“They used to intimidate me,” said Maura. “The nuns.”
“I didn’t think anything scared you, Doc.”
“Lots of things scare me.”
Rizzoli laughed. “Just not dead bodies, huh?”
“There are far scarier things in this world than dead bodies.”
They left the body of Camille lying on her bed of cold stone and moved back around the room’s perimeter, toward the bloodstained floor where Ursula had been found, still alive. The photographer had completed his work and departed; only Maura and Rizzoli remained in the chapel, two lone women, their voices echoing off stark walls. Maura had always thought of chapels as universal sanctuaries, where even the spirit of the unbeliever might be comforted. But she found no comfort in this bleak place, where Death had walked, contemptuous of holy symbols.
“They found Sister Ursula right here,” said Rizzoli. “She was lying with her head pointed toward the altar, her feet toward the door.”
As though prostrating herself before the crucifix.
“This guy’s a fucking animal,” said Rizzoli, the angry words clipped off like shards of ice. “That’s what we’re dealing with. Out of his mind. Or some coked-up asshole looking for something to steal.”
“We don’t know it’s a man.”
Rizzoli waved toward the body of Sister Camille. “You think a woman did that?”
“A woman can swing a hammer. Crush a skull.”
“We found a footprint. There, halfway up the aisle. Looked to me like a man’s size twelve.”
“One of the ambulance crew?”
“No, you can see the Med-Q team’s footprints here, near the door. That one in the aisle’s different. That one’s his.”
The wind blew, rattling the windows, and the door creaked as though invisible hands were tugging at it, desperate to get in. Rizzoli’s lips had chilled to blue, and her face had taken on a corpselike pallor, but she showed no intention of seeking a warmer room. That was Rizzoli, too stubborn to be the first to capitulate. To admit she had reached her limit.
Maura looked down at the stone floor where Sister Ursula had been lying, and she could not disagree with Rizzoli’s instincts, that this attack was an act of insanity. This was madness she saw here, in these bloodstains. In the blows slammed into Sister Camille’s skull. Either madness, or evil.
An icy draft seemed to blow straight up her spine. She straightened, shivering, and her gaze fixed on the crucifix. “I’m freezing,” she said. “Can we get warm somewhere? Get a cup of coffee?”
“Are you finished here?”
“I’ve seen what I need to. The autopsy will tell us the rest.”
TWO
They emerged from the chapel, stepping over the strand of police tape which by now had fallen from the doorway and lay encased in ice. The wind flapped their coats and whipped their faces as they headed beneath the walkway, their eyes narrowed against rebel gusts of snowflakes. As they stepped into a gloomy entranceway, Maura registered barely a whisper of warmth against her numb face. She smelled eggs and old paint and the mustiness of an ancient heating system, radiating dust.
The clatter of chinaware drew them down a dim hallway, into a room awash in fluorescent light, a disconcertingly modern detail. It glared down, stark and unflattering, on the deeply lined faces of the nuns seated around a battered rectory table. Thirteen of them—an unlucky number. Their attention was focused on squares of bright floral cloth and silk ribbons and trays of dried lavender and rose petals. Craft time, thought Maura, watching as arthritic hands scooped up herbs and wound ribbon around sachets. One of the nuns sat slumped in a wheelchair. She was tilted to the side, her left hand curled into a claw on the armrest, her face sagging like a partly melted mask. The cruel aftermath of a stroke. Yet she was the first to notice the two intruders, and she gave a moan. The other sisters looked up, turning toward Maura and Rizzoli.
Gazing into those wizened faces, Maura was startled by the frailty she saw there. These were not the stern images of authority she remembered from her girlhood, but the gazes of the bewildered, looking to her for answers to this tragedy. She was uneasy with her new status, the way a grown child is uneasy when he first realizes that he and his parents have reversed roles.
Rizzoli asked, “Can someone tell me where Detective Frost is?”
