by Laura Furman
Mat would remember the town's then-oldest man, Uncle Bishop Bower, who would confront any stranger, rap on the ground with his long staff, and demand, “Sir! What might your name be?”
And Herman Goslin, no genius, made his scant living by meeting the steamboats and transporting the disembarking passengers, if any, up to the hotel in a gimpy buckboard. One evening as he approached the hotel with a small trunk on his shoulder, followed by a large woman with a parasol, one of the boys playing marbles in the road said, “Here comes Herman Goslin with a fat lady's trunk.”
“You boys can kiss that fat lady's ass,” said Herman Goslin. “Ain’t that tellin’ ’em, fat lady?”
The town was not built nearer the river perhaps because there was no room for it at the foot of the hill, or perhaps because, as the town loved to reply to the inevitable question from travelers resting on the hotel porch, nobody knew where the river was going to run when they built Port William.
And Port William did look as though it had been itself forever. To Mat at the age of five, as he later would suppose, remembering himself, it must have seemed eternal, like the sky.
However eternal it might have been, the town was also as temporal, lively, and mortal as it possibly could be. It stirred and hummed from early to late with its own life and with the life it drew into itself from the countryside. It was a center, and especially on Saturdays and election days its stores and saloons and the road itself would be crowded with people standing, sitting, talking, whittling, trading, and milling about. This crowd was entirely familiar to itself; it remembered all its history of allegiances, offenses, and resentments, going back from the previous Saturday to the Civil War and long before that. Like every place, it had its angers, and its angers as always, as everywhere, found justifications. And in Port William, a dozen miles by river from the courthouse and the rule of law, anger had a license that it might not have had in another place. Sometimes violence would break out in one of the saloons or in the road. Then proof of mortality would be given in blood.
And the mortality lived and suffered daily in the town was attested with hopes of immortality by the headstones up in the graveyard, which was even then more populous than the town. Mat knew—at the age of five he had already forgotten when he had found out—that he had a brother and two sisters up there, with carved lambs resting on the tops of their small monuments, their brief lives dated beneath. In all the time he had known her, his mother had worn black.
But to him, when he was five, those deaths were stories told. Nothing in Port William seemed to him to be in passage from any beginning to any end. The living had always been alive, the dead always dead. The world, as he knew it then, simply existed, familiar even in its changes: the town, the farms, the slopes and ridges, the woods, the river, and the sky over it all. He had not yet gone farther from Port William than to Dawes Landing on the river and to his uncle Jack Beechum's place out on the Bird's Branch Road, the place his mother spoke of as “out home.” He had seen the steamboats on the river and had looked out from the higher ridgetops, and so he understood that the world went on into the distance, but he did not know how much more of it there might be.
Mat had come late into the lives of Nancy and Ben Feltner, after the deaths of their other children, and he had come unexpectedly, “a blessing.” They prized him accordingly. For the first four or so years of his life he was closely watched, by his parents and also by Cass and Smoke, Cass's husband, who had been slaves. But now he was five, and it was a household always busy with the work of the place, and often full of company. There had come to be times, because his grown-ups were occupied and he was curious and active, when he would be out of their sight. He would stray off to where something was happening, to the farm buildings behind the house, to the blacksmith shop, to one of the saloons, to wherever the other boys were. He was beginning his long study of the town and its place in the world, gathering up the stories that in years still far off he would hand on to his grandson Andy Catlett, who in his turn would be trying to master the thought of time: that there were times before his time, and would be times after. At the age of five Mat was beginning to prepare himself to help in educating his grandson, though he did not know it.
His grown-ups, more or less willingly, were letting him go. The town had its dangers. There were always horses in the road, and sometimes droves of cattle or sheep or hogs or mules. There were in fact uncountable ways for a boy to get hurt, or worse. But in spite of her losses, Nancy Beechum Feltner was not a frightened woman, as her son would learn. He would learn also that, though she maintained her sorrows with a certain loyalty, wearing her black, she was a woman of practical good sense and strong cheerfulness. She knew that the world was risky and that she must risk her surviving child to it as she had risked the others, and when the time came she straightforwardly did so.
But she knew also that the town had its ways of looking after its own. Where its worst dangers were, grown-ups were apt to be. When Mat was out of the sight of her or his father or Cass or Smoke, he was most likely in the sight of somebody else who would watch him. He would thus be corrected, consciously ignored, snatched out of danger, cursed, teased, hugged, instructed, spanked, or sent home by any grown-up into whose sight he may have strayed. Within that watchfulness he was free—and almost totally free when, later, he had learned to escape it and thus had earned his freedom. “This was a free country when I was a boy,” he would sometimes say to Andy, his grandson.
When he was five, and for some while afterward, his mother drew the line unalterably only between him and the crowds that filled the town on Saturday afternoons and election days when there would be too much drinking, with consequences that were too probable. She would not leave him alone then. She would not let him go into the town, and she would not trust him to go anywhere else, for fear that he would escape into the town from wherever else she let him go. She kept him in sight.
