Afterward, he drowned me in the bathtub.
There was a moment, just before I gave up and breathed in all that dirty, soapy, passion fruit bubble bath–scented death, where I thought I had it wrong. Maybe that day in Sarkomand when Mr. Punch said, I thought you were someone else, he’d meant: I thought you were a crippled baby antelope I could chase down across the veldt and pick the lock to this place with your bones. Maybe I was just a funny little clown in the Punch and Grimdark show. Maybe he never once meant I love you when he called me a cunt, he just meant that I was a stupid, useless, disgusting hole he hated only slightly less than himself. What if we were never any little bit alike, except that we wanted to burn the awful old world down? But it was just barely possible that I was the only one who cared what world we blew up. The world of rich men playing in costumes and electric companies turning on the dark everywhere they went and shithead greaseheart daddies all the way down—that was my tune. Maybe my baby was just trying to fuck his way through me and the bed and the floor and the city to get to him. Maybe Mr. Punch was a Bad Daddy, after all.
NAW.
I’m just foolin’! No frickin’ way! My boo is true blue! It was just a game! Everything’s a game with Mr. Punch! He’s comin’ back for me. I’m not like you blubbering cows. My man’s gonna come through. He’s not gonna forget about me, no siree! He’ll pull out the Fearwig’s teeth one by one till he gives up the formula for de-corpsifying my hot little ass and then we’ll paint the town RED. Hell, once we’ve got the goods, he can drown me or choke me or drop me off a building any time he wants and snatch me back for breakfast! It’ll be the most fun we can have with our clothes on! Don’t you worry about me, chickadees.
Any minute, you’ll see. Mr. Punch is gonna grab onta me and never let go.
THE HELL HATH CLUB VS. THE MIGHT OF ATLANTIS
All eyes turn to the lady in green. She swirls a spoon around her coffee cup. It doesn’t make any noise. Thank the tiny baby Jesus, down here in Deadtown we are spared the constant tinkle of silverware against porcelain that plagues the restaurant industry. A long, long red curl slides out of the black pearl comb in her hair and lands on the table like a spurt of blood. It hurts to look at it. Like a camera flashing in your eyes. The sides of her head are shaved down to red fuzz, just the one long horsetail left, running up and over and down her spine like a special-edition collect-them-all punk-rock Barbie doll. She doesn’t notice us staring. I love my girl Bayou to a hundred million pieces, but she’s like one of those thorny old fish who hide on the seafloor, totally still and silent, blending in, waiting for something tasty to drift on by.
Only she doesn’t blend in. Not for a second. It’s hard to blend in when your skin is covered in green crystal scales. When you look like a torch singer who stayed on stage so long, she chemically bonded with her costume. She never wants to talk. I’ll go tomorrow, she always says, but she never does. I talked yesterday. But she didn’t. Never jam today, that’s Miss B to a T.
Miss B suddenly notices no one’s talking. She blushes, which looks weird on a green girl. Like Christmas lights. “Oh! Can I get anyone another coffee? Tea? I think Neil’s hiding some wine back there under his wings. I saw it. Pinot and Cab and some black dusty stuff with a Greek name.”
Neil shrugs behind the counter. He tucks his lolling gargoyle tongue back behind his fangs the way that classy old guys smooth their neckties or clean their glasses. Reaches under one great big bat-wing and produces a bottle wrapped in black straw. Sidles on over with a tray of glasses, holds the cork for Bayou to sniff. She nods; he pours. Rich emptiness glugs into each of our glasses—the living will never let a decent wine grape go extinct. But the Bordeaux tumbles out for her, thick and red and reeking of fruit and sunlight and dirt and stone. We all stare while she drinks it. We watch her throat move. I’m not saying it’s not creepy. It totally is. But we can’t stop. She’s so bright. I never kissed a girl when I was alive, but death has a way of loosening your inhibitions.
“Your turn, Queen B,” I say. I want to touch her hand but I don’t. She can touch me but I can’t touch her. Them’s the rules here in the strip club of the damned.
“Oh, no, I don’t have anything to say. I’ll go tomorrow. What about Daisy? Or Sam? Please. Don’t worry about me. I’m not . . . It’s not my place. It’s not right. I’m not like you.
“I’m not single.
“I’m not human.
“I’m not dead.