The question was answered by a harried-looking woman who had just come out of the adjoining kitchen, carrying a tray of clean coffee cups and saucers. She was dressed in a faded blue jumper stained with grease, and a tiny diamond glinted through the bubbles of dishwater on her left hand. Not a nun, thought Maura, but the rectory employee, tending to this ever more infirm community.
“He’s still talking to the Abbess,” the woman said. She cocked her head toward the doorway, and a strand of brown hair came loose, curling over her frown-etched forehead. “Her office is down the hall.”
Rizzoli nodded. “I know the way.”
They left the harsh light of that room and continued down the hallway. Maura felt a draft here, a whisper of chill air, as though a ghost had just slipped past her. She did not believe in the afterlife, but when walking in the footsteps of those who had recently died, she sometimes wondered if their passing did not leave behind some imprint, some faint disturbance of energy that could be sensed by those who followed.
Rizzoli knocked on the Abbess’s door, and a tremulous voice said: “Come in.”
Stepping into the room, Maura smelled the aroma of coffee, as delicious as perfume. She saw dark wood paneling and a simple crucifix mounted on the wall above an oak desk. Behind that desk sat a stooped nun whose eyes were magnified to enormous blue pools by her glasses. She appeared every bit as old as her frail sisters seated around the rectory table, and her glasses looked so heavy they might pitch her face-forward onto her desk. But the eyes gazing through those thick lenses were alert and bright with intelligence.
Rizzoli’s partner, Barry Frost, at once set down his coffee cup and rose to his feet out of politeness. Frost was the equivalent of everybody’s kid brother, the one cop in the homicide unit who could walk into an interrogation room and make a suspect believe Frost was his best friend. He was also the one cop in the unit who never seemed to mind working with the mercurial Rizzoli, who even now was scowling at his cup of coffee, no doubt registering the fact that while she had been shivering in the chapel, her partner was sitting comfortably in this heated room.
“Reverend Mother,” said Frost, “This is Dr. Isles, from the Medical Examiner’s office. Doc, this is Mother Mary Clement.”
Maura reached for the Abbess’s hand. It was gnarled, the skin like dry paper over bones. As she shook it, Maura spotted a beige cuff peeking out from under the black sleeve. So this was how the nuns tolerated such a cold building. Beneath her woollen habit, the Abbess was wearing long underwear.
Distorted blue eyes gazed at her through thick lenses. “The Medical Examiner’s office? Does that mean you’re a physician?”
“Yes. A pathologist.”
“You study causes of death?”
“That’s right.”
The Abbess paused, as though gathering the courage to ask the next question. “Have you already been inside the chapel? Have you seen …”
Maura nodded. She wanted to cut off the question she knew was coming, but she was incapable of rudeness to a nun. Even at the age of forty, she was still unnerved by the sight of a black habit.
“Did she …” Mary Clement’s voice slipped to a whisper. “Did Sister Camille suffer greatly?”
“I’m afraid I have no answers yet. Not until I complete the … examination.” Autopsy was what she meant, but the word seemed too cold, too clinical, for Mary Clement’s sheltered ears. Nor did she want to reveal the terrible truth: That in fact, she had a very good idea of what had happened to Camille. Someone had confronted the young woman in the chapel. Someone had pursued her as she fled in terror up the aisle, wrenching off her white novice’s veil. As his blows avulsed her sca
lp, her blood had splashed the pews, yet she had staggered onward, until at last she stumbled to her knees, conquered at his feet. Even then her attacker did not stop. Even then, he had kept swinging, crushing her skull like an egg.
Avoiding Mary Clement’s eyes, Maura briefly lifted her gaze to the wooden cross mounted on the wall behind the desk, but that imposing symbol was no more comfortable for her to confront.
Rizzoli cut in, “We haven’t seen their bedrooms yet.” As usual, she was all business, focusing only on what needed to be done next.
Mary Clement blinked back tears. “Yes. I was about to take Detective Frost upstairs to their chambers.”
Rizzoli nodded. “We’re ready when you are.”