That was why they were sitting together on the front porch for the sake of the breeze there on a hot Saturday afternoon in the late summer of 1888. Mat was sitting close to his mother on the wicker settee, watching her work. She had brought out her sewing basket and was darning socks, stretching the worn-through heels or toes over her darning egg and weaving them whole again with her needle and thread. At such work her fingers moved with a quickness and assurance that fascinated Mat, and he loved to watch her. She would have been telling him a story. She was full of stories. Aside from the small movements of her hands and the sound of her voice, they were quiet with a quietness that seemed to have increased as it had grown upon them. Cass had gone home after the dinner dishes were done. The afternoon had half gone by.
From where they sat they could see down into the town where the Saturday crowd was, and they could hear it. Doors slammed, now and then a horse nickered, the talking of the people was a sustained murmur from which now and then a few intelligible words escaped: a greeting, some bit of raillery, a reprimand to a horse, an oath. It was a large crowd in a small place, a situation in which a small disagreement could become dangerous in a hurry. Such things had happened often enough. That was why Mat was under watch.
And so when a part of the crowd intensified into a knot, voices were raised, and there was a scuffle, Mat and his mother were not surprised. They were not surprised even when a bloodied man broke out of the crowd and began running fast up the street toward them, followed by other running men whose boot heels pounded on the road.
The hurt man ran toward them where they were sitting on the porch. He was hatless. His hair, face, and shirt were bloody, and his blood dripped on the road. Mat felt no intimation of threat or danger. He simply watched, transfixed. He did not see his mother stand and put down her work. When she caught him by the back of his dress and fairly poked him through the front door—“Here! Get inside!”—he still was only alert, unsurprised.
He expected her to come into the house with him. What finally surprised him was that she did not do so. Leaving him alone in the
wide hall, she remained outside the door, holding it open for the hurt man. Mat ran halfway up the stairs then and turned and sat down on a step. He was surprised now but not afraid.
When the hurt man ran in through the door, instead of following him in, Nancy Feltner shut the door and stood in front of it. Mat could see her through the door glass, standing with her hand on the knob as the clutch of booted and hatted pursuers came up the porch steps. They bunched at the top of the steps, utterly stopped by the slender woman dressed in mourning, holding the door shut.
And then one of them, snatching off his hat, said, “It's all right, Mrs. Feltner. We’re his friends.”
She hesitated a moment, studying them, and then she opened the door to them also and turned and came in ahead of them.
The hurt man had run the length of the hall and through the door at the end of it and out onto the back porch. Nancy, with the bunch of men behind her, followed where he had gone, the men almost with delicacy, as it seemed to Mat, avoiding the line of blood drops along the hall floor. And Mat hurried back down the stairs and came along in his usual place at the tail end, trying to see, among the booted legs and carried hats, what had become of the hurt man.
Mat's memory of that day would always be partly incomplete. He never knew who the hurt man was. He knew some of the others. The hurt man had sat down or dropped onto a slatted green bench on the porch. He might have remained nameless to Mat because of the entire strangeness of the look of him. He had shed the look of a man and assumed somehow the look of all things badly hurt. Now that he had stopped running, he looked used up. He was pallid beneath the streaked bright blood, breathing in gasps, his eyes too widely open. He looked as though he had just come up from almost too deep a dive.
Nancy went straight to him, the men, the friends, clustered behind her, deferring, no longer to her authority as the woman of the house, as when she had stopped them at the front door, but now to her unhesitating, unthinking acceptance of that authority.
Looking at the hurt man, whose blood was dripping onto the bench and the porch floor, she said quietly, perhaps only to herself, “Oh my!” It was as though she knew him without ever having known him before.
She leaned and picked up one of his hands. “Listen!” she said, and the man brought his gaze it seemed from nowhere and looked up at her. “You’re at Ben Feltner's house,” she said. “Your friends are here. You’re going to be all right.”
She looked around at the rest of them who were standing back, watching her. “Jessie, you and Tom go see if you can find the doctor, if he's find-able.” She glanced at the water bucket on the shelf over the wash table by the kitchen door, remembering that it was nearly empty. “Les, go bring a fresh bucket of water.” To the remaining two she said, “Get his shirt off. Cut it off. Don’t try to drag it over his head. So we can see where he's hurt.”
She stepped through the kitchen door, and they could hear her going about inside. Presently she came back with a kettle of water still warm from the noon fire and a bundle of clean rags.
“Look up here,” she said to the hurt man, and he looked up.
She began gently to wash his face. Wherever he was bleeding, she washed away the blood: first his face, and then his arms, and then his chest and sides. As she washed, exposing the man's wounds, she said softly only to herself, “Oh!” or “Oh my!” She folded the white rags into pads and instructed the hurt man and his friends to press them onto his cuts to stop the bleeding. She said, “It's the Lord's own mercy we’ve got so many hands,” for the man had many wounds. He had begun to tremble. She kept saying to him, as she would have spoken to a child, “You’re going to be all right.”
