by Jan Morris
But the glowering ecstasy of it! No other city, not even Venice, projects for me a more orgiastic kind of allure. I do not mean the popular phallic symbolism of the place, its charged erections thrusting always into the sky. I am thinking of more veiled seductions, the shadows in its deep streets, the watchfulness, the ever-present hint of concealment or allusion. The clarity of Manhattan is what the picture postcards emphasize, but I prefer Manhattan hazed, Manhattan reticent and heavy-eyed.
I like it, for instance, on a very, very hot day, a day when emerging into the streets from the air conditioning is like changing continents. Then a film of chemical vapour seems to drift around the city, fudging every edge, and gauzing every vista. Exhausted, half-deserted, the island seems to stand stupefied in the haze: but sometimes flashes of sunlight, piercing the humidity, are reflected momentarily off windows or metal roofs, and then I am reminded of those uncertain but resplendent cities, vaporous and diamond-twinkling, which stand in the backgrounds of all the best fairy tales.
Conversely on a grey lowering day it is like some darkling forest. The tops of the buildings are lost in fog, and only their massive bases, like the trunks of so many gigantic oaks, are to be seen beneath the cloud base. I feel a mushroom feeling in Manhattan then, and the huddled scurry of the people on the sidewalks, the shifting patterns of their umbrellas, the swish of cars through pothole puddles, the blinking of the traffic lights one after another through the slanting rain, the plumes of steam which, like geysers from the subterranean, spout into the streets – all this speaks fancifully to me, here in urbanissimus, of clearing, glade and woodland market.
But best of all, for this reluctant and secretive beauty of the island, I like to walk very early in the morning down to Battery Park, the southernmost tip of it, its gazebo on the world, looking out across the great bay towards the Narrows and the open sea. This is a melancholy pleasure, for the shipping which used to make this the busiest basin on earth has mostly been dispersed now. Most of the Atlantic liners sail no more, the freighters mostly berth elsewhere around the bay, and of the myriad public ferries which used to bustle like so many water insects to and from Manhattan, only the old faithful to Staten Island survives.
So early in the morning, the scene down at the Battery is not likely to be bustling. If it is misty, it is likely to be a little spooky, in fact. The mist lies heavy over the greyish water, muffled sirens sound, somewhere a sound-buoy intermittently hoots. Perhaps a solitary tanker treads cautiously toward Brooklyn, or a pilot boat, its crew collars-up against the dank, chugs out toward the Narrows. Early commuters emerge blearily from the ferry station; two or three layabouts are stretched on park benches, covered in rags and newspaper; a police car sometimes wanders by, its policemen slumped in their seats dispassionately.
It seems eerily isolated and exposed, and you feel as though the few of you are all alone, there at the water’s edge. But as the morning draws on and the mist clears, something wonderful happens. It is like the printing of a Polaroid picture. The wide sweep of the bay gradually reveals its outlines, the Statue of Liberty appears unforeseen upon her plinth, lesser islands show themselves, and as you turn your back upon the water, glistening now in the freshening breeze, it turns out that the tremendous presence of Manhattan itself, its serried buildings rank on rank, has been looking over your shoulder all the time.
*
I was walking one day down Sixth Avenue (as New Yorkers still sensibly prefer to call the Avenue of the Americas) when I saw a lady taking a bath, fully clothed, in the pool outside the Time-Life Building. This struck me as a good idea, for it was a hot and sticky day, and I approached her to express my admiration for her initiative. I did not get far. When she saw me step her way she sat bolt upright in the pool, water streaming off her lank hair and down the clinging blue fabric of her dress, and screamed obscenities at me. It was unnerving. Shrill, wild and dreadfully penetrating, her voice pursued me like an eldritch curse, and everyone looked accusingly at me, as though I had insulted the poor soul, and deserved all the imprecations she could command (and her repertoire, I must say, was impressive).
