The loopy cry of a night bird cut the silence. Someone with a flashlight was crossing the pasture where the trailer rested, the beam of light slicing through layers of fog, sweeping over shrubs and patches of grass. I suggested that one woman shouldn’t pose that much of a problem, no matter how efficient she was at violence.
Vang closed his eyes again. “You have not witnessed this kind of professional in action. They’re fearless, totally dedicated to their work. They develop a sixth sense concerning their clients; they bond with them. You’ll need to be circumspect in dealing with her.”
“Perhaps she’s beyond my capacity to deal with,” I said after a pause. “Perhaps I’m simply too thickheaded. I should probably let it all go and devote myself to Green Star.”
“Do as you see fit.”
Vang’s expression did not shift from its stoic cast, but it appeared to harden, and I could tell that he was startled. I instructed the computer to sleep and leaned back, bracing one foot against the side of the desk. “There’s no need for pretense,” I said. “I know you want me to kill him. I just don’t understand why.”
I waited for him to respond, and when he did not, I said, “You were my mother’s friend—that’s reason enough to wish him dead, I suppose. But I’ve never felt that you were my friend. You’ve given me … everything. Life. A place to live. A purpose. Yet whenever I try to thank you, you dismiss it out of hand. I used to think this was because you were shy, because you were embarrassed by displays of emotion. Now, I’m not sure. Sometimes it seems you find my gratitude repugnant … or embarrassing in a way that has nothing to do with shyness. It’s as if”—I struggled to collect my thoughts “—as if you have some reason for hating my father that you haven’t told me. One you’re ashamed to admit. Or maybe it’s something else, some piece of information you have that gives you a different perspective on the situation.”
Being honest with him was both exhilarating and frightening—I felt as though I were violating a taboo—and after this speech I was left breathless and disoriented, unsure of everything I’d said, though I’d been thoroughly convinced of its truth when I said it. “I’m sorry,” I told him. “I’ve no right to doubt you.”
He started to make a gesture of dismissal such as was his habit when uncomfortable with a conversation, but caught himself and petted the cat instead. “Despite the differences in our stations, I was very close to your mother,” he said. “And to your grandfather. No longer having a family of my own, I made them into a surrogate. When they died, one after the other … you see, your grandfather’s presence, his wealth, protected your mother, and once he was gone, your father had no qualms against misusing her.” He blew out a breath, like a horse, through his lips. “When they died, I lost my heart. I’d lost so much already, I was unable to bear the sorrow I felt. I retreated from the world, I rejected my emotions. In effect, I shut myself down.” He put a hand to his forehead, covering his eyes. I could see he was upset, and I felt badly that I had caused these old griefs to wound him again. “I know you have suffered as a result,” he went on. “You’ve grown up without the affection of a parent, and that is a cruel condition. I wish I could change that. I wish I could change the way I am, but the idea of risking myself, of having everything ripped away from me a third time … it’s unbearable.” His hand began to tremble; he clenched it into a fist, pressed it against the bridge of his nose. “It is I who should apologize to you. Please, forgive me.”
I assured him that he need not ask for forgiveness, I honored and respected him. I had the urge to tell him I loved him, and at that moment I did—I believed now that in loving my family, in carrying out my mother’s wishes, he had established his love for me. Hoping to distract him from his grief, I asked him to tell me about my grandfather, a man concerning whom I knew next to nothing, only that he had been remarkably successful in business.
Vang seemed startled by the question, but after taking a second to compose himself, he said, “I’m not sure you would have approved of him. He was a strong man, and strong men often sacrifice much that ordinary men hold dear in order to achieve their ends. But he loved your mother, and he loved you.”
This was not the sort of detail I’d been seeking, but it was plain that Vang was still gripped by emotion, and I decided it would be best to leave him alone. As I passed behind him, I laid a hand on his shoulder. He twitched, as if burned by the touch, and I thought he might respond by covering my hand with his own. But he only nodded and made a humming noise deep in his throat. I stood there for a few beats, wishing I could think of something else to say; then I bid him good night and went off into the darkness to look for Tan.