The Abbess led the way up a stairway illuminated only by the glow of daylight through a stained glass window. On bright days, the sun would have painted the walls with a rich palette of colors, but on this wintry morning, the walls were murky with shades of gray.
“The upstairs rooms are mostly empty now. Over the years, we’ve had to move the sisters downstairs, one by one,” said Mary Clement, climbing slowly, grasping the handrail as though hauling herself up, step by step. Maura half expected her to tumble backwards, and she stayed right behind her, tensing every time the Abbess paused, wobbling. “Sister Jacinta’s knee is bothering her these days, so she’ll take a room downstairs, too. And now Sister Helen has trouble catching her breath. There are so few of us left.…”
“It’s quite a large building to maintain,” said Maura.
“And old.” The Abbess paused to catch her breath. She added, with a sad laugh, “Old like us. And so expensive to keep up. We thought we might have to sell, but God found a way for us to hold onto it.”
“How?”
“A donor came forward last year. Now we’ve started renovations. The slates on the roof are new, and we now have insulation in the attic. We plan to replace the furnace, next.” She glanced back at Maura. “Believe it or not, this building feels quite cozy, compared to a year ago.”
The Abbess took a deep breath and resumed climbing the stairs, her rosary beads clattering. “There used to be forty-five of us here. When I first came to Graystones, we filled all these rooms. Both wings. But now we’re a maturing community.”
“When did you come, Reverend Mother?” asked Maura.
“I entered as a postulant when I was eighteen years old. I had a young gentleman who wanted to marry me. I’m afraid his pride was quite wounded when I turned him down for God.” She paused on the step and looked back. For the first time, Maura noticed the bulge of a hearing aid beneath her wimple. “You probably can’t imagine that, can you, Dr. Isles? That I was ever that young?”
No, Maura couldn’t. She couldn’t imagine Mary Clement as anything but the wobbly relic she was now. Certainly never a desirable woman, pursued by men.
They reached the top of the stairs, and a long hallway stretched before them. It was warmer up here, almost pleasant, the heat trapped by low dark ceilings. The exposed beams looked at least a century old. The Abbess moved to the second door and hesitated, her hand on the knob. At last she turned it, and the door swung open, gray light from within spilling onto her face. “This is Sister Ursula’s room,” she said softly.
The room was scarcely large enough to fit all of them at once. Frost and Rizzoli stepped in, but Maura remained by the door, her gaze drifting past shelves lined with books, past flowerpots containing thriving African violets. With its mullioned window and low-beamed ceiling, the room looked medieval. A scholar’s tidy garret, furnished with a simple bed and dresser, a desk and chair.
“Her bed’s been made,” said Rizzoli, looking down at the neatly tucked sheets.
“That’s the way we found it this morning,” said Mary Clement.
“Didn’t she go to sleep last night?”
“It’s more likely she rose early. She usually does.”
“How early?”
“She’s often up hours before Lauds.”
“Lauds?” asked Frost.
“Our morning prayers, at seven. This past summer, she was always out early, in the garden. She loves to work in the garden.”
“And in the winter?” asked Rizzoli. “What does she do so early in the morning?”
“Whatever the season, there’s always work to be done, for those of us who can still manage it. But so many of the sisters are frail now. This year, we had to hire Mrs. Otis to help us prepare meals. Even with her help, we can scarcely keep up with the chores.”
Rizzoli opened the closet door. Inside hung an austere collection of blacks and browns. Not a hint of color nor embellishment. It was the wardrobe of a woman for whom the Lord’s work was all-important, for whom the design of clothing was only in His service.
“These are the only clothes she has? What I see in this closet?” asked Rizzoli.
“We take a vow of poverty when we join the order.”
“Does that mean you give up everything you own?”
Mary Clement responded with the patient smile one gives to a child who has just asked an absurd question. “It’s not such a hardship, Detective. We keep our books, a few personal mementoes. As you can see, Sister Ursula enjoys her African violets. But yes, we leave almost everything behind when we come here. This is a contemplative order, and we don’t welcome the distractions of the outside world.”
