THE CENTAURI DEVICE
Page 14
He wasn't even trying to get away. He took out a small pewter pillbox and slipped something into his mouth — the merest delicate flicker of a black, saurian tongue. 'The General cut off Angina's supply the day after you refused your services on Sad al Bari, Captain. She's an impatient woman. What could poor Angina do?'
Truck looked at the girl. She had slumped against the mesh, mechanically repeating. 'I want my stuff, I want my stuff.' She hooked her fingers behind the wire and pulled herself upright. Her facial musculature was cracking up, assembling grotesquely inappropriate expressions — a sentimental smile, a port lady's breezy come-on — but her eyes were calm.
'There, Truck: nobody's protecting you now. I go where the junk leads. Can you say you honestly didn't know? It's a rotten Galaxy, and it doesn't belong to you or I. That bastard' — nodding and grinning and gasping at Veronica — 'and the General and ben Barka have it cut up between them. What scraps they leave go to Doctor Grishkin in return for absolution. Politics, religion, and dope: they keep us happy with Hell.
'Veronica, I love you, come in the dark with me and well — Oh, Christ!'
She dashed forward and, before Truck could move, grabbed one of his Chambers guns. She held it in both hands, whimpered, and blew the wicket-gate to pieces.
There was a writhing motion in the gloom. Chalice Veronica cackled madly. 'Down, girl!' He produced something small and black and shot her between the shoulder blades with it. She screamed and fell over, still scrabbling toward the twisted, melting mesh.
Veronica scuttled triumphantly after her. John Truck stepped between them and put a single bolt into Veronica's wet black mouth. The back of the king's head flew off like shell from a rotten egg, but his eyes knew that it's always a pusher's market. Truck stirred the heap of dry reptilian bones with one foot, then knelt beside Angina Seng. There was a hideous, smoking hole, but she was trying to say something.
He turned her over.
She looked up at him, quite lucid; blinked. 'I could have gone for you,' she said. She touched his hand. 'That little guitarist in the Spacer's Rave said you'd eat me. I wonder if you would have?' Blood came out of her mouth. She moaned. Faintly: 'Grow up, Captain. It's time someone helped us all. Get rid of the bastards. Stop avoiding the issue. They've no right to do the things they do to us — '
He thought she was dead. He was crying. About a minute later, she said: 'If you go in there, don't breathe too hard, and don't get close. It's Paraphythium D-20.'
She didn't say anything after that. She'd given him everything she could. It was an act of faith. For some reason, he kept thinking of Ruth Berenici.
He kicked his way calmly through the wreckage of the wicket-gate.
Behind it lay a cylindrical filter tank about thirty feet high. It was chilly and dun. Years of scalding reactor winds had formed the dull laminae on its walls.
There, he discovered about half a dozen people squatting in a semicircle around what appeared to be a bundle of old sacks and wool.
Every so often, one of them would stand up unsteadily, go over and take a deep long sniff at it, then sit down again. He leaned on a wall to watch. None of them took any notice of him. He recognized them from streetcorners and the concrete aprons of spaceports on familiar planets — faces you knew without ever having seen them before.
The membranes of his nose itched.
After a while, moving like an automaton (no more capable of feeling, or so it seemed, than one of Pater's holographic images), he went closer to see what they were sniffing. On went the rite: up, shuffle a few paces, sniff, hold the breath, shuffle back; up, shuffle, sniff, as if Truck wasn't there. In a way, he wasn't.
It was a dying sheep.
The fleece had fallen away from its hindquarters in great lumps, like stuffing from an armchair left to rot in the rain; small red blisters connected by thin raised threads of poisoned epidermal nerves covered the exposed hide where the Paraphythium infection had got to it. It shifted about restlessly, trying to find a comfortable position for its scabby legs, nuzzling its sores. It looked sadly up at him, dull brown eyes running and pained, and he stared dispassionately back. He studied the rapt, revelatory faces of the users, searching for some human distinguishing mark, but they all looked like animals, too.
Starting at the nearest end of the semicircle, he went around and shot them, one by one. They never made a sound. It was like being underwater; quiet, removed.
He went back to the sheep.
It tried to get up and run off, but the time was long past for that.