One morning, about a month after this conversation, in the little seaside town of Vung Tao, Dat quit the circus following an argument with Vang, and I was forced that same evening to assume the role of James Bond Cochise. The prospect of performing the entire act in public—I had previously made token appearances along with Dat—gave rise to some anxiety, but I was confident in my skill. Tan took in Dat’s tuxedo jacket a bit, so it would hang nicely, and helped me paint my face with Native American designs, and when Vang announced me, standing at the center of our single ring and extolling my legendary virtues into a microphone, I strode into the rich yellow glow of the tent, the warmth smelling of sawdust and cowshit (a small herd had been foraging on the spot before we arrived), with my arms overhead, flourishing the belt that held my hatchets and knives, and enjoying the applause. All seven rows of the bleachers were full, the audience consisting of resort workers, fishermen and their families, with a smattering of tourists, mainly backpackers, but also a group of immensely fat Russian women who had been transported from a hotel farther along the beach in cycles pedaled by diminutive Vietnamese men. They were in a good mood, thanks to a comic skit in which Tan played a farm girl and Tranh a village buffoon hopelessly in love with her, his lust manifested by a telescoping rod that could spring outward to a length of fourteen inches and was belted to his hips beneath a pair of baggy trousers.
Mei, dressed in a red sequined costume that pushed up her breasts and squeezed the tops of her chubby thighs like sausage ends, assumed a spread-eagled position in front of the board, and the crowd fell silent. Sitting in a wooden chair at ring center, Vang switched on the music, the theme from a venerable James Bond film. I displayed a knife to the bleachers, took my mark, and sent the blade hurtling toward Mei, planting it solidly in the wood an inch above her head. The first four or five throws were perfect, outlining Mei’s head and shoulders. The crowd oohed and ahhed each time the blade sank into the board. Supremely confident now, I flung the knives as I whirled and ducked, pretending to dodge the gunshots embedded in the theme music, throwing from a crouch, on my stomach, leaping—but then I made the slightest of missteps, and the knife I hurled flashed so close to Mei, it nicked the fleshy portion of her upper arm. She shrieked and staggered away from the board, holding the injury. She remained stock-still for an instant, fixing me with a look of anguish, then bolted for the entrance. The crowd was stunned. Vang jumped up, the microphone dangling from his hand. For a second or two, I was rooted to the spot, not certain what to do. The bombastic music isolated me as surely as if it were a fence, and when Tranh shut it off, the fence collapsed, and I felt the pressure of a thousand eyes upon me. Unable to withstand it, I followed Mei out into the night.
The main tent had been erected atop a dune overlooking a bay and a stretch of sandy beach. It was a warm, windy night, and as I emerged from the tent the tall grasses cresting the dune were blown flat by a gust. From behind me, Vang’s amplified voice sounded above the rush of the wind and the heavier beat of the surf, urging the audience to stay seated, the show would continue momentarily. The moon was almost full, but it hung behind the clouds, edging an alp of cumulus with silver, and I couldn’t find Mei at first. Then the moon sailed clear, paving a glittering avenue across the black water, touching the plumes of combers with phosphorous, brightening the sand, and I spotted Mei—re
cognizable by her red costume—and two other figures on the beach some thirty feet below; they appeared to be ministering to her.
I started down the face of the dune, slipped in the loose sand and fell. As I scrambled to my feet, I saw Tan struggling up the slope toward me. She caught at the lapels of my tuxedo for balance, nearly causing me to fall again, and we swayed together; holding each other upright. She wore a nylon jacket over her costume, which was like Mei’s in every respect but one—it was a shade of peacock blue spangled with silver stars. Her shining hair was gathered at the nape of her neck, crystal earrings sparkled in the lobes of her ears, her dark eyes brimmed with light. She looked made of light, an illusion that would fade once the clouds regrouped about the moon. But the thing that most affected me was not her beauty. Moment to moment, that was something of which I was always aware, how she flowed between states of beauty, shifting from schoolgirl to seductress to serious young woman, and now this starry incarnation materialized before me, the devi of a world that existed only for this precise second … . No, it was her calmness that affected me most. It poured over me, coursing around and through me, and even before she spoke, not mentioning what had happened to Mei, as if it were not a potentially fatal accident, a confidence-destroyer that would cause me to falter whenever I picked up a knife—even before that I was convinced by her unruffled manner that everything was as usual, there had been a slight disruption of routine, and now we should go back into the tent because Vang was running out of jokes to tell.
