.
“May I?” He took it from her.
Another sharp ring came at the front door. It made Judy jump, brought fear back. But the man glanced calmly towards the door and didn’t move.
“Impatient people,” he said lightly. “They’ll force it, soon. Mrs. Ryall, there’s no time to explain, all I can say is that Alec would have wanted you to do this.” He took another sealed envelope from his pocket—as the sounds grew louder outside. He ignored these, but scrawled the telephone number on this envelope, and handed it to her.
“Open the front door as soon as I’ve gone. Say this is what Alec gave you. Put up a fight.” He kept smiling in that comforting way, although what comfort could anyone give her? “Make everything hard to get. We’ll do all we possibly can to help Alec.”
“Who—are you?”
“A colleague of Alec’s,” the man said. He was at the telephone, listening. “They’ve cut the wire. Better say you tried to ring the number on the envelope but couldn’t get an answer. Will you?”
“I—I’ll try, but——”
“I’ll be seeing you,” the man said. “Tuck that letter somewhere out of sight first.” His eyes smiled. He stood by her side for a moment, gripping her wrist; his hand was strong, cool, steady. “Good luck, Mrs. Ryall. Fool ‘em. Alec would want it.”
He moved towards the window.
The scratching sounds were still audible at the front door.
The man pushed the window up, climbed out, then called almost in a whisper:
“Close it after me.”
He stood up on the sill. This was the first floor, and there was a fall of thirty feet to concrete below; but he stretched up as if there were nothing at all to fear. He must have gripped something, for he pulled himself up. The curtains billowed in again, and all Judy could see were the man’s legs; next his feet; then there was just the pitch darkness of the blustery night and the red curtain.
She closed the window, and turned round. She listened, but could no longer hear sounds at the door.
She had the second letter in her hand, stared at it, then moved suddenly and tucked it into the neck of her white blouse.
There were men outside whom Alec had wanted to outwit.
Her mind was hopelessly confused, but certain things made sense. Alec would want her to do what the unknown man had said; she had either to accept that or reject it, and she accepted it. She had to play for time; mustn’t give the letter up at once. She had no idea who would come in, was simply certain that someone would.
She pulled back the bolts and the door opened.
Although she had been sure that it would, it set her heart beating wildly. Yet nothing in the appearance of the man who stood there need frighten. He was older than the one who had come in by the window, taller, rather gracious and almost benevolent looking. His hair was iron grey. He moved smoothly, and he smiled freely; but somehow there was no reassurance in his smile.
Another man was behind him.
“Stay there,” this first man said to his companion and half closed the door before he approached Judy. She stood absolutely still, lips parted. “There’s no need to be alarmed, Mrs. Ryall,” the man went on. “Your husband will be all right—if you are helpful.”
He smiled again and proffered cigarettes from a gold case—and intuitively, as she had trusted the other man, Judy felt savage hatred towards this one.
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John Creasey
Master crime fiction writer John Creasey’s 562 titles (or so) have sold more than 80 million copies in over 25 languages. After enduring 743 rejection slips, the young Creasey’s career was kickstarted by winning a newspaper writing competition. He went on to collect multiple honours from The Mystery Writers of America including the Edgar Award for best novel in 1962 and the coveted title of Grand Master in 1969. Creasey’s prolific output included 11 different series including Roger West, the Toff, the Baron, Patrick Dawlish, Gideon, Dr Palfrey, and Department Z, published both under his own name and 10 other pseudonyms.
Creasey was born in Surrey in 1908 and, when not travelling extensively, lived between Bournemouth and Salisbury for most of his life. He died in England in 1973.
ALSO IN THIS SERIES
The Death Miser
Redhead
First Came a Murder
Death Round the Corner
The Mark of the Crescent
Thunder in Europe
The Terror Trap
Carriers of Death
Days of Danger
Death Stands By
Menace
Murder Must Wait
Panic!
Death by Night
The Island of Peril
Sabotage
Go Away Death
The Day of Disaster
Prepare for Action
No Darker Crime
Dark Peril
The Peril Ahead
The League of Dark Men
The Department of Death
The Enemy Within
Dead or Alive
A Kind of Prisoner
The Black Spiders
This edition published in 2017 by Ipso Books
Ipso Books is a division of Peters Fraser + Dunlop Ltd
Drury House, 34-43 Russell Street, London WC2B 5HA
Copyright © John Creasey, 1951
All rights reserved
You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damage
CONTENTS
1. THE SNATCH
2. THE TRICK
3. ORDERS
4. RIVER-SIDE
5. FORCED ENTRY
6. THE PROFESSOR
7. THE BIG ROOM
8. LOST ALICE
9. SECOND SNATCH
10. OFFER REFUSED
11. SAM
12. ATTACK
13. TIGER
14. SAMMY BRAY
15. SAMMY BLEATS
16. DEAD END
17. RESCUE
18.
MILLICENT STREET
19. VITAL NEED
20. QUIET NIGHT
21. NEW LEAD
22. BACK ROOM
23. ELLIOTT
24. REUNION
25. A LITTLE MORE?
26. CRACK
27. STRUGGLE
28. ALICE
