Because Jacobsson had wanted one member of his reception committee to be conversant with literature, as a gesture of respect to Andrew Craig, he had selected Ingrid Påhl with no hesitation. Not only was she well-read, but she was also Sweden’s only living Nobel Prize winner in literature. This laurel constantly made her a useful showpiece. On the other hand, this same wreath, Jacobsson shrewdly perceived, too often made her shy, even miserable, in the company of notable visiting authors who had been awarded the prize more recently. For Ingrid Påhl, who had been unanimously voted the prize over a decade earlier, had always felt unworthy of it. Her novels, gentle prose poems dedicated to her beloved Sweden, lush word landscapes without people or life, had been honoured before more thunderous and memorable works of vitality by international greats. The award, Jacobsson knew, had embarrassed her, and she had never rid herself of the sense that she was being paraded before the world under false pretences.
The dangers of national nepotism, Jacobsson thought. Sometimes we are unfairly criticized, but sometimes quite justly, and then both giver and taker are the victims. In literature, a dozen Scandinavian writers, besides Ingrid Påhl, had received the Nobel Prize—while Marcel Proust, George Meredith, Thomas Hardy, Joseph Conrad lived and did not receive the prize. Poor Ingrid, Jacobsson thought, and now she dreads meeting Andrew Craig, whose creativity she worships and whose cause she so vigorously championed.
Jacobsson shifted his gaze to the third member of their party. Carl Adolf Krantz was Ingrid Påhl’s opposite in every way. Physically, he was a gnome. Mentally, he was a giant. Personally, he was an irritant, grudging, troublesome, disagreeable, contrary, brimming with acerbity, but stimulating, interesting, brilliant. When seated, as now, he seemed more dwarfish than usual. His thin strands of hair, dyed black, greased, lay flat on his squarish head. His eyes were tiny pinholes, his nose a miniature snout, his mouth puckered as if a cork had been pulled from it. His neat brush moustache was black, as was his short pointed goatee. His suits were always too tight, all buttons buttoned, and he wore bowties at his collar and lifts on his heels.
There was an air faintly stiff and officious, entirely Germanic, about Krantz, which was what he intended, although he had been born in Sigtuna, Sweden. His pride was that his father, a minor government diplomat, had raised and educated him in Germany, a nation and people he admired—through all regimes—beyond words. His happiest memories were of his student days at Göttingen University and Würzburg University. Returning to Sweden with his parents, he had felt alien, a feeling which had never fully left him. After a decade in private industry as a physicist—several of his papers had earned him minor renown abroad—he had been offered a post in the Institute of Theoretical Physics at the University of Uppsala. Eventually, he had begun to teach, and he aspired to the chair of physics at the University. With the advent of Hitler, his mind had turned from physics to politics. His native country’s abject neutralism made him ashamed, and he had identified himself with a resurgent Reich. On every pretext, he had visited Berlin, staying at the Kaiserhof Hotel, and mingling socially with Keitel, von Ribbentrop, and Rosenberg. During World War II, in Stockholm, he had preached for and written in favour of the German cause—to countrymen who had not known war in almost a century and a half, and whose survival depended upon neutrality. In those tense years, Carl Adolf Krantz had become a controversial and embarrassing figure to his fellow Swedes. The Reich’s fall was, in a way, his own.
In the cooler halls of science Krantz’s worth was not damaged. But in higher circles he had fallen into disrepute. During the decade before the war, he had been a member of the Royal Swedish Academy of Science, and had been one of two members with the right to vote for both the Nobel Prize in physics and the Nobel Prize in chemistry. After the war, his rôles on the Nobel committees had not been altered. However, at the University, the situation was different. When, finally, the august chair of physics had been open, Carl Adolf Krantz, despite seniority, had been passed over for a younger man. This slap in the face, this public reprimand, he could not forgive. He had resigned from the school at once. And, in the several years since, he had devoted himself part time to the Institute of Radiophysics in Stockholm, and given more and more of his days to his Nobel activities.
