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From the internationally bestselling author of The Dressmaker comes an unforgettable novel about a young archaeologist who unearths ancient secrets, a tragic romance, and Viking treasure on a remote Scottish island.
One warm, rainy summer, Freya Dane, a PhD candidate in archaeology, arrives on the ancient Scottish island of Findnar. Estranged as a child from her recently dead father, himself an archaeologist, Freya yearns to understand more about the man, his work on the island, and why he left her mother so many years ago. It seems Michael Dane uncovered much of Findnar’s Viking and Christian past through his search for an illusive tomb, and Freya continues his work. The discoveries she is destined to make, far greater than her father’s, will teach her the true meaning of love and of loss.
AD 800, and a wandering comet, an omen of evil, shines down on Findnar. The fears of the locals are justified. In a Viking raid, Signy, a Pictish girl, loses her entire family. Taken in by survivors of the island’s Christian community, she falls in love with an injured Viking youth left behind by the raiders and is cast out. Confused and bereft, eventually she becomes a nun, a decision that will unleash tragedy as she is plunged into the heart of a war between three religions. Forced to choose among her ancestors’ animist beliefs, her adopted faith, and the man she loves, Signy will call out to Freya across the centuries. Ancient wrongs must be laid to rest in the present and the mystery at the heart of Findnar’s violent past exposed.
In time the comet will return, a link between past and present. But for these two women, time does not exist. For them, the past will never die. It has waited for them both.
POSIE GRAEME-EVANS is the author of four previous novels, including her most recent, The Dressmaker. She has worked in the Australian media industry for the last thirty years and was named one of Variety magazine’s twenty significant women in film and television. She lives in Tasmania with her husband and creative partner, Andrew Blaxland. Find out more at www.posiegraemeevans.com.
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COVER ILLUSTRATION BY TOM HALLMAN; AUTHOR IMAGE BY MARK MAWSON
The
Island House
ALSO BY POSIE GRAEME-EVANS
The Dressmaker
The Innocent
The Exiled
The Uncrowned Queen
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This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Copyright © 2012 by Millennium Pictures Pty. Limited and Posie Graeme-Evans
All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Atria Books Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.
First Atria Paperback edition June 2012
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Library of Congress Cataloging-in-Publication Data
Graeme-Evans, Posie.
The island house : a novel / by Posie Graeme-Evans. —1st Atria paperback ed.
p. cm.
1. Archaeology—Scotland—Fiction. 2. Life change events—Fiction.
3. Vikings—Scotland—Fiction. I. Title.
PR9619.4.G73I84 2012
823'.92—dc23
2012010046
ISBN 978-0-7432-9443-0
ISBN 978-1-4516-7202-2 (ebook)
For Julian Blaxland
son of my heart
with all my love
(And because I thought you might like the Vikings)
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Epilogue
Acknowledgments
Introduction
Readers Club Guide
Reader’s Companion
The Dressmaker excerpt
About Posie Graeme-Evans
About Atria Books
Ask Atria
THE BONES of the brothers lay in the dark. Dust thick as cloth covered them, for the air was ancient and dead.
It had been a different world then, in the days of the Wanderer. A time when people turned from the old Gods, and slaughter stalked those of the newer ways. Gods are never replaced without blood.
The younger had died for love, seeking justice. The older was cut down as he’d expected to be, surrounded by his fighters. They were both betrayed.
But when they were buried, the bodies had been honored. Placed beneath a scarlet pall, weapons lay close to their hands—an ax for one and in the other’s hand a sword.
All the grave goods were precious, the best that could be provided. The spoils of other places, other raids, there were cloak clasps of bronze inlaid with garnets and a collar of worked gold that would have glimmered, if there had been light. There was a knife, too, with a bone haft. Carved in the shape of an otter, this was a work of rare skill. The animal seemed almost alive, a sinuous fit for the palm of a dead man.
Sheep meat and a goat had been given for the journey, and there were apples in a silver dish beside their feet. Just before the tomb was sealed, the bodies were scattered with meadow flowers, and their murderers killed all the monks. It was a generous gesture. The dead must have attendants in the next life and, too, sacrifice paid the blood debt of betrayal. Murder, unappeased, makes the dead malevolent.
CHAPTER 1
SHE FIRST saw her house fro
m the sea.
It lay on the cliff above the sheltered cove, long and gray with a roof that was darker than the granite walls. Close by was the crumbling stump of another, much greater building. Above both was the bulk of a hill, a sentinel.
