by Max Brand
The moment he passed the door he was alert, balanced. He could have swung to either side, or whirled and shot behind him with the precision of a leisurely marksman, and as he walked he smiled, happily with his head held high. He seemed so young, then, that one would have said he had just come in gaily from some game with the other youths of Alder.
Out of the kitchen he passed into the hall, and there he understood the meaning of the silence, for both the doors to the front room were open, and through the doors he heard a single voice, deep and solemn, and through the doors he saw the crowd standing motionless. Their heads did not stir,—heads on which the hair was plastered smoothly down—and when some one raised a hand to touch an itching ear, or nose, he moved his arm with such caution that it seemed he feared to set a magazine of powder on fire. All their backs were towards Barry, where he stood in the hall, and as he glided toward them, he heard the deep voice stop, and then the trembling voice of a girl speak in reply.
At the first entrance he paused, for the whole scene unrolled before him. It was a wedding. Just in front of him, on chairs and even on benches, sat the majority of adult Alder,—facing these stood the wedding pair with the minister just in front of them. He could see the girl to one side of the minister’s back, and she was very pretty, very femininely appealing, now, in a dress which was a cloudy effect of white; but Barry gave her only one sharp glance. His attention was for the men of the crowd. And although there were only backs of heads, and side glimpses of faces he hunted swiftly for Vic Gregg.
But Gregg was not there. He surveyed the assembly twice, incredulous, for surely the tall man should be here, but when he was on the very point of turning on his heel and slinking down the hall to pursue his hunt in other quarters, the voice of the minister stopped, and the deep tone of Vic himself rolled through the room.
It startled Barry like a voice out of the sky; he stared about, bewildered, and then as the minister shifted his position a little he saw that it was Gregg who stood there beside the girl in white,—it was Gregg being married. And at the same moment, the eyes of Vic lifted, wandered, fell upon the face which stood there framed in the dark of the doorway. Dan saw the flush die out, saw the narrow, single-purposed face of Gregg turn white, saw his eyes widen, and his own hand closed on his gun. Another instant; the minister turned his head, seemed to be waiting, and then Gregg spoke in answer: “I will!”
A thousand pictures rushed through the mind of Barry, and he remembered first and last the wounded man on the gray horse who he had saved, and the long, hard ride carrying that limp body to the cabin in the mountains. The man would fight. By the motion of Gregg’s hand, Dan knew that he had gone even to his wedding armed. He had only to show his own gun to bring on the crisis, and in the meantime the eyes of Vic held steadily upon him past the shoulder of the minister, without fear, desperately. In spite of himself Dan’s hand could not move his gun. In spite of himself he looked to the confused happy face of the girl. And he felt as he had felt when he set fire to his house up there in the hills. The wavering lasted only a moment longer; then he turned and slipped noiselessly down the hall, and the seventh man who should have died for Grey Molly was still alive.
CHAPTER XLI
The Wild Geese
Twenty-four hours from Alder to Elkhead, and beyond Elkhead to the Cumberland ranch, is long riding and hard riding, but not far after dark on the following night, Joan lifted her head, where she played with the puppy on the hearth, and listened. There was no sound audible to the others in the living room; they did not even mark the manner in which she sat up, and then rose to her feet. But when she whispered “Daddy Dan!” it brought each of the three out of his chair. Still they heard nothing, and Buck and Lee Haines would have retaken their chairs had not Kate gone to the window and thrown it wide. Then they caught it, very far off, very thin and small, a delicate thread of music, an eerie whistling. Without a word, she closed the window, crossed the room and from the table she took up a cartridge belt from which hung the holster with the revolver which Whistling Dan taught her to use so well. She buckled it about her. Lee Haines and Daniels, without a word, imitated her actions. Their guns were already on—every moment since they reached the ranch they had gone armed but now they looked to them, and tried the actions a few times before they thrust them back into the holsters.
It was odd to watch them. They were like the last remnant of a garrison, outworn with fighting, which prepares in grim quiet for the final stand.
