Die Again Tomorrow

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by Kira Peikoff




  Experts Praise Kira Peikoff

  DIE AGAIN TOMORROW

  “Die Again Tomorrow held me captive me from the

  opening chapter—in which a murdered woman is

  subjected to a secret medical procedure that brings

  her back to life. From there the story takes off like

  a rocket, full of surprises, fascinating science, and

  vivid characters. If you enjoy the medical thrillers

  of Crichton and Cook, this book is for you. I can’t

  recommend it highly enough.”

  —Douglas Preston

  “Peikoff’s thrillers are really scary and scarily real.”

  —Taylor Stevens

  NO TIME TO DIE

  “Breathless thrills and pace, but real substance too: a

  perfect mix of nail-biter and thought-provoker, from a

  writer to watch. Highly recommended.”

  —Lee Child

  “No Time to Die is an intelligent, exciting tour de force;

  the story is tight, the characters are fascinating, and the

  twists are terrific and totally unexpected . . . A crackling

  good read.... Has the magic touch.”

  —Michael Palmer

  “No Time to Die takes a terrific, original premise—what

  if someone literally could not age?—and turns it into a

  heart-pounding thriller that keeps its surprises coming to

  the last page. Fans of Michael Crichton will love this.”

  —Joseph Finder

  “Chilling, intelligent, and incredibly thought-provoking.

  This uniquely imagined page-turner propels us to the

  brink of medical science—and proves we should be

  careful what we wish for. Fans of Michael Palmer and

  Robin Cook will be mesmerized—as will anyone who

  has contemplated their own mortality.”

  —Hank Phillippi Ryan

  “A twisting, suspenseful thriller with an irresistible

  scientific hook worthy of Michael Crichton: what if

  we had the power to stop aging? What if buried in

  our own DNA is the fountain of youth?”

  —William Landay

  “Piekoff spins a frightening tale involving bioethics

  and science that asks hard questions . . . The novel

  proves worthy thanks to Zoe Kincaid, a young girl

  with terrible genetic makeup. Hopefully Peikoff

  has plans to bring her back.”

  —RT Book Reviews (3 stars)

  “No Time to Die is a mesmerizing medical suspense

  as Kira Peikoff deftly balances a timely deep look at

  the ethics of genetic research inside of an action-packed

  twisting biological thriller. With a solid cast, readers

  care about what happens to Zoe.”

  —Mystery Gazette

  “A delightfully brainy and thrillingly suspenseful

  novel with attention-grabbing, violent, and mysterious

  action . . . Scientific information and speculation

  are presented with excited clarity . . . Peikoff offers a

  frightening display of ambition, competition,

  and careerism gone wild.”

  —Washington Independent Review of Books

  “Peikoff understands plotting and the final twist is a

  great surprise . . . Ultimately, it’s easy to see this book

  translated to the big screen; it feels like an action movie

  as it plumbs an idea captivating people since Herodotus

  wrote about eternal youth in 500 B.C.”

  —NJ.com

  “A fast-paced thriller with sound cutting-edge science

  to explore the fundamental mysteries of aging—

  mysteries that, for the first time in history, we are

  now close to unraveling. No Time to Die may be

  fictional, but it vividly evokes the most exciting

  aspect of my research to date.”

  —Dr. Richard Walker, editor-in-chief,

  Clinical Interventions in Aging

  “Defeating aging may be far harder than No Time to

  Die suggests, but it’s definitely possible. Unfortunately,

  terror of aging has paralyzed humanity, slowing critical

  research and costing untold lives: maybe yours. By

  highlighting in fiction aspects of this tragedy that are

  all too real, Peikoff may just save some.”

  —Aubrey de Grey, Ph.D., Chief Science Officer,

  SENS Research Foundation

  ALSO BY KIRA PEIKOFF

  No Time to Die

  Living Proof

  DIE AGAIN TOMORROW

  KIRA PEIKOFF

  PINNACLE BOOKS

  Kensington Publishing Corp.

  www.kensingtonbooks.com

  All copyrighted material within is Attributor Protected.

