BLOODHOUNDS
* * *
By the same author
WOBBLE TO DEATH
THE DETECTIVE WORE SILK DRAWERS
ABRACADAVER
MAD HATTER'S HOLIDAY
INVITATION TO A DYNAMITE PARTY
A CASE OF SPIRITS
SWING, SWING TOGETHER
WAXWORK
THE FALSE INSPECTOR DEW
KEYSTONE
ROUGH CIDER
BERTIE AND THE TINMAN
ON THE EDGE
BERTIE AND THE SEVEN BODIES
BERTIE AND THE CRIME OF PASSION
THE LAST DETECTIVE
THE SUMMONS
BLOODHOUNDS
UPON A DARK NIGHT
THE VAULT
THE REAPER
DIAMOND DUST
THE HOUSE SITTER
Short stories
BUTCHERS AND OTHER STORIES OF CRIME
THE CRIME OF MISS OYSTER BROWN AND OTHER STORIES
DO NOT EXCEED THE STATED DOSE
BLOODHOUNDS
* * *
Peter Lovesey
Copyright © 1996 by Peter Lovesey
All rights reserved.
First published in Great Britain in 1996 by Little, Brown & Company
This edition published in the United States in 2004 by
Soho Press, Inc.
853 Broadway
New York, NY 10003
Library of Congress Cataloging-in-Publication Data
Lovesey, Peter.
Bloodhounds / Peter Lovesey.
p. cm.
ISBN 9784-56947-377-1
1. Diamond, Peter (Fictitious character) - Fiction.
2. Detective and mystery stories - Appreciation - Fiction.
3. Book clubs (Discussion Groups) - Fiction.
4. Police - England - Bath - Fiction.
5. Bath (England) - Fiction. I. Title.
PR6062.O86 B58 2004
823'.914—1c22 2004048240
10 9 8 7 6 5 4 3
BLOODHOUNDS
* * *
Contents
The First Riddle
The Challenge
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
The Second Riddle
The Locked Room
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Chapter Twenty-six
The Third Riddle
Suspense
Chapter Twenty-seven
Chapter Twenty-eight
Chapter Twenty-nine
Chapter Thirty
Chapter Thirty-one
Chapter Thirty-two
Chapter Thirty-three
Chapter Thirty-four
Chapter Thirty-five
Chapter Thirty-six
The First Riddle
The Challenge
Chapter One
Detective Superintendent Peter Diamond was suffering in the rear seat of a police car scorching toward Bath along the Keynsham bypass with the headlamps on full beam, blue light pulsing and siren wailing.
"You want to look out for idiot drivers," he shouted to his driver.
"Everyone can hear us coming, sir."
"Yes, but they don't all do what you expect." If this went on much longer, his heels would make holes in the carpet. He was only aboard because he'd been giving evidence in court at Bristol and happened to ask the driver for a lift back to Bath. The emergency call had come over the car radio soon after they drove off. Sheer bad luck. "You said this one is a bank."
"Yes, sir."
"Do you have a bank account, son?"
"Yes, sir."
"At this branch?"
"No, sir."
"Well, then."
"It's an emergency call."
"It happens all the time," Diamond told him, still competing with the siren. "Some poor chump goes into the red, and the manager bites his leg off. They're sharks. They send you a letter telling you you're two pounds overdrawn and then slap on a ten-pound charge for sending it."
The conversation didn't develop. The siren defeated it. Diamond tried not to look at the dizzying blur of green that was all he could see of the trees beside the road. Only that morning, sitting in court, he had seriously thought police work in Bath was a doddle. When they approached the round-about that linked Bath Road and Broadmead Lane he closed his eyes.
They came to a screeching halt outside a branch bank on the A4 in Saltford.
"Looks like we're the first," Diamond said without a trace of pleasure in the achievement. "Who's that wally in the door-way, do you reckon—one of ours, or one of theirs?"
The man was wearing a gray pinstripe three-piece and waving to the police car, so the balance of probability was that he was friendly. He came over while Diamond was still in the act of levering his large body out.
"Routledge," the pinstriped gent introduced himself. The voice had a fruity quality, a definite hint of the plum. "Chief Clerk." He actually offered to shake hands—as if Diamond had called to open an account. "You got here very quickly."
"What's the state of play?"
"Well, the manager, Mr. Bellini, is dead."
"Dead?"
"Shot through the head," the chief clerk said in the clipped, matter-of-fact tone of a British actor suppressing his emotion in a film about the war.
"You mean that? Is the gunman still in there?"
"Er, no."
"Any witnesses?"
"Witnesses? No, it happened in Mr. Bellini's office."
"People must have heard the shot," said Diamond.
"Oh, that's for sure."
"And seen the man come out."
Routledge gave the matter serious thought. "I don't think they could have done. You'll have to ask them. I think they ducked behind the counters."
Diamond's brain was grinding through the information he'd been given. "If no one saw the gunman come out, how do you know he isn't in there still, with Mr. Bellini?"