'Hush,' he sad absently, 'hush.'
He tangled his fingers in the fleece at the back of its neck and gazed for some time into its eyes, its sweet, strange breath warming his cheek. When he stood up and put the gun to its head, light from the burning corpses sent his shadow flickering and huge over the sides of the tank. He regarded the carcass, numb and unthinking. Then he turned his face to the invisible stars and roared wordlessly until the tank rang like the inside of a bell — like the inside of his head — with all his horror and rage.
He pulled the third gun from his boot and ran out of that place, blubbering…
… Paraphythium images of flight and pursuit, fire and steel, ran together like water color in his brain. He'd breathed too deeply of that air, he hardly knew what was happening to him…
Warrens and runways led him inevitably too close to the reactor, pumping and howling and sucking in the night with a rage as diffuse and frustrated as his own. He staggered away from it, whimpering and covering his eyes against the elemental blast… With his cloak on fire, he fluttered through the deep rusting canyons of the City, like a moth in an unbearable cyanic dream. He reasoned desperately with himself, 'It was only a sheep,' but he knew he was just as culpable as the Pusher King. On Morpheus, hadn't he worn the alligator shoes and given the customers their stuff?… He hoped the death-commando would kill him. Twice, they ran him down, spilling like maggots from the great carcasses of the foundries when he was least expecting them, calling to one another in harsh, mechanical voices. The first time, he hid in a culvert like a rat up a drainpipe, promising obscene things to the ghost of Angina Seng if only they would pass him by… The second time, at bay in a shadowy maze of turbine jigs, from head to foot in a black cerement (writhing up like a genie, like smoke from the stacks of the city); it came to his aid with a strange gun. 'Who are you?' he called, dazzled by the splashback. Its head towered above him. Had he shrunk? 'Leave this city,' it advised him, and laughed most sepulchrally. 'Leave this place,' and swept its weapon in a withering arc… But he was lost. He came upon the reactor from another angle. 'No more!' (Trying to cover eyes and ears, blind and deaf.) He braced himself in the teeth of the fifty-knot wind howling into its maw and fired both his guns at it until they were empty. The magnetic bottle ran with spectral colors for a moment, the plasma heaved and raved, but nothing else happened… He decided that if he couldn't kill Junk City, he'd kill ben Barka; went to find him; stalked three or four people who resembled him up and down blind alleys and among swarf heaps; sprang out on each one like a praying mantis, hands hooked. But, 'You're not him! You're not him!' every time. He killed them anyway… He reeled drunkenly through the city, alone. 'Let me out!' he cried, and shook his fist at the blank uncaring face it showed him…
TWELVE
The Bunkers on Centauri VII
Two hours after dawn in Egerton's Port. At four a.m., the bottom had dropped out of the thermometer, and the street details were still pulling the night's crop of defunct and hypothermia losers off the sidewalks. There were plastic syringes frozen into the gutters and skeins of rime on the windows when John Truck stumbled over the threshold of the place he shared with Tiny Skeffern and fell on his face, making instinctive running motions and trying to brandish his guns.
He was covered in blood and soot. The Paraphythium was wearing off — and with it, mercifully, the accurate memory of that horrible night — leaving him with a runny nose and only the slightest no
tion of where he'd been, where he was, or how he'd managed to make it there. He heaved himself up as far as his knees, explored his raw, flayed face with one hand, and mumbled, 'Oh God, Tiny, I have to get out of here.' Nobody answered, so he slipped down again onto his belly and went to sleep, the room silent and unrelenting around him.
When he woke up it was getting dark, and still no sign of Tiny. His head ached ferociously. He propped himself up against a door frame and drank a pint of something he'd found in the fridge. Then he fumbled about, cooking eggs and eating them while he tried to read two messages that had come for him.
DERE BOSS (the first one went) I COM IN FRUM ERTH ON A FREYTER WURE THE UDE ENT GUDD WEN I SEEN TH OLD ELA SPID ON THE APRIN I DISIDED TO COM BAKC THERS NO HARD FEELINS
FXX.