Nobody, I noticed, looked accusingly at her. She was evidently mad, and so unaccusable. Confined like that bear on their own rock, the people of Manhattan are the most neurotic community on earth. The twitch, the mutter, the meaningless shriek, the foul-mouthed mumble, the disjointed shuffle – these are native gestures of the island. Pale and ghostly, violently made up or sunk in despair are thousands of its faces – clowns’ faces, chalk white and crimson, or haunted faces that have survived concentration camps, or faces alive with a crazy innocence, like those of murderous infants.
Every great city has its bewildered minority – the confused are always with us. Manhattan, though, is the only one I know that sometimes seems on the brink of general nervous breakdown. Intensely clever, cynical, introspective, feverishly tireless, it has all the febrile brightness, alternating with despondency, that sometimes attends insomnia, together with the utter self-absorption of the schizophrenic. Few residents of Manhattan really much care what happens anywhere else. Backs to the sea and the waterways east and west, theirs is a crosstown outlook, focusing ever closer, ever more preoccupied, upon the vortex of the place – which is to say, themselves. ‘Does dyslexia’, I heard an interviewer say in all seriousness on television one day, ‘crop up in other parts of the country, or is it pertinent only to Manhattan?’
Lord Melbourne, when he was Queen Victoria’s Prime Minister, was once asked by an anxious acquaintance for his advice on how best to cope with the problems of life. ‘Be easy,’ was all the statesman said. ‘I like an easy man.’ He would have to look hard for one in Manhattan, where the old gamblers’ precept ‘Let it ride’ has long been rejected. Analysis, I sometimes think, is the principal occupation of Manhattan – analysis of trends, analysis of options, analysis of style, analysis of statistics, analysis above all of self. Freud has much to answer for, in this island of tangled dreams, and the women’s movement has evidently liberated all too many women only into agonized doubt and self-questioning.
But actually, like most people, New Yorkers like to be thought a bit crazy. When they had a poll in New York and Los Angeles, each city complacently claimed its own population to be madder than the other. I know a business corporation in Manhattan – I dare not mention its name – which seems to me to be run entirely, top to bottom, by people off their balance. The minute I enter its offices, an uneasy suggestion of collective therapy assails me. Concealed and unapproachable behind his monumental mahogany doors sits the president of this corporation of nuts, mad as a hatter himself, and in hierarchy of psychosis his subordinates hiss and fiddle their days away below. Sometimes a whole department is fired: sometimes a surprised and hitherto unnoticed employee is plucked from obscurity and made the head of a division for a month or two; sometimes the company, which deals (let us say) in commodity shares, suddenly invests a few million dollars in a Chattanooga umbrella factory, or a grocery chain in Nicaragua.
They have all been driven off their heads, I suppose, by the needling and hallucinatory pressures of Manhattan, the prick of ambition, the fear of failure: and in their eyes I see, as they contemplate the future of their lunatic careers, just the same fierce but loveless passion that one sees in the eyes of brainwashed cultists – a blend of alarm and mindless dedication, dimly tinged with tranquillizers.
*
I say hallucinatory pressures, because to the outsider there is much to Manhattan that seems surreal. This is not a place of natural fantasy, like Los Angeles – its spirit is fundamentally logical and rationalist, as befits a city of merchants, bankers and stockbrokers. But its daily life is spattered with aspects and episodes of an unhinged sensibility, of which I record here, from a recent two-weeks’ stay on the island, a few by no means extraordinary examples:
Item: An eminent, kind and cultivated actress, beautifully dressed, taking a cab to an address on Second Avenue. Cabdriver: ‘Whereabouts i
s that on Second Avenue, lady?’ Actress, without a flicker in her equanimity: ‘Don’t ask me, bud, you’re the fucking cab-driver.’
Item: At the headquarters of the New York police, which is at police Plaza, and is approached along the Avenue of the Finest, there is a functionary called the Chief of Organized Crime. I heard an administrator say to a colleague on the telephone there: You’re going sick today? Administrative sick or regular sick?
Item: A young man talks about his experiences in a levitation group: Nobody’s hovering yet but we’re lifting up and down again. We’re hopping. I’ve seen a guy hop fifteen feet from the lotus position, and no one could do that on the level of trying.