  Table of Contents

  Experts Praise Kira Peikoff

  ALSO BY KIRA PEIKOFF

  Title Page

  Dedication

  PART ONE

  CHAPTER 1 - The Day of Isabel

  CHAPTER 2 - The Diary of Richard Barnett

  CHAPTER 3 - Joan

  CHAPTER 4 - Isabel

  CHAPTER 5 - Joan

  CHAPTER 6 - Victim

  CHAPTER 7 - The Diary of Richard Barnett

  CHAPTER 8 - Joan

  CHAPTER 9 - Isabel

  CHAPTER 10 - Joan

  CHAPTER 11 - Isabel

  CHAPTER 12 - Joan

  CHAPTER 13 - The Diary of Richard Barnett

  CHAPTER 14 - Joan

  CHAPTER 15 - Isabel

  CHAPTER 16 - Joan

  CHAPTER 17 - The Diary of Richard Barnett

  CHAPTER 18 - The Day of Isabel

  PART TWO

  CHAPTER 19 - Isabel

  CHAPTER 20 - The Investor

  CHAPTER 21 - Joan

  CHAPTER 22 - Isabel

  CHAPTER 23 - Isabel

  CHAPTER 24 - Joan

  CHAPTER 25 - Isabel

  CHAPTER 26 - Isabel

  CHAPTER 27 - Joan

  CHAPTER 28 - Isabel

  CHAPTER 29 - Isabel

  CHAPTER 30 - Joan

  CHAPTER 31 - Isabel

  CHAPTER 32 - Joan

  CHAPTER 33 - Isabel

  CHAPTER 34 - Joan

  PART THREE

  CHAPTER 35 - Isabel

  CHAPTER 36 - Joan

  CHAPTER 37 - Isabel

  CHAPTER 38 - Greg

  CHAPTER 39 - Isabel

  CHAPTER 40 - Greg

  CHAPTER 41 - Joan

  CHAPTER 42 - Greg

  CHAPTER 43 - Isabel

  CHAPTER 44 - Chris

  CHAPTER 45 - Isabel

  CHAPTER 46 - Joan

  CHAPTER 47 - Isabel

  CHAPTER 48 - Greg

  CHAPTER 49 - Joan

  PART FOUR

  CHAPTER 50 - Isabel

  CHAPTER 51 - Greg

  CHAPTER 52 - Greg

  CHAPTER 53 - Isabel

  CHAPTER 54 - Joan

  CHAPTER 55 - Isabel

  CHAPTER 56 - Isabel

  CHAPTER 57 - Isabel

  CHAPTER 58 - Isabel

  CHAPTER 59 - Isabel

  ACKNOWLEDGMENTS

  ABOUT THE AUTHOR

  Copyright Page

  For Matt

  PART ONE

  Numberless are the world’s wonders, but none

  more wonderful than man . . .

  From every wind, he has made himself secure—

  from all but one:

  In the late wind of death he cannot stand.

  —
Sophocles’ Antigone, 5th century BC

  Contrary to popular belief, death is not a moment

  in time, such as when the heart stops beating,

  respiration ceases, or the brain stops functioning.

  Death, rather, is a process—

  a process that can be interrupted well after

  it has begun.

  —Sam Parnia, MD, PhD,

  Director of Resuscitation Research at

  Stony Brook University

  School of Medicine, 2013

  1 minute dead

  Her body undulated in the sea. It swayed with the waves, rising and falling, a rag doll in the froth. Seaweed clung to the dark tangle of her hair. Facedown, she floated on the crest of a swell, then plummeted with the breaker. Her slender limbs splayed out, strangers to pain. She was nothing now but a marionette at the mercy of the tide. White foam engulfed her body and carried it express to the shore.

