Then I got to my hotel.
The Madinat Jumeirah is, near as I can figure, a superresort consisting of three, or possibly six, luxury sub-hotels and two, or maybe three, clusters of luxury villas, spread out over about forty acres, or for all I know it was twelve sub-hotels and nine luxury-villa clusters—I really couldn’t tell, so seamless and extravagant and confusing was all the luxury. The Madinat is themed to resemble an ancient Arabian village. But to say the Madinat is themed doesn’t begin to express the intensity and opulence and areal extent of the theming. The site is crisscrossed by 2.3 miles of fake creeks, trolled night and day by dozens of fake Arabian water taxis (abras) piloted by what I can only describe as fake Arabs because, though dressed like old-timey Arabs, they are actually young, smiling, sweet-hearted guys from Nepal or Kenya or the Philippines, who speak terrific English as they pilot the soundless electrical abras through this lush, created Arabia, looking for someone to take back to the lobby, or to the largest outdoor pool in the Middle East, or over to Trader Vic’s, which is also themed and looks something like a mysterious ancient Casbah inexplicably filled with beautiful contemporary people.
And so, though my first response to elaborate Theming is often irony (Who did this? And why? Look at that modern Exit sign over that eighteenth-century bedstead. Haw!), what I found during my stay at the Madinat is that irony is actually my first response to tepid, lame Theming. In the belly of radical Theming, my first response was to want to stay forever, bring my family over, set up shop in my hut-evoking villa, and never go home again.
Because the truth is, it’s beautiful. The air is perfumed, you hear fountains, the tinkling of bells, distant chanted prayers, and when the (real) Arabian moon comes up, yellow and attenuated, over a (fake) Arabian wind tower, you feel you are a resident of some ancient city—or rather, some ancient city if you had dreamed the ancient city, and the ancient city had been purged of all disease, death, and corruption, and you were a Founder/Elder of that city, much beloved by your Citizens, the Staff.
Wandering around one night, a little lost, I came to the realization that authenticity and pleasure are not causally related. How is this “fake”? This is real flowing water, the date and palm trees are real, the smell of incense and rose water is real. The staggering effect of the immense scale of one particular crosswalk—which joins two hotels together and is, if you can imagine this, a four-story ornate crosswalk that looks like it should have ten thousand cheering Imperial Troops clustered under it and an enigmatic young Princess waving from one of its arabesquey windows—that effect is real. You feel it in your gut and your legs. It makes you feel happy and heroic and a little breathless, in love anew with the world and its possibilities. You have somehow entered the landscape of a dream, the Platonic realization of the idea of Ancient Village—but there are real smells here, and when, a little dazzled, you mutter to yourself (“This is like a freaking dream, I love it, I, wow…”), you don’t wake up, but instead a smiling Filipino kid comes up and asks if you’d like a drink.
On the flight over, I watched an interview with an employee of Jumeirah International, the company that manages the Madinat. Even though he saw it going up himself, he said, he feels it is an ancient place every time he enters and finds it hard to believe that, three years ago, it was all just sand.
A WORD ABOUT THE HELP
UAE nationals comprise about 20 percent of the city’s population. Until three years ago, only nationals were allowed to own property in Dubai, and they still own essentially all of it. Visually identifiable by their dress—the men wear the traditional white dishdashas; the women, long black gowns and abayas—these nationals occupy the top rung of a rigid social hierarchy: imagine Hollywood, if everyone who’d been wildly successful in the movie business had to wear a distinctive costume.
A rung down from the Emiratis are some two hundred thousand expats (mostly Brits but also other Europeans, Russians, Lebanese, Indians) who comprise a kind of managerial class: the marketing people, the hotel managers, the human-resource gurus, the accountants, the lawyers, etc. But the vast majority of Dubai’s expat population—roughly two-thirds of it—comes from poorer countries all around the world, mainly South Asia or Africa. They built Dubai, they run it with their labor but can’t afford to own homes or raise their families here. They take their dirhams home and cash them in for local currency, in this way increasing their wealth by as much as tenfold. They live here for two years, five years, fifteen years; take home-leaves as often as every three months or as infrequently as never.