The whistling rose a little in volume now. It was a happy sound, without a recognizable tune, but a gay, wild improvisation as if a violinist, drunk, was remembering snatches of masterpieces, throwing out lovely fragments here and there and filling the intervals out of his own excited fancy. Joan ran to the window, forgetful of the puppy, and kneeled there in the chair, looking out. The whistling stopped as Kate drew down the curtain to cut out Joan’s view. It was far too dark for the child to see out, but she often would sit like this, looking into the dark.
The whistling began again as Joan turned silently on her mother, uncomplaining, but with a singular glint in her eyes, a sort of flickering, inward light that came out by glances and starts. Now the sound of the rider blew closer and closer. Kate gestured the men to their positions, one for each of the two inner doors while she herself took the outer one. There was not a trace of color in her face, but otherwise she was as calm as a stone, and from her an atmosphere pervaded the room, so that men also stood quietly at their posts, without a word, without a sign to each other. They had their unspoken order from Kate. She would resist to the death and she expected the same from them. They were prepared.
Still that crescendo of the whistling continued; it seemed as if it would never reach them; it grew loud as a bird singing in that very room, and still it continued to swell, increase—then suddenly went out. As if it were the signal for which she had been waiting all these heartbreaking moments, Kate opened the front door, ran quickly down the hall, and stood an instant later on the path in front of the house. She had locked the doors as she went through, and now she heard one of the men rattling the lock to follow her. The rattling ceased. Evidently they decided that they would hold the fort as they were.
Her heel hardly sank in the sand when she saw him. He came out of the night like a black shadow among shadows, with the speed of the wind to carry him. A light creak of leather as he halted, a glimmer of star light on Satan as he wheeled, a clink of steel, and then Dan was coming up the path.
She knew him perfectly even before she could make out the details of the form; she knew him by the light, swift, almost noiseless step, like the padding footfall of a great cat—a sense of weight without sound. Another form skulked behind him—Black Bart.
He was close, very close, before he stopped, or seemed to see her, though she felt that he must have been aware of her since he first rode up. He was so close, indeed, that the starlight—the brim of his hat standing up somewhat from the swift riding—showed his face quite clearly to her. It was boyish, almost, in its extreme youth, and so thinly molded, and his frame so lightly made, that he seemed one risen from a wasting bed of sickness. The wind fluttered his shirt and she wondered, as she had wondered so often before, where he gained that incredible strength in so meager a body. In all her life she had never loved him as she loved him now. But her mind was as fixed as a star.
“You can’t have her, Dan. You can’t have her! Don’t you see how terrible a thing you’d make her? She’s my blood, my pain, my love, and you want to take her up yonder to the mountains and the loneliness—I’ll die to keep her!”
Now the moon, which had been buried in a drift of clouds, broke through them, and seemed in an instant to slide a vast distance towards the earth, a crooked half moon with its edges eaten by the mist. Under this light she could see him more clearly, and she became aware of the thing she dreaded, the faint smile which barely touched at the corners of his mouth; and in his eyes a swirl of yellow light, half guessed at, half rea
l. All her strength poured out of her. She felt her knees buckle, felt the fingers about the light revolver butt relax, felt every nerve grow slack. She was helpless, and it was not fear of the man, but of something which stalked behind him, inhuman, irresistible; not the wolf-dog, but something more than Satan, and Bart, and Whistling Dan, something of which they were only a part.
He began to whistle, thoughtfully, like one who considers a plan of action and yet hesitates to begin. She felt his eyes run over her, as if judging how he should put her most gently to one side; then from the house, very lightly, hardly more than an echo of Dan’s whistling, came an answer—the very same refrain. Joan was calling to him.
At that he stepped forward, but the thing which stirred him, had hardened the mind of Kate. The weakness passed in a flash. It was Joan, and for Joan!
“Not a step!” she whispered, and jerked out her gun. “Not a step!”
He stood with one hand trailing carelessly from his hip, and at the gleam of her steel his other hand dropped to a holster, fumbled there, and came away empty; he could not touch her, not with the weight of a finger. That thoughtful whistle came again: once more the answering whistle drifted out from the house; and he moved forward another pace.