Despite Krantz’s checkered past and his erratic personality, Jacobsson had settled upon him as the third member of the reception committee because of his breadth of knowledge. Almost single-handedly, at least at first, Krantz had disregarded political differences to lead the inner fight to get Professor Max Stratman the Nobel Prize in physics. And although Krantz had opposed an award to the Marceaus, his position as a judge in chemistry made him eligible to converse with them as intelligently as he would with Stratman. Jacobsson had considered requesting the Caroline Institute to offer one of their own staff to the reception committee, but a fourth member would make the group unwieldy, and this seemed unnecessary since Krantz’s knowledge spilled over into physiology and medicine, too. And so finally, it had been Krantz, to join with Påhl and Jacobsson. But observing the crusty and embittered physicist now, Jacobsson had brief misgivings.
With an inaudible sigh, he straightened and saw his own countenance reflected in the glass partition. Examining his shimmering, ghostlike image, he was suddenly aware that he was probably no more qualified than either Krantz or Påhl to represent the will of Alfred Nobel, or, at least, that they were no less qualified than he. Hypnotically, his eyes held on his image, trying to see what the approaching new laureates would see of him. What? A very old man. An outdated aristocratic head. Sensitive scholar features. Face like wrinkled parchment, whitish-bluish, almost transparent. The body’s frame less tall now, limbs brittle, swathed in heavy garments to appear fuller, stronger, formidable. ‘I am a misanthrope, but exceedingly benevolent’, Nobel had written of himself. Perhaps, thought Jacobsson, a description of his own self, as well.
Jacobsson closed his eyes, and the image was gone. He had not been young since the previous century, he remembered with surprise. The world of this afternoon was the world of tomorrow’s people. Did he belong here now? Yet, truly, who belonged here more? He told himself that he represented continuity. After all, how many alive could bridge the long years, from those first winners in 1901, Roentgen, van’t Hoff, Behring, Prudhomme, Dunant, Passy, to this year’s winners, Stratman, the Marceaus, Garrett, Farelli, Craig? And who else could quote the spoken words, heard in person, engraved on memory, of Alfred Bernhard Nobel?
As an impressionable adolescent accompanying his father on a royal liaison mission, he had been privileged to be in Alfred Nobel’s presence at least a dozen times, first in Paris, and then in the lonely villa at San Remo during 1896, the last year of Nobel’s life. In view of the fact that Jacobsson had been blessed with an inherited competence, he had been able to make the Nobel Foundation his vocation since 1900, the year preceding the first awards.
In recent years, because he had begun to place a value on his unique position and because he felt that he owed something to posterity, Jacobsson had begun his Notes. These were his memories of the past, jottings of the present, relating his knowledge of the secret voting sessions of the Nobel academies, impressions and anecdotes and activities of the various laureates, descriptions of the events and ceremonies, in all a priceless rag bag of history. Jacobsson had begun the Notes—there were now seventeen green ledgers filled in his crabbed hand—not many years past. The first entry had been made late the night following that November day when the Swedish Academy, in closed session in the Old Town, had voted the literary prize to an obscure Sardinian authoress, Grazia Deledda, instead of to Gabriele D’Annunzio, because the majority of members had privately objected to D’Annunzio’s amorous exploits and to his swindling a Danish widow of her home, Villa Carnacco, in Italy. That had been 1927. Since then, except when he was ill, Jacobsson had entered something, some fact, some gossip, each day. He had always supposed that it would be a book, a large, handsome published book, to justify his life s
omehow. But in recent years, he had realized that he would never write the book. For him, the contribution of the raw Notes would be enough. Someday, someday, some other would write the book.
Abruptly, Jacobsson shook himself free of self-absorption and re-entered the present moment, again a part of Ingrid Påhl and Carl Adolf Krantz and the limousine. The authoress was dozing lightly beside him. Krantz concentrated on the task of undoing a metal puzzle; he always carried several new ones in his pocket.
Idly, Jacobsson looked out of the car window at the Stockholm suburbs unreeling before his vision. Beyond the highway, the soft sloping hills were defiantly bronze-green despite the cold. Here and there, in sight and then gone, the rural barnlike wooden houses, most of them beige-coloured but cheerfully red-roofed. How he enjoyed this land, with its shiny lakes and birch trees and clusters of primeval forest and gaping open spaces filled only by Scandinavia’s cerulean sky endlessly welded to the verdant earth. Actually, he thought, this was Ingrid Påhl’s dominion. In her slender volumes, she had staked out her possession by adoption and love. Essentially, Jacobsson knew, he was a city being. He left the cocoon of the city only in December, on these occasions, and was forever surprised at the visual wonders of the surrounding countryside and his pleasure in them. Annually, each December, he vowed to return, for an outing, a vacation, but by January all resolve had evaporated and he was part of and one with his metropolis again.
