by Ray Bradbury
The sea had quieted. There was only a faint, far and fine net of ripples giving off sunlight in infinite repetition. She squinted again and again at the water, scowling.
He bounded back. "Damn, but the sand's hot; burns my feet off!" He flung himself on the blanket. "Eat 'em up!"
She took the three hot dogs and fed quietly on one of them. When she finished it, she handed him the remaining two. "Here, you finish them. My eyes are bigger than my stomach."
He swallowed the hot dogs in silence. "Next time," he said, finishing, "don't order more than you can use. Helluva waste."
"Here," she said, unscrewing a thermos, "you must be thirsty. Finish our lemonade."
"Thanks." He drank. Then he slapped his hands together and said, "Well, I'll go jump in the water now." He looked anxiously at the bright sea.
"Just one more thing," she said, just remembering it. "Will you buy me a bottle of suntan oil? I'm all out."
"Haven't you some in your purse?"
"I used it all."
"I wish you'd told me when I was up there buying the hot dogs," he said. "But, okay." He ran back, loping steadily.
When he was gone, she took the suntan bottle from her purse, half full, unscrewed the cap, and poured the liquid into the sand, covering it over surreptitiously, looking out at the sea, and smiling. She rose then and went down to the edge of the sea and looked out, searching the innumerable small and insignificant waves.
You can't have him, she thought. Whoever or whatever you are, he's mine, and you can't have him. I don't know what's going on; I don't know anything, really. All I know is we're going on a train tonight at seven. And we won't be here tomorrow. So you can just stay here and wait, ocean, sea, or whatever it is that's wrong here today.
Do your damnedest; you're no match for me, she thought. She picked up a stone and threw it at the sea.
"There!" she cried. "You."
He was standing beside her.
"Oh?" She jumped back.
"Hey, what gives? You standing here, muttering?"
"Was I?" She was surprised at herself. "Where's the suntan oil? Will you put it on my back?"
He poured a yellow twine of oil and massaged it onto her golden back. She looked out at the water from time to time, eyes sly, nodding at the water as if to say, "Look! You see? Ah-ha!" She purred like a kitten.
"There." He gave her the bottle.
He was half into the water before she yelled.
"Where are you going! Come here!"
He turned as if she were someone he didn't know. "For God's sake, what's wrong?"
"Why, you just finished your hot dogs and lemonade--you can't go in the water now and get cramps!"
He scoffed. "Old wives' tales."
"Just the same, you come back up on the sand and wait an hour before you go in, do you hear? I won't have you getting a cramp and drowning."
"Ah," he said, disgusted.
"Come along." She turned, and he followed, looking back at the sea.
Three o'clock. Four.
The change came at four ten. Lying on the sand, the woman in the black suit saw it coming and relaxed. The clouds had been forming since three. Now, with a sudden rush, the fog came in from off the bay. Where it had been warm, now it was cold. A wind blew up out of nothing. Darker clouds moved in.
"It's going to rain," she said.
"You sound absolutely pleased," he observed, sitting with arms folded. "Maybe our last day, and you sound pleased because it's clouding up."
"The weatherman," she confided, "said there'd be thunder showers all tonight and tomorrow. It might be a good idea to leave tonight."
"We'll stay, just in case it clears. I want to get one more day of swimming in, anyway," he said. "I haven't been in the water yet today."
"We've had so much fun talking and eating, time passes."
"Yeah," he said, looking at his hands.
The fog flailed across the sand in soft strips.
"There," she said. "That was a raindrop on my nose!" She laughed ridiculously at it. Her eyes were bright and young again. She was almost triumphant. "Good old rain."
"Why are you so pleased? You're an odd duck."
"Come on, rain!" she said. "Well, help me with these blankets. We'd better run!"
He picked up the blankets slowly, preoccupied. "Not even one last swim, dammit. I've a mind to take just one dive." He smiled at her. "Only a minute!"
"No." Her face paled. "You'll catch cold, and I'll have to nurse you!"
"Okay, okay." He turned away from the sea. Gentle rain began to fall.