She had chosen her mark carefully, the upper corner of the seam of the pocket upon his shirt, and before his foot struck the ground she fired. For an instant she felt that she missed the mark, for he stood perfectly upright, but when she saw that the yellow was gone from his eyes. They were empty of everything except a great wonder. He wavered to his knees, and then sank down with his arms around Black Bart. He seemed, indeed, to crumple away into the night. Then she heard a shouting and trampling in the house, and a breaking open of doors, and she knew that she had killed Whistling Dan. She would have gone to him, but the snarl of Bart drove her back. Then she saw Satan galloping up the path and come to a sliding halt where he stood with his delicate nose close to the face of the master. There was no struggle with death, only a sigh like a motion of wind in far off trees, and then, softly, easily Black Bart extricated himself from the master, and moved away down the path, all wolf, all wild. Behind him, Satan whirled with a snort, and they rushed away into the night each in an opposite direction. The long companionship of the three was ended, and the seventh man was dead for Grey Molly.
Lee Haines and Buck Daniels were around her now. She heard nothing distinctly, only a great, vague clamor of voices while she kneeled and turned the body of Barry on its back. It was marvelously light; she could almost have picked it up in her arms, she felt. She folded the hands across his breast, and the limp fingers were delicate as the fingers of a sick child. Buck Daniels lay prone by the dead man weeping aloud; and Lee Haines stood with his face buried in his hands; but there was no tear on the face of Kate.
As she closed the eyes, the empty, hollow eyes, she heard a distant calling, a hoarse and dissonant chiming. She looked up and saw a wedge of wild geese flying low across the moon.
WAY OF THE LAWLESS (1921)
Also published as Free Range
CHAPTER 1
Beside the rear window of the blacksmith shop Jasper Lanning held his withered arms folded against his chest. With the dispassionate eye and the aching heart of an artist he said to himself that his life work was a failure. That life work was the young fellow who swung the sledge at the forge, and truly it was a strange product for this seventy-year-old veteran with his slant Oriental eyes and his narrow beard of white. Andrew Lanning was not even his son, but it came about in this way that Andrew became the life work of Jasper.
Fifteen years before, the father of Andy died, and Jasper rode out of the mountain desert like a hawk dropping out of the pale-blue sky. He buried his brother without a tear, and then sat down and looked at the slender child who bore his name. Andy was a beautiful boy. He had the black hair and eyes, the well-made jaw, and the bone of the Lannings, and if his mouth was rather soft and girlish he laid the failing to the weakness of childhood. Jasper had no sympathy for tenderness in men. His own life was as littered with hard deeds as the side of a mountain with boulders. But the black, bright eyes and the well-made jaw of little Andy laid hold on him, and he said to himself: “I’m fifty-five. I’m about through with my saddle days. I’ll settle down and turn out one piece of work that’ll last after I’m gone, and last with my signature on it!”
That was fifteen years ago. And for fifteen years he had labored to make Andy a man according to a grim pattern which was known in the Lanning clan, and elsewhere in the mountain desert. His program was as simple as the curriculum of a Persian youth. On the whole, it was even simpler, for Jasper concentrated on teaching the boy how to ride and shoot, and was not at all particular that he should learn to speak the truth. But on the first two and greatest articles of his creed, how Jasper labored!
For fifteen years he poured his heart without stint into his work! He taught Andy to know a horse from hock to teeth, and to ride anything that wore hair. He taught him to know a gun as if it were a sentient thing. He taught him all the draws of old and new pattern, and labored to give him both precision and speed. That was the work of fifteen years, and now at the end of this time the old man knew that his life work was a failure, for he had made the hand of Andrew Lanning cunning, had given his muscles strength, but the heart beneath was wrong.