‘Bertil.’ It was Ingrid Påhl’s voice that brought him out of his trance.
He swung around, attentive. She was fully awake now, inserting a fresh cigarette in her holder, and then lighting it. He waited.
‘Bertil,’ she repeated, coughing smoke, ‘here we are, and I do not even know our schedule. Is it strenuous?’
‘You mean our receptions? Not at all.’ He dug inside his overcoat, and then inside his suit jacket and removed a folded sheet of onionskin paper. As he opened it, he saw that Krantz was also interested. ‘Here it is,’ said Jacobsson. ‘Shall I read it aloud?’
‘Please,’ said Ingrid Påhl. ‘I cannot read in a moving vehicle.’
Jacobsson brought the open sheet closer to his face. ‘December one. That’s today. Two twenty-five, afternoon. Dr. Denise Marceau. Dr. Claude Marceau. By Air France at Arlanda Airport. This evening. Seven o’clock. Dr. Carlo Farelli and Mrs. Farelli. By Scandinavian Airlines. Also Arlanda. December two. That’s tomorrow. Eight in the morning. Professor Max Stratman and—’
‘Eight in the morning,’ groaned Ingrid Påhl.
‘He is worth welcoming at any hour,’ Krantz snapped at her.
‘—and his niece,’ Jacobsson read, hurrying on. ‘By train from Göteborg. Central Station. Twelve thirty-five tomorrow afternoon. Dr. John Garrett and Mrs. Garrett. By Scandinavian Airlines. Arlanda Airport. On the same flight from Copenhagen, Mr. Andrew Craig and his sister-in-law.’
Krantz snorted. ‘Sister-in-law. Now, we pay for them, too?’
‘He is a widower,’ Ingrid Påhl answered angrily. ‘Do you want him to come alone?’
‘Please,’ interjected Jacobsson. He studied his sheet, then lowered and folded it. ‘As I said, Mr. Craig will be on the same flight with the Garretts. That will make all of them. So you see, Ingrid, the reception part of our duties will be done with and over by early afternoon tomorrow.’ He returned the paper to his inner pocket. ‘Of course, after that, there will be our other little duties. But I am certain they will be stimulating. And, as usual, the Foreign Office is loaning us several energetic attachés to help out when you and Carl wish to nap.’
‘The French couple we are going to meet right now, I do not know a thing about them,’ said Ingrid Påhl. ‘What should we know, Bertil?’
Jacobsson shrugged. ‘What is there to know? They are renowned and dedicated chemists. Despite Carl’s dissent, their discovery has met with universal acclaim. Except for the cuttings from the Paris newspapers—mostly features and interviews about their work—I know nothing of them personally.’ He nodded across the seat. ‘I think that is more Carl’s department.’
Momentarily, Krantz’s stubby fingers ceased working the metal puzzle. ‘They were proposed last year and this year, among five hundred others. There was the general weeding out, and then our committee of five recommended the Marceaus along with half a dozen others. I heard the lengthy investigation reports of our chemistry experts, and they were highly favourable, as you know. But there was little in these reports about the personalities of the winners. As far as I have been able to learn, they are both in their forties. He is older by several years. They have been married a dozen years or more. They have been dedicated to the idiot sperm project six or seven years, I think. They work in the Institut Pasteur, although not officially connected with it. They do not seem to have any interests, outside their work—like most of us in science. I would suppose, being married to each other, and their work, they will be inseparable and of the same mind. Somewhat dull, I predict.’
‘Oh, I wonder about that,’ said Ingrid Påhl. ‘I am perfectly fascinated by married couples performing outside their marriage as collaborators. It happens so often in the sciences. I wonder why it does not happen in the arts. Can you imagine a play by Anne and William Shakespeare? Or a novel by Catherine and Charles Dickens? Or a painting by Mette Sophie and Paul Gauguin? I suppose this does not happen because creativity in the arts is more individual.’
‘Nonsense,’ said Krantz.