And even within this class there are stratifications. The hotel workers I met at the Madinat, for example, having been handpicked by Jumeirah scouts from the finest hotels in their native countries, are a class, or two, or three, above the scores of South Asian laborers who do the heavy construction work, who live in labor camps on the outskirts of town where they sleep ten to a room, and whose social life, according to one British expat I met, consists of “a thrilling evening once a month of sitting in a circle popping their bulbs out so some bloody Russian chickie can race around hand-jobbing them all in a mob.”
You see these construction guys all over town: somewhat darker-complexioned, wearing blue jumpsuits, averting their eyes when you try to say hello, squatting outside a work site at three in the morning because Dubai construction crews work twenty-four hours a day, seven days a week.
There is much to be done.
THE WILD WADI EPIPHANY
A short, complimentary golf-cart ride down the beach from the Madinat is Wild Wadi, a sprawling, themed water park whose theme is: a wadi is flooding! Once an hour, the sound of thunder/cracking trees/rushing waves blares through the facility-wide PA, and a waterfall begins dropping a thousand gallons of water a minute into an empty pond, which then violently overflows down the pedestrian walkways, past the gift shop.
Waiting in line, I’m part of a sort of United Nations of partial nudity: me, a couple of sunburned German women, three angry-looking Arab teens, kind of like the Marx Brothers if the Marx Brothers were Arabs in bathing suits with cigarettes behind their ears, who, I notice, are muttering to one another while glowering. Then I see what they’re muttering/glowering about: several (like, fifteen) members of the United States Navy, on shore leave. You can tell they’re Navy because they’re huge and tattooed and innocently happy and keep bellowing things like, “Dude, fuck that, I am all about dancing!” while punching each other lovingly in the tattoos and shooting what I recognize as Rural Smiles of Shyness and Apprehension at all the people staring at them because they’re so freaking loud.
Then the Navy Guys notice the Glowering Muttering Arabs, and it gets weirdly tense there in line. Luckily, it’s my turn to awkwardly blop into a tube, and off I go.
This ride involves a series of tremendous water jets that blast you, on your tube, to the top of Wild Wadi, where, your recently purchased swim trunks having been driven up your rear by the jets, you pause, looking out over the entire city—the miles of stone-white villas, the Burj Al Arab (sail-shaped, iconic, the world’s only seven-star hotel) out in the green-blue bay—just before you fly down so fast that you momentarily fear the next morning’s headline will read “Middle-aged American Dies in Freak Waterslide Mishap; Bathing Suit Found Far Up Ass.”
Afterward, I reconvene with my former line mates in a sort of faux river bend. Becalmed, traffic-jammed, we bob around in our tubes, trying to keep off one another via impotent little hand-flips, bare feet accidentally touching (“Ha, wope, sorry, heh…”), legs splayed, belly-up in the blinding 112-degree Arabian sun, self-conscious and expectant, as in: “Are we, like, stuck here? Will we go soon? I hope I’m not the one who drifts under that dang waterfall over there!”
No one is glowering or muttering now. We’re sated, enjoying that little dopey buzz of quasi-accomplishment you feel after a surprisingly intense theme-park ride. One of the Arab kids, the one with the Chico hair, passes a drenched cigarette to me, to pass to his friend, and then a light
er, and suddenly everybody’s smiling—me, the Arab Marxes, the sunburned German girls, the U.S. Navy.
A disclaimer: it may be that, when you’re forty-six and pearl white and wearing a new bathing suit at a theme park on your first full day in Arabia, you’re especially prone to Big Naive Philosophical Realizations.
Be that as it may, in my tube at Wild Wadi, I have a mini-epiphany: given enough time, I realize, statistically, despite what it may look like at any given moment, we will all be brothers. All differences will be bred out. There will be no pure Arab, no pure Jew, no pure American American. The old dividers—nation, race, religion—will be overpowered by crossbreeding and by our mass media, our world Culture o’ Enjoyment.
Look what just happened here: hatred and tension were defused by Sudden Fun.