That, hand printed in Fix the bos'n's mephitic script on the back of a crumpled, furry old spare-part invoice from a well-known Dynaflow subsidiary, caused him to grin. His face felt stiff and numb. With Fix's chopper back in its rightful corner of the hold, he could at least fly the old tub without fear of its engines falling out all over the sky. That was what he told himself: really, he just missed the little guy.
As for the other: 'The time is ripe, Captain,' it said, mad and plummy and familiar. 'Come with all haste. God speaks to us from the bunkers, you and I.' And it gave a fifteen-figure reference for a planetary touchdown. He didn't think he'd have to check the almanacs to locate the planet in question, either. It was signed 'Grishkin.' It appeared he'd been activated as the mad priest's agent.
He sat on the floor among the piles of sleazy bedclothes and Opener literature, trying to formulate some sort of policy. Angina Seng had finally convinced him that when the landed gentry cuts up a seedcake for tea it makes no difference to the cake which of them holds the knife; whoever 'won' Earth's war, it would be the same old crew who stepped up afterwards to hold out their plates: the squabble over Truck and the Device was nothing more than a polite difference between friends as to who should have the largest slice.
Ben Barka and Gaw would survive; Veronica would be replaced; Grishkin would come waddling on behind. Whole again, the triumvirate of Drugs Actual, Political, and Spiritual would dance and trample its way over the corpses of spacers in hopeless hinterland streets (blinked out like cooling suns, their precious fire gone); caper on the hulls of ships in cometary orbits, each one stuffed ripe and full with dead young men; and tread gleeful measures over the husks of planets circling two hundred suns.
The Ruled never suspect what is being done to them in their own name; how would they dare?
But Truck knew. He'd seen the eyepatch on the face of the ghoul, and the reptile's black quick tongue; he'd seen a burned-out dream of deserts, and shuddered at the entrails of madness. He'd witnessed the death of a sheep in a blasphemous cloister under the ground, and tried to understand the message of its holy breath.
Grishkin had found a way to break the Centauri blockade, confront the Device with the man who could operate it: but wherever Truck went, Gaw and ben Barka could never be very far behind. They were locked onto him and to each other in the excesses of their dance, compelled to lift their legs and laugh and sweat. He wouldn't have a hope if he answered the priest's summons, they'd be after him like dogs: yet he owed Grishkin for his humiliation on Stomach — he owed ben Barka for his scorched face — be owed someone for the deaths of Angina Seng and Sinclair Pater and every single spacer whose flesh had been frozen to the streets of Avernus.
He got up and paced about. It was completely dark, but he didn't dare put the lights on in case the place was being observed.
He shrugged.
He decided to go to Centauri anyway.
Perhaps the Device was calling subtly to its inheritor, perhaps he honestly wanted a confrontation. Certainly, as he slipped out onto the bitter streets of the port, black and ragged in his cloak like a wounded crow, he wanted revenge; by the time he'd passed the high wire fence of the landing field, he had convinced himself that his anger was more than personal; and he believed as he strode between the rocket pits under the white arc lights that the time for passive misery and acceptance was over.
It wasn't.
When he located the Ella Speed (he'd somehow forgotten the paint job and the new name), he found her loading ramp extended tike the tongue of an immense mechanical mouth.
Fix the bos'n was lying huddled up on it.
He was dead.
His lips peeled back from those sawmill teeth, he was curled foetally round a massive abdominal wound, as if his final horrified act had been an attempt to contain the several pints of fluid congealing on the diamond tread of the ramp beneath him. His eyes were narrowed, his fingers were all in a knot; under the port arcs, his features were composed of precise white planes and cold shadows, a brutal, quite alien morphology of emotion, memoir of a hard death.
Truck (down on his knees again, with his hands in the bos'n's blood and his mind on the corpse boats of Cor Caroli, where, under the same clinical illumination, there was at least a little peace, an order to the serried rows) heaved and retched. He wiped himself on Fix's yellow jerkin, coughing dismally. ('A pumpkin,' he explained, 'is what your head is. Don't forget, no vegetable seeds.') Since their government is semi-feudal, Chromians acquire early a deep familiarity with death, but: Oh, you poor sod, he thought, you poor little sod. This was nothing like the loss of Pater, whom he'd hardly known; or of Angina Seng, who hadn't died alone under bleak lights.
