by A. A. Milne
His patronage did not stop at the Arts. It also included Matthew Cayley, a small cousin of thirteen, whose circumstances were as limited as had been Mark's own before his patron had rescued him. He sent the Cayley cousin to school and Cambridge. His motives, no doubt, were unworldly enough at first; a mere repaying to his account in the Recording Angel's book of the generosity which had been lavished on himself; a laying-up of treasure in heaven. But it is probable that, as the boy grew up, Mark's designs for his future were based on his own interests as much as those of his cousin, and that a suitably educated Matthew Cayley of twenty-three was felt by him to be a useful property for a man in his position; a man, that is to say, whose vanities left him so little time for his affairs.
Cayley, then, at twenty-three, looked after his cousin's affairs. By this time Mark had bought the Red House and the considerable amount of land which went with it. Cayley superintended the necessary staff. His duties, indeed, were many. He was not quite secretary, not quite land-agent, not quite business-adviser, not quite companion, but something of all four. Mark leant upon him and called him "Cay," objecting quite rightly in the circumstances to the name of Matthew. Cay, he felt was, above all, dependable; a big, heavy-jawed, solid fellow, who didn't bother you with unnecessary talk—a boon to a man who liked to do most of the talking himself.
Cayley was now twenty-eight, but had all the appearance of forty, which was his patron's age. Spasmodically they entertained a good deal at the Red House, and Mark's preference—call it kindliness or vanity, as you please—was for guests who were not in a position to repay his hospitality. Let us have a look at them as they came down to that breakfast, of which Stevens, the parlour-maid, has already given us a glimpse.
The first to appear was Major Rumbold, a tall, grey-haired, grey-moustached, silent man, wearing a Norfolk coat and grey flannel trousers, who lived on his retired pay and wrote natural history articles for the papers. He inspected the dishes on the side-table, decided carefully on kedgeree, and got to work on it. He had passed on to a sausage by the time of the next arrival. This was Bill Beverly, a cheerful young man in white flannel trousers and a blazer.
"Hallo, Major," he said as he came in, "how's the gout?"
"It isn't gout," said the Major gruffly.
"Well, whatever it is."
The Major grunted.
"I make a point of being polite at breakfast," said Bill, helping himself largely to porridge. "Most people are so rude. That's why I asked you. But don't tell me if it's a secret. Coffee?" he added, as he poured himself out a cup.
"No, thanks. I never drink till I've finished eating."
"Quite right, Major; it's only manners." He sat down opposite to the other. "Well, we've got a good day for our game. It's going to be dashed hot, but that's where Betty and I score. On the fifth green, your old wound, the one you got in that frontier skirmish in '43, will begin to trouble you; on the eighth, your liver, undermined by years of curry, will drop to pieces; on the twelfth—"
"Oh, shut up, you ass!"
"Well, I'm only warning you. Hallo; good morning, Miss Norris. I was just telling the Major what was going to happen to you and him this morning. Do you want any assistance, or do you prefer choosing your own breakfast?"
"Please don't get up," said Miss Norris. "I'll help myself. Good morning, Major." She smiled pleasantly at him. The Major nodded.
"Good morning. Going to be hot."
"As I was telling him," began Bill, "that's where—Hallo, here's Betty. Morning, Cayley."
Betty Calladine and Cayley had come in together. Betty was the eighteen-year-old daughter of Mrs. John Calladine, widow of the painter, who was acting hostess on this occasion for Mark. Ruth Norris took herself seriously as an actress and, on her holidays, seriously as a golfer. She was quite competent as either. Neither the Stage Society nor Sandwich had any terrors for her.
"By the way, the car will be round at 10.30," said Cayley, looking up from his letters. "You're lunching there, and driving back directly afterwards. Isn't that right?"
"I don't see why we shouldn't have—two rounds," said Bill hopefully.
"Much too hot in the afternoon," said the Major. "Get back comfortably for tea."