Mat had been surprised when she did not follow him into the house, when she waited on the porch and opened the door to the hurt man and then to his friends. But she had not surprised him after that. He saw her as he had known her: a woman who did what the world put before her to do.
At first he stayed well back, for he did not want to be told to get out of the way. But as his mother made order, he grew bolder and drew gradually closer until he was almost at her side. And then he was again surprised, for then he saw her face.
What he saw in her face would remain with him forever. It was pity, but it was more than that. It was a hurt love that seemed to include entirely the hurt man. It included him and disregarded everything else. It disregarded the aura of whiskey that ordinarily she would have resented; it disregarded the blood puddled on the porch floor and the trail of blood through the hall.
Mat was familiar with her tenderness and had thought nothing of it. But now he recognized it in her face and in her hands as they went out to the hurt man's wounds. To him, then, it was as though she leaned in the black of her mourning over the whole hurt world itself, touching its wounds with her tenderness, in her sorrow.
Loss came into his mind then, and he knew what he was years away from telling, even from thinking: that his mothers grief was real; that her children in their graves once had been alive; that everybody lying under the grass up in the graveyard once had been alive and had walked in daylight in Port William. And this was a part, and belonged to the deliverance, of the town's hard history of love.
The hurt man, Mat thought, was not going to die, but he knew from his mother's face that the man could die and someday would. She leaned over him, touching his bleeding wounds that she bathed and stanched and bound, and her touch had in it the promise of healing, some profound encouragement.
It was the knowledge of that encouragement, of what it had cost her, of what it would cost her and would cost him, that then finally came to Mat, and he fled away and wept.
What did he learn from his mother that day? He learned it all his life. There are few words for it, perhaps none. After that, her losses would be his. The losses would come. They would come to him and his mother. They would come to him and Margaret, his wife, who as a child had worn his cast-off dresses. They would come, even as Mat watched, growing old, to his grandson, Andy, who would remember his stories and write them down.
But from that day, whatever happened, there was a knowledge in Mat that was unsurprised and at last comforted, until he was old, until he was gone.
Nell Freudenberger
The Tutor
from Granta
SHE WAS an American girl, but one who apparently kept Bombay time, because it was three thirty when she arrived for their one-o’clock appointment. It was a luxury to be able to blame someone else for his wasted afternoon, and Zubin was prepared to take full advantage of it. Then the girl knocked on his bedroom door.
He had been in the preparation business for four years, but Julia was his first foreign student. She was dressed more like a Spanish or an Italian girl than an American, in a sheer white blouse and tight jeans that sat very low on her hips, perhaps to show off the tiny diamond in her belly button. Her hair was shiny, reddish brown—chestnut you would call it—and she’d ruined her hazel eyes with a heavy application of thick, black eyeliner.
“I have to get into Berkeley,” she told him.
It was typical for kids to fixate on one school. “Why Berkeley?”
“Because it's in San Francisco.”
“Technically Berkeley's a separate city.”
“I know that,” Julia said. “I was born in San Francisco.”
She glanced at the bookshelves that covered three walls of his room. He liked the kids he tutored to see them, although he knew his pride was irrelevant: most didn’t know the difference between Spender and Spenser, or care.
“Have you read all of these?”
“Actually that's the best way to improve your verbal. It's much better to see the words in context.” He hated the idea of learning words from a list; it was like taking vitamin supplements in place of eating. But Julia looked discouraged, and so he added: “Your dad says you’re a math whiz, so we don’t need to do that.”
“He said what?”
“You aren’t?”
Julia shrugged
. “I just can’t believe he said ‘whiz.’”
“I’m paraphrasing,” Zubin said. “What were your scores?”
“Five hundred and sixty verbal, seven-sixty math.”
Zubin whistled. “You scored higher than I did on the math.”
Julia smiled, as if she hadn’t meant to, and looked down. “My college counselor says I need a really good essay. Then my verbal won’t matter so much.” She dumped out the contents of an expensive-looking black leather knapsack, and handed him the application, which was loose and folded into squares. Her nails were bitten, and decorated with half-moons of pale pink polish.
“I’m such a bad writer though.” She was standing expectantly in front of him. Each time she took a breath, the diamond in her stomach flashed.
“I usually do lessons in the dining room,” Zubin said.
The only furniture in his parents’ dining room was a polished mahogany table, covered with newspapers and magazines, and a matching sideboard— storage space for jars of pickle, bottles of Wild Turkey from his father's American friends, his mother's bridge trophies, and an enormous, very valuable Chinese porcelain vase, which the servants had filled with artificial flowers: red, yellow and salmon-colored cloth roses beaded with artificial dew. On nights when he didn’t go out, he preferred having his dinner served to him in his room; his parents did the same.
He sat down at the table, but Julia didn’t join him. He read aloud from the form. “Which book that you’ve read in the last two years has influenced you most, and why?”
Julia wandered over to the window.
“That sounds okay,” he encouraged her.