“Mei …” I said as we clambered over the crest of the dune, and Tan said, “It’s not even a scratch.” She took my arm and guided me toward the entrance, walking briskly yet unhurriedly.
I felt I’d been hypnotized—not by a sonorous voice or the pendulum swing of a shiny object, but by a heightened awareness of the ordinary, the steady pulse of time, all the background rhythms of the universe. I was filled with an immaculate calm, distant from the crowd and the booming music. It seemed that I wasn’t throwing the knives so much as I was fitting them into slots and letting the turning of the earth whisk them away to thud and quiver in the board, creating a figure of steel slightly larger than the figure of soft brown flesh and peacock blue silk it contained. Dat had never received such applause—I think the crowd believed Mei’s injury had been a trick designed to heighten suspense, and they showed their enthusiasm by standing as Tan and I took our bows and walked together through the entranceway. Once outside, she pressed herself against me, kissed my cheek, and said she would see me later. Then she went off toward the rear of the tent to change for the finale.
Under normal circumstances, I would have gone to help with the major, but on this occasion, feeling disconnected and now, bereft of Tan’s soothing influence, upset at having injured Mei, I wandered along the top of the dune until I came to a gully choked with grasses that afforded protection from the wind, which was still gusting hard, filling the air with grit. I sat down amidst the grass and looked off along the curve of the beach. About fifteen meters to the north, the sand gave out into a narrow shingle and the land planed upward into low hills thick with vegetation. Half-hidden by the foliage was a row of small houses with sloping tiled roofs and open porches; they stood close to the sea, and chutes of yellow light spilled from their windows to illuminate the wavelets beneath. The moon was high, no longer silvery, resembling instead a piece of bloated bone china mottled with dark splotches, and, appearing to lie directly beneath it among a hammock of coconut palms was a pink stucco castle that guarded the point of the bay: the hotel where the tourists who had attended our performance were staying. I could make out antlike shapes scurrying back and forth on the brightly lit crescent of sand in front of it, and I heard a faint music shredded by the wind. The water beyond the break was black as opium.
My thoughts turned not to the accident with Mei, but to how I had performed with Tan. The act had passed quickly, a flurry of knives and light, yet now I recalled details: the coolness of the metal between my fingers; Vang watching anxiously off to the side; a fiery glint on a hatchet blade tumbling toward a spot between Tan’s legs. My most significant memory, however, was of her eyes. How they had seemed to beam instructions, orchestrating my movements, so forceful that I’d imagined she was capable of deflecting a blade if my aim proved errant. Given my emotional investment in her, my absolute faith—though we’d never discussed it—in our future together, it was easy to believe she had that kind of power over me. Easy to believe, and somewhat troublesome, for it struck me that we were not equals, we couldn’t be as long as she controlled every facet of the relationship. And having concluded this, as if the conclusion were the end of all possible logics concerning the subject, my mind slowed and became mired in despondency.
