Capricious

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Capricious Page 8

by Gabrielle Prendergast


  Text from Samir:

  Jibreel asleep in my lap.

  Love u.

  DRIVING TEST: PART TWO

  Last time

  I ran a stop sign

  Which is an automatic

  Fail

  And Dad said

  Everybody fails first time out

  And Mom said

  You’ve got all summer to practice

  And Kayli said

  Did you hit anyone?

  And I said

  No

  And I didn’t say

  That I ran the stop sign

  Because I didn’t see it

  Because my eyes were full of

  Tears

  This time David brings me

  Michael’s car is smaller

  Easier to drive

  And he waits while I go inside

  And fill out a form

  And take a number

  Only before my number comes up

  I walk back out to his car

  And buckle up staring at

  Nothing

  Okay, he says, okay

  And we drive

  Away

  HE TRIES

  I know something is bothering you

  I wish you would tell me what

  I’m not one of those intuitive guys

  I’m not sure there is such a thing

  I know something is bothering you

  And I’m worried it’s about us

  But it’s okay if you’re not sure

  We could take things slowly

  I know something is bothering you

  Is it your job or your parents?

  I understand how painful both can be

  You know I really like you, right?

  I mean as more than a friend

  But we’re still friends too

  If that’s what you need because

  I know something is bothering you.

  SOMETHING

  Itchy

  Dirty

  Like my skin

  Is choking me

  Like my limbs don’t fit

  Like I’m not a person

  Like I’m watching the world

  Through someone else’s eyes.

  Tired

  Sad

  Like I’ll never do another

  Interesting thing.

  Like all I am is

  Some girl to leave behind

  Like trash

  Like one of those

  Missing kids

  On milk cartons.

  Lost

  Alone

  And unable to move

  Or speak.

  DAWN

  So early that I haven’t slept

  When the sky brightens

  My curtains and it

  Must be a million degrees

  I swear I’m swimming

  In sweat.

  So early that in the half

  Awake I forget the

  Reasons I sometimes

  Dread the day, the

  Effort to repress

  My regrets.

  So early that the birds

  Are quiet still

  They haven’t yet

  Awoken to the cats

  Who stalk their

  Drowsiness.

  So early that

  Yesterday seems too

  Close to unfinished

  Like time is overtaking

  Me, a runner in a race

  I didn’t mean to enter.

  MONEY

  Another day with Marika

  Unable to resist her joy

  I’m slightly exhausted

  Face sore from laughing

  Down by the lake.

  We watched ducks and boys

  And agreed we prefer ducks

  Because they’re smarter

  And have

  C-L-E-A-N-E-R

  Feet.

  Ms. Sagal pays me with a check

  I bank it, withdrawing twenty dollars

  And blow it all at the thrift store

  Under the church on Cornwall

  Everything black, a little

  Vintage funeral dress

  A tiny men’s tuxedo jacket

  A long witchy skirt.

  A T-shirt of an ’80s band

  No one remembers.

  At Starbucks

  Samir buys me an iced tea

  And we sit on the patio

  While he tells me that his brother

  Told him that he’s marrying

  Another man in New York.

  I ask him how he feels

  And he says

  Dead inside.

  REALITY CHECK

  What He Could Have Said:

  “I’m so happy for him

  I hope I can go to the wedding

  It was great to talk to him

  He seems to be in a good place

  The guy, Ben, sounds nice

  I can’t wait to tell my sister

  She’ll be thrilled.”

  What He Did Say:

  I sort of wish I’d never called him

  I mean, what’s the point?

  How am I supposed to react to that?

  I know he didn’t choose to be gay

  But he could be discreet about it

  Now I have this hanging over me

  And I can’t tell anyone but you.

  JUST HOW SHALLOW AM I ?

  The thing to do

  When I get home

  Would be to call David

  Isn’t that the point?

  To Frankenstein

  Two boys together

  Making a perfect boyfriend?

  Wasn’t the idea

  To let them fill the gaps

  In each other?

  David’s tolerance tempers

  Samir’s passion

  David’s passivity stirred

  By Samir’s urgency.

  But the whole of them

  Is starting to feel less

  Than the sum of them

  And the whole of me

  Is starting to feel

  Much too

  Small.

  DATE NIGHT

  Kieran appears at the door

  Dad’s grad student

  I say

  Mom and Dad are out

  And he gives me

  A bundle of papers

  Which I should just

  Shove into Dad’s office

  And say good night

  But instead I ask him in.