Item: Coming down in the hotel elevator at the New York Hilton is a delegate to the American Urological Association convention. He is on his way to a presentation on Pre-Lymphadenectomy Staging of Testicular Tumors, and his name, I see from his lapel card, is Dr Portnoy.
Item: An aged court-appointed lawyer, down at the state courts, histrionically convinces the judge, with a florid wealth of legal jargon and gesture, that an adjournment is necessary, but spotting a row of hostile witnesses as he passes through the courtroom on his way out, loudly offers them a comment: Too bad, assholes.
Item: Graffito in Washington Square. YIPPIES, JESUS FREAKS AND MOONIES ARE GOVERNMENT OPERATED.
Item: Four angry ladies are trying to enter St Patrick’s Cathedral by the wrong entrance for the celebration of the cathedral’s centenary, to be attended by three cardinals and eight archbishops. Their way is barred, but as the chanting of the mass sounds through the half-closed door, I hear them responding with a genuine cri du coeur: We must get in! We must! We’re tourists from Israel!
Item: The terrifyingly ambitious, inexhaustible girl supervisor at one of the downtown McDonald’s. Over the serving counter one may see the glazed and vacant faces of the cooks, a black man and a couple of Puerto Ricans, who appear to speak no English: in front that small tyrant strides peremptorily up and down, yelling orders, angrily correcting errors, and constantly falling back upon an exhortatory slogan of her own: C’mon, guys, today guys, today …! The cooks look back in pained incomprehension.
Item: I feel a sort of furry clutch at my right leg, and peering down, find that it is being bitten by a chow. Oh Goochy you naughty thing, says its owner, who is following behind with a brush and shovel for clearing up its excrement, you don’t know that person.
Item: At nine in the morning, on a smart street in the East Seventies, a highly respectable middle-aged lady leans against the hood of a black Mercedes, meditatively scratching her crotch.
Item: It is night, and drizzling. I am crossing Park Avenue on my way home, and looking to my left to the mass of the Grand Central Terminal, see a sort of vision: piled on top of the New York General Building, and silhouetted floodlit against the monstrous Pan Am tower behind, the pinnacled cupola of the structure looks, just for a moment, like a shrine – a stupa, perhaps. I pause in astonishment, half expecting to hear mystical prayer bells sounding, until a passing cab, hooting its horn and showering me with mud from an adjacent gutter, scuttles me back to realism.
How small it is! Thirteen miles long from tip to tip, two and a half miles across at its widest point – at 86th Street, I believe. It would be hard to be anonymous for long in Manhattan, if anyone well known ever wanted to be. When I was here last I went to see Mr Woody Allen’s masterpiece Manhattan, the truest contemporary work of art I know about the island: after the show I went next door for a cup of tea at the Russian Tea Room, and there, large as life, toying with what I assume to have been a blini, was Mr Allen himself.
Sometimes it is hard to remember that this is one of the earth’s most powerful cities, for in some ways it is oddly parochial. The New York Times is half a newspaper of international record, and half a parish magazine, with full obituaries of respected local insurance managers, and blow-by-blow accounts of the engagement of Miss Henrietta Zlyman to Edward Twistletoe III. Like all great metropolises, Manhattan is divided into lesser enclaves, each with its own personality and purpose, but the skinny shape of the island, the rigidity of its grid and the flatness of it all, make it impossible for any district to feel remote from any other. You can easily walk from Central Park to Battery Park in a gentle morning stroll; I boarded a bus recently with an acquaintance in the very heart of Harlem, all dingy tenements and apparently abandoned stores, and before he had finished telling me his war experiences we had arrived outside the Plaza Hotel. Besides, the great landmarks of the place, the Empire State Building, the twin towers of the World Trade Center, are so enormous that they are visible almost everywhere, and give the island a foreshortened sort of intimacy.