Marching ahead of him, she headed for the hotel. She was singing softly to herself.
"Hold on!" he said.
She halted. She did not turn. She only listened to his voice far away.
"There's someone out in the water!" he cried. "Drowning!"
She couldn't move. She heard his feet running.
"Wait here!" he shouted. "I'll be right back! There's someone there! A woman, I think!"
"Let the lifeguards get her!"
"Aren't any! Off duty; late!" He ran down to the shore, the sea, the waves.
"Come back!" she screamed. "There's no one out there! Don't, oh, don't!"
"Don't worry. I'll be right back!" he called. "She's drowning out there, see?"
The fog came in, the rain pattered down, a white flashing light raised in the waves. He ran, and the woman in the black suit ran after him, scattering beach implements behind her, crying, tears rushing from her eyes. "Don't!" She put out her hands.
He leaped into an onrushing dark wave.
The woman in the black bathing suit waited in the rain.
At six o'clock the sun set somewhere behind black clouds. The rain rattled softly on the water, a distant drum snare.
Under the sea, a move of illuminant white.
The soft shape, the foam, the weed, the long strands of strange green hair lay in the shallows. Among the stirring glitter, deep under, was the man.
Fragile. The foam bubbled and broke. The frosted coral brain rang against a pebble with thought, as quickly lost as found. Men. Fragile. Like dolls, they break. Nothing, nothing to them. A minute under water and they're sick and pay no attention and they vomit out and kick and then, suddenly, just lie there, doing nothing. Doing nothing at all. Strange. Disappointing, after all the days of waiting.
What to do with him now? His head lolls, his mouth opens, his eyelids loosen, his eyes stare, his skin pales. Silly man, wake up! Wake up!
The water surged about him.
The man hung limply, loosely, mouth agape.
The phosphorescence, the green hair weed withdrew.
He was released. A wave carried him back to the silent shore. Back to his wife, who was waiting for him there in the cold rain.
The rain poured over the black waters.
Distantly, under the leaden skies, from the twilight shore, a woman screamed.
Ah--the ancient dusts stirred sluggishly in the water--isn't that like a woman? Now, she doesn't want him, either!
At seven o'clock the rain fell thick. It was night and very cold and the hotels all along the sea had to turn on the heat.
The Inspired Chicken Motel
It was in the Depression, deep down in the empty soul of the Depression in 1932, when we were heading west by 1928 Buick, that my mother, father, my brother Skip, and I came upon what we ever after called the Inspired Chicken Motel.
It was, my father said, a motel straight out of Revelations. And the one strange chicken at that motel could no more help making said Revelations, write on eggs, than a holy roller can help going wild with utterances of God, Time, and Eternity writhing along his limbs, seeking passage out the mouth.
Some creatures are given to talents inclined one way, some another. But chickens are the greatest dumb brute mystery of them all. Especially hens who think or intuit messages calcium-scrawled forth in a nice neat hand upon the shells wherein their offspring twitch asleep.
Little did we know that long autumn of 1932, as we blew tires and flung fan bells like lost garters down Highway 66, that somewhere ahead that motel, and that most peculiar chicken, were waiting.
Along the way, our family was a wonderful nest of amiable contempt. Holding the maps, my brother and I knew we were a helluva lot smarter than Dad, Dad knew he was smarter than Mom, and Mom knew she could brain the whole bunch, any time.
That makes for perfection.
I mean, any family that has a proper disrespect, each for the other, can stay together. As long as there is something to fight about, people will come to meals. Lose that and the family disintegrates.
So we leaped out of bed each day hardly able to wait to hear what dumb thing someone might say over the hard-fried bacon and the under-fried scrambleds. The toast was too dark or too light. There was jam for only one person. Or it was a flavor that two out of four hated. Hand us a set of bells and we could ring all the wrong changes. If Dad claimed he was still growing, Skip and I ran the tape measure out to prove he'd shrunk during the night. That's humanity. That's nature. That's family.