  Want to get high?

  He says

  We pad across the

  Cool grass to the alley

  Startling a raccoon

  Kieran’s match

  Lights up the tiny

  Footprints in the dust.

  Smoke settles

  Around me like a halo

  This time it

  Feels something like

  The unscrewing of a vise

  Grip deep inside

  My head.

  Seventeen, Kieran says

  Fingering a strand of my hair

  I’m twenty-three

  So I feel like

  Quite the pervert

  Right about now.

  Yeah, I say.

  Come see my room.

  ART SHOW

  You did all these?

  Some of them are pretty good

  I like the mandalas

  And this Jesus one.

  It’s Jesus, right?

  It sort of creeps me out

  Was that the idea?

  Like he’s watching

  And I don’t know

  Judging.

  And the hands are weird

  Who is the one with the key?

  Your art teacher, huh.

  What does the key mean?

  Some kind of metaphor?

  Wow, that shit was strong

  I’m flying here and

  You look like you’re falling

  Asleep or waiting

&n
bsp; For me to kiss you.

  No offense

  You know you’re sort of cute

  In a vintage jailbait kind of way

  But your dad would kill me

  AND fail me.

  I think you’re playing grown-up

  And I don’t feel that grown-up myself.

  So maybe I’m not the right guy for your game

  Besides, this scared-rabbit thing you’re doing

  Right now is really not that sexy.

  MUNCHIES

  He disappears down the stairs

  Don’t tell your dad, okay?

  He calls back.

  I mean, I didn’t do anything

  Except get you high

  But still.

  Please, I say

  What do you think I am?

  He doesn’t answer

  Just slams the door

  But my own buzzing skull

  Has plenty to say.

  I suppose I could

  Go downstairs

  And eat everything

  And slink back up

  To vomit technicolor

  Humiliation.

  Instead, I write a list.

  NO more drugs

  NO more self-pity

  NO staying up all night

  WHAT am I doing?

  STOP asking for trouble

  STOP being so stupid

  STOP being so selfish

  STOP looking in the mirror

  STOP obsessing

  About everything

  SCREW those bitches.

  NEW YORK, I write

  EARN MONEY

  GET THROUGH GRADE TWELVE

  COLLEGE somewhere not here

  And FIX THIS MESS

  Though I have no idea

  How.

  CRAYON

  Kieran’s fingers

  I scratch them in green

  Smudgy crayon

  With black charcoal

  Rubbed in

  On a crumpled sheet

  Torn from an old

  History handout

  Like a zombie hand

  Pulling me by the hair

  To the land of the dead.

  ALWAYS DARKEST

  When Samir nudges me awake

  The clock reads 2:04 am

  The mudroom door was unlocked

  He says

  Is it okay if I stay?

  He’s sweaty and hot

  He must have jogged

  The whole way

  After all that effort

  How can I turn him away?

  Anyway, his arms

  His lips, his tongue

  And the rest of him

  Are exactly the fix

  I need.

  WHISPERS

  Samir, I whisper

  He stirs and turns to face me

  Moonlight in his eyes.

  Do you remember

  Last year when things fell apart

  How the whole world knew?

  I think that might be

  Much better than this secret

  Storm inside of me.

  Habibti, what storm?

  You mean about the car wash?

  My love, please don’t cry.

  What is it about

  Me that inspires such contempt?

  Did they want me dead?

  That was just so cruel

  Way beyond the normal cruel

  And far into malice.

  I can’t stop thinking

  Of ways to balance it out

  Even things again.

  You mean like revenge?

  Both your religion and mine

  Advise against it.

  Not revenge so much as

  Correction, erasure to

  Somehow rewind time.

  Time can’t be undone

  And mistakes can’t be unmade

  But God will judge them.

  That would comfort me

  As Samir sleeps if only

  I believed in God.

  Chapter Nine

  Unfeeling

  CAREER ASPIRATIONS

  So What is grown up?

  Do you get some kind of card?

  You know, like a bus pass?

  What if I don’t Want it?

  To grow up at all

  Much less Be something

  When I do?

  How do You know when it’s time to

  Grow up?

  And is Up the only direction?

  PLANNING

  Mom leaves my enrolment form on the counter

  With certain things circled and labeled

  AP classes: English, History, Art

  Easy A is the annotation on these

  Chemistry, Physics, Biology

  Medical school, she notes.