All crammed in like this, it is no wonder that the inhabitants of Manhattan sway to and fro, as though with minds linked, to the shifting tunes of fashion. No city in the world, I think, is so subject to the diktats of critics, snobs and arbiters of taste. Manhattan feeds upon itself – intravenously, perhaps. A very public elite dominates its gossip columns and decors, the same faces over and over, seen at the same currently fashionable clubs and restaurants, Stork Club in one generation, Studio 54 another, drinking the statutory drinks, kir yesterday, Perrier today, using the same ephemeral ‘in’ words – when I was here last, for example: ‘schlep’, ‘supportive’, ‘copacetic’, ‘significant others’.
I was taken one evening, at my own request, to the saloon currently the trendiest in town, Elaine’s on Second Avenue. Everyone knows Elaine’s. Secretaries hang about its bar, in the hope of being adopted by wild celebrities, young executives talk about it the morning after, and even the most intelligent of public people, it seems, literate directors and scholarly critics, unaccountably think it worth while to be seen there. No such phenomenon exists in Europe, for Elaine’s is neither very expensive nor exactly exclusive – anyone can go and prop up the bar. I detested it, though: the noise, the jam-packed tables, the showing-off, the gush, the unwritten protocol which gives the best-known faces the most prominent tables, and banishes unknowns to the room next door. The beautiful people looked less than beautiful shouting their heads off in the din. The waiter resisted my attempts to have scampi without garlic (not liking garlic is infra dig in Manhattan).
I felt fascinated and appalled, both at the same time: but more surprising, I felt a bit patronizing – for all of a sudden, as I observed those bobbing faces there, wreathed in display or goggled in sycophancy, fresh as I was from my little village on the north-west coast of Wales, I felt myself to be among provincials.
*
Not a sensation I often get in New York. More often, when I am at large in this incomparable city, I feel myself to be among ultimates. How’re they gonna get me back on the farm? This is, after all, The City of our times, as Rome was in classical days, as Constantinople was through centuries of Mediterranean history. This is everyone’s metropolis, for there is no nation that has not contributed something to Manhattan, if only a turn of phrase or a category of bun. I went one day to the street festival which is held each May on Ninth Avenue, one of the most vividly cosmopolitan thoroughfares on the island, and realized almost too piquantly what it means to be a city of all peoples: smell clashing with smell, from a mile of sidewalk food stalls, sesame oil at odds with curry powder, Arabic drifting into Ukrainian among the almost impenetrable crowds, Yiddish colliding with Portuguese, and all the way down the avenue the discordant blending of folk-music, be it from Polish flageolet, Mexican harmonica or balalaika from Sofia.
Nothing provincial there! And if over the past 300 years the clambering upon this huge raft of refugees, adventurers, idealists and crooks from every land has given Manhattan always a quality of paradigm or fulcrum, so when it comes to the end of the world, I think, most people can most easily imagine the cataclysm in the context of this island. The great towers crumpling and sagging into themselves, the fires raging up the ravaged boulevards, the panicked rush of the people, like rats or lemmings, desperately int
o the boiling water – these are twentieth-century man’s standard images of Doomsday: and in my own view, if God is truly going to sit one day in judgement upon the doings of mankind, he is likely to set up court on the corner of Broadway and 42nd Street, where he can deal first (and leniently I am sure) with the purveyors of Sextacular Acts Live on Stage.
We live in baleful times, and it is a pity that Manhattan, that temple of human hope and ingenuity, should be obliged to fill this particular role of parable. There is no denying, though, that there often passes across the face of this city, like a shudder, a sense of ominous portent. I read one morning in the Times that a woman, walking the previous day down a street near City Hall, had been attacked by a pack of rats ‘as big as rabbits’. I leapt into a cab at once, but Manhattan had beaten me to it: already a small crowd was peering with evident satisfaction into the festering abandoned lot from which the rodents had sprung. Already one of your archetypal New Yorkers had appointed himself resident expert, and was pointing out to enthralled office workers one of your actual rats, almost as big as a rabbit, which was sitting morosely in a wire trap among the piled rubbish. What became of the original victim? I asked. ‘I guess she was some kind of screwball. She just drove off screaming …’