Mark came in. He was generally the last. He greeted them and sat down to toast and tea. Breakfast was not his meal. The others chattered gently while he read his letters.
"Good God!" said Mark suddenly.
There was an instinctive turning of heads towards him. "I beg your pardon, Miss Norris. Sorry, Betty."
Miss Norris smiled her forgiveness. She often wanted to say it herself, particularly at rehearsals.
"I say, Cay!" He was frowning to himself—annoyed, puzzled. He held up a letter and shook it. "Who do you think this is from?"
Cayley, at the other end of the table, shrugged his shoulders. How could he possibly guess?
"Robert," said Mark.
"Robert?" It was difficult to surprise Cayley. "Well?"
"It's all very well to say 'well?' like that," said Mark peevishly. "He's coming here this afternoon."
"I thought he was in Australia, or somewhere."
"Of course. So did I." He looked across at Rumbold. "Got any brothers, Major?"
"No."
"Well, take my advice, and don't have any."
"Not likely to now," said the Major.
Bill laughed. Miss Norris said politely: "But you haven't any brothers, Mr. Ablett?"
"One," said Mark grimly. "If you're back in time you'll see him this afternoon. He'll probably ask you to lend him five pounds. Don't."
Everybody felt a little uncomfortable.
"I've got a brother," said Bill helpfully, "but I always borrow from him."
"Like Robert," said Mark.
"When was he in England last?" asked Cayley.
"About fifteen years ago, wasn't it? You'd have been a boy, of course."
"Yes, I remember seeing him once about then, but I didn't know if he had been back since."
"No. Not to my knowledge." Mark, still obviously upset, returned to his letter.
"Personally," said Bill, "I think relations are a great mistake."
"All the same," said Betty a little daringly, "it must be rather fun having a skeleton in the cupboard."
Mark looked up, frowning.
"If you think it's fun, I'll hand him over to you, Betty. If he's anything like he used to be, and like his few letters have been—well, Cay knows."
Cayley grunted.
"All I knew was that one didn't ask questions about him."
It may have been meant as a hint to any too curious guest not to ask more questions, or a reminder to his host not to talk too freely in front of strangers, although he gave it the sound of a mere statement of fact. But the subject dropped, to be succeeded by the more fascinating one of the coming foursome. Mrs. Calladine was driving over with the players in order to lunch with an old friend who lived near the links, and Mark and Cayley were remaining at home—on affairs. Apparently "affairs" were now to include a prodigal brother. But that need not make the foursome less enjoyable.
At about the time when the Major (for whatever reasons) was fluffing his tee-shot at the sixteenth, and Mark and his cousin were at their business at the Red House, an attractive gentleman of the name of Antony Gillingham was handing up his ticket at Woodham station and asking the way to the village. Having received directions, he left his bag with the station-master and walked off leisurely. He is an important person to this story, so that it is as well we should know something about him before letting him loose in it. Let us stop him at the top of the hill on some excuse, and have a good look at him.
The first thing we realize is that he is doing more of the looking than we are. Above a clean-cut, clean-shaven face, of the type usually associated with the Navy, he carries a pair of grey eyes which seem to be absorbing every detail of our person. To strangers this look is almost alarming at first, until they discover that his mind is very often elsewhere;
that he has, so to speak, left his eyes on guard, while he himself follows a train of thought in another direction. Many people do this, of course; when, for instance, they are talking to one person and trying to listen to another; but their eyes betray them. Antony's never did.
He had seen a good deal of the world with those eyes, though never as a sailor. When at the age of twenty-one he came into his mother's money, 400 pounds a year, old Gillingham looked up from the "Stockbreeders' Gazette" to ask what he was going to do.
"See the world," said Antony.
"Well, send me a line from America, or wherever you get to."
"Right," said Antony.
Old Gillingham returned to his paper. Antony was a younger son, and, on the whole, not so interesting to his father as the cadets of certain other families; Champion Birket's, for instance. But, then, Champion Birket was the best Hereford bull he had ever bred.