I’m not certain how long I had been sitting when Tan came walking down the beach, brushing windblown hair from her eyes. She had on a man’s short-sleeved shirt and a pair of loose-fitting shorts, and was carrying a blanket. I was hidden from her by the grass, and I was at such a remove from things, not comfortable with but accepting of my solitude, I was half-inclined to let her pass; but then she stopped and called my name, and I, by reflex, responded. She spotted me and picked up her pace. When she reached my side she said without a hint of reproval, merely as if stating a fact, “You went so far. I wasn’t sure I’d find you.” She spread the blanket on the sand and encouraged me to join her on it. I felt guilty at having had clinical thoughts about her and our relationship—to put this sort of practical construction on what I tended to view as a magical union, a thing of fate and dharma, seemed unworthy, and as a consequence I was at a loss for words. The wind began to blow in a long unbroken stream off the water, and she shivered. I asked if she would like to put on my tuxedo jacket. She said, “No.” The line of her mouth tightened, and with a sudden movement, she looked away from me, half-turning her upper body. I thought I must have done something to annoy her, and this so unnerved me, I didn’t immediately notice that she was unbuttoning her shirt. She shrugged out of it, held it balled against her chest for a moment, then set it aside; she glanced at me over her shoulder, engaging my eyes. I could tell her usual calm was returning—I could almost see her filling with it—and I realized then that this calmness of hers was not hers alone, it was ours, a byproduct of our trust in one another, and what had happened in the main tent had not been a case of her controlling me, saving me from panic, but had been the two of us channeling each other’s strength, converting nervousness and fear to certainty and precision. Just as we were doing now.
I kissed her mouth, her small breasts, exulting in their salty aftertaste of brine and dried sweat. Then I drew her down onto the blanket, and what followed, despite clumsiness and flashes of insecurity, was somehow both fierce and chaste, the natural culmination of two years of longing, of unspoken treaties and accommodations. Afterward, pressed together, wrapped in the silk and warmth of spent splendor, whispering the old yet never less than astonishing secrets and promises, saying things that had long gone unsaid, I remember thinking that I would do anything for her. This was not an abstract thought, not simply the atavistic reaction of a man new to a feeling of mastery, though I can’t deny that was in me—the sexual and the violent break from the same spring—but was an understanding founded on a considered appreciation of the trials I might have to overcome and the blood I might have to shed in order to keep her safe in a world where wife-murder was a crime for profit and patricide an act of self-defense. It’s strange to recall with what a profound sense of reverence I accepted the idea that I was now willing to engage in every sort of human behavior, ranging from the self-sacrificial to the self-gratifying to the perpetration of acts so abhorrent that, once committed, they would harrow me until the end of my days.
At dawn the clouds closed in, the wind died, and the sea lay flat. Now and again a weak sun penetrated the overcast, causing the water to glisten like an expanse of freshly applied gray paint. We climbed to the top of the dune and sat with our arms around each ot
her, not wanting to return to the circus, to break the elastic of the long moment stretching backward into night. The unstirring grass, the energyless water and dead sky, made it appear that time itself had been becalmed. The beach in front of the pink hotel was littered with debris, deserted. You might have thought that our lovemaking had succeeded in emptying the world. But soon we caught sight of Tranh and Mei walking toward us across the dune, Kim and Kai skipping along behind. All were dressed in shorts and shirts, and Tranh carried a net shopping bag that—I saw as he lurched up, stumbling in the sand—contained mineral water and sandwiches.
“What have you kids been up to?” he asked, displaying an exaggerated degree of concern.
Mei punched him on the arm, and, after glancing back and forth between us, as if he suddenly understood the situation, Tranh put on a shocked face and covered his mouth with a hand. Giggling, Kai and Kim went scampering down onto the beach. Mei tugged at Tranh’s shirt, but he ignored her and sank onto his knees beside me. “I bet you’re hungry,” he said, and his round face was split by a gaptoothed grin. He thrust a sandwich wrapped in a paper napkin at me. “Better eat! You’re probably going to need your strength.”
With an apologetic look in Tan’s direction, Mei kneeled beside him; she unwrapped sandwiches and opened two bottles of water. She caught my eye, frowned, pointed to her arm, and shook her forefinger as she might have done with a mischievous child. “Next time don’t dance around so much,” she said, and pretended to sprinkle something on one of the sandwiches. “Or else one night I’ll put special herbs in your dinner.” Tranh kept peering at Tan, then at me, grinning, nodding, and finally, with a laugh, Tan pushed him onto his back. Down by the water Kai and Kim were tossing pebbles into the sea with girlish ineptitude. Mei called to them and they came running, their braids bouncing; they threw themselves bellyfirst onto the sand, squirmed up to sitting positions, and began gobbling sandwiches.
The Year's Best Science Fiction: Eighteenth Annual Collection Page 54