“Deadtown is just my summer home. My Hamptons. My Riviera. Every year, I drive up to the old black house, fire up the boiler, dust the tables and chairs, scrub the windows, stock the larder with apples and cereal and grief, try to find something good on the radio.”
She runs one glittering green finger around the rim of her wineglass. The wine shivers and grows crosshatches like a speaker. A wet crackle shimmies up out of the gargoyle’s personal stash: Welcome to DPR, Deadtown Public Radio, the Voice of the Underworld. This afternoon on All Things Cadaverous: Ada Lovelace and Grace Hopper address the issues surrounding piracy and VPN access in the city center . . .
“So, you see, it’s not fair for me to take time from all of you. At the end of the summer, I’ll go home like always. There’s a place down by the docks, a little way along the boardwalk. I’ll walk there and buy an ice cream cone and when I finish it, I’ll dive off the pier and swim down to the bottom of everything, past the rusted bicycles and six-pack rings and anglerfish and oil drums until I find the little golden grate that leads back to the land of the living. It’s been in my family for centuries. My grandfather hired a gargoyle to guard it. He’s all gills and spines and baleen. Still keeps the buttons on his uniform bright, even in the briny deep. I’ll bring him a bottle of whiskey and kiss his cheek as I swim by. Say hello to your family for me, Mort, I’ll whisper. And he’ll bow. And in a year, I’ll do it all over again. Unless I find him this time.”
“Find who?” Hazel asks.
“My son. He has to be here somewhere. He is here. Deadtown is a big place, maybe the biggest place, but I’m actually a very organized person. The city is a grid. I search quadrant by quadrant. And someday I’ll see him, swinging on a tire in a park or peering into the windows of an automat or splashing in a fire hydrant. Maybe he’s living with other dead children in some blackstone with brown ivy over the door. It doesn’t matter where he is. I’ll find him and the world will stop being a terrible place and everything will go back to the way it was when I was young.”
Samantha reaches out for the lady in green but stops short. Her hand hovers over Bayou’s shoulder, squeezing empty air. “Sweetheart, it’s time. You won’t go tomorrow. You didn’t go yesterday. Time to pay your dues to the Hell Hath Club.”
Bayou takes a deep breath and straightens her shoulders. Something comes into her eyes. Something hungry and young and manic. Something a lot less elegant. Something a lot less serene than little Miss Oh-Don’t-Worry-About-Me.
“All right. Okay. How do you start? John used to go to AA. So, I guess I could do the HH version. So, yeah. Okay. My name is Bayou, Trash Queen of Backwater Atlantis, Alligator Princess of the Great Galactic Delta, the Creature from the Rhinestone Lagoon, and I hate my husband.”
THE BALLAD OF BLUE BAYOU
I never wanted children. Let’s get that straight up top. All I ever wanted to do was to drink beer, play my horn, and ride mutant armadillos till the end of the world. But you don’t get to hit those high notes when you’re Queen of something. Hard to scream-sing fuck the man authority is deathpuke anarchy in Atlantis when your mom is, like, the entire government.
I know what you’ve heard about Atlantis. But it’s not what you think. There’s no perfect crystal towers, no vending machines packed with enlightenment in a can, no visions of techno-utopian sugarplums dancing in the streets. Atlantis does not have ancient wisdom in every pot or a golden submarine in every garage. It’s just a city that happens to be underwater. Like most cities, it’s got some good neighborhoods, a couple of coo
l clubs, a butcher, a baker, a candlestick maker, and the rest is pretty much a shithole. You think of an underwater city and your brain spins up all these postcards of clean turquoise water and whitecaps and frolicking orcas off a Lisa Frank notebook. But the ocean isn’t like that. It’s full of salt and sewage and tanker oil and mud and dead dolphins and fish poop and about a billion and four jellyfish. We don’t live in Atlantis because it’s a pristine paradise. We live there because we’re weird, gross aliens and Brooklyn’s full. Plus, for us? Breathing air is like knocking back shots of whiskey. The longer we do it, the loopier and punchier and louder and dizzier we get until eventually we pass out in a toilet or die. A fresh summer breeze will get an Atlantean shit-faced drunk.