It was hard to see Andy at the first glance. A film of smoke shifted and eddied through the shop, and Andy, working the bellows, was a black form against the square of the door, a square filled by the blinding white of the alkali dust in the road outside and the blinding white of the sun above. Andy turned from the forge, bearing in his tongs a great bar of iron black at the ends but white in the middle. The white place was surrounded by a sparkling radiance. Andy caught up an eight-pound hammer, and it rose and fell lightly in his hand. The sparks rushed against the leather apron of the hammer wielder, and as the blows fell rapid waves of light were thrown against the face of Andrew.
Looking at that face one wondered how the life work of Jasper was such a failure. For Andy was a handsome fellow with his blue-black hair and his black, rather slanting eyes, after the Lanning manner. Yet Jasper saw, and his heart was sick. The face was a little too full; the square bone of the chin was rounded with flesh; and, above all, the mouth had never changed. It was the mouth of the child, soft—too womanly soft. And Jasper blinked.
When he opened his eyes again the white place on the iron had become a dull red, and the face of the blacksmith was again in shadow. All Jasper could see was the body of Andy, and that was much better. Red light glinted on the sinewy arms and the swaying shoulders, and the hammer swayed and fell tirelessly. For fifteen years Jasper had consoled himself with the strength of the boy, smooth as silk and as durable; the light form which would not tire a horse, but swelled above the waist into those formidable shoulders.
Now the bar was lifted from the anvil and plunged, hissing, into the bucket beside the forge; above the bucket a cloud of steam rose and showed clearly against the brilliant square of the door, and the peculiar scent which came from the iron went sharply to the nostrils of Jasper. He got up as a horseman entered the shop. He came in a manner that pleased Jasper. There was a rush of hoofbeats, a form darting through the door, and in the midst of the shop the rider leaped out of the saddle and the horse came to a halt with braced legs.
“Hey, you!” called the rider as he tossed the reins over the head of his horse. “Here’s a hoss that needs iron on his feet. Fix him up. And look here”—he lifted a forefoot and showed the scales on the frog and sole of the hoof—“last time you shoed this hoss you done a sloppy job, son. You left all this stuff hangin’ on here. I want it trimmed off nice an’ neat. You hear?”
The blacksmith shrugged his shoulders.
“Spoils the hoof to put the knife on the sole, Buck,” said the smith. “That peels off natural.”
“H’m,” said Buck Heath. “How old are you, son?”
“Oh, old enough,” answered An
dy cheerily. “Old enough to know that this exfoliation is entirely natural.”
The big word stuck in the craw of Buck Heath, who brought his thick eyebrows together. “I’ve rid horses off and on come twenty-five years,” he declared, “and I’ve rid ’em long enough to know how I want ’em shod. This is my hoss, son, and you do it my way. That straight?”
The eye of old Jasper in the rear of the shop grew dim with wistfulness as he heard this talk. He knew Buck Heath; he knew his kind; in his day he would have eaten a dozen men of such rough words and such mild deeds as Buck. But searching the face of Andy, he saw no resentment. Merely a quiet resignation.
“Another thing,” said Buck Heath, who seemed determined to press the thing to a disagreeable point. “I hear you don’t fit your shoes on hot. Well?”
“I never touch a hoof with hot iron,” replied Andy. “It’s a rotten practice.”
“Is it?” said Buck Heath coldly. “Well, son, you fit my hoss with hot shoes or I’ll know the reason why.”
“I’ve got to do the work my own way,” protested Andy.
A spark of hope burned in the slant eyes of Jasper.
“Otherwise I can go find another gent to do my shoein’?” inquired Buck.
“It looks that way,” replied the blacksmith with a nod.
“Well,” said Buck, whose mildness of the last question had been merely the cover for a bursting wrath that now sent his voice booming, “maybe you know a whole pile, boy—I hear Jasper has give you consid’able education—but what you know is plumb wasted on me. Understand? As for lookin’ up another blacksmith, you ought to know they ain’t another shop in ten miles. You’ll do this job, and you’ll do it my way. Maybe you got another way of thinkin’?”
There was a little pause.
“It’s your horse,” repeated Andy. “I suppose I can do him your own way.”