Still bobbing around (three days before the resort bombings in Cairo, two weeks after the London bombings), I think-mumble a little prayer for the great homogenizing effect of pop culture: same us out, Lord MTV! Even if, in the process, we are left a little dumber, please proceed. Let us, brothers and sisters, leave the intolerant, the ideologues, the religious Islamist Bolsheviks, our own solvers-of-problems-with-troops behind, fully clothed, on the banks of Wild Wadi. We, the New People, desire Fun and the Good Things of Life, and through Fun, we will be saved.
Then the logjam breaks, and we surge forward, down a mini-waterfall.
Without exception, regardless of nationality, each of us makes the same sound as we disappear: a thrilled little self-forgetting Whoop.
WE BUY, THEREFORE WE AM
After two full days of blissfully farting around inside the Madinat, I reluctantly venture forth out of the resort bubble, downtown, into the actual city, to the Deira souk. This is the real Middle East, the dark Indiana Jones–ish Middle East I’d preimagined: an exotic, cramped, hot, chaotic, labyrinthine, canopied street bazaar, crowded with room-size, even closet-size stalls, selling everything there is in the world to buy, and more than a few things you can’t imagine anyone ever wanting to buy, or even accepting for free.
Here is the stall of Plastic Flowers That Light Up; the stall of Tall Thin Blond Dolls in Miniskirts with Improbably Huge Eyes; the stall of Toy Semiautomatic Weapons; the stall of Every Spice Known to Man (SARON BUKHOR, BAHRAT, MEDICAL HERBS, NATURAL VIAGRA); the stall of Coffee-Grinding Machines in Parts on the Floor; the stall of Hindi Prayer Cards; the stall of Spangled Kashmiri Slippers; of Air Rifles; Halloween Masks; Oversize Bright-Colored Toy Ships and Trucks; a stall whose walls and ceiling are completely covered with hundreds of cooking pots. There is a Pashtun-dominated section, a hidden Hindi temple, a section that suddenly goes Chinese, entire streets where nothing is sold but bolts of cloth. There’s a mind-blowing gold section—two or three hundred gold shops on one street, with mysterious doors leading to four-story mini-malls holding still more gold shops, each overflowing with the yellow high-end gold that, in storybooks and Disney movies, comes pouring out of pirate chests.
As I walk through, a kind of amazed mantra starts running through my head: There is no end to the making and selling of things there is no end to the making and selling of things there is no end…
Man, it occurs to me, is a joyful, buying-and-selling piece of work. I have been wrong, dead wrong, when I’ve decried consumerism. Consumerism is what we are. It is, in a sense, a holy impulse. A human being is someone who joyfully goes in pursuit of things, brings them home, then immediately starts planning how to get more.
A human being is someone who wishes to improve his lot.
SPEAKING OF IMPROVING ONE’S LOT: THE GREAT DUBAI QUANDARY
Dubai raises the questions raised by any apparent utopia: What’s the downside? At whose expense has this nirvana been built? On whose backs are these pearly gates being raised?
Dubai is, in essence, capitalism on steroids: a small, insanely wealthy group of capital-controlling Haves supported by a huge group of overworked and underpaid Have-Nots, with, in Dubai’s case, the gap between Haves and Have-Nots so wide as to indicate different species.
But any attempt to reduce this to some sort of sci-fi Masters and ’Droids scenario gets complicated. Relative to their brethren back home (working for next to nothing or not working at all), Dubai’s South Asian workers have it great; likewise, relative to their brethren working in nearby Saudi Arabia. An American I met, who has spent the last fifteen years working in the Saudi oil industry, told me about seeing new South Indian workers getting off the plane in Riyadh, in their pathetic new clothes, clutching cardboard suitcases. On arrival, as in a scene out of The Grapes of Wrath, they are informed (for the first time) that they will have to pay for their flight over, their lodging, their food (which must be bought from the company), and, in advance, their flight home. In this way, they essentially work the first two years for free.