Freya Dane stood up in the open dinghy. She clutched the gunwale as they rounded the headland. There was the crescent of the landing beach beneath the cliff, and she could see the path to the house. The place matched the pictures. She had arrived.
What had she done?
The dinghy plunged over a wave crest, and Freya sat down with a bump. She’d wanted this, wanted to come here, but the cliff had not seemed so high in the pictures. Now she was close to its walls, and that dark bulk was intimidating.
Freya glanced at the things she’d brought from Sydney: her laptop, a backpack, and a larger bag for clothes. Before the crossing, she’d bought basic groceries in Portsolly, the fishing village on the other side of the strait. They were there, too, in a box. With wet-weather gear, she had all that was needed for a quick trip. Why was she feeling such anticipation? She should be angry. She’d made this journey because of him, not for him. And there was plenty of room for anger because of what he’d done—not just to her either.
Was it only the day before she’d been in Sydney? Freya saw herself, like a clip from a film. One last, brave wave to her mother at the air gate—anxiety unacknowledged on both sides—then the turning, the walking away. The last scene from Casablanca.
She half-laughed. Ah yes, they were all stoic, the Dane women—Elizabeth had trained her well. Stick the chin out, get on with it. So she had.
But she hated flying, that was the thing. When the plane took off, any plane she was on, Freya expected to die. One day, she knew, the joint confidence of all her fellow passengers would falter; and when that innocent, blind belief—the certainty that hundreds and hundreds and hundreds of tons of metal could (a) get off the ground and (b) stay up in the air—ruptured, it would all be over. They would drop from the sky like a brick, screaming.
But not this time. This time work got Freya through that endless night and the day that followed as the jumbo tracked on, indefatigable, over Australia and India, Afghanistan, the Gulf States and, as dawn broke, Europe.
After all, why terrify yourself picturing how far it was to the ground when you had only to open your laptop to allow another, equally powerful—though less terminal—anxiety to distract you?
“An Assessment of Regional Influences on the Iconography of the Early Medieval Church in the Romance Kingdoms.” It certainly looked like a doctoral thesis on the screen—all those pages and words and footnotes—but, sadly, trying to write her way to the end was just as difficult at thirty-five thousand feet as it had been at her desk on the ground in Sydney.
The usual terror; deadline or not, Freya just could not crack the topic—and she’d chosen it. Her fault.
A wave slapped the bow of the dinghy, and Freya ducked. Too late.
“All right?” The man in the stern shouted over the engine; he seemed genuinely concerned.
She raised a hand. “I’m fine.”
At least the air was cool on the strait between Findnar and the mainland. Freya hated heat—odd for an Australian—but Scotland made it easier to forget the steaming weight of Bangkok’s air on that first night of travel. But then there’d been sullen London and the hell of Luton on a lead gray summer’s day. Plane delays and zoned-out people in queues were Freya’s own personal vision of Hell, and that final flight north had nearly done her head in. So little room, her knees pressed against the seat in front, and she’d been wedged between two braying idiots in business suits. Both of them pale, one half-drunk with a long, odd face, the other rowdy and sweaty.
An overactive imagination; it had always been her curse. Add jet lag, and Long Face turned into a donkey while Pungent One barked like a dog as the pair talked across her. Brits. They could all patronize for Home & Empire when they heard an Australian accent.
But she’d arrived at the coast in the far northeast of Scotland in the long summer twilight at last.
And, as promised by Mr. W. Shakespeare, there was the silver sea. It really was silver. She saw that as the cab from the airport dropped her beside the shops in Portsolly and drove away.
Sharp air—real air, after more than a day of canned reek—had rinsed Freya’s mind as she walked down the twisting main street toward the harbor and that glimmering water. She was looking for a pub—always the best place to ask for directions.
Portsolly only had one pub, the Angry Nun. A small building of gray stone with leaded windows and a painted sign that moved back and forth in the gentle breeze off the sea, Freya liked what she saw, and her mood had lifted. She’d pushed the door open as the barman looked up from polishing glasses. Other faces turned to stare as she entered, and though Freya never had trouble asking for help, the observant silence made her self-conscious. The barman seemed amused as she leaned in close over the varnished counter. “Excuse me, but would you know someone who could take me across to Findnar tonight?”
The man had raised his brows. “Tonight?” He’d looked around the bar. “Walter, can you help the lady?”