Antony, however, had no intention of going further away than London. His idea of seeing the world was to see, not countries, but people; and to see them from as many angles as possible. There are all sorts in London if you know how to look at them. So Antony looked at them—from various strange corners; from the view-point of the valet, the newspaper-reporter, the waiter, the shop-assistant. With the independence of 400 pounds a year behind him, he enjoyed it immensely. He never stayed long in one job, and generally closed his connection with it by telling his employer (contrary to all etiquette as understood between master and servant) exactly what he thought of him. He had no difficulty in finding a new profession. Instead of experience and testimonials he offered his personality and a sporting bet. He would take no wages the first month, and—if he satisfied his employer—double wages the second. He always got his double wages.
He was now thirty. He had come to Waldheim for a holiday, because he liked the look of the station. His ticket entitled him to travel further, but he had always intended to please himself in the matter. Waldheim attracted him, and he had a suit-case in the carriage with him and money in his pocket. Why not get out?
The landlady of 'The George' was only too glad to put him up, and promised that her husband would drive over that afternoon for his luggage.
"And you would like some lunch, I expect, sir."
"Yes, but don't give yourself any trouble about it. Cold anything-you've-got."
"What about beef, sir?" she asked, as if she had a hundred varieties of meat to select from, and was offering him her best.
"That will do splendidly. And a pint of beer."
While he was finishing his lunch, the landlord came in to ask about the luggage. Antony ordered another pint, and soon had him talking.
"It must be rather fun to keep a country inn," he said, thinking that it was about time he started another profession.
"I don't know about fun, sir. It gives us a living, and a bit over."
"You ought to take a holiday," said Antony, looking at him thoughtfully.
"Funny thing your saying that," said the landlord, with a smile. "Another gentleman, over from the Red House, was saying that only yesterday. Offered to take my place 'n all." He laughed rumblingly.
"The Red House? Not the Red House, Stanton?"
"That's right, sir. Stanton's the next station to Waldheim. The Red House is about a mile from here—Mr. Ablett's."
Antony took a letter from his pocket. It was addressed from "The Red House, Stanton," and signed "Bill."
"Good old Bill," he murmured to himself. "He's getting on."
Antony had met Bill Beverley two years before in a tobacconist's shop. Gillingham was on one side of the counter and Mr. Beverley on the other. Something about Bill, his youth and freshness, perhaps, attracted Antony; and when cigarettes had been ordered, and an address given to which they were to be sent, he remembered that he had come across an aunt of Beverley's once at a country-house. Beverley and he met again a little later at a restaurant. Both of them were in evening-dress, but they did different things with their napkins, and Antony was the more polite of the two. However, he still liked Bill. So on one of his holidays, when he was unemployed, he arranged an introduction through a mutual friend. Beverley was a little inclined to be shocked when he was reminded of their previous meetings, but his uncomfortable feeling soon wore off, and he and Antony quickly became intimate. But Bill generally addressed him as "Dear Madman" when he happened to write.
Antony decided to stroll over to the Red House after lunch and call upon his friend. Having inspected his bedroom which was not quite the lavender-smelling country-inn bedroom of fiction, but sufficiently clean and comfortable, he set out over the fields.
As he came down the drive and approached the old red-brick front of the house, there was a lazy murmur of bees in the flower-borders, a gentle cooing of pigeons in the tops of the elms, and from distant lawns the whir of a mowing-machine, that most restful of all country sounds....
And in the hall a man was banging at a locked door, and shouting, "Open the door, I say; open the door!"
"Hallo!" said Antony in amazement.
Chapter III - Two Men and a Body
*
Cayley looked round suddenly at the voice.
"Can I help?" said Antony politely.
"Something's happened," said Cayley. He was breathing quickly. "I heard a shot—it sounded like a shot—I was in the library. A loud bang—I didn't know what it was. And the door's locked." He rattled the handle again, and shook it. "Open the door!" he cried. "I say, Mark, what is it? Open the door!"