But like I said, there we were grousing down Illinois, quarreling through the leaf change in the Ozarks autumn where we stopped sniping all of ten minutes to see the fiery colors. Then, pot-shotting and sniveling across Kansas and Oklahoma we plowed into a fine deep-red muck and slid off the road on a detour where each of us could bless himself and blame others for the excavations, the badly painted signs, and the lack of brakeage in our old Buick. Out of the ditch, we unloaded ourselves into a great Buck-a-Night Bungalow Court in a murderers' ambush behind a woods and on the rim of a deep rock-quarry where our bodies might be found years later at the bottom of a lost and sourceless lake, and spent the night counting the rain that leaked in through the shingle-sieve roof and fighting over who had the most covers on the wrong side of the bed.
The next day was even better. We steamed out of the rain into 100-degree heat that took the sap and spunk out of us, save for a few ricochet slaps Dad threw at Skip but landed on me. By noon we were sweated fresh out of contempt, and were settling into a rather refined if exhausted period of familiar insult, when we drove up by this chicken farm outside Amarillo, Texas.
We sat up, instantly.
Why?
Because we found that chickens are kicked the same as families kick each other, to get them out of the way.
We saw an old man boot a rooster and smile as he came toward the auto gate. We all beamed. He leaned in to say he rented rooms for fifty cents a night, the price being low because the smell was high.
The starch being out of Dad, and him sunk in a despond of good will, and this looking like another dandy place to raise grouse, he turned in his chauffeur's cap and shelled out fifty cents in nickels and pennies.
Our great expectations were not punctured. The flimsy room we moved into was a beaut. Not only did all the springs give injections wherever you put flesh down, but the entire bungalow suffered from an oft-rehearsed palsy. Its foundations were still in shock from the thousand mean invaders who had cried "Timber!" and fallen upon the impaling beds.
By its smell, some wild parties had died here. There was an odor of false sincerity and lust masquerading as love. A wind blew up between the floorboards redolent of chickens under the bungalow who spent nights running crazy from diarrhea induced by pecking the bathtub liquor that seeped down through the fake Oriental linoleum.
Anyway, once we had hunched in out of the sun and slunk through a cold pork-and-beans-on-bread lunch, with white oleomargarine greasing it down the ways, my brother and I found a desert creek nearby and heaved rocks at each other to cool off. That night we went into town and found a greasy spoon and read the flyspecks and fought off the crickets that came into the cafe to skinnydip in the soup. We saw a ten-cent James Cagney gangster movie and came out heading back to the chicken ranch delighted with all the mayhem, the Great Depression gone and forgotten.
At eleven that hot night everyone in Texas was awake because of the heat. The landlady, a frail woman whose picture I had seen in every newsphoto of Dust Bowl country, eroded down to the bones but with a fragile sort of candlelight hollowed in her eyes, came to sit and chat with us about the eighteen million unemployed and what might happen next and where we were going and what would next year bring.
Which was the first cool respite of the day. A cold wind blew out of tomorrow. We grew restive. I looked at my brother, he looked at Mom, Mom looked at Dad, and we were a family, no matter what, and we were together tonight, going somewhere.
"Well..." Dad took out a road map and unfolded it and showed the lady where he had marked in red ink as if it was a chart of our four lives' territory, just how we would live in the days ahead, just how survive, just how make do, sleep just so, eat how much, and sleep with no dreams guaranteed. "Tomorrow"--he touched the roads with one nicotine-stained finger--"we'll be in Tombstone. Day after that Tucson. Stay in Tucson looking for work. We got enough cash for two weeks there if we cut it close. No jobs there, we move on to San Diego. Got a cousin there in Customs Inspection on the docks. We figure one week in San Diego, three weeks in Los Angeles. Then we've just enough money to head home to Illinois, where we can put in on relief or, who knows, maybe get our job back at the Power and Light Company that laid me off six months ago."
"I see," said the landlady.
And she did see. For all eighteen million people had come along this road and stopped here going somewhere anywhere nowhere and then going back to the nowhere somewhere anywhere they had got lost from in the first place and, not needed, gone wandering away.