I told you. I’m not human. I’m not a goddamned mermaid, either, so don’t get any ideas about shell-bras or selling my voice to a sea-witch. That little idiot deserved to die. Never give up your voice for a man, you fucking guppy. Atlanteans are sort of . . . half alligator, half siren, half electric eel. Yes, I know that’s three halves. Don’t get any of your slimy binary brain on me. We came from another planet or another dimension or some woo-woo place. I never could keep it straight. Who cares how we got here? This is where we live now. The Dumbfuck Dimension obviously doesn’t miss us. Even though they should, because we’re gorgeous and we live for ages and we’re all psychic and really kick ass at water polo. Any ecosystem would be lucky to have us.
And among the weird, gross alligator-eel aliens, I’m royalty. It’s not my fault. I didn’t ask to be born to the Fascist Bitch-Queen Delphine Tankerbane the Fourth. If I could’ve picked, I’d have been born like my friend Platypunk—out in the backwater boondocks to a hairdresser and a bartender, living in a trailer park hacked out of a fossilized Portuguese man o’ war, smoking brain coral and being awesome. But nobody picks. I swam off from the palace as soon as possible.
I call it a palace. It’s basically like if you built a Jenga tower out of shipwrecks. Mom’s got a little of all of them in there. Captain’s cabins from the Mary Celeste and the Flying Dutchman and the Lusitania—you would not believe how much crap she lifted off the Titanic before humans started shining searchlights on the thing and diving for rust. Aw, you still don’t get it. Think big. She swiped an entire ballroom for the royal chamber. Her throne is made out of a thousand silver teapots with WHITE STAR LINE stamped on them. It’s all just garbage. Junk. How come I was the only one who could see that? I hightailed it the second Mumsy wasn’t looking. Out into the real city. Into the muck and the noise, down to Squid Row where no one cares who you are, to Soho where everyone’s furious and starving and beautiful, into the East Gillage, swarming with throbbing techno whale song, snarling skinny punks with fishhooks in their ears, angler-headed hipsters burning for the ancient undersea connection to that salty dynamo in the machinery of the deep.
That’s where I met Platypunk. I don’t know what his deal was, taxonomically speaking. He had sleek, soft fur like an otter instead of scales like me, poisonous barbs on his heels, webbed feet, a hot pink mohawk, and claws for days. We started a band. Blowhole? Maybe you’ve heard of us? Platy sang and played the lionfish; I was on drums and conch. I bet you think conches just sort of bleat out one non-note, don’t you? No way. Not when an Atlantean is on the horn. My conch did whatever I told it to. Scream or whisper, whistle nice or empty the room. We played all the hot stages in Atlantis, him and me. Sometimes I close my eyes and pretend we’re still bringing the house down at Sea Bee’s, right at that part in “Anarchy in Atlantis” where Platy just starts quacking like a maniac at the top of his lungs, and then we both jump into the crowd and they carry us away in their arms and everything is good forever.
Point is, I was happy before John Heron came along. I was fine. I was myself. Every story I told was about me. I was better than a punk. I was a protagonist. No kids, no husband, no throne. No problems. No clawing sense of loss the color of the sea’s guts. No dead mother. No dead son. I didn’t even know what it felt like to have a shark chew my leg off! Good times. The best times.
So, this is how it happened. Strap in, because this is about the lamest part of my whole soggy joke of a life. Falling in love is embarrassing. It is not hardcore. It is not part of the scene.
I was sort of half–shacked up with this guy named Crowjack at the time. He had a swim-up apartment in the Gillage, wrote plays full of halibut whinging about their fathers and the pressures of masculinity. After the show, his or mine, we’d all go down to Platypunk’s dad’s bar, the Great White Whaler, and do some blow. Free pints of sour beer with shot glasses full of real topside air dropped in. Platypunk Sr. always had great air. Kept it in a couple of scuba tanks behind the bar. You had to be in the know to get any, know the handshake, that sort of thing. I was a hard drinker back then. Part of the uniform. A little oxy, a whiff of nitro, pound that garbage beer, lick a shaker of ozone off my wrist, throw back a shot of smog and suck a slice of seaweed to take the edge off. But Crowjack loved to drink. He had his own tank and mask at home, and half the days, he’d just float on the current that flowed between the bedroom and the kitchen with his mask on, sucking down oxy until he thought he was God. Platypunk always said he was a douche bag and I guess he was right.
“Hey, baby Bayou. Let’s get outta here,” Crowjack slurred at us Upon That Fateful Night. “Let’s go somewhere we can really get wrecked. Where they’ve got the good stuff, on tap, none of these canned farts.”