  It washed up on the beach. The tide receded. Her cheek lay against the sand, her eyes swollen closed. Her mouth hung open. Salt water trickled out.

  The first person to notice was a little boy digging for crabs. He scooted over and squatted in front of her face.

  “Time for wakey,” he said. He planted his chubby thumb and forefinger on her eyelid, pried it open, and gazed into her unseeing pupil.

  “Wakey,” he said, frowning. He poked her limp arm. Nothing happened.

  He started to cry. A woman jogged toward him but stopped short.

  Then she screamed.

  7 minutes dead

  Two ambulances arrived at the same time. A pair of emergency medical techs jumped out of the first one and raced to her body, where a crowd of about ten sunbathers had gathered. Some were taking turns trying to deliver chest compressions while others stood to block the view of nearby children. The second ambulance waited at the curb; its purpose was to preserve the organs of a corpse for harvesting and donation in case attempts at resuscitation failed. With Key West’s popular opt-out program, everyone who died in the city was assumed to be a consenting donor unless otherwise indicated.

  As the two EMTs approached the body, they saw right away that her skin was waterlogged and turning bluish. Frothy salt water spewed out of her mouth as if from an erratic hose.

  “Out of the way,” the older one commanded. His voice carried an air of authority that matched his jaded expression. The younger tech followed on his heels with a case of equipment slung over his shoulder. He was in his late twenties, about the same age as the drowned woman.

  The crowd parted and stepped back.

  The first EMT dropped to his knees and grabbed her wrist. No pulse. He flung her disheveled hair off her face and opened her eyelids. Despite the bright morning sunlight, her pupils were fixed and dilated.

  The younger tech covered her body with defibrillator pads and attempted to shock her heart. When nothing happened, he switched to giving her chest compressions, hard and fast, about one hundred per minute. Salt water tainted with blood kept dribbling out of her mouth.

  “She’s flatlined,” the older tech said after two minutes. “We should just declare her.”

  The other man kept on pushing, though his arms were tiring. “No, let’s—give her a—chance,” he sputtered. “She’s so young.”

  His colleague looked skeptical, but nodded. “Let’s switch, you do the line.”

  The young tech rolled off her chest and tried to inject a peripheral line with epinephrine into her arm, but her skin was so mottled that he couldn’t find the vein. He cursed under his breath and moved on to the next last-ditch step.

  As the older man continued to deliver fast compressions, grunting and sweating, the other hauled a canister of oxygen and a plastic breathing tube out of the supply bag. Using an L-shaped laryngoscope, he pushed up the roof of her mouth to see down into her throat.

  That was when he noticed a piece of what looked like black neoprene cloth lodged inside her cheek. That’s weird, he thought, and tried to pull it out, but it wouldn’t easily dislodge, so he bypassed it. Her throat was extremely swollen and he had to work hard to shove the breathing tube all the way in.

  “Should I just put the epinephrine down the tube?” he asked.

  “You know—there’s—controversy about that,” the other man huffed, still doing compressions. “It doesn’t—necessarily—help survival.”

  “What does she have to lose?”

  He seized the drug and pushed 2 milligrams into her tube. Then he connected her to the oxygen tank, and the men switched positions again so neither tired for too long.

  Every two or three minutes, they switched, while one checked her pulse on her neck, her groin. Nothing. Her skin was now a frightening shade of blue.

  After twenty-one minutes, the older man pushed on her chest for the last time and rolled off her, sweating profusely.

  “We should just stop, I don’t know why you want to save the world all the time.”

  The young man glared, but didn’t rush to perform any further compressions. “She had her whole life ahead of her.”

  It didn’t help that she was beautiful: he imagined how her cascade of black hair might have draped across her tanned shoulders, how her green eyes might have lit up when she laughed. She had the athletic figure of a swimmer—flat abs, toned biceps, defined calves. With a body like that, he wondered how she could have succumbed to the waves, even in high tide. Some things would forever be a mystery.