"What kind of job are you looking for?" asked the landlady.
And it was a joke. She knew it as soon as she said it. Dad thought about it and laughed. Mother laughed. My brother and I laughed. We all laughed together.
For of course no one asked what kind of job, there were just jobs to be found, jobs without names, jobs to buy gas and feed faces and maybe, on occasion, buy ice-cream cones. Movies? They were something to be seen once a month, perhaps. Beyond that, my brother and I snuck in around back theaters or in side doors or down through basements up through orchestra pits or up fire escapes and down into balconies. Nothing could keep us from Saturday matinees except Adolph Menjou.
We all stopped laughing. Sensing that a proper time had come for a particular act, the landlady excused herself, went out, and in a few minutes returned. She brought with her two small gray cardboard boxes. The way she carried them at first it almost seemed she was bearing the family heirlooms or the ashes of a beloved uncle. She sat and held the two small boxes on her aproned lap for a long moment, shielding them quietly. She waited with the inherent sense of drama most people learn when small quick events must be slowed and made to seem large.
And strangely, we were moved by the hush of the woman herself, by the lostness of her face. For it was a face in which a whole lifetime of lostness showed. It was a face in which children, never born, gave cry. Or it was a face in which children, born, had passed to be buried not in the earth but in her flesh. Or it was a face in which children, born, raised, had gone off over the world never to write. It was a face in which her life and the life of her husband and the ranch they lived on struggled to survive and somehow managed. God's breath threatened to blow out her wits, but somehow, with awe at her own survival, her soul stayed lit.
Any face like that, with so much loss in it, when it finds something to hold and look at, how can you help but pay attention?
For now our landlady was holding out the boxes and opening the small lid of the first.
And inside the first box...
"Why," said Skip, "it's just an egg..."
"Look close," she said.
And we all looked close at the fresh white egg lying on a small bed of aspirin-bottle cotton.
"Hey," said Skip.
"Oh, yeah," I whispered. "Hey."
For there in the center of the egg, as if cracked, bumped and formed by mysteriou
s nature, was the skull and horns of a longhorn steer.
It was as fine and beautiful as if a jewelsmith had worked the egg some magic way to raise the calcium in obedient ridges to shape that skull and those prodigious horns. It was, therefore, an egg any boy would have proudly worn on a string about his neck or carried to school for friends to gasp over and appraise.
"This egg," said our landlady, "was laid, with this design on it, exactly three days ago."
Our hearts beat once or twice. We opened our mouths to speak. "It--"
She shut the box. Which shut our mouths. She took a deep breath, half closed her eyes, then opened the lid of the second box.
Skip cried, "I bet I know what's--"
His guess would have been right.
In the second box, revealed, lay a second fat white egg on cotton.
"There," said the lady who owned the motel and the chicken ranch way out in the middle of the land under a sky that went forever and fell over the horizon into more land that went on forever and more sky over that.
We all bent forward, squinting.
For there were words written on this egg in white calcium outline, as if the nervous system of the chicken, moved by strange night talks that only it could hear, had lettered the shell in painful half-neat inscriptions.
And the words we saw upon the egg were these:
REST IN PEACE. PROSPERITY IS NEAR.
And suddenly it was very quiet.
We had begun to ask questions about that first egg. Our mouths had jumped wide to ask: How could a chicken, in its small insides, make marks on shells? Was the hen's wristwatch machinery tampered with by outside influences? Had God used that small and simple beast as a Ouija board on which to spell out shapes, forms, remonstrances, unveilings?
But now, with the second egg before us, our mouths stayed numbly shut.
REST IN PEACE. PROSPERITY IS NEAR.
Dad could not take his eyes from that egg.
Nor could any of us.
Our lips moved at last, saying the words soundlessly.
Dad looked up, once, at our landlady. She gazed back at him with a gaze that was as calm, steady, and honest as the plains were long, hot, empty, and dry. The light of fifty years withered and bloomed there. She neither complained nor explained. She had found an egg beneath a hen. Here the egg was. Look at it, her face said. Read the words. Then ... please ... read them again.