I was feeling good. Scratch that. I was feeling fucking spectacular. Blowhole had hauled our first full house that night. Two separate fistfights broke out during the bridge of “I Wanna Be Mutated,” which is how you spell a truly epic show. I should’ve known what he meant, but I was feeling too nice to do my usual trick of sifting through everything Crowjack said in case there was something fucked up floating around in there.
“Naw, man,” said Platypunk. “I don’t do that shit. It’s hardcore, balls-to-the-wall boring. You shouldn’t either, Miss B. We got lunch with the guys from Oily Penguin tomorrow. Besides, your mom would kill you if she found out.”
When you think about it, it’s all Platypunk’s fault. The number one bull’s-eye easiest-peasiest way to make sure I’ll do something is to tell me how it would piss off my mother. So, Crowjack and I blew out of the Great White Whaler like a couple of speedboats and started the long swim up to the surface. Because of course that’s what he meant. That’s where you get the strongest air. Where it gets you—and all for free. I couldn’t believe how warm the water was that close to land. How blue. How clear. It felt like hot velvet diamonds rolling over my skin. Our heads busted up out of a wave into a liquid gold-red twilight and a wind like cocaine-moonshine. Crowjack just huffed it all in. His pupils blew out so big and black! He threw himself backward against the next wave, giggling and paddling around like a kid. It didn’t hit me quite as hard. I took shallow breaths—too much to swallow all at once. I looked at the sun instead. My first sunset, sinking in the sky like a goldfish on fire. I looked at my skin in the light of the breathing world, glittering like a disco ball where the sun bounced and jangled off me. Off in the distance I saw an island with nothing on it but a tower with a light on top of it. Below the tower, people moved. I could see their shadows on the long grass.
People. Others. Humans.
“I wanna go home,” I whispered to Crowjack. “I feel sick.”
And I did. I ducked under the whitecaps for a minute to get my head on straight.
“What are you talking about? We just got here! I’m not even buzzed yet.”
I rolled my eyes. “Yes, you are, dumbass. You’re such a lightweight.”
I was only teasing. But you can’t tease anybody who writes plays about their father. Crowjack hauled off and punched me in the eye. Punched! Not slapped. Closed-fist. Like he meant it. Like he’d been holding that in. Well, fuck that for nothing. Bye, bye, Crowjack. I wasn’t in love with him anymore, anyway. He cried almost every time we had sex. And I was a far better sw
immer. With a couple of kicks, I got well away from that cliché little scene. A couple more and I could hardly see him. Only a little shape in the waves, flailing his arms and yelling that he was sorry. Who cares, lightweight? I might like a bruise or two in good fun—I look tough as hell with bruises. But back then, I didn’t take that action from anybody. I swam and swam, ducking down below and popping up again, feeling my strength, feeling my speed. I was pretty hammered by then, I admit. I wasn’t paying attention. I got too close to the island. One of those people-shadows saw me and stopped moving around. Then, for absolutely no goddamned reason, it jumped into the water and started swimming after me! I should have just gone down bubble, but I was too shocked and drunk to move. The shadow turned out to be a man, a big, nice-looking man with a good beard and thick hair the color of the sun. He grabbed me around the neck and started hauling me to shore.
“It’s okay!” the man yelled back. “I got you! You’re gonna be fine!”
“What? Stop! Hold on!” I coughed and spluttered. The way he was dragging me, I kept getting wind up my nose.
“Good thing I saw you! I thought you were driftwood for a minute,” he went on, panting with the effort of saving me. “Or a seal. But better safe than sorry! You almost drowned!”
“This is ridiculous,” I snarled, and squirmed out of his grip in one quick duck-and-twist. “I don’t need your help! Do I look like I need your help?”
I don’t believe John Heron really saw me before that moment. He was in Burly Savior Noble Guardian of Life mode when he grabbed me. All he saw was a girl in the water. But he sure saw me then. Six long feet of green crystal scales and blue switchblade-fins and really almost pornographically suggestive gills and bruised cheekbone and half-shaved-off red hair. But I saw him, too. He had the warmest green eyes and the kindest way of holding his mouth, even when he was dumbfounded and gawking like a damn fool. Those muscles didn’t hurt, either, even if they were a weird brownish color. He was handsome as hell, and most importantly, he didn’t look like anyone I’d ever met in my life. He looked new. We treaded water in total silence for, well, god knows how long. Finally, he said:
The Refrigerator Monologues Page 7