"But he must have locked the door on purpose," said Antony. "So why should he open it just because you ask him to?"
Cayley looked at him in a bewildered way. Then he turned to the door again. "We must break it in," he said, putting his shoulder to it. "Help me."
"Isn't there a window?"
Cayley turned to him stupidly.
"Window? Window?"
"So much easier to break in a window," said Antony with a smile. He looked very cool and collected, as he stood just inside the hall, leaning on his stick, and thinking, no doubt, that a great deal of fuss was being made about nothing. But then, he had not heard the shot.
"Window—of course! What an idiot I am."
He pushed past Antony, and began running out into the drive. Antony followed him. They ran along the front of the house, down a path to the left, and then to the left again over the grass, Cayley in front, the other close behind him. Suddenly Cayley looked over his shoulder and pulled up short.
"Here," he said.
They had come to the windows of the locked room, French windows which opened on to the lawns at the back of the house. But now they were closed. Antony couldn't help feeling a thrill of excitement as he followed Cayley's example, and put his face close up to the glass. For the first time he wondered if there really had been a revolver shot in this mysterious room. It had all seemed so absurd and melodramatic from the other side of the door. But if there had been one shot, why should there not be two more?—at the careless fools who were pressing their noses against the panes, and asking for it.
"My God, can you see it?" said Cayley in a shaking voice. "Down there. Look!"
The next moment Antony saw it. A man was lying on the floor at the far end of the room, his back towards them. A man? Or the body of a man?
"Who is it?" said Antony.
"I don't know," the other whispered.
"Well, we'd better go and see." He considered the windows for a moment. "I should think, if you put your weight into it, just where they join, they'll give all right. Otherwise, we can kick the glass in."
Without saying anything, Cayley put his weight into it. The window gave, and they went into the room. Cayley walked quickly to the body, and dropped on his knees by it. For the moment he seemed to hesitate; then with an effort he put a hand on to its shoulder and pulled it over.
"Thank God!" he murmured, and let the body go again.
"Who is it?" said Antony.
"Robert Ablett."
&nb
sp; "Oh!" said Antony. "I thought his name was Mark," he added, more to himself than to the other.
"Yes, Mark Ablett lives here. Robert is his brother." He shuddered, and said, "I was afraid it was Mark."
"Was Mark in the room too?"
"Yes," said Cayley absently. Then, as if resenting suddenly these questions from a stranger, "Who are you?"
But Antony had gone to the locked door, and was turning the handle. "I suppose he put the key in his pocket," he said, as he came back to the body again.
"Who?"
Antony shrugged his shoulders.
"Whoever did this," he said, pointing to the man on the floor. "Is he dead?"
"Help me," said Cayley simply.
They turned the body on to its back, nerving themselves to look at it. Robert Ablett had been shot between the eyes. It was not a pleasant sight, and with his horror Antony felt a sudden pity for the man beside him, and a sudden remorse for the careless, easy way in which he had treated the affair. But then one always went about imagining that these things didn't happen—except to other people. It was difficult to believe in them just at first, when they happened to yourself.
"Did you know him well?" said Antony quietly. He meant, "Were you fond of him?"
"Hardly at all. Mark is my cousin. I mean, Mark is the brother I know best."
"Your cousin?"
"Yes." He hesitated, and then said, "Is he dead? I suppose he is. Will you—do you know anything about—about that sort of thing? Perhaps I'd better get some water."
There was another door opposite to the locked one, which led, as Antony was to discover for himself directly, into a passage from which opened two more rooms. Cayley stepped into the passage, and opened the door on the right. The door from the office, through which he had gone, remained open. The door, at the end of the short passage was shut. Antony, kneeling by the body, followed Cayley with his eyes, and, after he had disappeared, kept his eyes on the blank wall of the passage, but he was not conscious of that at which he was looking, for his mind was with the other man, sympathizing with him.