“Excuse me, Reverend Mother,” said Frost. “I’m not Catholic, so I don’t understand what that word means. What’s a contemplative order?”
His question had been quietly respectful, and Mary Clement favored him with a warmer smile than she had given Rizzoli. “A contemplative leads a reflective life. A life of prayer and private devotion and meditation. That’s why we retreat behind walls. Why we turn away visitors. Seclusion is a comfort to us.”
“What if someone breaks the rules?” asked Rizzoli. “Do you kick her out?”
Maura saw Frost wince at his partner’s bluntly worded question.
“Our rules are voluntary,” said Mary Clement. “We abide by them because we wish to.”
“But every so often, there’s got to be some nun who wakes up one morning and says, ‘I feel like going to the beach.’ ”
“It doesn’t happen.”
“It must happen. They’re human beings.”
“It doesn’t happen.”
“No one breaks the rules? No one jumps the wall?”
“We have no need to leave the abbey. Mrs. Otis buys our groceries. Father Brophy attends to our spiritual needs.”
“What about letters? Phone calls? Even in high security prisons, you get to make a phone call every so often.”
Frost was shaking his head, his expression pained.
“We have a telephone here, for emergencies,” said Mary Clement.
“And anyone can use it?”
“Why would they wish to?”
“How about mail? Can you get letters?”
“Some of us choose not to accept any mail.”
“And if you want to send a letter?”
“To whom?”
“Does it matter?”
Mary Clement’s face had frozen into a tight, lord-give-me-patience smile. “I can only repeat myself, Detective. We are not prisoners. We choose to live this way. Those who don’t agree with these rules may choose to leave.”
“And what would they do, in the outside world?”
“You seem to think we have no knowledge of that world. But some of the sisters have served in schools or in hospitals.”
“I thought being cloistered meant you couldn’t leave the convent.”
“Sometimes, God calls us to tasks outside the walls. A few years ago, Sister Ursula felt His call to serve abroad, and she was granted exclaustration—permission to live outside while keeping her vows.”
“But she came back.”
“Last year.”
“She didn’t like it out there, in the world?”
“Her mission in India wasn’t an easy one. And
there was violence—a terrorist attack on her village. That’s when she returned to us. Here, she could feel safe again.”
“She didn’t have family to go home to?”
“Her closest relative was a brother, who died two years ago. We’re her family now, and Graystones is her home. When you’re tired of the world and in need of comfort, Detective,” the Abbess asked gently, “don’t you go home?”
The answer seemed to unsettle Rizzoli. Her gaze shifted to the wall, where the crucifix hung. Just as quickly, it caromed away.
“Reverend Mother?”
The woman in the grease-stained blue jumper was standing in the hall, looking in at them with flat, incurious eyes. A few more strands of brown hair had come loose from her ponytail and hung limp about her bony face. “Father Brophy says he’s on his way over to deal with the reporters. But there are so many of them calling now that Sister Isabel’s just taken the phone off the hook. She doesn’t know what to tell them.”
“I’ll be right there, Mrs. Otis.” The Abbess turned to Rizzoli. “As you can see, we’re overwhelmed. Please take as much time as you need here. I’ll be downstairs.”
“Before you go,” said Rizzoli, “which room is Sister Camille’s?”
“It’s the fourth door.”
“And it’s not locked?”
“There are no locks on these doors,” said Mary Clement. “There never have been.”
The smell of bleach and Murphy’s Oil Soap was the first thing Maura registered as she stepped into Sister Camille’s room. Like Sister Ursula’s, this room had a mullioned window facing the courtyard and the same low, wood-beamed ceiling. But while Ursula’s room felt lived-in, Camille’s room had been so thoroughly scrubbed and sanitized it felt sterilized. The whitewashed walls were bare except for a wooden crucifix hanging opposite the bed. It would have been the first object Camille’s gaze would fix upon when she awakened each morning, a symbol of her focused existence. This was a chamber for a penitent.
The Rizzoli & Isles Series 11-Book Bundle Page 65