Routledge gave a shrug and a self-effacing smile. "Well, as a matter of fact, officer, I shot him myself. Forgive me for speaking plainly. Mr. Bellini was a total plonker."
Chapter Two
The Church of St. Michael with St. Paul, built just before Queen Victoria came to the throne, stands at the point where Broad Street meets Walcot Street, close to the Podium and the Post Office. The writer John Haddon in his Portrait of Bath described it as "a good eye-stopper," a summing-up that is difficult to better. The spire is one of the tallest in the city. The south front, necessarily slender because of the tapered piece of ground it occupies, is said to have been inspired by Salisbury Cathedral. Unhappily Salisbury Cathedral doesn't sit well in the center of Bath. Narrow lancet windows, buttresses, and pinnacles do not blend easily with Georgian or mock-Georgian pediments and columns. The nicest thing that has happened to St. Michael's in recent years is that the stone cleaners were called in. A century and a half of grime has been removed, and now the color of the building matches adjacent buildings even if the architecture does not.
At ten to eight on a rainy October evening a woman in a yellow PVC raincoat approached from Broa
d Street, taking care to block her view of most of the building with her umbrella. The scale of St. Michael's intimidated Shirley-Ann Miller. She was not a churchgoer. The only time she had braved the inside of a church in the past ten years was for a Nigel Kennedy recital at Christchurch during the Festival some years back. The adolescent crush she'd had on the punk violinist had lasted well into her twenties. This evening she was drawn by another enthusiasm, and it had to be a strong pull to get her here, for the meeting was to take place in the crypt.
The main doors to the church were locked. Shirley-Ann toured the outside searching for another entrance, doubts growing as to whether she had been misinformed. On the Walcot Street side she found a set of descending steps behind railings. She took off her glasses and wiped them dry, looking for some kind of notice. At the bottom of the steps was an archtopped door that definitely led under floor level. She released the catch on the umbrella and gave it a shake, took a deep breath, and stepped down.
Prepared for flagstones, cobwebs, and tombs, she was reassured to find that the way into the crypt was clean and well lit. There were doors leading off a short corridor, and she could hear voices from the room at the end.
She always felt nervous meeting people for the first time, but that had to be overcome. She pushed open the glass door to her right and stepped inside. It was like a private health center, warm, light and carpeted, with not a coffin in sight. The cream-colored walls had travel posters. Everything was so immaculate that she was concerned about marking the oatmeal carpet with her wet shoes.
The man and woman she had overheard stopped speaking and stared at her. To Shirley-Ann in her jittery state, the woman appeared a dragon empress, sixtyish, with a broad, powdered face with emerald-green eye shadow that toned with her peacock-blue high-necked oriental dress. Jade earrings. Heavily varnished nails. The rest of her was more European; permed blond hair and fleshy orange lips pursed in disdain.
The man was as awesome in his way as the woman. His black beard looked as if it came from a joke shop; it didn't match the silver hair on his head. Shirley-Ann found herself wondering if the beard was attached to his red-framed glasses, and if the whole thing lifted off in one piece.
Since neither of these people spoke, she introduced herself.
They just stared back, so she felt compelled to announce, "I do hope I'm not in the wrong place. Are you the Bloodhounds of Bath?"
How toe-curling it sounded.
The man didn't answer directly, but said, "Do you want to become a member, then?"
"I was told there might be room for me. I adore detective stories."
"I wouldn't admit to that if I were you." He cautioned her as if he were giving legal advice. "Some of the group won't be at all happy with such an admission. We have to define our tastes most scrupulously. You would be better advised—if you must give anything away at this stage—to say that you are a student of the crime novel, wouldn't she, Miss Chilmark?"
The dragon empress twitched her mouth and said nothing.
The man went on, "The term crime novel embraces so much more than the old-fashioned detective story." He took a measured look at the stone pillars of the crypt. "We're a broad church here."
Shirley-Ann realized that this last remark was meant to be witty. She managed a semistifled laugh, and then said, "I didn't mean just detective stories."
"What did you mean?" he asked.
She was beginning to think she had made a ghastly mistake coming here. "I said the first thing that came into my head."
"Not always wise. Should we call you Miss, Mrs. or Ms.?"
"I'd prefer you to use my first name, if that's all right."
"Perfectly all right with me," the man said in a more friendly tone. "I'm known to everyone as Milo. I don't much care for my surname. It's Motion, and I was called deplorable things at prep school. On the other hand, Miss Chilmark is always addressed as . . . Miss Chilmark."
Miss Chilmark explained in a voice that might have announced the programs in the early days of television, "There have been Chilmarks in the West Country for seven hundred years. I'm not ashamed of my surname."
"How many are there in the group?" Shirley-Ann asked. It had to be asked. If there weren't any others, she wasn't staying.
"The Bloodhounds? We're down to six. Seven, if you join," Milo informed her. "We've had a goodly number over the years, but they don't all persevere. Some die, some leave the district, and some are out of their depth. Are you well informed about the genre?"