Images of Fix: mafeking across the Galaxy in search of freedom and dope and big Denebian whores, his grinning mouth hungry to eat it all down; shivering and blinking on the steps of courthouses in the morning, wondering where to go next after being busted and spending the night telling weird Chromian jokes (' — and were they tits? Not on your life. Intellectual melons!,' with nobody among the soreheaded jailed losers knowing quite how to laugh at this hick who found everything new they thought was old); Fix horrible in trashcan alley fights, the morals of a goat, vital, alive — dead.
'What can I do?' whispered Truck, cupping the back of the great round head in his hands. He couldn't even bring himself to close the eyelids. He got up. Someone was going to be killed. He gazed speculatively along the length of the boat toward the command bridge, then went inside.
My Ella Speed, a light haulage vehicle of the 'Transit' class, registered out of Carter's Snort, Earth, and licensed to transfer up to one thousand tons of freight over distances less than a thousand light years: she mounted three Dynaflow converters (each outputting about fifty/gigaton hours per every half ton of fuel consumed) and a 'Powerslide' rocket pile for sub-Dyne maneuvers such as planetfall; her cramped little hold had carried everything from neat nitromethane for the curious engines of Anywhere to five thousand live ferrets genetically modified to survive the curious atmosphere of Titus-Bode. Now, except for a few string-tied bundles of 'Some Words of Plain Good Sense in a Time of Trouble,' it was empty and hollow, amplifying the scrape of John Truck's bootsoles as he rifled Fix the bos'n's belongings in search of a gun.
He padded forward through that sweet and dirty ship. In the engine room, where instrumentation flickered and clicked and the display board said power down in arrays of colored lights, Fix had left himself a final note: CLENE HTE RUNIN GEER. Truck screwed it up and chucked it on the floor without so much as a smile. He put his shoulder against the command-cabin hatch and shoved. It was locked. Temper gone, he tried to kick it in and was rewarded by Tiny Skeffern's voice from the other side.
'Truck, there's some mad sod in here with a gun.' He sounded muffled and distant Truck said nothing. Damn him for being in the way. A scuffling sound. 'He says hell shoot if you don't come in quietly. I think he means it.'
'Oh, Hell' Poor old Tiny. 'All right then.' The electronic lock hummed and chimed, the hatch slid open. Truck dropped Fix's chopper, and the sound clattered back along the sub-frame of the boat like a laugh. 'I'll get you, you bastard,' he said, holding out his hands to demonstrate their emptin
ess.
Tiny had got himself backed up into a comer, his hands well above his head, small beads of sweat on his bald patch. A shallow laceration with bruised edges ran down his left cheek. He looked accusingly at Truck and complained, 'I don't think much of your friends.' Track moved a bit further into the cabin, to discover Colonel Gadaffi ben Barka lounging against the approach-radar board with an arid smile on his thin lips.
'Don't think that'll help you when the time comes,' Truck told nun, nodding at the military issue Chambers gun that had lately blown such a large hole in Fix the bos'n's insides. 'I owe you for all this, ben Barka. Nobody threatens me on my own boat'
The Arab shrugged elegantly. He had crossed one leg over the other, his whole body unconsciously mimicking the feral repose of his own death commandos. His uniform was as neat as a pin. But he looked tired, and the desert, never very far away, was etching at his brain.
'You shot my bos'n,' Truck insisted.
Ben Barka's soft brown eyes hooded themselves for a heartbeat. He seemed to be studying his pistol. 'You can't think I'm unaware of that, Captain. Neither are you aware of how much is at stake. You did plenty of killing last night.' Another oasis choked to death in the long, empty night. 'He attacked me after fair warning. He was very brave. Do you think I did it lightly? I'm sorry if you do.'
John Truck had found Fix the dwarf washed up in the port hinterland of Gloam — disoriented and illiterate among the hustlers and prostitutes, having no real understanding of the twilight subculture that had swallowed him after his escape from the rural manors and squirearchies of Chrome. The two-thousand light-year brawl that had followed was Truck's responsibility; so was its end, down there under the arc lamps of Avernus. Like Annie Truck, Fix was a dependent.
'Are you apologizing to me? I didn't own him. Apologize to him!'
'Come, Captain — '