The r had been softly rolled and the a more of an o. Beguiling. Freya smiled as she remembered. Spoken language this far north was sweet and dark in the mouth.
One of the barstools swiveled as its occupant inspected her. Somewhere north of fifty, he had white wrinkles in the brown skin around his eyes. A good face, but he frowned.
Because she was anxious, Freya had jumped in. “I’m happy to pay, of course. Twelve pounds?” Ten too little, fifteen too much.
He’d stared at her with no expression Freya could read. Then, as she’d been about to up the offer—though she didn’t want to—he’d said, “Best we go now. Wind’s on its way. Put your money away.”
He was wearing the boots of a fisherman, Freya had seen that when he stood, and storm gear had been hooked over the back of the stool.
Perhaps it was kindness from a stranger that had made her jumpy. “But it’s a calm evening, surely? Just a soft breeze.”
Walter Boyne had laughed. “Perhaps.”
In the end, she’d hitched up her pack and followed him, and so, here they were.
The boat pitched in a dip between waves, and Freya resisted staring at the man in the stern. Why had he been so nice? She thought about that as the sky darkened above her head. At last, the long twilight was fading, and in Portsolly, across the water, first lights blinked on.
This place was nothing like her home, nothing like Sydney—even the sea smelled different—yet the day was dying into glory, and the green of Findnar’s sheltering headland was luminous in the last light. Above, seabirds were settling in their rookery. Unfamiliar, harsh calls, a bedlam of honks and squawks, not like the evening music of wagtails and magpies.
And suddenly Freya was washed, swamped, by the thought of all she’d left behind on this fool’s errand. All the safe rituals, the habits of her life. Work on the PhD she thought she’d never finish, meeting her friends for coffee or breakfast, Sundays with Elizabeth, even waitressing to pay the rent. Known things. Known people. And now there was anxiety and fear. And yearning. They’d come back, that unholy trinity, her companions from childhood; by getting on that plane in Sydney, she’d called them up again.
The dinghy grounded on the cove in a rattle of shingle. An urgent sea, shouldering behind, pushed the boat higher as Walter Boyne cut the outboard. The engine snarled and died, the sound rushed away by the surging water. Without comment, he clambered over the side to tie the dinghy to a jetty stump.
Freya called out, “Mr. Boyne, will my bag be safe on the beach? Above the tide line, I mean.” It was good she sounded calm. She’d take the laptop and the backpack, the groceries, too, up to the house, but the bag of clothes was heavy.
The man was a pace or two away, a rope in one nicked and battered fist. He shook his head. “Mr. Boyne’s my father. I’m Walter. Best we
take your things to the house tonight. Big tide with a hunter’s moon. Wait here, lass.”
Freya’s lips quirked. Lass. Were you still a lass at twenty-six? Perhaps he was being polite, yet there was a lilt to the way Walter said the word, and she liked the music of his accent, his courteously formal way.
Freya swung her legs over the side of the boat. She swallowed the urge to call out to that retreating back because she didn’t want to be alone on the beach. Don’t be ridiculous. You chose to come, Freya Dane. That voice in her head annoyed her. Often.
But what would have happened all those weeks ago in Sydney if she’d said to the solicitor, calling all the way from Scotland, I don’t want the place. Please arrange for the island to be sold.
That had been her mother’s advice, of course. She was a practical and dignified woman, Elizabeth Dane, but both qualities ran to sand with the first of the lawyer’s letters. Corrosive regret, long strapped down beneath the armor of defensive resignation, had found a voice after Freya opened that envelope. “Why would you go to Scotland just because he’s asked you to?”
But if she’d agreed with her mother, Freya would have smothered that faint, unacknowledged hope. The hope she was trying, now, not to recognize.
Coming to this place, to Findnar, might help her understand why her father had walked out of their lives all those years ago.
Freya knew Michael Dane was dead. She had seen that jagged little fact in the black type and careful lawyers’ phrases. A sparse note that her father had drowned. She’d been surprised how much the news upset her—and, more strangely, her mother. They’d not talked about him for years because, stonewalled, Freya had stopped asking questions.
So there was no point, now, planning the conversation. No point scripting, in forensic detail, what Freya would say to her father, or what he would say to her, when they finally met again. The apologies (from him), the scorn (from her). Her fury, his penitence. Answers. Reasons.
Michael Dane did not exist. He was dead. They would never speak. The end.
The Island House Page 1