Again, Jacobsson sought to prevent conflict. ‘No matter what the reasons, the sciences have seemed to produce some remarkable married teams.’ His mind went back to the Notes. ‘I think immediately of Madame Marie Curie and Pierre Curie. They shared the physics award in—when was it?—yes, 1903, with Professor Henri Becquerel. That was for their joint researches on radiation phenomena. As I recall, the Curies each got one-quarter of the prize, and Becquerel got one-half. I remember my disappointment when we learned that the Curies were too exhausted from overwork to attend our Ceremony. The French Minister to Sweden picked up their award.’
‘Is that not against the Code of Statutes?’ asked Ingrid Påhl. ‘I thought you had to attend in person or forfeit—’
‘Yes, within ten months—“should the prize winner fail, before the first of October in the calendar year immediately following, to encash the prize awarders’ cheque for the amount of the prize in the manner laid down by the Board, then the amount of the prize shall revert to the main fund”—that is the regulation,’ said Jacobsson. ‘However, the Curies did appear, the following summer for their money, in time to remain eligible. Eight years later, as you know, when Marie Curie was a widow, we gave her a second award, this time in chemistry—I believe she was the only person ever to win two Nobel Prizes.’
‘Her second winning,’ said Krantz, ‘was for the greatest discovery in chemistry since oxygen. It could be said that she gave us the atom, as we know it.’
‘In any event, this second time, ill as she was, Marie Curie did attend the Ceremony,’ said Jacobsson. ‘Do you remember her visit, Carl? No, that was before your time. She was in her forties, a lonely woman, but lovely and devoted to her career. She arrived here with her sister and daughter, and told me that she was most impressed with the Ceremony.’
‘We gave that daughter a prize, too, did we not?’ asked Ingrid Påhl.
‘Yes. Actually the daughter and her husband. Irène Curie had married one of her mother’s junior assistants at the Institute of Radium, an impoverished young man named Frédéric Joliot, who had graduated from L’École de Paris. There is one more married couple for you. Irène and Frédéric Joliot-Curie. They won the chemistry award in 1935.’ He paused. ‘I am trying to recollect if there were any other married couples—’
‘The Coris in 1947,’ said Krantz promptly.
‘Ah, yes,’ Jacobsson agreed. ‘Gerty and Carl Cori. Medicine. They came from St. Louis in Missouri, and received half the award, and we gave the other half to the Argentinian, Houssay. Something to do with hormones—�
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‘They discovered how glycogen is catalytically converted,’ said Krantz with precision.
‘At any rate, we do occasionally bless the fruits of marriage,’ said Jacobsson. ‘I look forward to meeting the Marceaus.’
‘I think it is odd,’ said Ingrid Påhl.
Jacobsson seemed startled. ‘Odd? What is odd?’
‘To be a married couple winning the Nobel Prize,’ explained Ingrid Påhl. ‘In fact, to be a married couple winning anything that has to do with work. It gives marriage only one dimension. The laboratory is the home, and the home is the laboratory. No variety, no change of pace. And too much harmony. Besides, what does this do the male’s rôle? He has gone out, club in hand, to kill a bear for supper, and bring it to his admiring mate, but instead his mate has been out with him, and deserves as much credit for killing the bear as he. Where does that put him? And her?’
‘I am sure the Marceaus never think of such things for a moment,’ said Jacobsson primly. He considered his watch and then looked out the car window. ‘We’ll be just in time for them. Twenty more minutes.’
The three sat in silence now—Krantz who had been wedded and divorced long ago, and Påhl and Jacobsson who had never been wedded at all—thinking their own thoughts about marriage and the prize. . . .
They had hardly exchanged a full sentence or a civil word since they had left Paris for Stockholm.
Reclining in her leather seat beside the blank window, uncomfortable in a black-and-white wool tweed suit, tailored at the last moment to fit her newly trim figure, and unrelaxed because of her enforced proximity to her husband, Denise Marceau let her gaze rove disinterestedly over the aeroplane’s elegant interior. For a while she watched the two young French hostesses, blonde hair swept daringly high, confident in their white blouses and tight blue skirts, treading up and down the aisle among the passengers, followed sometimes by the uniformed steward. Then she was conscious of Claude, slumped low in the seat beside her, legs crossed, smoking a cigarette as he turned the pages of an Émile Gaboriau novel. She did not look at him fully. She could not trust herself to do so. She had not bothered to bring along any reading of her own, because she was too occupied with her seething mind. It was enough.
(1961) The Prize Page 11