  “We have to accept it. She’s gone. I’m calling it.” The older tech glanced at his watch. “Time of death: 10:12 A.M.”

  A few of the onlookers turned away. One made the sign of a cross over his chest and bowed his head.

  The young EMT sighed and radioed to the waiting ambulance to come claim her body. Then he removed her breathing tube and packed up all the equipment. He tried to think of the bright side: a young, otherwise healthy person was a prime candidate for cadaver organ donation; as many as fifty lives could be saved or improved from her body alone.

  Within seconds, two more bored-looking EMTs arrived with a stretcher and nodded at the pair who had failed.

  “We can take it from here. Thanks.”

  They lifted her corpse and strapped it in, wasting no time hauling it to their own ambulance. As they tipped the stretcher to load it, her drying hair fell over the edge and glinted in the warm November sun.

  Inside, a white-haired doctor was waiting. He beckoned to the EMTs to hurry. They scrambled in after loading the stretcher, just as the doctor pulled the door shut behind them. Exhilaration radiated from his flushed cheeks, but his demeanor was steady.

  He was the famed—some would say infamous—Dr. Horatio Quinn, who had vanished from the public eye seven years prior. Now approaching eighty, his back was stooped, his arthritic fingers gnarled, his messy brows furrowed. But behind his tortoiseshell glasses shone an insatiable hunger for truth that kept him as young as the first day he ever walked into a lab.

  He placed one hand on the woman’s lifeless forehead and smiled.

  “Gentlemen,” he said, “close the blinds. This is when the fun begins.”

  33 minutes dead

  Dr. Quinn lifted a corner of the rubber floor pad and pressed his index finger to a tiny sensor. Together, he and the two EMTs turned to stare at a blank white area on the wall a few inches below the ceiling, near the head of the corpse. They heard a click, followed by a whirring sound. Then four cracks materialized in the shape of a square about two feet across and two feet wide. It was a door. The edges popped out and slid to the left, revealing a secret compartment in the depth.

  “Never gets old,” muttered Chris, the tech with the best poker face around.

  His new apprentice, Theo, rubbed his hands together in anticipation.

  The doctor reached inside the hole and extracted an automatic CPR device—a small round machine the size of a helmet. He put it on the dead woman’s sternum, securing it around her chest with a band pulled tight. Right away the machine starte
d to deliver perfect chest compressions to the highest standards of timing and force—with no chance of tiring. Next, the doctor opened her mouth and inserted a laryngoscope attached to a camera so he could visualize her trachea.

  He frowned; a piece of shredded black cloth was stuck between her teeth and cheek. It had a fraying string wrapped around her tooth. What the hell is that? he thought. He yanked it out and flicked it away, then slipped in a breathing tube connected to a ventilator and a portable oxygen tank. He set the CPR device at ten breaths per minute.

  “Game on,” he whispered near her ear.

  At the same time, while Theo connected her arm to a standard blood pressure cuff, Chris retrieved a black circular pad from the secret hole. It looked like an eye patch, but with a narrow blue tube connecting to a digital display: it was a cerebral oximeter that used near-infrared light to measure the amount of oxygen getting to her brain. He stuck it on her forehead above her right eye. The display quickly lit up with a red number: 5 percent.

  “Why is it still so low?” Ty asked at her left side. “Shouldn’t it be coming up already?”

  “It will.” Dr. Quinn was standing at her head, twisting his frail body to reach up into the hole. “You’ll see.”

  What he took out next looked like a red gun, but with a long needle in place of a barrel. It was an intraosseous device that could shoot drugs directly into bone, bypassing veins.

  “My favorite toy,” he declared. He leaned over the corpse, pressed the gun against her left shoulder, and fired. It recoiled as a pin lodged itself in her bone. He shot three more pins—one into her other shoulder and just below each knee. The techs watched with a mixture of awe and envy at his precision. Then he attached a line into each pin that would serve as a conduit for the drugs.

 

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