"The what?"
"The crime fiction genre. What do you read?"
"Oh, just about everything," said Shirley-Ann, not wishing anyone to think she was out of her depth. She felt marginally more comfortable knowing that there were other Bloodhounds than these two. "I devour them. I've been through everything in the library and I have to go round charity shops for more. I'm always looking for new titles."
"Yes, but what are they? Whodunits? Police procedurals? Psychological thrillers?"
"All of those, all the time. Plus courtroom dramas, private eyes, espionage, historicals."
"And you like them all?" asked Milo dubiously.
"I read them all, even the dreadful ones. It's a compulsion, I think. I like them better if they're well written, of course."
"It sounds as if you could contribute something to the group," he said.
"Why not?" she said generously. "I have hundreds to spare."
Milo felt the beard as if to check that it was still attached and said, "I meant a contribution of opinions, not books. We're not all so catholic in our reading. We tend to specialize."
Miss Chilmark was moved to say, "Personally, I require some intellectual challenge, and I don't mean an impossible plot set in a country house between the wars. Have you read The Name of the Rose, by Umberto Eco?"
Shirley-Ann nodded.
She wasn't given time to say any more.
"A masterly book," Miss Chilmark enthused. "Full of wonderful things. Such atmosphere. Such learning. What a brilliant concept, placing a murder mystery in a medieval monastery. And the mystery—so intriguing that you don't want it to end! A map, a labyrinth, a distorting mirror, and brilliant deductions. Of course everyone else has climbed on the bandwagon since. These stories that you see everywhere, about the monk in Shrewsbury—"
"Brother Cadfael?" said Shirley-Ann.
"That's the one. Transparently inspired by Eco's great work."
"I think you could be mistaken there," Shirley-Ann gently pointed out. "The first Cadfael book, A Morbid Taste for Bones, appeared some years before The Name of the Rose. I know, because I read it when I was recovering from my appendix operation, in 1977. The Name of the Rose came out in 1983, the year I got a frozen shoulder."
"That can be agony," said Milo.
"Oh, but I'm sure it was available in the Italian," said Miss Chilmark with a superior smile.
"I should check your facts before you take her on," Milo muttered.
Shirley-Ann said no more about Brother Cadfael, but she had privately vowed to find the truth of it at the first opportunity.
There was a timely interruption. Another of the Bloodhounds came in, unfastened the silk scarf from her head—it looked like a Liberty design—and shook her hair. Blond and short, this was hair of the springy, loose-curled kind that needed no combing to look neatly groomed.
Shirley-Ann's hand automatically moved to her own head to tidy the crow's nest she knew was there. Hers would never cooperate.
Milo introduced the newcomer. "This is Jessica, our expert on the female investigator. Give her a chance and she'll reel off all their names."
"Lovely!" Shirley-Ann was relieved to discover that the Bloodhounds weren't all over sixty. "Let me try some. V. I. Warshawski, Kinsey Milhone, Sharon McCone, Jenny Cain."
"Let's hear it for the Brits," countered Jessica with a wide smile. "Cordelia Gray, Jemima Shore, Anna Lee, Penny Wanawake, Kate . . . Kate . . . Val McDermid's character, em . . . Oh, what's my brain do
ing?"
"Kate Brannigan," Shirley-Ann said almost apologetically.
"You read McDermid?"
"She reads everything, apparently," said Milo without spite. "She's going to keep us very well informed. I'm extremely wary of disclosing my special interest in such company."
The remark, and the arch way it was said, caused Shirley-Ann to wonder if Milo was gay.
Jessica removed her black Burberry raincoat and dropped it on a table at the side of the room. She was dressed dramatically in a black top and leggings, with a white satin sash. "Where's the chair?"
Milo looked puzzled, and no wonder, since ten padded chairs were arranged in a circle in the center of the room.
"Chairperson," Jessica explained. "Polly."
"Late for once," said Milo. "And so is Rupert."
"Rupert is always late," said Miss Chilmark. "I'm quite willing to take the chair for the time being if you wish to begin." She strutted across to the circle and sat down.
"That one would love to take over," Milo confided to Shirley-Ann. "It's her ambition."
Jessica said, "Let's give Polly a few more minutes. She'll be all flustered if she thinks she held us up."
"Which is why we should start, in my opinion," said Miss Chilmark from the circle.
No one else moved to join her, and that seemed to settle the matter.
Jessica asked nobody in particular, "Is Sid here? Oh, yes."
To Shirley-Ann's amazement a man in a fawn raincoat confirmed his presence by stepping into view from behind a pillar and lifting a hand in a gesture that might have been intended as a friendly wave, except that the outstretched fingers and the startled eyes behind them suggested Sid was warding off a banshee attack. He must have been in the crypt before she arrived. He said nothing, no one took any more notice, and Shirley-Ann felt rather embarrassed for him.
"You must be local. Am I right?" Jessica inquired of Shirley-Ann in the charmingly assertive tone cultivated English women use to show that they ignore certain things.
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