  Medical school!

  Calculus—challenging

  No kidding.

  French—oui?

  Non, I inscribe.

  I stare out the back window

  At the yard baking in the sun

  And imagine my grade-twelve year

  As a kind of dystopian death match

  Where students write florid essays

  In the blood of their fallen classmates

  Where Is are dotted with bullet holes

  And Ts are crossed with tears.

  I would think of my future

  My aspirations

  I DO have them

  Somewhere under all of this

  I would make the connection between school

  And future the way I’m supposed to

  But when I think of school all I see

  Is smirking spiteful girls

  And two clueless boys

  Who can never be enough

  To protect me.

  And when I think of the future

  Beyond school it looks

  Dangerous, like a destination

  I haven’t packed for

  Like I’ve arrived in Siberia with

  A suitcase full of sarongs and flip-flops

  Sunscreen and beach towel

  Bikinis and a pink chiffon dress

  Like I might just walk out

  Into the arctic snow and

  Lie down and freeze.

  THINGS I’LL CHANGE ABOUT MYSELF IF

  I GET THE TIME

  I’ll rejoin the human race

  I’ll try some makeup on my face

  A little liner around the eyes

  I’ll drop a dress size

  Give up chocolate, chips and pop

  Maybe give my shitty hair a chop

  Layers or bangs, a stylish bob

  Stop being such a thrift-store slob

  Buy something from The Gap

  Throw out all that vintage crap

  Make some friends, ones with cars

  Go to parties, sneak into bars

  Probably take up heavy drinking

  Try to stop the neurotic thinking

  Become the kind of person I can love

  That Mom and Dad can be proud of.

  EXCUSES

  David is never late

  Except when he is

  Greeting me with profuse

  Apologies and vague

  Explanations as though I

  Don’t know that something

  Happened with his brother

  This time in the middle of

  The day, which can’t be good.

  For some reason screwing up

  At night is more socially acceptable

  It’s not logical because darkness

  Is dangerous: you’re more likely

  To walk into traffic or fall into

  The lake or freeze on a park bench

  Or be jumped, mugged, raped, murdered

  Tossed into a Dumpster with

  Other broken discarded stuff.

  He nudges my knee and takes

  My hand but under the table like I

  Asked him to once and gives it a

  Little squeeze before letting g
o

  Are you okay? You’re spacing out

  I’m worried about Michael, I say

  And it’s not a lie so much as

  Only part of the whole truth.

  FALLEN ANGEL

  Michael lies on the lawn

  Behind the house

  Arms and legs out

  Like a starfish drying

  Dying on a rock.

  He smells pretty bad

  David says

  I send him inside

  For a glass of water

  And help Michael sit up.

  Let’s take this off, I say

  He lets me remove

  The puke-ripe T-shirt

  And slumps there

  As I toss it away

  His spine curled

  Each vertebra like a knife

  That might cut him open

  From the inside.

  Jesus, David says.

  Michael drinks the water

  Where’s your mom?

  I ask David. He shakes

  His head. She’s done

  With me, Michael says.

  Dad won’t even let him

  In his apartment anymore

  I help David bring him inside

  And lay him out on his bed

  Surrounded by towels.

  You should go, David says

  Mom will come home

  I suppose eventually

  She’ll be embarrassed

  If she finds out you know.

  But I sit and hold his hand

  And let the hours pass

  Watching his brother

  Roil and heave like lava downhill

  Burning everything in its path.

  BENEDICTION

  Ella, you’re a sweet girl

  And brave too. I think some chicks

  Would run a mile, even from a catch like David

  When they saw he’s related to me.

  Brother, you’re a lucky guy

  You found her without even trying

  And after all you did to screw it up

  She’s still holding your hand over me.

  Ella, you’re a sweet girl

  For knowing all I need is a glass of water

  And towels, somewhere to sleep

  And someone to watch me breathe.

  Brother, you’re a lucky guy

  Hold on to her tightly and don’t let go

  There are streaks of light and dark in her

  But both are good, and necessary.

  Did you know that life depends on change?

  On day and night, on seasons?

  On the rotating Earth? On the orbiting planets?

  That stillness equals death?

  Do you know how orbits work?

  Gravity and velocity seem like enemies

  But really they’re partners together

  Making something that seems like magic

  I’m raving again, aren’t I?

  I do that sometimes when I’m searching

 

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