Dubai is not, in structure, much different: the workers surrender their passports to their employer; there are no labor unions, no organizing, no protests. And yet in Dubai, the workers tell you again and again how happy they are to be here. Even the poorest, most overworked laborer considers himself lucky—he is making more, much more, than he would be back home. In Saudi, the windfall profits from skyrocketing oil prices have shot directly upstairs, to the five thousand or so members of the royal family, and from there to investments (new jets, real estate in London). In Dubai, the leaders have plowed the profits back into the national dream of the New Dubai—reliant not on oil revenue (the Dubai oil will be gone by 2010) but on global tourism. Whatever complaints you hear about the Emirati ruling class—they buy $250,000 falcons, squash all dissent, tolerate the financial presence of questionable organizations (Al Qaeda, various national Mafias)—they seem to be universally respected, even loved, because, unlike the Saudi rulers, they are perceived to put the interests of the people first.
On the other hand, relative to Western standards, Dubai is so antilabor as to seem medieval. In the local paper, I read about the following case: A group of foreign workers in Dubai quit their jobs in protest over millions of dirhams in unpaid wages. Since by law they weren’t allowed to work for another company, these men couldn’t afford plane tickets back home and were thus stuck in a kind of Kafka loop. After two years, the government finally stepped in and helped send the men home. This story indicates both the potential brutality of the system—so skewed toward the employer—and its flexibility relative to the Saudi system, its general right-heartedness, I think you could say, or at least its awareness of, and concern with, Western opinion: the situation was allowed to be reported and, once reported, was corrected.
Complicated.
Because you see these low-level foreign workers working two or three jobs, twelve, fourteen, sixteen hours a day, longing for home (a waiter shows me exactly how he likes to hold his two-year-old, or did like to hold her, last time he was home, eight months ago), and think: Couldn’t you Haves cut loose with just a little more?
But ask the workers, in your intrusive Western way, about their Possible Feelings of Oppression, and they model a level of stoic noble determination that makes the Ayn Rand in you think, Good, good for you, sir, best of luck in your professional endeavors!
Only later, back in your room, having waded in through a lobby full of high rollers—beautifully dressed European/Lebanese/Russian expats, conferring Emir atis, all smoking, chatting, the expats occasionally making a scene, berating a waitress—thinking of some cabdriver in the thirteenth hour of his fourteen-hour shift, worrying about his distant grandchild; thinking of some lonely young Katmandu husband, sleeping fitfully in his sweltering rented room—do you get a sudden urge to move to Dubai and start a chapter of the Wobblies.
On the other hand:
A Kenyan security guard who works fourteen-hour days at Wild Wadi, euphoric about his new earning power, says to me: “I expect, in your writing, you will try to find the dark side of Dubai? Some positive, some negative? Isn’t that the Western way? But I must say: I have found Dubai to be nearly perfect.�
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Complicated.
THE UNIVERSITY OF THE BACK OF THE CAB
A partial list of wise things cabdrivers said to me in Dubai:
1) “If you good Muslim, you go straight, no talking talking, bomb blast! No. You go to mosque, to talk. You go straight!”
2) “This, all you see? So new! All new within! Within one year! Within within within! That building there? New within three year! All built within! Before, no! Only sand.”
3) “You won’t see any Dubai Arab man driving cab. Big boss only.”
4) Re: the Taliban: “If you put a man into a room with no way out, he will fight his way out. But if you leave him one way out, he will take it.”
5) “The Cyclone Club? Please to not go there. It is a disco known for too many fuck-girls.”
One night my driver is an elderly Iranian, a fan of George W. Bush who hates the Iranian government. He tells me the story of his spiritual life. When young, he says, he was a donkey: a donkey of Islam. Then a professor said to him: You are so religious, so sure of yourself, and yet you know absolutely nothing. And this professor gave him books to read, from his personal library. “I read one, then more, more,” he says, nearly moving himself to tears with the memory.
After two years, the driver had a revelation: All religious knowledge comes from the hand of man. God does not talk to us directly. One can trust only one’s own mind, one’s own intelligence. He has five kids, four grandkids, still works fourteen-hour days at sixty-five years old. But he stays in Dubai because in Iran, there are two classes: The Religious and The Not. And The Religious get all the privileges, all the money, all the best jobs. And if you, part of The Not Religious, say something against them, he says, they take you against a wall and…
He turns to me, shoots himself in the head with his finger.
The Braindead Megaphone Page 3
